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Guild Reviews

Image of scene from the film Half Love Half Arranged S02
Half Love Half Arranged S02

Drama, Comedy (Hindi)

A rom-com of two 30 year millennials, Riya and Jogi, discover the world of ‘arranged dating’ and find themselves in the crazy circus of bad arranged matches, set-ups, matchmakers, astrologers and well-meaning aunties in an endeavor to get them to “settle down”.

Cast: Maanvi Gagroo, Karan Wahi, Grusha Kapoor, Supriya Shukla, Amit Singh Thakur, Bhavya Grover, Shruti Jolly, Pulkit Makol, Aradhana Tripathi, Rithvik Dhanjani
Director: Simarpreet Singh
Writer: Ayesha Nair, Parikshit Joshi, Simarpreet Singh


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Srivathsan Nadadhur | Independent Film Critic Writing for Binged

A Superficial Yet Tolerable Rom-com

Sat, November 16 2024

Riya’s household has a new guest – Ved, son of her father’s close friend Dinesh. As the family gradually adapts to his presence at the house, Riya is desperate to stabilise her relationship with the divorcee Jogi. She finds a new friend in Ved, also her secret admirer. Meanwhile, aunt Rajjo is all set to enter wedlock with a neighbour but Riya is as confused as ever about her relationships.

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Image of scene from the film The Sabarmati Report
FCG Rating for the film The Sabarmati Report: 29/100
The Sabarmati Report

Drama, Thriller, Crime (Hindi)

A Hindi reporter struggles with a deadly fact when a train full of Karsewaks is set ablaze in Godhra. Years later, he is asked to help expose the Sabarmati Incident backed by a buried report.

Cast: Vikrant Massey, Raashii Khanna, Ridhi Dogra, Nazneen Patni, Barkha Singh
Director: Ranjan Chandel, Dheeraj Sarna


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Shilajit Mitra | The Hollywood Reporter India

Vikrant Massey boards the propaganda train

Sat, November 16 2024

Based on the 2002 Godhra train burning tragedy, and its ensuing coverage in the media, this convenient and skewed film is a poor showcase for its leading man

In an interview that went viral ahead of The Sabarmati Report, actor Vikrant Massey, briefly turning political analyst, reflected on the state of the nation. “People say that Hindus are in danger, that Muslims are in danger. No one is in danger; everything is going fine. This is the best country to live in the world,” he declared in a podcast. The nervous naivety of Hindi film actors ahead of a controversial release is always enlightening to witness. It’s a balancing act no gymnast or slackliner can fathom.

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Sukanya Verma | rediff.com

Poorly Crafted Propaganda

Sat, November 16 2024

The Sabarmati Report is so flimsy in its execution, taking offence to it would be dignifying its existence.

News is the truth that you choose to bring out, a cunning television journalist tells her artless subordinate early on in The Sabarmati Report. She’s the villain of the piece for concealing inconvenient realities and conveying only what suits her purpose and politics. Funny how The Sabarmati Report’s poorly crafted propaganda masquerading as a crusade for justice is nothing but a blatant embodiment of these very ideals.

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Bharathi Pradhan | Lehren.com

Conspiracy Uncovered, Story Incomplete

Sat, November 16 2024

The communal bloodshed that tainted Gujarat in 2002 has been told and retold on film, in books, on TV debates. But there’s been a lid on the Godhra tragedy that preceded the riots, a lid that’s lifted occasionally to put out theories that suppress and mislead more than reveal. A gas cylinder, a cigarette? What sparked the fire that roasted 59 kar sevaks including tiny children inside a bogey of the Sabarmati Express outside Godhra station in 2002?

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Image of scene from the film Tees
Tees

Drama, Science Fiction (Hindi)

Spanning across 90 years, follow a middle-class Muslim family across three generations. 2042. Six months after his manuscript titled Tees (30) is rejected for publication by the Literature and Arts Commission, Anhad Draboo, a young freelance prostitute, meets Niharika, a “reader” from the Commission – who has been searching for Anhad ever since she read his manuscript. 2018. Zia Draboo, a corporate lawyer living in Mumbai and all set to buy the flat she has been renting with her partner Meera, finds out she cannot buy it because of the Housing Society’s resistance to her name. 1989-90. Ayesha, a housebound State Radio newsreader in Srinagar, Kashmir, reaches out to her childhood friend Usha to solicit help from her husband – a government official. She needs it for her own husband, Ghulam Muhammad, who faces bankruptcy and ruin amongst rising unrest in the city.

Cast: Naseeruddin Shah, Huma Qureshi, Manisha Koirala, Kalki Koechlin, Neeraj Kabi, Divya Dutta, Zoya Hussain, Shashank Arora, Rohan Joshi
Director: Dibakar Banerjee
Writer: Dibakar Banerjee, Gaurav Solanki


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Rohan Naahar | Independent Film Critic

Dibakar Banerjee’s unreleased saga is ambitious, intimate, and incendiary

Fri, November 15 2024

Dibakar Banerjee's generation-spanning saga about entrapment and emancipation remains incarcerated in Netflix's digital dungeon. What a crime.

In director Dibakar Banerjee’s Tees, three generations of a Kashmiri family grapple with identity, erasure, and a desire to be heard in an ever-evolving and increasingly intolerant India. It is cruelly ironic, therefore, that the movie itself has been throttled like its characters. Originally titled Freedom, the ambitious saga has effectively been caged on a hard disk by the paranoid Netflix. But despite being denied a release by the streamer, Tees was presented in its complete form at the 13th Dharamshala International Film Festival recently, with Banerjee present to soak in the warmth that seemed to be emanating from the hundreds of pilgrims who queued up for it on a winter evening. Tees opens, rather worryingly, with a scene that wouldn’t feel out of place in Banerjee’s latest, Love Sex Aur Dhoka 2, which was more an act of self-immolation than self-expression, if we’re being honest. A computer-generated black cat walks towards us, before it is revealed to be the internet avatar of a human being looking for a connection. The year is 2042, and a young writer named Anhad Draboo (Shashank Arora) appears rattled by the rejection of his rebellious verses by an overbearing government.

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Image of scene from the film Khwaabon Ka Jhamela
Khwaabon Ka Jhamela

Drama, Romance, Comedy (Hindi)

Shehnaz rejects Zubin's romantic proposal because she finds him boring. Later, Zubin gains confidence after meeting Ruby. Just as their romance blossoms, Shehnaz returns to Zubin's life. What unexpected twist awaits him?

Cast: Prateik Babbar, Sayani Gupta, Danish Husain, Kubbra Sait, Freddie Love, Lillete Dubey, Kaizaad Kotwal, Karan Kalra, Shahrukh Sadri, Anisa Butt
Director: Danish Aslam
Writer: Danish Aslam


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Srivathsan Nadadhur | Independent Film Critic Writing for Binged

A Breezy, Lightweight Urban Rom-Com

Sun, November 10 2024

After a messy breakup with his girlfriend Shehnaaz, Zubin moves to London for a holiday and bumps into Ruby, an intimacy expert on film sets. Realising Zubin’s love life is in disarray, she decides to help him out and even lets him stay in her room. He, in turn, restores the balance in Ruby’s financially insecure existence. Zubin, Ruby and her roommate Quinn forge an unlikely friendship over a week. Prateik Babbar is maturing like fine wine. He’s an apt choice for the role and one senses he’s similar to Zubin in more ways than one – just that he’s figuring himself in front of the camera. Sayani Gupta is equally convincing as Ruby, her characterisation is one of the film’s major strengths. Kubbra Sait is a natural, though one would’ve liked to see her role fleshed out more convincingly.

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Image of scene from the film Here
Here

Drama (English)

An odyssey through time and memory, centered on a place in New England where—from wilderness, and then, later, from a home—love, loss, struggle, hope and legacy play out between couples and families over generations.

Cast: Tom Hanks, Robin Wright, Paul Bettany, Kelly Reilly, Ellis Grunsell, Teddy Russell, Finn Guegan, Callum Macreadie, Lauren McQueen, Grace Lyra
Director: Robert Zemeckis


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Renuka Vyavahare | The Times of India

A heart-warming ode to life

Sat, November 9 2024

Set entirely in the drawing room of a house, ‘Here’ explores the relationship this home shares with generations of its inhabitants, making it privy to their lives and events that unfold.

‘Life happens while you’re busy making other plans’. ‘Here’ is a moving love letter to life and fleeting time. The iconic Forrest Gump team (Hanks, Wright, Zemeckis) reunites after 30 years to give us yet another poignant human story on the evolution and circle of life. While one constantly looks ahead, the story urges you to live in the present, live ‘here’, where every beginning is the end and vice versa.

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Image of scene from the film Rahasyam Idham Jagath
Rahasyam Idham Jagath

(English)

Rahasyam Idham Jagath" . is an exciting sci-fi adventure film, blending Indian mythology with historical discoveries found in Oregon, USA. With a fresh and intriguing storyline, this film promises to deliver a visually stunning and unforgettable experience for the Indian audience. Witness the mystery unfold in theaters worldwide on November 8th!



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Sangeetha Devi Dundoo | The Hindu

Earnest but far from engrossing

Sat, November 9 2024

Director Komal R Bharadwaj’s Telugu indie ‘Rahasyam Idham Jagath’ is ambitious in using science, technology and stories from the Indian epics for an adventure drama, but falls short in its execution

How far would you go to help your loved ones? This question is oft explored in books and cinema. If done well, it can be an emotionally moving drama. Komal R Bharadwaj, who has written and directed the Telugu indie film Rahasyam Idham Jagath, gives this idea a different spin, interspersing elements of science fiction and mythology. There is romance, a bitter past, a possibility of revenge, unexplained murky happenings in an eerie setting and the possibility of time travel through a wormhole. It is an ambitious, interesting idea on paper but does not translate to an engrossing adventurous ride, despite the earnest execution of the film.

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Image of scene from the film I Am Kathalan
I Am Kathalan

Thriller, Drama (Malayalam)

How many servers would you hack for love? What started as a silly attempt to win back his girlfriend turns into a dangerous game of revenge for Vishnu, risking everything he cherishes.

Cast: Naslen, Anishma Anilkumar, Dileesh Pothan, Lijomol Jose, Vineeth Vasudevan, Sajin Cherukayil, Vineeth Vishwam, Arshad Ali, Kiran Josey, Zhinz Shan
Director: Girish A. D.


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S. R. Praveen | The Hindu

Fast-paced cyber crime thriller ends up an average fare

Fri, November 8 2024

Despite being an engaging watch, ‘I Am Kathalan’ hits a little below the mark compared to director Girish A.D’s previous outings

If there exists a parallel world where losers are guaranteed to find salvation, Girish A.D’s characters would probably be the rulers of that world. Down and out protagonists have been a common factor in all his films till date, be it Thanneer Mathan Dinangal or Super Sharanya or Premalu. His latest outing I Am Kathalan is no different, but just as always, he brings the same underlying theme in a different packaging.

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Image of scene from the film Mura
Mura

Action, Thriller (Malayalam)

In Trivandrum, four inseperable friends, from raw, rustic background Anandhu, Saji, Manu, and Manaf plan the ultimate heist, their one shot at turning dreams into reality. But as they dive deeper, shadows from the past surface, unraveling hidden motives and testing loyalties in ways they never saw coming. When friendship clashes with ambition, how far will they go for revenge?

Cast: Suraj Venjaramoodu, Hridhu Haroon, Maala Parvathi, Kani Kusruti, Kannan Nayar, Jobin Das, Anujith Kannan, Sibi Joseph, Alfred Jose, Krish Hassan
Director: Muhammad Musthafa
Writer: Suresh Babu


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Janani K | India Today

Hridhu Haroon charms in violent actioner that meanders in 2nd half

Fri, November 8 2024

Director Muhammed Musthafa's Mura, starring Hrithu Haroon, and Suraj Venjaramoodu, is a violent revenge thriller. The film, with brilliant stunt sequences, packs punch during pre-interval, but fizzles out later.

Director Muhammed Musthafa made his debut in the critically acclaimed Malayalam film, Kappela. The film, which is streaming on Netflix, stood out in terms of filmmaking and social message. After four years, he is now back with an action entertainer, Mura, which features Suraj Venjaramoodu and All We Can Imagine As Light-fame, Hridhu Haroon. Let’s see how the film has turned out. Local gangster Ani (Suraj Venjaramoodu) is the right hand of tough businesswoman Rema (Maala Parvathi), who entrusts him with many illegal activities. Ani, who is in touch with many rowdy gangs in the locality, reaches out to Anandhu (Hridhu Haroon) and Saji’s gang about a high-profile robbery. Anandhu, Saji, Manu and Manaf are young guns who grew up together, and know how to escape a crime scene.

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Image of scene from the film Apocalypse Z - The Beginning of the End
Apocalypse Z - The Beginning of the End

Drama, Action, Horror (Spanish)

When a kind of rabies that transforms people into aggressive creatures spreads across the planet, Manel isolates himself at home with his cat, relying on his wits to survive; but soon they must go out in search of food, by land and by sea, dodging many dangers.

Cast: Francisco Ortiz, José María Yázpik, Berta Vázquez, Iria del Río, Marta Poveda, Amalia Gómez, María Salgueiro, Yuri Mykhaylychenko, Ian Monclús, Yaiza Macías
Director: Carles Torrens


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Rohan Naahar | Independent Film Critic

The Beginning of the End movie review: Prime Video’s unoriginal zombie thriller compels you to zone out

Wed, November 6 2024

Despite a solid emotional core, the Spanish-language film on Prime Video demands comparison to older (and better) zombie thrillers.

Influenced by every zombie thriller ever made, but more specifically, by the video game series The Last of Us, Prime Video’s Apocalypse Z: The Beginning of the End is a competently crafted thriller let down by a lack of ambition. The Spanish-language film unfolds across a year in the life of a grieving man named Manel, who is caught by himself in the middle of a zombie apocalypse. Manel is heartbroken over the death of his wife in a car crash not too long ago — the movie opens with this tragic scene — and is hanging on by a thread when the fast-spreading virus breaks out. Having survived the pandemic, everybody assumes that they can handle this outbreak as well. But they have no idea just how terrifying things are going to get. Initially, Manel decides to stay put at home and ignore the government’s instructions to participate in a military-aided evacuation. But after a couple of months in isolation, he has no choice but to make a move. Manel’s sister left with her family for the Canary Islands just as the outbreak got out of control, and even though he lost all contact with them a while ago, he decides that the smartest thing to do would be to make his way to them. Apocalypse Z is divided into chapters; not literally, like a Quentin Tarantino movie, but more structurally.

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Image of scene from the film Sweet Bobby: My Catfish Nightmare
Sweet Bobby: My Catfish Nightmare

Documentary (English)

Kirat falls for a man she meets online, only to get swept up in a virtual relationship that upends her life for years, in this shocking documentary.

Cast: Kirat Assi, Hemma Gulhane, Anurag Mehra, Ariya Larker
Director: Lyttanya Shannon


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Priyanka Roy | The Telegraph

Sweet Bobby exposes chilling catfish deception.

Tue, November 5 2024

Even seasoned true-crime documentary aficionados will be left perplexed and very, very uncomfortable by what unfolds in this recently released watch on Netflix. A large part of that has to do with the fact that Sweet Bobby: My Catfish Nightmare feels both relatable and ridiculous at the same time and brings to the fore the dark abyss that is the Internet as well as exposes the shocking depths that human apathy can plunge to.

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Image of scene from the film Longlegs
Longlegs

Crime, Horror, Thriller (English)

FBI Agent Lee Harker is a gifted new recruit assigned to the unsolved case of an elusive serial killer. As the case takes complex turns, unearthing evidence of the occult, Harker discovers a personal connection to the merciless killer and must race against time to stop him before he claims the lives of another innocent family.

Cast: Maika Monroe, Nicolas Cage, Blair Underwood, Alicia Witt, Michelle Choi-Lee, Dakota Daulby, Lauren Acala, Kiernan Shipka, Maïla Hosie, Jason William Day
Director: Osgood Perkins
Writer: Osgood Perkins


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Priyanka Roy | The Telegraph

Nicolas Cage builds dread and darkness in Longlegs.

Tue, November 5 2024

As is the norm in promoting any product these days, in the run-up to its theatrical release, Longlegs fell back on social media influencers to market it as the ‘scariest film of the year’. A far more interesting promotional campaign, which quickly went viral, included cryptic ads in newspapers, billboards across Los Angeles comprising nothing but a phone number which, when called, had actor Nicolas Cage, who plays the titular character, whisper ‘threats’ to listeners. A true-crime website was specially designed to detail the antecedents of Longlegs’ long list of victims. A modestly budgeted horror film was turned into an event, which made everyone ask: is Longlegs the most terrifying film in recent times?

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Akhil Arora | akhilarora.com

A Spotify Review

Thu, July 18 2024

Longlegs is the rare psychological horror movie that truly gets under your skin. Featuring an instantly iconic performance by Nicolas Cage, the movie creates an ominous atmosphere with the help of a measured pace and an unsettling reliance on silence. We discuss the film’s grounded first act and its rapid descent into full-blown supernatural horror. We also talk about director Osgood Perkins’ immersive framing and the film’s themes of parenting and childhood trauma.

Image of scene from the film The Midwife's Confession
The Midwife's Confession

Documentary (English)

Using archive footage that has never been seen before, this BBC documentary "The Midwife's Confession" explores the disturbing subject of infanticide in rural India – and tells the moving story of one woman’s campaign to save girls’ lives.


Director: Anubha Bhonsle, Purnima Mehta


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Deepak Dua | Independent Film Journalist & Critic

चौंकाती, दहलाती ‘द मिडवाइफ्स कन्फैशन’

Mon, November 4 2024

‘लड़की के मुंह में नमक डाल कर मुंह दबा देते थे, या फिर यूरिया खाद डाल देते थे, कई बार गर्दन पकड़ कर भी मरोड़ देते थे तो बच्ची मर जाती थी।’ बिहार के गांवों में दाई का काम करने वाली महिलाएं जब यह कहती हैं तो सुन कर दिल दहल जाता है। सच तो यह है कि बी.बी.सी. के यू-ट्यूब चैनल पर आई एक घंटे की डॉक्यूमैंट्री ‘द मिडवाइफ्स कन्फैशन’ (The Midwife’s Confession) देखते हुए दिल एक बार नहीं, कई बार दहलता है, बेचैन होता है, चौंकता है, उछलता है और डूबने भी लगता है।

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