Madharaasi
Action, Romance, Thriller (Tamil)
A man with a psychological disorder overcomes trauma and confronts his nemesis in a fast-paced action film with romance and unique elements, exploring themes of resilience and redemption. (more…)
The Bengal Files
Drama, History, Thriller (Hindi)
A criminal investigator uncovers a web of corruption during a missing person investigation, while a figure connected to the case reflects on the communal violence which broke out ahead of India's partition. (more…)
Guild Reviews
Baaghi 4
Action, Thriller (Hindi)
After waking up from a coma, a grieving man sets out to uncover the truth about his missing girlfriend.
Cast:
Tiger Shroff, Sanjay Dutt, Sonam Bajwa, Harnaaz Kaur Sandhu, Jimmy Shergill, Shabbir Ahluwalia, Sunny Hinduja, Raj Zutshi, Sai Ketan Rao, Mahesh Thakur
Director:
A. Harsha
The Pain is Real
Wed, September 10 2025
Tiger Shroff disappoints in this corny actioner
Sun, September 7 2025
During the pan-Indian wave, one thing that has reached Bollywood shores from the South is the toolkit of the Iron Age. Armed with cleavers, these days our heroes are slashing and slashing hard. It is not always when the stakes or tempers run high. It is just for the hack of it. Bored of firing gunshots from a distance, now they wield an axe and a hammer to grind the opposition to pulp. With an adult certificate becoming a sign of misplaced maturity, the makers can play with as much blood as they want. There is nothing like excess anymore. If Ranbir Kapoor can do it, how can Tiger Shroff be far behind? In this fourth installment of the action franchise, Ronny (Tiger) is madly in love with a girl named Alisha (debutante Harnaaz Sandhu), who the world feels doesn’t exist.
I think it’s time to draw the curtains
Sat, September 6 2025
Only Murders in the Building S05
Comedy, Mystery, Crime (English)
Three strangers share an obsession with true crime and suddenly find themselves wrapped up in one.
Cast:
Steve Martin, Martin Short, Selena Gomez
Steve, Martin, Selena Starrer Brings Back Magic In New Mystery
Tue, September 9 2025
How many murders can you have in a building? Turns out one every season, and we hope the corpses continue to fall because the fifth season of Hulu’s Only Murders in the Building is warm, funny, and oddly delightful. Several new characters are added this season, but it doesn’t take away from the core protagonists as they investigate the murder of one of their own. Steve Martin, Martin Short, and Selena Gomez are once again the highlight, while Meryl Streep is the best addition to the stellar show. Season 5 of the series looks at a New York institution, the doormen of the Big Apple who keep the buildings running. Viewers knew from last season that the Arconia’s beloved doorman, Lester (Teddy Coluca), was found dead in the courtyard fountain. Charles (Steve Martin), Oliver (Martin Short), and Mabel (Selena Gomez) decide to investigate the mysterious circumstances, which takes them down memory lane into the history of the Arconia itself with interactions with mobsters and billionaires that provide more clues.
Its The Beginning Of The End, But Still Good
Mon, September 8 2025
Only Murders In The Building season 5 returns to the hallways of the Arconia after touring to LA in the previous season. This time, our podcast hosts stay in the building and in and around New York as far as the iconic Godfather would take them. The new season doubles down on what works best for them and brings back some iconic characters while introducing another set of crazy characters New York has to offer. The show is obviously coming to an end, but it still maintains its niche writing, and that’s the biggest win for Only Murders In The Building. The show begins at the end of the previous season when the now beloved doormen Lester is found dead in the pool of his own blood in the building’s fountain. Charles, Oliver and Mabel don’t take much time to start looking for clues around the building and among their neighbours before the body is cold and under. However, it isn’t enough, especially when the police reports claim it was an accident. As every season of the show unfolds, the latest instalment also follows the trio as they track a list of trails left behind by the killer, which may or may not lead them to the end.
Demon Slayer: Infinity Castle
Animation, Action, Fantasy, Thriller (Japanese)
The Demon Slayer Corps are drawn into the Infinity Castle, where Tanjiro, Nezuko, and the Hashira face terrifying Upper Rank demons in a desperate fight as the final battle against Muzan Kibutsuji begins.
Cast:
Natsuki Hanae, Akari Kito, Yoshitsugu Matsuoka, Hiro Shimono, Toshihiko Seki, Reina Ueda, Nobuhiko Okamoto, Takahiro Sakurai, Katsuyuki Konishi, Kengo Kawanishi
Director:
Haruo Sotozaki
Heavy And Heartbreaking With Endless Battles
Mon, September 8 2025
Demon Slayer Infinity Castle has finally hit the big screen in India, and though the tickets have caused quite the ruckus among fans, the 155 minutes are worth the long wait. The film kicks off right at the end of the last season, with almost the entire Demon Slayer corps being pulled into the Infinity Castle after Muzan is attacked by the Hashiras at Kagaya Ubuyashiki’s house. Infinity Castle is filled with fan service as each character is touched upon, while also diving deeper into the story for a few of the characters in the same format that the show goes through. All Demon Slayer films, or other franchise anime films, have focused on providing a recap of the final battle and then diving into the new season. However, with the new films for the Infinity Castle arc the makers are taking a filmmaking approach. For the first time, we do get a recap, but through a new perspective to avoid any kind of repetition. Instead of watching the final moments of Muzan’s fight or Kagaya Ubuyashiki’s interaction with Muzan, we get the preparation he put into the trap through Hashira Gyomei Himejima’s perspective.
Songs of Forgotten Trees
Drama (Hindi)
Migrant and aspiring actress Thooya navigates Mumbai by leveraging beauty and wit, occasionally trading intimacy for opportunity. When she sublets her sugar daddy’s upscale apartment to Swetha, a fellow migrant working a corporate job, the two women from seemingly different worlds begin sharing more than just living space. Amid Mumbai’s relentless pulse, they discover silent empathy, though personal histories and wounds test their delicate connection in a strange and tender unfolding – of selfhood, of survival, of unexpected kinship.
Cast:
Naaz Shaikh, Sumi Baghel, Bhusan Shimpi, Ravi S Mann, Pritam Pilania, Lovely Singh
Director:
Anuparna Roy
Writer:
Anuparna Roy
Anuparna Roy’s Debut Finds Tenderness Amid Hardship
Sun, September 7 2025
Songs of Forgotten Trees is a clear-eyed, restrained, moving story of two young women, lonely and bruised, finding solace in each other. Thooya and Swetha are migrants in Mumbai. Thooya, played by Naaz Shaikh, is an aspiring actress and part-time sex worker — it helps to pay the bills. Swetha, played by Sumi Baghel, is a call center employee, hoping to find a soulmate in the matrimonial market. Both are navigating an indifferent, manic city. Swetha, a new arrival, is still a little starry-eyed. She really wants to see the ‘samudra’ but Thooya tells her with the amused awareness of an old timer – itna bhi khubsoorat nahi hai. The film, presented by Anurag Kashyap, is the debut feature of Anuparna Roy and the only Indian film selected for the prestigious Orizzonti section of the 82nd Venice Film Festival (Karan Tejpal’s Stolen and Chaitanya Tamhane’s Court also premiered here). The scenario might remind you of Payal Kapadia’s All We Imagine as Light, also about the bond between two migrant women in Mumbai. But Anuparna’s vision is far less lyrical. With stillness, long takes and an understated tone, she creates an anguished portrait of what it takes for women to survive. The heart of this film is a scene in which the two women are in two bathrooms next to each other — one is washing clothes in the bathing space, and the other is using the commode as a chair. What starts out as buoyant banter shifts seamlessly into grief and tears. The scene is beautifully staged and performed.
Kammattam
Crime (Malayalam)
Inspector Antonio George smells foul play in the mysterious death of Samuel Umman. As his investigation leads him to Samuel's employee, Francis, Antonio realises that a much larger game is in play.
Cast:
Sudev Nair, Jins Baskar, Arun Sol, Ajai Vasudev, Jeo Baby, Akhil R C Kavalayoor, Jordi Poonjar, Sree Rekha, Rakesh Murali, Viviya Santh
Director:
Shan Thulaseedharan
Writer:
Sanjith RS, Sudheesh Sugunanandhan, Jose Thomas Polackal
(Writing for M9 News)
Pacy Thriller Leads Nowhere
Sun, September 7 2025
Samuel Umman, a businessman involved in real estate, is killed in a road accident. Antonio George, entrusted with the case, smells something fishy. An investigation into Samuel’s life leads him to a confidante, Francis. He unearths an alleged loan scam in connection with a local cooperative bank. A thug Shaji, Samuel’s own son Ebin, and a few bank employees are also under the scanner. It’s Sudev Nair and Arun Sol, who enjoy bulk of the screen-time in the show. Sudev’s past appearances in both positive/negative roles work in favour of his casting, though Arun gets better scope to deliver a portrayal with space for histrionic talents. Akhil Kavalayoor, Ajay Vasudev, and Kalfan have one-note roles, and they deliver okayish performances. The women hardly have any prominence and get to make much impact.
Solid Source Material, Mid Storytelling
Sat, September 6 2025
In Shan Thulasidharan’s frantically paced Kammattam (Coinage), not a minute is wasted to push us into the world of crime. A man named Samuel (Jeo Baby) has been struck down by a moving car, and it’s clear, right from the word go, that this “accident” was very much intentional. A police officer named Antonio (Sudev Nair) is deputed to investigate. Within the first 10 minutes, the crime, the world around and the people involved have all been established with reasonable efficiency. Samuel is said to have had a chequered past, and this makes him susceptible to almost everyone around him, including close family. The red herrings are laid out with similar swiftness, and by the end of the first episode, we’re left with a handful of suspects, each with enough reason to have committed the crime(s).
Little Hearts
Comedy, Romance, Drama (Telugu)
Akhil, when failed in EAMCET exam, is forced into long-term coaching after heartbreak teaches him the difference between true and shallow love. At the center, he meets Khatyayani and falls for her, only to be rejected for a strange reason. Determined not to lose her, his humorous and transformative journey to win her heart becomes the soul of the story.
Cast:
Mouli, Shivani Nagaram, Rajiv Kanakala, S.S. Kanchi, Anitha Chowdary, Satya Krishnan
Director:
Sai Marthand
Writer:
Sai Marthand
(Writing for The Hindu)
This young romance is a relentless laughathon
Sun, September 7 2025
Cinema, a melange of art and commerce, is no exception to the rule of demand and supply. As fascination with hyper-masculine angry men, larger-than-life missions, and the love for grey shades is on the wane, there emerges a need for cinema that is more relatable and inhabited by characters who don’t hesitate to poke fun at their own flaws and vulnerabilities. A few Telugu films this year — Sankranthiki Vasthunnam, Mad Square, Single, Subham, Sarangapani Jathakam — highlight this gradual shift, which is reiterated by this week’s release, Little Hearts, directed by Sai Marthand. It exemplifies an often-quoted perception among cinephiles on social media — a film aware of its own silliness is indeed intelligent. Little Hearts is a love story about two misfits (as deemed by their families). Unable to clear his engineering entrances, Akhil (Mouli Tanuj) is compelled to undertake long-term coaching due to his father’s (Rajeev Kanakala) insistence. Khatyayini (Shivani Nagaram), daughter of a medico, is no different — except she is attempting MBBS for the fourth time. The scenario is ripe for love to blossom.
The Bengal Files
Drama, History, Thriller (Hindi)
A criminal investigator uncovers a web of corruption during a missing person investigation, while a figure connected to the case reflects on the communal violence which broke out ahead of India's partition.
Cast:
Darshan Kumaar, Anupam Kher, Saswata Chatterjee, Pallavi Joshi, Saurav Das, Mithun Chakraborty, Dibyendu Bhattacharya, Eklavya Sood, Simrat Kaur, Namashi Chakraborty
Director:
Vivek Agnihotri
Writer:
Vivek Agnihotri, Saurabh M. Pandey
When history meets histrionics
Sun, September 7 2025
The Bengal Files directed by Vivek Agnihotri continues his polarising Files Trilogy after The Tashkent Files and The Kashmir Files. With a cast featuring Darshan Kumar, Saswata Chatterjee, Pallavi Joshi, Mithun Chakravarthy, and Anupam Kher, this 205-minute political drama revisits the 1946 Great Calcutta Killings and the Noakhali riots. Framed as historical revelation, the film blends propaganda, performative outrage, and distorted memory into a cinematic spectacle. Positioned conveniently before the 2026 Bengal elections, The Bengal Files raises questions about political cinema in India, propaganda-driven storytelling, and the weaponization of Partition-era trauma. Political cinema in India has long mastered the art of selective amnesia—where history is less a chronicle of facts and more a buffet of “patriotic” fiction, seasoned heavily with rage bait. Most of these films claim to “speak truth to power” while actually whispering sweet nothings into the ears of a very specific, very angry demographic. The result? Predictably controversial, conveniently banned (wink wink), and almost always marketed as “the film THEY didn’t want you to see.”
मत देखिए ‘द बंगाल फाइल्स’
Sat, September 6 2025
‘प्रहार’ में मेजर चव्हाण बने नाना पाटेकर कोर्ट से पूछते हैं-‘देश का मतलब क्या है? सड़कें, इमारतें, खेत-खलिहान, नदियां, पहाड़, बस इतना ही? और लोग, लोग कहां हैं?’ सच तो यह है कि देश की बात करते समय हुकूमतों ने कभी लोगों के बारे में सोचा ही नहीं। विवेक रंजन अग्निहोत्री की यह फिल्म ‘द बंगाल फाइल्स’ उन्हीं लोगों, हम लोगों, ‘वी द पीपल ऑफ भारत’ की बात कहने आई है, सुनाने आई है। पर क्या सचमुच कोई ‘वी द पीपल’ की बात सुनना भी चाहता है? समझना चाहता है? आज के पश्चिम बंगाल के मुर्शिदाबाद में एक दलित लड़की के गायब होने के मामले की तफ्तीश करने के लिए दिल्ली से सी.बी.आई. अफसर शिवा पंडित को भेजा जाता है। शक स्थानीय विधायक सरदार हुसैनी पर है। शिवा पर वहां हमला होता है क्योंकि उस इलाके में पुलिस की नहीं सरदार हुसैनी की चलती है। वही सरदार हुसैनी जो सीमा पार से अवैध लोगों को वहां लाकर बसा रहा है, उन्हें यहां का नागरिक बना कर उस इलाके की डेमोग्राफी बदल रहा है, हर चीज़ को हिन्दू-मुसलमान बना रहा है ताकि उसकी हुकूमत चलती रहे। तफ्तीश के दौरान शिवा को भारती बैनर्जी मिलती है जिसने आज़ादी की लड़ाई लड़ी थी, अगस्त 1946 का बंगाल का वह ‘डायरेक्ट एक्शन डे’ देखा था जिसमें हज़ारों लोग मारे गए थे, नोआखाली के दंगे देखे थे और जो आज भी बात-बात पर बीते दिनों की उन भयानक यादों में खो जाती है। शिवा पंडित पाता है कि हालात आज भी कमोबेश वैसे ही हैं। हुकूमत में बैठे लोग आज भी अपने स्वार्थ के लिए ‘वी द पीपल’ को इस्तेमाल ही कर रहे हैं।
Vivek Agnihotri injects a booster dose of communal poison
Sat, September 6 2025
During the pandemic, a booster dose of the vaccine became a common term. It was intended to boost the immune system’s response to the virus. This week, Vivek Agnihotri injects a booster dose of cinematic virus that he unleashed with The Kashmir Files lest people develop immunity against communal politics. Once again, blending a discriminating version of the past with a myopic vision of the present, The Bengal Files not only scratches the wounds of the Partition but also punctures them to manipulate emotions. Soaked in blood and hate against one community and religion, the film uses cinema as a tool to divide. Juxtaposing the present State of affairs in West Bengal with the Calcutta riots of August 1946 in the wake of the Muslim League’s call for Direct Action Day, followed by the Noakhali riots, the film says that Partition is an unfinished business, instigating majoritarian fear about demographic change and illegal migration.
Uff Yeh Siyapaa
Comedy, Action (Hindi)
Kesari Lal Singh’s wife leaves him, believing he was flirting with the neighbor—he wasn’t. To make matters worse, a drug parcel is mistakenly delivered to his home, leading to chaos when a dead body turns up. As he tries to dispose of it, another body arrives, plunging him deeper into mayhem.
Cast:
Sohum Shah, Nushrratt Bharuccha, Nora Fatehi, Guru Shivam, Omkar Kapoor, Sharib Hashmi
Director:
Ashok G.
Writer:
Ashok G.
Two hours of drivel
Sat, September 6 2025
A film scored by A R Rahman, no less, cannot, in all honesty, be called a silent film. It can also be a big reason for drawing us into a film labelled a silent comedy, because music is key to telling us what words cannot. But looks can be deceptive. Let me warn you, this is two hours of drivel. How on God’s good earth did Rahman get inveigled into a project so vacuous? That’s a mystery which is destined to go unsolved; meanwhile, let me inflict upon you the misery I had to undergo.
There Are No Words
Fri, September 5 2025
If not for movies like Ufff Yeh Siyapaa, I’d be in denial about my age. Denial is not an option when I try to pull out my hair only to be met with a receding hairline. Thanks to the constant face-palming, I also realise that my skin has wrinkles. Thanks to the involuntary sighing and eye-rolling, I realise that yoga might be good for my stamina. Thanks to the inability to keep my eyes on the screen, I realise that my mind needs glasses too. And thanks to the resolute awfulness of a 116-minute silent comedy in 2025, I realise that my life is truly too short.
Unknown Number: The High School Catfish
Documentary (English)
Vulgar, taunting texts blow up the phones of a teen and her boyfriend. Who's sending them — and why? This twisty documentary reveals the shocking answer.
Cast:
Lauryn Licari, Sophie Weber, Macy Johnston, Owen McKenny, Shawn Licari
Director:
Skye Borgman
An outrageous true crime story gets peak Netflix treatment
Sat, September 6 2025
Every so often, Netflix releases a true crime documentary so algorithmically rigorous, so obnoxiously constructed, and so casually exploitative that its success is almost a foregone conclusion. It would, in fact, be a miracle if the film didn’t break through the clutter. Unknown Number: The High School Catfish follows in the undignified tradition of films such as The Tinder Swindler and The Social Dilemma, narrating a story so bizarre that they could’ve made 15 different versions of it and still had material left over. The version presented to us, although undeniably engaging, is perhaps the least responsible way that the filmmakers could’ve approached this scandalous tale. The crime that it revisits wasn’t entirely victimless. And while Unknown Number understands the tragedy at its core — the final 15 minutes contain enough evidence to support this theory — the way it chooses to present its findings is rather odd. The film revolves around… nobody. While it could’ve chosen to approach it from the perspective of at least three different people, it decides to make the story itself the protagonist. Actively ignoring all the different human interest angles on the table is unusual for any documentarian — one could argue that it is their job to uncover human arcs by sifting through hours and hours of raw footage — but that is what director Skye Borgman does here.
Vice Is Broke
Documentary (English)
An investigation into the once high-flying digital news outlet that filed for Chapter 11 bankruptcy in 2023 after boasting a valuation of $5.7 billion in 2017.
Cast:
Eddie Huang, Sasha Hecht, Dave 1, Gavin McInnes, Shane Smith, Jesse Pearson, Amy Kellner, Simon Ostrovsky, Spike Jonze, Lesley Arfin
Director:
Eddie Huang
Eddie Huang’s hit-piece/hate-piece chokes the voice of a generation
Sat, September 6 2025
Directed by and featuring Eddie Huang, Vice is Broke plays out like the most venomous exit interview of all time. Huang served as a key contributor to the punk magazine Vice during its heyday in the 2010s. He’d made a name for himself as a chef, and appeared to have just the sort of personality that Vice would seek out back then. This was when the magazine was expanding its online footprint with immersive video reportage and outstanding documentaries. They were filing dispatches from war-torn Afghanistan and the hermit kingdom of North Korea. Vice reporters were doing drugs in the Amazon and interviewing high-ranking Taliban officials. On a weekly basis, they were hurling Molotov cocktails of rage, righteousness, and rebellion in the face of legacy media. All of it, according to one person, was done with the aim of making ‘the rich feel cool and the cool feel rich’.
Highest 2 Lowest
Crime, Thriller, Drama (English)
When a titan music mogul, widely known as having the "best ears in the business", is targeted with a ransom plot, he is jammed up in a life-or-death moral dilemma.
Cast:
Denzel Washington, Jeffrey Wright, Ilfenesh Hadera, Aubrey Joseph, Elijah Wright, A$AP Rocky, John Douglas Thompson, LaChanze, Dean Winters, Wendell Pierce
Director:
Spike Lee
Dazzling Denzel Washington performance takes Spike Lee’s latest joint to the next level
Sat, September 6 2025
Reuniting for the first time in nearly two decades, director Spike Lee and star Denzel Washington are gazing inwards in Highest 2 Lowest. The crime-thriller premiered at Cannes earlier this year — as an official selection; not like something Anupam Kher might claim to have taken to the festival — and received a token theatrical release before dropping on Apple TV+. The wait was worth it. Over the last few decades, Washington and Lee have established themselves as perhaps the most vital voices in Black cinema. It is a position that the protagonist of Highest 2 Lowest finds himself in as well. David King doesn’t work in the movie business, but he is described as a kingmaker in the world of music. In many ways, he is a stand-in for both the filmmaker and his favourite star.
Spike Lee, Denzel Washington's Reunion Takes Viewers On Wild Ride Through New York
Fri, September 5 2025
Presented by Apple and A24, Spike Lee’s newest, Highest 2 Lowest, is a heart-pounding thriller set in the Big Apple. Like the title, Lee goes from a high-rise penthouse to a downtown apartment as a music mogul tries to figure out who threatened and stole from him. The American filmmaker reimagines legendary Japanese auteur Akira Kurosawa’s High and Low (1963) and sets it in his hometown, New York, while tackling the perils of fame and questioning what it means to be a good man. The result is an exhilarating performance from longtime collaborator Denzel Washington in a film that keeps the viewer on their toes. Washington plays David King, a music mogul who is said to have the “best ears in the business.” On the verge of buying back his stake in his label, Stackin’ Hits Records, King receives a ransom call for $17.5 million saying his son has been kidnapped. King moves into action, getting the police involved. Later, it is discovered that it’s not Trey (Aubrey Joseph) but his friend Kyle who has been taken instead. Suddenly, King doesn’t want to pay the ransom. But when he tries to do the right thing, everything goes upside down.
Madharaasi
Action, Romance, Thriller (Tamil)
A man with a psychological disorder overcomes trauma and confronts his nemesis in a fast-paced action film with romance and unique elements, exploring themes of resilience and redemption.
Cast:
Sivakarthikeyan, Vidyut Jammwal, Rukmini Vasanth, Biju Menon, Vikranth, Shabeer Kallarakkal, Lollu Sabha Manohar, Sanjay Dutt, A. R. Murugadoss
Director:
A. R. Murugadoss
Writer:
A. R. Murugadoss
The Long Review
Sat, September 6 2025
Glimpses of Peak-Era AR Murugadoss in Sivakarthikeyan's Fun Action-Thriller
Sat, September 6 2025
After a series of underwhelming misfires, Madharaasi brings back glimpses of a forgotten AR Murugadoss that had made him our top commercial movie director. This isn’t just because he still has it in him to stage elaborately choreographed, neatly cut action blocks. This isn’t because he knows how to pander to a star’s fan base and still make a film relatively entertaining to the star-agnostic. The reason Murugadoss remains a brand is because he continues to have the ability to sell you a far-fetched high concept that sounds outlandish, but without allowing you to think of just how impossible all of it is. In Madharaasi, this includes a setup that tells you that six containers filled with the latest guns are just one toll gate away from entering Tamil Nadu. Fifteen minutes later, he sells you another concept, this time about Raghu (Sivakarthikeyan), a man who suffers from delusions after he witnessed his entire family getting charred to death as a child. But instead of using this just as his backstory, the PTSD has given Raghu superpowers, the sort that let him take on a tiny army when triggered.
Logic dies, but Sivakarthikeyan lives to tell gun culture tale
Fri, September 5 2025
Sivakarthikeyan, despite being one of the celebrated mainstream heroes in the Tamil film industry, continues to surprise everyone with his script choices. His last few films, while fitting into the commercial tropes, have also stood out for their storytelling. Will ‘Madharaasi’, his latest collaboration with director AR Murugadoss, add to his success streak? Let’s find out! Raghuram (Sivakarthikeyan) is an orphan with a traumatic past. While battling delusion syndrome, love strikes him. As Malathi (Rukmini Vasanth) enters his life, he changes for good. Meanwhile, NIA officer Prem (Biju Menon) and his team are on a mission to stop a notorious North Indian gang involved in a weapon smuggling syndicate. Virat (Vidyut Jammwal) and Chirag (Shabbir Kallarkal) are leading the syndicate’s plan to smuggle arms into Tamil Nadu. Prem’s failed mission and Raghu’s unsuccessful suicide attempt bring them together. Prem hatches a plan to stop the arms from entering the state. Raghuram gets entangled in this mission. Will he be helpful to Prem? Will Raghuram and Malathi end up together? What happens to Virat and Chirag’s mission? All these and more are answered over the course of two hours and 48 minutes.