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Guild Reviews

Image of scene from the film Yeh Kaali Kaali Ankhein S02
Yeh Kaali Kaali Ankhein S02

Crime, Drama, Mystery (Hindi)

Relentlessly pursued by a powerful politician’s daughter who will do anything to make him hers, a man slips down a dark, risky path to reclaim his life.

Cast: Tahir Raj Bhasin, Shweta Tripathi Sharma, Anchal Singh, Saurabh Shukla, Brijendra Kala, Anant Joshi, Arunoday Singh, Gurmeet Choudhary, Varun Badola
Director: Siddharth Sengupta
Writer: Umesh Padalkar, Siddharth Sengupta


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Shubhra Gupta | The Indian Express

Tahir Raj Bhasin, Saurabh Shukla show never takes its eyes off the ball

Fri, December 13 2024

Tahir Raj Bhasin, Saurabh Shukla and Shweta Tripathi-starrer , with all its pulpy thriller sinews in place, leaves us on a cliffhanger, nicely primed for the next season.

The first season of ‘Yeh Kaali Kaali Aankhein’ became an addictive watch in the way it bent one of the oldest genres in the book: being an obsessive lover is not just a male prerogative; women can do it just as well, if not better. It made up for all its nods to hoary Hindi movie heavies who lived in palaces overrun by armed goons, governed by old-style off-with-their-heads villainy.

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Sonal Pandya | Times Now, Zoom

Chaotic Romantic Thriller Grows Darker, Goes Back To Square One

Sat, November 30 2024

Creator Sidharth Sengupta's twisty love triangle returns with more action and intrigue but still remains right back where they started.

In January 2022, the Netflix series Yeh Kaali Kaali Ankhein introduced us to an unusual drama. The show, set in a small town, revolved around Vikrant (Tahir Raj Bhasin), who uncomfortably finds himself to be the object of affection for a gangster politician’s daughter Purva (Aanchal Singh). Instead of marrying his college sweetheart Shikha (Shweta Tripathi), he finds himself tied by matrimony to someone he doesn’t love. Sidharth Sengupta’s series took Vikrant to his limit as he found himself hiring a hitman to get rid of Purva. Now, nearly three years later, the series returns to pick up where it left off.

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Bharathi Pradhan | Lehren.com

Cruella Gets A B(l)ack Story

Sun, November 24 2024

A recap of Season 1: Purva (Anchal Singh), daughter of ruthless neta Akheraj Awasthi (Saurav Shukla), a don-like figure with the authorities at his beck and call and an army of goons, has always obsessed over and been a thorn in the flesh of good boy Vikrant Singh Chauhan (Tahir Raj Bhasin). To add to his misery, Vikrant’s father (Brijendra Kala) has always been a servile, loyal employee of the Awasthis, afraid to go against Akheraj even if it means pushing his son towards Purva. Vikrant had instinctively and steadfastly spurned Purna’s friendship even in school and could heave a sigh of relief only when she was packed off to the UK. He had a dream future planned with Shikha (Shweta Tripathi), the love of his life, when Purva returned as an adult, obsession intact and ready to claim him as hers once again. With Akheraj willing to go to any lengths to get her what she desires, getting rid of Purva was Vikrant’s only way out of a marriage he dreaded. It was, unwittingly, Vikrant’s first step towards turning himself into an unrecognisably dark person, no different from the Awasthis.

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Image of scene from the film Singham Again
FCG Rating for the film Singham Again: 41/100
Singham Again

Action, Drama, Thriller, Crime (Hindi)

The cop universe expands with newer additions while the old ones return led by Bajirao Singham. Singham Again interweaves the mythological epic Ramayana's good vs evil narrative when his wife Avni Kamath gets abducted by Danger Lanka setting Bajirao and his gang of Sangram Bhalerao and Veer Sooryavanshi along with Satya and Shakti Shetty on a mission to rescue her.

Cast: Ajay Devgn, Kareena Kapoor Khan, Arjun Kapoor, Ranveer Singh, Tiger Shroff, Deepika Padukone, Akshay Kumar, Jackie Shroff, Shweta Tiwari, Dayanand Shetty
Director: Rohit Shetty


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Rohan Naahar | Independent Film Critic

Rohit Shetty’s outdated action film looks down upon its target audience; no wonder the Cop Universe is imploding

Wed, December 11 2024

Replete with tired plot tropes and outdated ideas, Rohit Shetty's Singham Again has plenty of stars, but not an ounce of the values that its target audience might resonate with.

There is an early scene in Singham Again where Ajay Devgn’s titular super-cop barges into his teenage son’s party along with a couple of cronies, embarrasses him in public, and hauls him back home. He does it, it seems, only to give director Rohit Shetty another opportunity to shoot him in stylised slow-motion. At home, Singham and his wife, Avni (Kareena Kapoor Khan) lecture their son about how out of touch he is with Indian values. It’s a deeply melodramatic moment; you can almost imagine them turning into Amitabh Bachchan and Hema Malini from Baghban in a couple of decades. But one thing is made absolutely clear by this early domestic drama: Shetty and Devgn don’t think too highly of the nation’s youth. This became a recurring theme even in their pre-release press interviews. They would both proudly declare that they barely resonate with the kids these days, and how, back in their day, they were roughing it out in the real world. This is a bizarre stance to take, for multiple reasons. For one, it’s always a good idea to understand younger generations. You might just learn something; just ask Javed Akhtar. But second, Singham Again is aimed at the very demographic that Shetty and Devgn have decided to infantilise.

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Rohit Vats | Bajarbattu Media

Ajay Devgn headlines Rohit Shetty's biggest actioner, simplistic plot overshadows massive cameos

Tue, December 10 2024

Though the director Rohit Shetty has managed to assemble the biggest star-cast of the current era in Singham Again, its lead Ajay Devgn stands out for all the right reasons.

Rohit Shetty is probably the biggest showman in Bollywood right now. With Singham Again and the idea of a cop universe, he has pulled off the biggest mainstream casting in the last 25 years. With at least five top commercially viable actors—Ajay, Akshay, Ranveer, Deepika and Kareena—he has made the canvas of Singham Again so big that it is most likely to become the ‘go to’ movie of this year.

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Anmol Jamwal | Tried & Refused Productions

Sun, December 8 2024

Image of scene from the film Citadel: Honey Bunny
FCG Rating for the film Citadel: Honey Bunny: 47/100
Citadel: Honey Bunny

Action & Adventure, Drama, Sci-Fi & Fantasy (English)

When stuntman Bunny recruits struggling actress Honey for a side gig, they are hurled into a high-stakes world of action, espionage and betrayal. Years later, as their dangerous past catches up, the estranged Honey and Bunny must reunite and fight to protect their young daughter Nadia.

Cast: Samantha Ruth Prabhu, Varun Dhawan, Kay Kay Menon, Kashvi Majmundar, Simran, Saqib Saleem, Sikandar Kher, Shivankit Singh Parihar, Soham Majumdar


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Rohit Vats | Bajarbattu Media

Varun Dhawan, Samantha try powering this dull series

Tue, December 10 2024

Citadel Honey Bunny is a tedious watch with occasional sparks, though Varun and Samatha seem good casting choices.

The Indian spin-off of Prime Video’s American show Citadel, titled Honey Bunny, tracks the making of super-agent Nadia Sinh (Priyanka Chopra). Though Priyanka is not in the series, it’s about her parents Honey (Samantha) and Bunny (Varun Dhawan) and they become Citadel agents. The little Nadia (Kashvi) is very much present throughout the series and shows early inclinations of being a tough girl. While Honey is a struggling actor, Bunny is a stuntman who lives a double life of an agent under Baba (Kay Kay Menon). The time period is somewhere around 1992 and the play areas are Mumbai, Belgrade, Nainital and Bucharest. As expected, Baba and his ace killer KD (Saqib Saleem) are after Honey’s life even after eight years in 2000, but as the sentiments would go, Bunny returns to be the wall between death and life.

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Anmol Jamwal | Tried & Refused Productions

Sun, December 8 2024

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Sonal Pandya | Times Now, Zoom

Varun Dhawan, Samantha's Prequel Spy Saga Packs A Solid Punch

Mon, November 18 2024

Helmed by director duo Raj and DK, the Indian instalment of the Citadel franchise finds its legs with a strong ending.

Citadel: Honey Bunny is the third series in the Citadel universe. Arriving on the heels of the Italian series Citadel: Diana, the Indian version is a prequel story that links into the main Amazon Prime Video series. Developed by Sita Menon and directed by Raj Nidimoru and Krishna DK (Raj & DK), Citadel: Honey Bunny has a sluggish start introducing the characters and the Indian connection. However, over six episodes, the series builds on the characters’ connections for a solid finish.

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Image of scene from the film Don't Move
Don't Move

Horror, Thriller (English)

A grieving woman in a secluded forest encounters a killer who injects her with a paralytic drug. As her body shuts down, her fight for survival begins.

Cast: Kelsey Asbille, Finn Wittrock, Daniel Francis, Moray Treadwell, Dylan Beam, Kate Nichols, Skye Little Wing Dimova-Saw, Denis Kostadinov, Zainab Azizi
Director: Adam Schindler, Brian Netto
Writer: T.J. Cimfel, David White


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Rohit Vats | Bajarbattu Media

Psychological thriller with enjoyable moments

Tue, December 10 2024

A good film is probably more about coherence in the plot development than being fine tuned for perfection. Sometimes, the rawer it looks, the more relatable it becomes.

For psychological thrillers, it’s a given that we live in a broken world, a place with predators lurking around. Usually isolated from civilisation, literally and metaphorically, such a space evokes fear, horror and then survivalist tendencies. A new Netflix film Don’t Move portrays a similar canvas where a 30-something Iris (Kelsey), grieving the accidental death of her child, has lost the will to live, but she surprises herself with the fightback she still has in her when a family man-cum-ruthless kidnapper Richard (Finn) enters the scene.

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Rohan Naahar | Independent Film Critic

Sam Raimi’s high concept Netflix survival thriller isn’t as smart as it thinks

Sun, December 8 2024

The new Netflix survival thriller, produced by Sam Raimi, favours contrivances over cleverness.

A young woman grieving the death of her child treks to the cliffside spot where he died. She intends to jump herself. Played by Kelsey Asbille, the woman is approached by a mysterious stranger, played by Finn Wittrock. He recognises immediately that she’s one step away from falling to her death. The stranger doesn’t attempt to talk her down from the ledge, but he makes enough of an impression for her to reconsider. They walk back together to the parking lot, where things take a sudden turn. The man injects her with some kind of paralytic substance, revealing that he isn’t a good samaritan after all. Thus begins Don’t Move, a high-concept thriller that producer Sam Raimi probably thought was going to turn out like his knockout 2016 film Don’t Breathe. It didn’t. These movies have nothing in common beyond Raimi’s involvement, and that gentle nudge of a title. In terms of quality, they couldn’t be further apart from each other. Don’t Move appears to be so pleased with its premise — it’s a survival thriller featuring an immobile protagonist! — that it forgets it needs to sustain this early momentum. The movie succeeds in drawing your sympathies for its heroine, Iris, but struggles to put her in interesting scenarios after this pre-credits sequence.

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Image of scene from the film Do Patti
FCG Rating for the film Do Patti: 36/100
Do Patti

Thriller, Mystery, Drama, Crime (Hindi)

A puzzling investigation leads a no-nonsense cop down a dark path involving the vicious rivalry between twin sisters and the volatile man they both love.

Cast: Kajol, Kriti Sanon, Shaheer Sheikh, Tanvi Azmi, Brijendra Kala, Prachee Shah, Vivek Mushran, Rohit Tiwari, Chittaranjan Tripathy, Shastra Prashant Gajbhare
Director: Shashanka Chaturvedi


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Rohit Vats | Bajarbattu Media

Kajol is a misfit in this convoluted Kriti Sanon drama

Tue, December 10 2024

The film begins with a lot of promises—picturesque locations, popular faces, fast-paced music and a hint of crime, but does the momentum sustain for a little above two hours?

There are twin sisters—Saumya and Shelly—played by Kriti Sanon in a beautiful Uttarakhand town with paragliders covering the blue sky. What a sense of relief in this confusing weather. Defused lighting and a lot of touch ups to bring out the best facial features of good-looking leads ensure a soothing start of a tale which harps on the childhood animosity of the twins. They both have their eyes set on a baby-faced yet quite violent Dhruv Sood (Shaheer Sheikh), which eventually leads to a cop and criminal chase led by Vidya Jyoti aka VJ (Kajol) to a point where the real purpose of law books and its practical usage would be discussed.

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Uday Bhatia | Mint Lounge

Two for sorrow

Tue, October 29 2024

A tepid thriller, starring Kajol and Kriti Sanon, from a writer who needs to branch out

Do Patti begins with scattered shots of paragliding gone wrong and a stakeout on a bridge, followed by a woman in a police station telling the cops her husband tried to kill her. Phir Aayi Hasseen Dillruba, released in August, also has a stakeout on a bridge, and its first scene is a woman in a police station telling the cops her husband is going to kill her. Both films are written by Kanika Dhillon, both are Netflix releases. Did no one think it was a problem that the films start the exact same way?

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Sukanya Verma | rediff.com

One By Two

Tue, October 29 2024

Do Patti collapses like a house of cards when it aims to be clever.

Dressed in the exact same attire as her newly wedded sister at her reception, the lookalike twin poses right next to the bride and groom as if fulfilling Bollywood’s bawdy fantasy of saali aadhi gharwali in a tasteless, thunder-stealing move.

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Image of scene from the film Tortoise Under the Earth
Tortoise Under the Earth

Drama, Music (No Language)

In a uranium mining area of Jharkhand, India, a Santali couple copes with the loss of their daughter. The grieving couple express themselves largely through song and ritual, blurring the boundaries between personal pain and communal trauma. Tortoise Under The Earth is a poetic elegy to a world that is rapidly disappearing, subsumed by unchecked development and displacement.

Cast: Jagarnath Baskey, Mugli Baskey
Director: Shishir Jha


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Rohit Vats | Bajarbattu Media

Documents more than displacement, it’s about a new style

Tue, December 10 2024

I watched emerging filmmaker Shishir Jha’s festival hit Tortoise Under The Earth (Dharti Latar Re Horo) a couple of months ago in Goa. Thanks to other tasks at hand, I willingly gave the film enough time to settle down in my memory, in such a way that I could reminiscence about it, preferably laden with nostalgia. I mean, what better way can be there to acknowledge a talented young filmmaker! Not even watching the trailer of the film to remind myself of the film’s exact plot was a conscious decision, something that could impact the original perspective I might have formed the first time. If certain visuals and sounds stay with me for all these weeks, rather months, then it’s probably going to have a similar effect on others as well.

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Image of scene from the film Alien: Romulus
Alien: Romulus

Horror, Science Fiction (English)

While scavenging the deep ends of a derelict space station, a group of young space colonizers come face to face with the most terrifying life form in the universe.

Cast: Cailee Spaeny, David Jonsson, Archie Renaux, Isabela Merced, Spike Fearn, Aileen Wu, Rosie Ede, Soma Simon, Bence Okeke, Viktor Orizu
Director: Fede Álvarez
Writer: Fede Álvarez, Rodo Sayagues


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Sachin Chatte | The Navhind Times Goa

Back to the Basics

Sun, December 8 2024

The Alien franchise has been active for over four decades now, starting from 1979, and has seen at least three big names associated with it as directors. Ridley Scott started it all as a director followed by James Cameron and then David Fincher made the third installment in 1992. The subsequent three films were underwhelming even though Scott returned as the director for the last two films.

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Image of scene from the film Maharaj
FCG Rating for the film Maharaj: 37/100
Maharaj

Drama, History (Hindi)

Based on a real-life historic court case, a bold journalist questions a revered leader's immoral behavior.

Cast: Junaid Khan, Jaideep Ahlawat, Sharvari Wagh, Shalini Pandey, Jay Upadhyay, Viraf Patel, Priyal Gor, Sanjay Goradia, Sneha Desai, Dharmendra Gohil
Director: Siddharth P. Malhotra
Writer: Vipul Mehta, Sneha Desai


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Keyur Seta | Bollywood Hungama Writing for The Common Man Speaks

Karsandas Mulji’s story, unfortunately, is relevant even after 160 years

Sun, December 8 2024

The name of Karsandas Mulji isn’t heard often when one speaks of Indian social reformers that were active during the British Era. Filmmaker Siddharth P Malhotra’s Maharaj will perhaps make him a talking point to some extent as the film is based on his heroics in a bygone era. Produced by Yash Raj Films, Maharaj, which is streaming on Netflix, is based on the book of the same name written by Saurabh Shah in 2013. It narrates the story of Karsandas’ fight against an evil priest. The story starts off in a village in Gujarat in the 1820s where Karsandas, as a kid, questions everything, especially religious practices. He is sent to Bombay to his uncle’s place after he grows up (Junaid Khan). Karsan’s critical and revolutionary mind makes him a fearless journalist and a social reformer. He regularly writes about the evil social practices in Dadabhai Naoroji’s (Sunil Gupta) newspaper.

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Akhil Arora | akhilarora.com

A Spotify Review

Sat, June 22 2024

They might as well have called Maharaj “Junaid Khan’s Launch Vehicle” because naming it after the villain makes even less sense. We discuss the film’s many irredeemable flaws, which include shaming the victim of sexual abuse, projecting a red flag male character as the protagonist, and resorting to the problematic trope of “fridging.” We also talk about the film’s obvious technical inadequacies, like flat visuals, a haphazard tone, and one-note acting performances. Later in the episode, we discuss why Netflix avoided promoting it, and has essentially dumped it in the hope that nobody notices.

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Akhil Arora | akhilarora.com

Prehistoric anti-women disaster

Fri, June 21 2024

Junaid Khan makes his debut in a Netflix movie that tackles blind faith and abuse of power. But what could’ve been a 19th-century #MeToo story is a typical Bollywood male saviour project.

Early into Maharaj—the new Netflix movie loosely adapted from Saurabh Shah’s book of the same name, which chronicles a famous libel court case from 1862—at the end of a frivolous song-and-dance sequence, a religious leader who’s known to prey on young, betrothed women walks up to his next victim as she celebrates Holi. The Maharaj (Jaideep Ahlawat) grabs a fistful of coloured powder and smears it across Kishori’s naked chest, essentially marking her. It’s disturbing. But for Kishori (Shalini Pandey) who worships him, it’s a moment of unbridled joy. She thinks she’s the chosen one, picked to perform a vital religious ritual. Her aunt says as much to her face. So, when she finds herself all alone with the Maharaj in his palatial room, she readily gives in to everything he asks of her.

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Image of scene from the film Pushtaini
Pushtaini

(Hindi)

A Bollywood actor involved in a scandal flees to his birth village in the Himalayan foothills and by happenstance picks up a determined young woman along the way. Once at home he is unpleasantly surprised, and must, against his will, deal with a disputed inheritance. His new friend becomes an ally.

Cast: Vinod Rawat, Hemant Pandey, Rita Heer, Rajkummar Rao
Director: Vinod Rawat


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Keyur Seta | Bollywood Hungama Writing for The Common Man Speaks

A true-blue independent film with a big heart

Sun, December 8 2024

A lot of indie films are based on unexpected journeys that bring about a change in the film’s character(s) and provide a heartwarming message in the end. Director, actor and producer Vinod Rawat’s Pushtaini is also one such film but it succeeds in standing apart due to quite a few reasons. The story revolves around Bhupinder Rawat aka Bhuppi (Vinod Rawat). He is a struggling actor in Mumbai, who has just landed a role in a film starring the famous actor Ankur Bhatia (Rajkummar Rao) for a small sum. If this wasn’t enough, his friend (?) Sumit (Nitin Goel) shows him a video of his sex scandal that happened while he was drunk recently. Bhuppi has no idea of him indulging in such an act. But now Sumit asks for Rs 8 lakhs from him, else he threatens to make the video viral.

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Image of scene from the film Paradise
Paradise

Drama, Crime (English)

An Indian tourist couple arrive in the hill country of crisis ridden Sri Lanka to celebrate their 5th wedding anniversary. But, when things take an unexpected turn, conflicts deepen revealing cracks in their relationship.

Cast: Roshan Mathew, Darshana Rajendran, Mahendra Perera, Shyam Fernando, Sumith Ilango, Hisham Samsudeen
Director: Prasanna Vithanage


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Keyur Seta | Bollywood Hungama Writing for The Common Man Speaks

Provides a gradual hard-hitting jolt

Sun, December 8 2024

Filmmaker Prasanna Vithanage’s Paradise is a Sri Lankan-Indian joint venture produced by Newton Cinema and presented by Mani Ratnam’s Madras Talkies. The movie is a tri-lingual in English, Sinhala and Malayalam. Paradise tells the story of a couple from Kerala, Kesav (Roshan Mathew) and Amritha (Darshana Rajendran), who visit a hill station in Sri Lanka to celebrate their fifth wedding anniversary. Their trip coincides with the mass protests in April 2022 after the country declares bankruptcy. Hence, there are agitations at various places for basic necessities of life.

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Image of scene from the film Kill
Kill

Action, Crime, Thriller, Drama (Hindi)

When an army commando finds out his true love is engaged against her will, he boards a New Dehli-bound train in a daring quest to derail the arranged marriage. But when a gang of knife-wielding thieves begin to terrorize innocent passengers on his train, the commando takes them on, one by one.

Cast: Lakshya Lalwani, Raghav Juyal, Tanya Maniktala, Ashish Vidhyarthi, Abhishek Chauhan, Harsh Chhaya, Adrija Sinha, Meenal Kapoor, Madhu Raja, Arun Thakur
Director: Nikhil Nagesh Bhat


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Keyur Seta | Bollywood Hungama Writing for The Common Man Speaks

Nikhil Nagesh Bhat’s action ride engagingly stays on track.

Sun, December 8 2024

Filmmaker Nikhil Nagesh Bhat’s ambitious action saga Kill is a first not just because of the violence and gore it projects in Hindi cinema but also in terms of cinematic finesse. After going through this ‘ride’, one can vouch that the makers succeeded in their ‘mission’. Kill revolves around the love story between the commando Amrit Rathod (Lakshya) and Tulika (Tanya Maniktala). The former returns from an army camp after days and gets to know that Tulika’s father Baldeo Singh Thakur (Harsh Chhaya) has planned her engagement with someone else and that too the very next day in Ranchi. Amrit takes his colleague and close friend Viresh (Abhishek Chauhan) to Ranchi.

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Akhil Arora | akhilarora.com

A Spotify Review

Mon, September 9 2024

Kill might be one of the rare movies that actually benefit from a remake—that’s how royally it fumbles both its action and revenge plot. We discuss the film’s indecipherable approach to close combat, the lead actor Lakshya’s wooden performance, and the lack of inventiveness in the story. We also talk about the unearned John Wick and The Raid comparisons, and wonder why international audiences seemed to appreciate the film.

Image of scene from the film Stree 2
Stree 2

Horror, Comedy (Hindi)

After the events of Stree, the town of Chanderi is being haunted again. This time, women are mysteriously abducted by a terrifying headless entity. Once again, it's up to Vicky and his friends to save their town and loved ones.

Cast: Rajkummar Rao, Shraddha Kapoor, Aparshakti Khurana, Abhishek Banerjee, Pankaj Tripathi, Sunil Kumar, Bhumi Rajgor, Anya Singh, Atul Srivastava, Mushtaq Khan
Director: Amar Kaushik
Writer: Niren Bhatt


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Keyur Seta | Bollywood Hungama Writing for The Common Man Speaks

Niren Bhatt’s dialogues shine the most in this horror-comedy

Sun, December 8 2024

Filmmaker Amar Kaushik’s Stree was about the villagers of Chanderi fighting against a female evil spirit called Stree, who attacks and takes away the men residing in the village. After a lot of twists and turns, the men are freed in the end and Stree vanishes after her long braid is cut. But in the end, the viewers are given a hint that the mysterious girl with no name (Shraddha Kapoor) is a witch after she leaves the village. The story of Stree 2 continues a few years later when Chanderi is a peaceful place. Vicky (Rajkummar Rao) and his best friend Bittu (Aparshakti Khurana) are leading a happy-go-lucky life, except that the former is still waiting for the girl with no name (Shraddha) as he loves her. Their buddy Jana (Abhishek Banerjee) is in Delhi studying to become an IAS officer.

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Akhil Arora | akhilarora.com

A Spotify Review

Wed, October 16 2024

Stree 2 is an overlong, unfunny, and ultimately unnecessary sequel that has no idea how to deliver scares or laughs. Every scene in the film goes on for too long, the jokes are repeated to the point of redundancy, and some of the diversions are baffling to behold. Why is Akshay Kumar in this? How old is Tamannaah Bhatia’s character? Why are there no rules to this universe? We discuss the film’s flawed feminism, its boring tone, and that CGI-fuelled climax that goes on forever.

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Rohit Khilnani | Bollywood Hungama

Thu, August 15 2024