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Guild Reviews

Image of scene from the film Senna
Senna

Drama, Documentary (Portuguese)

Fascinated by cars since childhood, Brazilian racer Ayrton Senna became a sports legend — until tragedy struck, changing Formula 1 forever.

Cast: Gabriel Leone, Kaya Scodelario, Matt Mella, Patrick Kennedy, Arnaud Viard, Steven Mackintosh, Camila Márdila, Marco Ricca, Susana Ribeiro, Gabriel Louchard
Director: Vicente Amorim, Julia Rezende
Writer: Gustavo Bragança, Alvaro Campos, Álvaro Mamute, Rafael Spínola, Thais Falcão


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Rohan Naahar | Independent Film Critic

Spectacularly silly, Netflix’s big-budget mini-series is the cinematic equivalent of a flat tyre

Thu, December 19 2024

Expensive-looking but shoddily written, Netflix's biographical drama about Ayrton Senna is among the streamer's most disappointing shows of the year.

If nobody were to speak in the new Netflix show Senna, it would immediately warrant at least two extra stars. But each time any of its wafer-thin characters opens their mouths, you’re likely to be overcome by an intense desire to pump the breaks and make a pit stop, or perhaps rewatch Asif Kapadia’s seminal documentary on the subject. Based on the life and career of the legendary Brazilian Formula One driver Ayrton Senna, the six-part biographical drama is flat, uninteresting, and most criminally, boring. It is perhaps the least effective way in which his extraordinary career, and lasting influence, could’ve been commemorated.

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Image of scene from the film Woman of the Hour
Woman of the Hour

Crime, Drama, Thriller (English)

An aspiring actress crosses paths with a prolific serial killer in '70s LA when they're cast on an episode of "The Dating Game."

Cast: Anna Kendrick, Daniel Zovatto, Tony Hale, Nicolette Robinson, Autumn Best, Pete Holmes, Kathryn Gallagher, Kelley Jakle, Matt Visser, Jedidiah Goodacre
Director: Anna Kendrick
Writer: Ian McDonald


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Rohan Naahar | Independent Film Critic

Anna Kendrick’s inventive serial killer thriller takes stabs in the dark

Thu, December 19 2024

Anna Kendrick makes her directorial debut with the darkly comedic thriller, about a woman who comes face to face with a serial killer on a dating reality show. The movie is available on Lionsgate Play in India.

Sometimes, the wiser thing to do is to scale down. Not every film needs to be a sweeping epic, especially not one that demands a tight telling. Directed by the debutante Anna Kendrick, the darkly humorous thriller Woman of the Hour is based on an intriguing real-life story, but suffers from an under-confident execution. The movie would’ve worked wonderfully as a claustrophobic chamber piece, but feels compelled to jump across timelines and juggle between characters with an haphazardness that only does it harm. Kendrick is like an overeager Indian mum, checking the pressure cooker more often than she needs to, thereby releasing all the steam.

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Sonal Pandya | Times Now, Zoom

Anna Kendrick's Directorial Debut Is Powerful And Chilling

Sat, November 30 2024

Anna Kendrick stars in and directs this engrossing real-life story about a serial killer that almost got away.

The saying ’truth is stranger than fiction’ hits harder in films adapted from true-crime stories. The drama feature, Woman of the Hour, tells the unbelievable story of a serial killer who somehow ended up on a dating show as an eligible bachelor in the late 1970s. The shocking story is told by actress Anna Kendrick in her promising directorial debut that is sure to leave an impact.

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Image of scene from the film Joy
Joy

Drama (English)

A young nurse, a visionary scientist and an innovative surgeon face opposition from the church, state, media and medical establishment, in their pursuit of the world’s first ‘test tube baby’, Louise Joy Brown.

Cast: Bill Nighy, James Norton, Thomasin McKenzie, Charlie Murphy, Rish Shah, Cecily Cleeve, Eoin Duffy, Mariam Haque, Abbiegail Mills, Olivia Sellers
Director: Ben Taylor
Writer: Jack Thorne


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Rohan Naahar | Independent Film Critic

Netflix’s melodramatic and manipulative IVF origin story is an Akshay Kumar remake waiting to happen

Thu, December 19 2024

Netflix's cloying film about the birth of IVF takes a formulaic approach to what could have been a radical narrative

A well-intentioned drama that teeters on the edge of self-parody, Joy is a film that absolutely deserved to be made, but certainly not in this form. Some years ago, the utterly forgotten The Current War had all the messy ingenuity that a film about the creation of literal electricity demanded — the movie’s tone captured the spirit of its themes. Joy, which dramatises the events leading up to the first in vitro fertilisation (IVF) birth, would have you believe that all conception — let alone that of the artificial kind — is a cakewalk.

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Image of scene from the film The Piano Lesson
The Piano Lesson

Drama, Music, Horror (English)

A brother and sister's battle over a prized heirloom piano unleashes haunting truths about how the past is perceived — and who defines a family legacy.

Cast: John David Washington, Danielle Deadwyler, Samuel L. Jackson, Ray Fisher, Michael Potts, Corey Hawkins, Gail Bean, Jerrika Hinton, Stephan James, Skylar Aleece Smith
Director: Malcolm Washington


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Rohan Naahar | Independent Film Critic

Near-perfect Netflix drama finds John David Washington in incendiary form

Thu, December 19 2024

Starring John David Washington and directed by his brother, Malcolm, the new Netflix movie is a tightly-wound drama about sibling bonds, inherited trauma, and the horrors of the past.

It is easy, one would imagine, for a filmmaker to be overwhelmed by the words of the great August Wilson. Especially if they’ve never made a film before. Musical and marauding, the Pulitzer Prize-winning playwright’s language is a vessel for the ambition and anger of his people. Netflix’s The Piano Lesson — the latest adaptation of Wilson’s celebrated Pittsburgh Cycle of plays — is directed by the debutante Malcolm Washington, whose father, the legendary Denzel Washington, has publicly devoted this stage of his career to shepherding Wilson’s work onto the screen.

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Image of scene from the film The Teacher
The Teacher

Drama (Arabic)

A Palestinian school teacher struggles to reconcile his life-threatening commitment to political resistance with his emotional support for one of his students and the chance of a new romantic relationship with a British volunteer worker.

Cast: Saleh Bakri, Imogen Poots, Muhammad Abed Elrahman, Stanley Townsend, Paul Herzberg, Mahmood Bakri, Andrea Irvine, Asmaa Azaizeh, Ruba Blal, Muayyad Abd Elsamad
Director: Farah Nabulsi
Writer: Farah Nabulsi


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S. R. Praveen | The Hindu

An honest portrayal of dehumanising oppression in Palestine

Tue, December 17 2024

A house, lived in for years, bulldozed by the Israeli military in front of its inhabitants, leaving behind a pile of tangible memories under the rubble. A youth resisting the burning down of an Olive orchard shot down by a settler with practised ease and nonchalance, just as if it were the most normal thing to do. Soldiers violently barging into every single home in a village in search of an Israeli military man who was abducted.

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Image of scene from the film Young Hearts
Young Hearts

Drama, Romance (Dutch)

14-year-old Elias increasingly feels like an outsider in his village. When he meets his new neighbour of the same age, Alexander, Elias is confronted with his burgeoning sexuality.

Cast: Lou Goossens, Marius De Saeger, Geert Van Rampelberg, Emilie De Roo, Dirk van Dijck, Jul Goossens, Ezra van Dongen, Olivier Englebert, Olga De Saeger, Wim Opbrouck
Director: Anthony Schatteman
Writer: Anthony Schatteman


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S. R. Praveen | The Hindu

A heart-warming teenage gay romance

Tue, December 17 2024

Sometimes, the most gentle turns in a film can create a considerable emotional impact on the viewer. The filmmaker need not necessarily move a mountain to achieve that. Belgian filmmaker Anthony Schatteman’s Young Hearts, with its fresh take on teenage gay romance, is filled with several such moments that flow organically one after the other. Being screened in the World Cinema section at the 29th International Film Festival of Kerala (IFFK), this rather small film about young people has gained appreciation amid a flurry of bigger films boasting wider festival play.

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Image of scene from the film Pierce
Pierce

Drama, Mystery, Thriller (Mandarin)

Shy and sweet-natured Zijie spends his time learning the art of fencing and listening to his widowed mother, Ai Ling, sing at a local nightclub. When Zijie’s older brother Zihan – a three-time national fencing champion – is released from juvenile prison, Zijie remains intent upon seeing him, despite his mother’s wishes. As Zihan starts mentoring his younger brother, their bond strengthens. But as Zijie develops newfound skills as a fencer and a romance with his teammate blossoms, Zihan’s innocence becomes more questionable.

Cast: Tsao Yu-ning, Hsiu-Fu Liu, Ding Ning, Rosen Tsai, Benjamin Tsang
Director: Nelicia Low
Writer: Nelicia Low


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S. R. Praveen | The Hindu

Nelicia Low’s worlds of movies and fencing come together seamlessly in her debut film

Tue, December 17 2024

In Singapore, I picked fencing because two of my favourite movies growing up had swordplay – Lord of the Rings and Star Wars. So actually it was my love for film that led me to fencing, says the filmmaker.

While watching Pierce, the debut feature of former Singapore national fencer Nelicia Low, one would assume that the sport inspired the film, for fencing is at the very centre of the narrative which deals with brotherly affection and psychopathic tendencies. The trademark moves in the sport, which one character defines as chess played with swords, also parallels the behaviour of the characters in the film, screened in the world cinema section at the 29th International Film Festival of Kerala (IFFK) on Saturday (December 14, 2024).

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Image of scene from the film Body
Body

Drama (Hindi)

In the post covid world, Manoj, a young, struggling actor, is trying to cope with his personal trauma. On a village trip with his theatre peers he gets brutally bullied in the name of drunken fun. His friends leave him. He tries to find his way out of the village, battling shame and fear, without a stitch on. He comes back to Mumbai and starts stripping in public spaces. His life starts fragmenting to pieces. In his almost dysfunctional state he makes friends with a little boy living in the opposite apartment and finds that he is regularly abused by his father. This discovery sets him off on a complex journey of uncertainty and intrigue.

Cast: Amol Deshmukh, Khushboo Upadhyay, Sandeep Shridhar Dhabale, Shivam Parekh, Jatin Negi, Manoj Sharmaa, Kritika Pande
Director: Abhijit Mazumdar
Writer: Abhijit Mazumdar


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Rahul Desai | The Hollywood Reporter India

A Hindi Indie Full of Craft, Curiosity and Naked Ambition

Tue, December 17 2024

Abhijit Mazumdar’s troubled-actor drama is in the International Competition section of the International Film Festival of Kerala (IFFK)

Once adulthood sets in, and once we’ve accumulated enough years, most of us have two types of recurring dreams (and nightmares). One revolves around the terror of remembering that the exam is tomorrow and we haven’t touched the school syllabus. The other is shaped by the horror of finding ourselves naked in routine situations, while being totally helpless about it. Both of these are trauma responses to our fraught relationship with society. Both feature a link between social conditioning and shame, but Abhijit Muzumdar’s Body confronts the steeper task of exploring the second dream. It’s a testing watch, but ultimately quite a rewarding one.

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Image of scene from the film Pushpa 2
FCG Rating for the film Pushpa 2: 62/100
Pushpa 2

Action, Drama, Thriller, Crime (Telugu)

As his smuggling empire grows, a brazen Pushpa longs for power and respect on his vengeful journey, while facing old rivals and new.

Cast: Allu Arjun, Rashmika Mandanna, Fahadh Faasil, Jagadeesh Bandari, Rao Ramesh, Sunil Varma, Anasuya Bharadwaj, Ajay, Kalpalatha, Pavani Karanam
Director: Sukumar


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Sudhir Srinivasan | The New Indian Express

Thrilling, thoughtful, but troubled

Tue, December 17 2024

Sukumar crafts a sequel that’s as audacious as its protagonist, brimming with wild energy and unforgettable visuals. Yet, beneath the swagger and spectacle lies a film grappling with uneven writing and an ending that falters

Why do we like Pushparaj? He doesn’t care to look conventionally attractive. His shoulders are lop-sided, his hair unkempt, his speech brimming with contempt. His work? Smuggling red sanders. His retribution? A fierce defiance of systematic oppression, making him a figure of political utility. And his manner of retribution? Ruthless. As he says, he kills “without mercy.” In this sequel, Pushpa seems almost possessed, his machete slicing through limbs as though they were branches from a tree.

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Sachin Chatte | The Navhind Times Goa

Loud and Clear

Sun, December 8 2024

“Pushpa naam nahi hain, Pushpa matlab brand hain”, (Pushpa is not just a name; it signifies a brand) states Srivalli, portrayed by Rashmika Mandanna, in this sequel anticipated to shatter all box office records. This statement prompts reflection on whether it is the character speaking or if the filmmakers are conveying their confidence through her words. Following the success of Pushpa (2021), the sequel is grander in every aspect, running an exhausting 200 minutes, though it does not necessarily surpass its predecessor. The filmmakers have amplified every successful element from the first installment, leaving no stone unturned in terms of scale and ambition. However, the narrative, or lack of it, remains unchanged—if the first part emphasised “Pushpa flower nahin, fire hai main”, the second part shifts to portraying him as a wildfire, whatever that may imply.

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Anmol Jamwal | Tried & Refused Productions

Sun, December 8 2024

Image of scene from the film Despatch
FCG Rating for the film Despatch: 55/100
Despatch

Drama, Thriller (Hindi)

Determined to break the next big story and refashion his complicated personal life, Joy embarks on a relentless odyssey through the heart and gut of Mumbai.

Cast: Manoj Bajpayee, Shahana Goswami, Archita Agarwal, Anand Alkunte, Mamik Singh, Riju Bajaj, Veena Mehta, Rii Sen, Kabir Sadanand
Director: Kanu Behl
Writer: Ishani Banerjee, Kanu Behl


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Deepak Dua | Independent Film Journalist & Critic

कुछ ढंग का ‘डिस्पैच’ करो भई

Tue, December 17 2024

इस फिल्म का बेहद कसा हुआ, तेज़ रफ्तार ट्रेलर दिखाता है कि मुंबई के एक अखबार ‘डिस्पैच’ का क्राइम रिर्पोटर जॉय बाग एक ऐसे मामले की तह तक जाने की कोशिशों में लगा है जिसमें हजारों करोड़ का घपला है और बड़े-बड़े लोग शामिल हैं। ज़ाहिर है कि इतना सब है तो खतरे भी बड़े हैं। जॉय बाग कर पाएगा इस काम को? कैसे करेगा वह इसे?

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Sucharita Tyagi | Independent Film Critic

Manoj Bajpayee steers most of the movie on his able shoulders, and occasionally his bare bottom.

Mon, December 16 2024

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Anuj Kumar | The Hindu

Tailored for Manoj Bajpayee, the searing crime drama examines the death of investigative journalism

Sat, December 14 2024

With persuasive performances and immersive camerawork, Kanu Behl’s press procedural on journalist J Dey’s murder case cuts close to the bone

Those who have experienced Titli and Agra would vouch that Kanu Behl’s cinema is not easy to watch. Always reflecting dark shades of everyday reality, the filmmaker has this knack for scratching the soul of his desperate characters struggling to cling to their little power structures and, in the process, leaves impressions on the conscience of the audience.

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Image of scene from the film Agni
FCG Rating for the film Agni: 45/100
Agni

Action, Adventure (Hindi)

In a city plagued by a strange rise in fires, fireman Vithal and his policeman brother-in-law Samit reluctantly team up to solve the escalating crisis. Battling personal conflicts, they race against time to crack the case and save Mumbai.

Cast: Pratik Gandhi, Divyendu Sharma, Jitendra Joshi, Sai Tamhankar, Saiyami Kher, Udit Arora, Kabir Shah, Pramod Pathak, Kundan Roy, Sakhi Gokhale
Director: Rahul Dholakia
Writer: Rahul Dholakia


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Anuj Kumar | The Hindu

Pratik Gandhi blazes a trail in this tale of courage under fire

Sat, December 14 2024

Filled with warm and chilling moments, Rahul Dholakia’s social thriller provides firefighters with their moment under the sun

In Indian tradition, fire alludes to love and conflict, devotion and anger, eternality and death. The ever-youthful element that demands sacrifice plays the central character in director Rahul Dholakia’s ode to the unstinting spirit of the firefighters. Capturing a daze’s multiple faces and colours, Dholakia removes the smokescreen that covers the firefighters’ work and opens a window into the lives of those who keep us out of its fury but whose services are not duly acknowledged by the system and society. The action takes us into the heart of the evacuation process, the drama unravels the sacrifices firefighters make and the thriller elements seek to find the answer to the source of the firestorm.

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Shubhra Gupta | The Indian Express

Pratik Gandhi is excellent in Rahul Dholakia’s damp film

Fri, December 13 2024

Rahul Dholakia's film honours the commitment that heroic firefighters have to their jobs, even as they rail against ‘the system’ which doesn’t give them the support they need.

Hindi movies have played with fire several times before. Those with long memories will remember such films as the 1980 adventure ‘The Burning Train’, which may have picked up inspiration from an earlier Hollywood blockbuster ‘The Towering Inferno’, but those who fight the flames at the risk of their own lives, have never been in the limelight.

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Tatsam Mukherjee | The Wire

The Faint Glimmers, and the Uncontained Wildfires of Vintage Bollywood

Wed, December 11 2024

The film builds momentum as an action-packed social drama, but takes a jarring turn in its second hour.

I couldn’t help but be left with the feeling that there’s an enjoyable disaster film somewhere within Rahul Dholakia’s Agni, which surely owes a debt to The Burning Train (1980). There is more than one echo of the Ravi Chopra-directorial, where the spectacle is foregrounded by professional rivalry – Danny Denzongpa and Vinod Khanna’s in the 1980 film; emulated by Pratik Gandhi and Divyenndu’s characters in Dholakia’s directorial. The innate Bollywood melodrama after an unexpected death, the high-voltage social commentary and righteous anger fuel both spectacles. Both Chopra and Dholakia’s film balance a strong ensemble, offering everyone their moment, and yet Dholakia’s film fails to stick its landing. It might have to do with what Hindi films have become in 2024 – too self-conscious, cautious, and reverential towards any uniform.

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Image of scene from the film Bandish Bandits S02
FCG Rating for the film Bandish Bandits S02: 63/100
Bandish Bandits S02

Family, Drama (Hindi)

A classical singer Radhe falls in love with pop singer Tamanna and embarks on a path that forces him to compromise his classical roots. With time, both the singers try to get out of their comfort zone while trying to protect their stardom. This series tests their resolve for their passion and love.

Cast: Ritwik Bhowmik, Shreya Chaudhary, Atul Kulkarni, Sheeba Chaddha, Rajesh Tailang, Kunaal Roy Kapur, Divya Dutta, Yashaswini Dayama, Saurabh Nayyar, Rohan Gurbaxani
Director: Anand Tiwari
Writer: Atmika Didwania, Karan Singh Tyagi, Lara Chandni, Anand Tiwari


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Nonika Singh | The Tribune

Sat, December 14 2024

When ‘Bandish Bandits’ streamed on Prime Video in 2020, it was a breath of fresh air wrapped in melody and a master class in classical music. As it enters the second season, there is good news and a bit of bad news. First the downside: what it did not succumb to in the first season, it has done so in the second outing and turned into an ‘Indian Idol’ of sorts. Here, the major part of the series is devoted to the India Band Championship. Of course, on the sunny side, it is still an ode to music, now of various hues, and the master class continues. You will still learn more than a thing or two about ragas. Only, this time, we get to hear and see the exponents of contemporary music too.

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Bharathi Pradhan | Lehren.com

Hits The Right Notes

Fri, December 13 2024

In our autograph books way back in school, a favourite verse was, “East is East, West is West. When they meet, it’s the best.” Bandish Bandits makes the same point, embellishing it with blended, mood-elevating music. There’s usually an ambience-fatigue when a fresh premise goes into a second season and struggles to say something new. Kota Factory, Mirzapur, Undekhi and Aarya are prime examples of ambience-fatigue.

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Udita Jhunjhunwala | Mint, Scroll.in

Strikes the right notes

Fri, December 13 2024

Anand Tiwari’s Prime Video series is led by Ritwik Bhowmik and Shreya Chaudhry.

The second season of the Prime Video series Bandish Bandits opens in Jodhpur, three months after Radhe (Ritwik Bhowmik) has been crowned Sangeet Samrat. In the previous season, battle lines were drawn between rival gharanas represented by Radhe and his grandfather Radhemohan (Naseeruddin Shah) on the one side and Radhemohan’s estranged son Digvijay (Atul Kulkarni) on the other. With the passing of the patriarch, the responsibility for the Rathod gharana rests on Radhe’s shoulders. Radhe is also contending with new and confusing feelings after Tammana (Shreya Chaudhry) walks away from their fusion band Bandish Bandits, and her relationship with him, to find her own voice.

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