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Guild Reviews

Image of scene from the film The Night Agent S02
The Night Agent S02

Action & Adventure, Drama, Mystery (English)

Brought together by a midnight phone call, an FBI agent and a cybersecurity expert must unravel an ever-growing web of political conspiracies.

Cast: Gabriel Basso, Luciane Buchanan, Arienne Mandi, Louis Herthum, Berto Colon, Keon Alexander, Michael Malarkey, Amanda Warren


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Sonal Pandya | Times Now

Unassuming Spy Thriller Is Bolder And Just As Binge-Worthy

Fri, January 24 2025

Created by Shawn Ryan, the return of the spy saga picks up with the right amount of thrills and action to keep viewers hooked.

In 2023, The Night Agent became Netflix’s most-watched series, and it’s easy to see why. Gabriel Basso plays the earnest young government official Peter Sutherland, an FBI agent in this case, who accidentally uncovers a conspiracy to kill the president. The action drama mixed all the right ingredients, and now as it returns for Season 2, it continues where it left off, and adds more urgency. The new season takes place 10 months after the first season, with Peter on assignment as a Night Action agent. Within the first 15 minutes, there’s immediate danger, putting him in the same position as he was in Season 1, not knowing who to trust. However, the smart-thinking agent follows his own leads to find out who amongst the agency is leaking information on the outside. He is reunited with his former girlfriend Rose Larkin (Luciane Buchanan), who proves to be a great asset to him, even as another plotline on the side involves suspicious goings on at the Iranian mission to the United Nations.

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Image of scene from the film Paatal Lok S02
FCG Rating for the film Paatal Lok S02: 78/100
Paatal Lok S02

Crime, Drama (Hindi)

Inspector Hathi Ram Chaudhary, the unlikely hero, investigates a high-profile murder case that leads him to remote corners of North-East India, where he battles powerful forces and personal tragedies in his pursuit of truth.

Cast: Jaideep Ahlawat, Ishwak Singh, Tillotama Shome, Gul Panag, Nagesh Kukunoor, Jahnu Barua, Anuraag Arora, Prashant Tamang, Merenla Imsong, LC Sekhose
Director: Avinash Arun


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Tatsam Mukherjee | The Wire

Jaideep Ahlawat Shines in This Competent – But Too Neat – Cop Procedural

Tue, January 21 2025

Some of the rage from the first season seems to be missing in this show, which is set in Nagaland.

After the second season of Paatal Lok (Amazon Prime Video), it’s safe to say that nobody else in India has mastered the police procedural like Sudip Sharma. Known for writing acclaimed films like Udta Punjab (2016) and Sonchiriya (2019) – Sharma became a household name after the first season of the show in 2020, much like his lead actor – Jaideep Ahlawat. Since then, Sharma has written Kohhra (2023), using the mould of a police investigation to uncover the oppressive culture of patriarchy typical to Punjab. In the second season of Paatal Lok, Sharma is still grappling with the larger rot in society using a trail of missing persons and murder probes.

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Rohit Vats | Bajarbattu Media

Jaideep Ahlawat returns with fierce energy

Mon, January 20 2025

The canvas is bigger and the writing shows hard work. Filmmakers such as Nagesh Kukunoor and Jahnu Barua have been cast in important roles.

Sub inspector Hathi Ram Chaudhary (Jaideep Ahlawat) of Jamna-paar police station has become more confident in life after the adventures of the first season. He finds himself entangled in a political murder that takes place in Delhi with its roots in Nagaland. He, along with IPS Iqbal Ansari ( Ishwak Singh), goes into the interiors of North East India to find out a complex society striving for power by any means. So many factions, so much greed and so bizarre situations. They meet Barua (Tillottama Shome) as the local police authority and begin a chase that’s forcing them to move in circles. At least, this is what happens in the first four episodes I watched after the show started streaming on Thursday night.

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Shomini Sen | Wion

Jaideep Ahlawat delivers a class act in a sharp, worthy sequel

Sun, January 19 2025

Created by Sudeep Sharma, who had directed the first season, and helmed by Avinash Arun, Paatal Lok Season 2 serves as a textbook example of how a sequel of a good thriller should be.

Hathiram Chaudhary, the permanent resident of Paatal Lok (netherworld) is back, and with him, so is the world of crime and murky dealings that need a desperate cleanup. Paatal Lok Season 1 came out during the first lockdown and blew everyone’s mind with its taut storyline and strong performances. It opened up ways for other similar cop stories that dealt with cases from the underbelly of society. Some were good, some were mere copies, but none captured the attention of viewers the way Paatal Lok had. It took the makers 5 years to come up with a sequel, and after watching season 2 of Paatal Lok, I have to admit it was worth the wait.

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Image of scene from the film Mother's Instinct
Mother's Instinct

Thriller, Drama (English)

Housewives Alice and Celine are best friends and neighbours who seem to have it all. However, when a tragic accident shatters the harmony of their lives, guilt, suspicion and paranoia begin to unravel their sisterly bond.

Cast: Anne Hathaway, Jessica Chastain, Anders Danielsen Lie, Josh Charles, Caroline Lagerfelt, Alexander Blaise, Steve Routman, Joel Nagle, Larry Petersen, Eamon Patrick O'Connell
Director: Benoît Delhomme


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Priyanka Roy | The Telegraph

Though it unravels in the last act, Mother's Instinct is a pulpy, fairly gripping watch.

Mon, January 20 2025

Mother’s Instinct could have been named ‘Mom gone bonkers’. Turning the concept/ idea/ theme of a mother’s selfless love for her child on its head, this 2024 thriller, now streaming on Prime Video, is a pulpy watch, with maternal instinct going into a zone dark enough to result in murder. A couple of them, in fact. Set in the 1960s and headlined by Hollywood A-listers Anne Hathaway and Jessica Chastain, the directorial debut of acclaimed French cinematographer Benoit Delhomme has a Hitchcockian feel of unease and foreshadowing, but never really lives up to its ultimately pulpy potential.

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Image of scene from the film Wolf Man
Wolf Man

Horror, Thriller (English)

With his marriage fraying, Blake persuades his wife Charlotte to take a break from the city and visit his remote childhood home in rural Oregon. As they arrive at the farmhouse in the dead of night, they're attacked by an unseen animal and barricade themselves inside the home as the creature prowls the perimeter. But as the night stretches on, Blake begins to behave strangely, transforming into something unrecognizable.

Cast: Christopher Abbott, Julia Garner, Matilda Firth, Sam Jaeger, Ben Prendergast, Benedict Hardie, Zac Chandler, Milo Cawthorne, Leigh Whannell, Rob MacBride
Director: Leigh Whannell


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Gopinath Rajendran | The Hindu

Universal Pictures’ horror classic reboot is a howling miss

Mon, January 20 2025

Despite sticking to practical effects that give enough meat for body horror fans, director Leigh Whannell’s ‘Wolf Man’ lacks the bite and is a far cry from its cult classic original

After the astounding success ofThe Invisible Man, director Leigh Whannell is back to reboot another of Universal Pictures’ most iconic horror titles. While The Invisible Man turned out to be the outing that could have revived the Dark Universe which was shot down after the failure of The Mummy, the filmmaker’s latest film Wolf Man shows why the chances of getting that universe are darker than the films it could have. In the latest iteration of Wolf Man, after getting a “closure” on his father’s sudden disappearance along with the keys to his childhood home, Blake (Christopher Abbott) decides to make a trip out of it to save his strained marriage with Charlotte (Julia Garner). Along with their child Ginger (Matilda Firth), the couple drives to the middle of nowhere when they get attacked by a mysterious creature similar to what Blake had seen 30 years ago. When one of them gets infected while escaping from the monster, the barricaded safehouse turns into a trap.

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Image of scene from the film Emergency
FCG Rating for the film Emergency: 38/100
Emergency

Drama (Hindi)

Based on true events that unfolded in 1975, the film chronicles incidents that took place under the leadership of Indira Gandhi, one of the most powerful women in Indian history.

Cast: Kangana Ranaut, Anupam Kher, Shreyas Talpade, Vishak Nair, Milind Soman, Mahima Chaudhry, Satish Kaushik, Bhumika Chawla, Scott Alexander Young, Richard Bhakti Klein
Director: Kangana Ranaut


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Anuj Kumar | The Hindu

Kangana Ranaut turns Indira Gandhi’s life into a lopsided listicle

Mon, January 20 2025

Marked by uneven storytelling, the biopic comes across more as a selective recreation of archival material to serve today’s political narrative than a compelling take on the darkest chapter of Indian democracy

When Kangana Ranaut announced that she would direct Emergency, many felt it might be another weapon to whip the Congress in the election year to limit the memory of the grand old party’s rule to the 21-month blot that Indira Gandhi inflicted on democracy in 1975. After a long wait and multiple controversies, it turns out that the artist in Kangana has prevailed over the fledgling politician in her to create an ambitious biopic of the former Prime Minister, where the Emergency period is a dark chapter in her storied journey from Anand Bhawan to 1 Safdarjung Road. However, in an attempt to find the roots of dictatorial insecurities in Indira’s psyche, the writers (Kangana and Ritesh Shah) tie the screenplay into knots. The muddled gaze results in a spiritual cousin of The Accidental Prime Minister where a biopic vilifies or dilutes its subject to serve the present dispensation.

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Rahul Desai | The Hollywood Reporter India

Kangana Ranaut Places the Hindi Historical Under Curfew

Sat, January 18 2025

The 147-minute Indira Gandhi biopic is all irony and no self-awareness

In Emergency, Kangana Ranaut plays Indira Gandhi who plays Kangana Ranaut. Let me explain. Ranaut performs as the former Prime Minister of India when the politician is flawed, cruel, paranoid, a nepotism hire, power-hungry, guilty, and the mother of Sanjay Gandhi. Her voice becomes high-pitched, uneven and shaky in these parts. But Indira Gandhi seems to perform as Ranaut when the woman is defiant, patriotic, headstrong, resilient, reverential towards the opposition (Janata Party leaders Jayaprakash Narayan and Atal Bihari Vajpayee), and the mother of the nation. Her voice becomes firm, furious and confident in these parts.

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Sanyukta Thakare | Mashable India

Kangana Ranaut’s Indira Gandhi Biopic Is Enjoyable For Its Performances

Sat, January 18 2025

Performances and the simple writing make for an easy watch

The Kangana Ranaut directorial is a fictional account of Indira Gandhi’s personal life experiences as a daughter, wife, politician and a woman of the nation. Led by Kangana in the leading role, the film does take creative liberties but impresses with writing that provides full-circle moments and character-focused direction. It is important to emphasise that the film is not a biopic or documentation of the real political personality but fiction an account of her life. The makers before the film began emphasized the film is based on two books. Emergency begins with Indira’s childhood and how she was inspired by her grandfather’s vision and understanding of Indraprastha, a play in ancient Indian history and its equivalent Delhi in today’s time where a constant struggle remains for power. Since childhood Indira focuses on winning the big battles and the same remains throughout her political career. The film also gives glimpses of her personal life her little interactions with her husband and her children through flashbacks and presently as her career progressed. The first half feels rushed as the story progresses through her political career with only a few incidents in the foreground. From the death of her father, her feeling betrayed by him to taking control of the party.

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Image of scene from the film Azaad
FCG Rating for the film Azaad: 28/100
Azaad

Drama, Action (Hindi)

In 1920s India, a young stable boy bonds with a spirited horse. Amid rebellion and tyranny, his quest to ride the majestic animal becomes a journey of courage, awakening him to the country's fight for freedom.

Cast: Aaman Devgan, Rasha Thadani, Ajay Devgn, Diana Penty, Mohit Malik, Piyush Mishra, Jiya Imran Amin, Rasha, Dylan Jones, Akshay Anand Kohli
Director: Abhishek Kapoor
Writer: Abhishek Kapoor, K. Hariharan, Ritesh Shah, Suresh Nair


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Anuj Kumar | The Hindu

Aaman Devgan’s debut is a disappointing ride

Sun, January 19 2025

Director Abhishek Kapoor launches Aaman Devgan and Rasha Thadani with an outworn vehicle

Betaab, Barsaat, Mirziya… Bollywood somehow loves to launch its kids on horses. Abhishek Kapoor’s Azaad is the latest addition to the list where Ajay Devgn’s nephew Aaman Devgan, and Raveena Tandon’s daughter Rasha Thadani, get a horse ride because of their pedigree.

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Upma Singh | Navbharat Times

इंसान और पशु प्रेम की बानगी देती यह फिल्म अमन देवगन के लिए देखी जा सकती है।

Sat, January 18 2025

बॉलीवुड में इंसान और जानवरों के प्यार, दोस्ती और वफादारी पर ‘हाथी मेरे साथी’ और ‘तेरी मेहरबानियां’ जैसी यादगार फिल्में बनी हैं। हालांकि, वक्त के साथ इन बेजुबानों के साथ इंसानी रिश्तों की कहानियां कम होती गईं, पर अब डायरेक्टर अभिषेक कपूर इस कड़ी को आगे बढ़ाते हुए फिल्म ‘आजाद’ लेकर आए हैं, जिसका केंद्र एक घोड़ा है। अपनी फिल्मों से फरहान अख्तर, सुशांत सिंह राजपूत और सारा अली खान को बॉलीवुड में लॉन्च करने वाले अभिषेक कपूर इस फिल्म से भी दो नए चेहरों, अजय देवगन के भांजे अमन देवगन और रवीना टंडन की बेटी राशा थडानी को पर्दे पर उतार रहे हैं। फिल्म में इन दोनों नए एक्टर्स, खासकर अमन ने आत्मविश्वास भरी अदाकारी से खुद को लंबी रेस का घोड़ा साबित करने की बढ़िया कोशिश की है।

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Rahul Desai | The Hollywood Reporter India

Dear Bollywood, Stop Horsing Around

Sat, January 18 2025

Abhishek Kapoor’s period actioner is a dull and broken spectacle

Azaad is fit, handsome, muscular and agile. His flowy hair is the talk of the town. He plays hard to get. He looks away and sighs if he isn’t interested. He loves his whisky neat — and straight from the bottle. He sits on a bed when he’s tired. He loses his appetite when he’s sad; he eats only if his food is spiked with alcohol. He has expensive taste. He farts in a closed room. He isn’t afraid to defy outdated perceptions of masculinity: his eyes go glassy when he gets a whiff of his late companion’s scent from a turban. He remembers the day they met and necked. He remembers their adolescent-love song together: “Ab jeene ki koi wajah toh hai” (I now have a reason to live). He isn’t ashamed of weeping. He likes dancing. He loves racing, too. Azaad is an expressive action hero; this film is his big-budget launch vehicle. There’s only one problem though: Azaad is a horse.

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Image of scene from the film Black Warrant
FCG Rating for the film Black Warrant: 76/100
Black Warrant

Drama, Crime (Hindi)

When an upright officer accepts a job at Tihar Jail, he vows to make amends after witnessing cold-blooded corruption within its walls.

Cast: Zahan Kapoor, Rahul Bhat, Paramvir Singh Cheema, Anurag Thakur, Rajshri Deshpande, Rajendra Gupta, Sidhant Gupta, Tota Roy Chowdhury, Joy Sengupta

Writer: Satyanshu Singh, Arkesh Ajay


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Upma Singh | Navbharat Times

जेल की अनदेखी दुनिया की सच्ची बानगी और बेहतरीन परफॉर्मेँसेज के लिए देखनी चाहिए।

Sat, January 18 2025

जेल एक ऐसी जगह है, जिससे हर कोई दूर ही रहना चाहेगा। यही वजह है कि जेल की भीतर की दुनिया के बारे में लोगों को कम ही जानकारी रहती है। हां, कई फिल्मों में जेल में होने वाली दबंगई, खराब खाना, बारिश में सोने की भी जगह ना मिलने जैसी चीजें जरूर देखने को मिली है, लेकिन विक्रमादित्य मोटवाने की नई वेब सीरीज ब्लैक वारंट जेल की दुनिया की स्याह सचाई को इतनी गहराई से दिखाती है कि आप इसमें खोते जाते हैं। एशिया की सबसे बड़ी तिहाड़ के जेलर सुनील कुमार गुप्ता और पत्रकार सुनेत्र चौधरी की इसी शीर्षक से लिखी किताब पर आधारित यह सीरीज जेल के भीतर होने वाले भ्रष्टाचार, जेलर-कैदी के रिश्तों, उनकी जिंदगी के साथ-साथ अस्सी के दशक में फांसी पर चढ़े चर्चित कैदियों की कहानी भी दिखाती है।

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Poulomi Das | The Federal

Vikramaditya Motwane helms a compelling prison drama

Fri, January 17 2025

Dives into the brutal, complex ecosystem of Tihar Jail in the 1980s to chronicle its politics, and angst of the inmates

For a country so invested in rewriting history, it is shocking that there exist so few films and shows that tackle the contours of modern Indian history. Narratives set in pre-Independence India abound in Hindi cinema habituated to churning out period films by the dozen even though filmmakers are rarely burdened by facts or historical accuracy. Oftentimes, the genre, which spans historical biopics and narratives tracking several periods of the country’s freedom movement, becomes a means to an end — a way of reiterating religious extremism of the present rather than investigating the social conscience of a nation.

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Rohit Vats | Bajarbattu Media

Zahan Kapoor shines in Vikramaditya Motwane's Netflix jail drama

Tue, January 14 2025

Seconds into the show and you meet the lead of the biographical drama, jailer Sunil Gupta, a docile-looking but gritty middleclass boy.

This review is based on the initial three episodes of the new Netflix show titled Black Warrant, based on a book of the same name by journalist Sunetra Choudhary and former Tihar Jail superintendent Sunil Gupta. However, going by the detailing shown in these episodes, there are chances of the rating going even higher eventually. Confession in the beginning: I haven’t read the book, which has given me a fresh perspective that is mostly driven by the entertainment quotient of the show. If you’re not looking for the mismatch between the book and the show, then you’re mostly looking for the right tempo and pace. Seconds into the show and you meet the lead of the biographical drama, jailer Sunil Gupta, a docile-looking but gritty middleclass boy with empathy in eyes and a hesitant body language. Wait a minute, have I not seen this full of potential actor somewhere before?

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Image of scene from the film Fateh
FCG Rating for the film Fateh: 35/100
Fateh

Action, Crime, Thriller (Hindi)

A former gangster is hired to guard a young woman. In order to keep her safe, he must employ all of his abilities while simultaneously attempting to learn the truth about the threats made against her.

Cast: Sonu Sood, Jacqueline Fernandez, Naseeruddin Shah, Vijay Raaz, Dibyendu Bhattacharya, Shivjyoti Rajput
Director: Sonu Sood
Writer: Ankur Pajni


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Sanyukta Thakare | Mashable India

Sonu Sood’s Directorial Brings Unexpected Surprises With Good Action

Sat, January 18 2025

Sonu Sood promises John Wick styled franchise?

Fateh marked Sonu Sood’s directional debut as well as his first all-out lead action role. The film attempts to talk about social issues as well as presents a hero with a bad boy image but has good intentions. With easy and comic dialogues the film does have much to offer to easy-going audience and can be relatable despite the action-heavy extravagant plot. Sonu Sood also gets a chance to show off his charm but his stoic demeanour works for him more. The film kicks off with an action packed scene where Sood walks into a room full of gangsters working for the cyber mafia and takes them down effortlessly. Though the scene is long it does brings one of the best action sequences in the film. Sood looks effortless during the action sequences even when the camera is slow to track the movements. The plot however takes a flashback as Sood is taken down recalling his life and his mission.

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Ajay Brahmatmaj | CineMahaul (YouTube)

Sat, January 11 2025

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Deepak Dua | Independent Film Journalist & Critic

गैट-सैट-स्लीप ‘फतेह’

Sat, January 11 2025

पंजाब के किसी गांव में लोगों को लोन दिलवाने वाली एक लड़की दिल्ली आकर गुम हो जाती है। उस लड़की के घर में रह कर एक डेयरी फॉर्म में नौकरी करने वाला सीधा-सादा फतेह सिंह उसे ढूंढने निकला है। फतेह जहां जाता है, लाशें बिछने लगती हैं। कौन है फतेह? क्या करता है वह? फतेह इस लड़की को तलाश पाया या…! किसी खुफिया एजेंसी के रिटायर्ड एजेंट के किसी कारण से तबाही के धंधे में वापस आने की कहानियां खूब बनती हैं। बस इन एजेंटों के वापस आने का कारण अलग-अलग होता है। इस फिल्म में कारण है लोन देने के बहाने लोगों का डेटा जमा करना और उसके ज़रिए उन के बैंक अकाउंट खाली करना। इस फिल्म (Fateh) में यह तामझाम खूब फैला हुआ दिखाया गया है लेकिन यह न तो तार्किक है और न ही कायदे से समझाया गया है।

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Image of scene from the film Pravinkoodu Shappu
Pravinkoodu Shappu

Thriller, Crime, Mystery (Malayalam)

On a rainy night, a toddy shop owner is found hanging after 11 people stayed inside playing cards in the closed shop. SI Santhosh investigates, uncovering secrets to find the killer.

Cast: Soubin Shahir, Basil Joseph, Chemban Vinod Jose, Chandini Sreedharan, Shivajith Padmanabhan, Shabareesh Varma, Niyas Backer, Prathapan K S, Rajesh Azhikkodan
Director: Sreeraj Sreenivasan
Writer: Sreeraj Sreenivasan


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S. R. Praveen | The Hindu

Intriguing thriller underutilises its potential

Sat, January 18 2025

Despite its intriguing setting, some cleverly staged scenes, and liberal doses of black humour, debutant Sreeraj Sreenivasan’s film falls short of fully realising its promise

One well-crafted sequence can sometimes make a film worthwhile, even when the film in its totality hits a notch below where it could have. These sequences tell us of the possibilities that a filmmaker holds, and serve as a showreel of someone whose work is worth looking forward to. Such sequences are galore in debutant Sreeraj Sreenivasan’s Pravinkoodu Shappu, partly thanks to cinematographer Shyju Khalid, who has shot some of the major Malayalam films of the past decade. To list out a few, there is a school bus chase sequence that sends chills down your spine due to its clever staging; there are thoughtfully lit night scenes inside a toddy shop, and one by a pond where a murder is taking place under the dim, reddish tail lamps of a vehicle; or like that of a masked man attacking a house at night, seen from the point of view of the woman facing it; or even the opening sequence which juxtaposes a classic nostalgic song with a shocking visual.

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Image of scene from the film Nesippaya
Nesippaya

Action, Romance (Tamil)

Two lovers, separated by life's circumstances, are reunited by a tragic fate—a murder. Arjun, driven by his love for Diya, defies all odds, crosses boundaries, and braves the unknown to uncover the truth behind her tragic fate.

Cast: Akash Murali, Aditi Shankar, Prabhu, R. Sarathkumar, Khushboo, Kalki Koechlin, George Kora, Shiv Panditt, Vikram Arul Vidyapathi, Prajna Ravi
Director: Vishnuvardhan
Writer: Vishnuvardhan, Neelan K. Sekar


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Avinash Ramachandran | The New Indian Express

A promising yet meandering romantic drama that has one too many rough edges

Wed, January 15 2025

Nesippaya is Vishnu Varadhan's Roja, and it is the man who goes to the gallows to save his woman from certain death. It is poetic, heartwarming, indulgent, triumphant, and romantic.

What’s cute between a couple heads-over-heels in love might not seem the same for someone sitting on the table next to them in a crowded restaurant. But that’s the beauty of romance, I guess. Gestures that make up a secret language that can be spoken unabashedly and unfiltered in a space that isn’t conducive for romance to grow. It is in the unlikeliest of places that the strongest of romance is brewed between people who are steadfast in their belief that they have found their soulmate. And in the case of the protagonists of Vishnu Varadhan’s Nesippaya, this place is a Portugal prison. But let’s get to it in a minute. First up, the film introduces Akash and Aditi with two contrasting scenes that don’t actually give Nesippaya a romantic vibe. Akash’s Arjun crashes into a school bus, and takes it hostage. Aditi’s Diya is arrested in Portugal for the murder of the rich heir of an Indian businessman based out of the European country. And then, we piece together the reason behind this Portugal sojourn while the narrative crisscrosses between this story and the love story of Arjun and Diya. It is love at first sight for Arjun as he literally turns the spotlight on Diya as she dances her way into his heart. One might argue it is just an infatuation, but from time immemorial, Tamil cinema heroes have often confused crush and infatuation with love, and convinced the audience that they were seeing epic love stories unfold. But let’s get to it in a minute.

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Janani K | India Today

Aditi Shankar, Akash Murali's suspense drama lacks thrill

Tue, January 14 2025

Director Vishnuvardhan's Nesippaya, starring Aditi Shankar and Akash Murali, is a suspense drama. The film is devoid of thrill and has very little going for it.

Director Vishnuvardhan returns to Tamil cinema after a decade. Known for his unique style of storytelling, the Shershaah director picked a suspense drama with Nesippaya and introduces legendary actor Murali (late) and actor Atharvaa’s younger brother, Akash Murali, to Tamil cinema. Alongside Akash Murali is director Shankar’s daughter Aditi, who is regarded as one of the most promising talents in recent times. Diya Ramalingam (Aditi Shankar) is accused of murder and is lodged in a prison in Portugal. Indrani (Kalki Koechlin) is representing her and is trying to secure a re-investigation despite pressure from influential people. Meanwhile, Diya’s ex-boyfriend Arjun (Akash Murali) gets to know of her arrest from the news and heads to Portugal.

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Image of scene from the film Sankranthiki Vasthunam
Sankranthiki Vasthunam

Action, Comedy (Telugu)

An ex-cop's attempt to rescue a key figure becomes a hilarious juggling act between his wife and former lover.

Cast: Venkatesh, Aishwarya Rajesh, Meenakshi Chaudhary, Upendra Limaye, Sai Kumar, Srinivasa Reddy, Naresh, VTV Ganesh, Srinivas Avasarala, Vadlamani Srinivas
Director: Anil Ravipudi
Writer: Anil Ravipudi


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Sangeetha Devi Dundoo | The Hindu

Anil Ravipudi and Venkatesh’s film delivers mindless laughs

Wed, January 15 2025

Anil Ravipudi and Venkatesh Daggubati go all out to entertain in their third collaboration, ‘Sankranthiki Vasthunam’, not too weighed down by the need to be politically correct

A character named Bulli Raju, played by child actor Revanth, mouths expletives that send grown-ups into a tizzy. We hear some of these words while the rest is masked by the background score. A section of the audience may wonder why the filmmaker makes a boy say things beyond his age. The very next minute, writer-director Anil Ravipudi’s Telugu film Sankranthiki Vasthunam reasons that the young mind has been corrupted by an overdose of content on digital platforms! Bulli Raju’s antics in an early scene bring the house down and set the tone for the film. Teaming up with Venkatesh Daggubati for the third time, after the farcical comedies F2 and F3, Anil is aware that all his target audiences want are a few good laughs. Logical reasoning and political correctness can take a backseat. Within that framework, the film delivers several laughs.

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Image of scene from the film Kadhalikka Neramillai
FCG Rating for the film Kadhalikka Neramillai: 70/100
Kadhalikka Neramillai

Romance, Drama, Comedy (Tamil)

Does the idea of a perfect life leading to love, marriage and babies exist? Shriya finds it a challenge, especially when she meets men like Siddarth who think marriage is a recipe for disaster, and babies should be banned. When times are changing and relationships are evolving, the idea of love remains timeless- the more you resist it the more you will fall in love.

Cast: Ravi Mohan, Nithya Menen, TJ Bhanu, John Kokken, Lal, Mano, Vinodhini Vaidyanathan, Lakshmi Ramakrishnan, Yogi Babu, Vinay Rai
Director: Kiruthiga Udhayanidhi
Writer: Kiruthiga Udhayanidhi


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Avinash Ramachandran | The New Indian Express

Nithya Menen, Ravi Mohan shine bright in Kiruthiga Udhayanidhi’s warm and chic romcom

Wed, January 15 2025

Powered by a terrific Nithya Menen and a brilliant Ravi Mohan, this is a simple, sensitive, and sensible film that accepts the flaws of its characters as par for the course.

Romcoms are all about the first time the leads meet. In 99 cases out of 100, we know what is going to happen to the leads when they cross paths for the first time. Whatever might happen between the first time they meet, and the closing credits start to roll, we know how their stories would end. So, why does this genre still have that allure? There is a joy in vicariously living a happily ever after through the lives of others, right? In Kiruthiga Udhayanidhi’s Kadhalikka Neramillai, these others are Shriya (Nithya Menen) and Siddharth (Ravi Mohan), and it is their story that we follow through different cities, different lives, and different timelines before it ends up like all good romcoms end up as… flawed, familiar, and frabjous. While Kadhalikka Neramillai definitely has the beats of staple Hollywood romcoms of the 90s and 00s, it has its antecedents in an even older Tamil film… K Bhagyaraj’s Mouna Geethangal (1981). In fact, this is an urban and updated version of the 44-year-old film, and there are enough upgrades in Kadhalikka Neramillai to make it more of a hat-tip rather than a full-blown remake. And each of these upgrades work perfectly in sync with the theme and treatment of the movie. Siddharth hates kids, but he loves the idea of romance. Shriya loves kids, and loves the idea of romance. And in between, there is Nirupama (TJ Bhanu), who loves the idea of romance and marriage, and is open to the idea of kids and a family.

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Vishal Menon | The Hollywood Reporter India

A Charming Cultural Update Of 'O Kadhal Kanmani'

Wed, January 15 2025

Kiruthiga Udhayanidhi gives us a delightfully messy relationship drama that never backs down from what it wants to say.

Right from the casting of the delightful Nithya Menen as Shriya, to the picture-perfect houses; from AR Rahman’s youthful score to the way these songs are shot, coded in shades of red and blue; there’s a dotingly recreated design in Kadhalikka Neramillai that is meant to evoke Mani Ratnam’s O Kadhal Kanmani (2015). Like the 2015 romance, Kiruthiga Udhayanadhi’s film also is set around two hyper-individualistic protagonists, each with their own sets of rules and quirks. If OKK was about a couple that was marriage-averse, Kadhalikka Neramillai is about two people who do not believe in commitment. But what if you add an extra layer of conflict into their midst by throwing in the idea of having children? That is what makes Kadhalikka Neramillai a cultural update of O Kadhal Kanmani, like a thought exercise that was born when someone mooted, “What if Tara and Aditya from OKK met, but later, when they are in their 30s?” It’s this bit of tweaking that makes for a more complex film. In a casual breakfast scene set at Shriya’s house, we see her correcting her mother (lovingly called Kanmani!) when she assumes Shriya to still be a virgin. This isn’t a movie about glossy love-at-first-sight moments or syrupy meet-cutes. Well into their adult lives, both Sid (Ravi Mohan) and Shriya (Nithya Menen) have been through enough heartbreaks to realise that love is… a matter of time.

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Gopinath Rajendran | The Hindu

Nithya Menen and Ravi Mohan are brilliant in a breezy romance that opts for moments over magnificence

Wed, January 15 2025

Nithya Menen and Ravi Mohan headline ‘Kadhalikka Neramillai’, a breezy feel-good romance that leaves you wishing that it had more to offer

‘God works in mysterious ways’ they say, and in a way, love does too. While the romance genre itself is done to death in all art forms, very few Tamil films have captured the intricacies of contemporary relationships and the multiple factors that might have to fall into place for them to work. The latest to join the elusive list is director Kiruthiga Udhayanidhi’s Kadhalikka Neramillai starring the fantastic duo, Nithya Menen and Ravi Mohan. In Kadhalikka Neramillai, Shreya (Nithya) and Sidharth (Ravi Mohan) are two oddballs with diametrically opposite belief systems, only their recent heartbreaks and profession being the common factor between them. While fate brings them together, the meet-cute leads to a dead end. When their paths cross years later, one is now a single parent while the other gets an unwelcome visitor from their past. Whether they put aside their differences and come together forms the rest of Kadhalikka Neramillai.

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