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Guild Reviews

Image of scene from the film Shodha
Shodha

Thriller (Kannada)

After his wife vanishes following a deadly accident, Rohit reports her missing.When police find her,he insists the woman isn't really his wife.

Cast: Pawan Kumar, Siri Ravikumar, Shwetha R Prasad, Anusha Rangnath, Arun Sagar
Director: Sunil Mysore
Writer: Pawan Kumar, Suhas Navarathna


FCG Member Reviewer Srivathsan Nadadhur
Srivathsan Nadadhur | Independent Film Critic
(Writing for M9 News)
Modestly Watchable Thriller

Fri, August 29 2025

Rohith, a lawyer by profession, arrives at the police station to claim that his wife, Meera, is missing. After a work trip, he’d returned home to surprise Meera on her birthday. Meanwhile, Meera’s sister Aditi takes charge of the situation at home, shielding his daughter Tara from the confusion. A woman, claiming to be Rohith’s wife, lands at home, whom he asserts is an imposter. Where’s the case headed? Shodha doesn’t demand much from its cast, for it barely settles down, not giving any performance enough time to register well. Pawan Kumar (who also helped with the adaptation), as the protagonist, gets the maximum screen time and plays a multi-layered role minus any overt exaggeration. Yet it isn’t a performance you’d call memorable; it fits the bill and that’s about it.

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Image of scene from the film Tribanadhari Barbarik
Tribanadhari Barbarik

(Telugu)

Tribanadhari Barbarik (2025) tells the epic tale of Barbarik, grandson of Bhima, who rises in the modern age with his three invincible arrows to fight for the oppressed. Awakened in a world torn apart by greed and war, he is bound by his eternal oath to always stand with the weaker side. As ancient evils resurface and humanity faces its darkest hour, Barbarik must decide whether his power will save the world or lead it into eternal destruction.

Cast: Rajendran, Vasishta N. Simha, Satyam Rajesh, Sathyaraj, VTV Ganesh, Sanchi Rai, Udayabhanu
Director: Mohan Srivatsa
Writer: Mohan Srivatsa


FCG Member Reviewer Srivathsan Nadadhur
Srivathsan Nadadhur | Independent Film Critic
(Writing for The Hindu)
Sathyaraj leads a taut, self-aware redemption drama

Fri, August 29 2025

Smart screenplay and well-written character arcs lend a new appeal to a worn-out, formulaic story in Mohan Srivatsa’s Telugu film

There is a certain degree of freedom that storytellers enjoy with a film that is not tailored to suit an actor’s image. One can sense that liberation in director Mohan Srivatsa’s Telugu film Tribanadhari Barbarik, which, despite being a done-to-death redemption drama centred on a missing child, rises above the limitations of its genre, thanks to crisp storytelling and well-etched characters. The title, Tribanadhari Barbarik, is a reference to Ghatotkacha’s son in the Mahabharata; he is a gifted warrior who vows to support the losing side in the war. The film’s protagonist, Shyam Kathu (another name for Barbarik, played by Sathyaraj), a psychiatrist, is a warrior-like figure for his granddaughter Nidhi, who goes missing one night. The grandfather will not rest till he finds her.

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Image of scene from the film Sundarakanda
Sundarakanda

Romance, Comedy (Telugu)

A man born under the Mula Nakshatra faces misfortune and failed relationships, exploring his journey to win over his ideal match.

Cast: Nara Rohith, Sridevi Vijayakumar, Virti Vaghani, Naresh, Vasuki Anand, Satya, Ajay, VTV Ganesh, Abhinav Gomatam, Viswant Duddumpudi
Director: Venkatesh Nimmalapudi


FCG Member Reviewer Srivathsan Nadadhur
Srivathsan Nadadhur | Independent Film Critic
(Writing for The Hindu)
Nara Rohith’s romcom is a mixed bag

Fri, August 29 2025

Director Venkatesh Nimmalapudi’s Telugu film has a quirky concept, good situational humour, but is too inconsistent to be engaging

In Sundarakanda, Siddharth (Nara Rohith) faces a quintessential problem common to most middle-aged protagonists in Telugu cinema’s romcoms. The parents are worried that their ageing son may never get married, while the typical man-child will not agree to a girl unless she matches his specific requirements. However, the Nara Rohith starrer gives this idea a cheeky little twist and playfully subverts it. The film’s title is a throwback to Venkatesh’s 1992 hit by the same name, and there is enough thematic similarity between the two to establish a clear connection. While the former featured an unconventional equation between a male teacher and a feisty student, the 2025 film is a tale of a man who turns a teacher to woo his lady love (creepy, yes), tackling ageism with tongue-in-cheek humour.

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Image of scene from the film Half CA S02
Half CA S02

Drama (Hindi)

Two CA Aspirants from two different ends of the spectrum of the course, Archie and Niraj embark on the journey of one of the toughest courses and face the obstacles it has to offer.

Cast: Ahsaas Channa, Gyanendra Tripathi, Anmol Kajani, Prit Kamani, Rohan Joshi, Aishwarya Ojha
Director: Pratish Mehta


FCG Member Reviewer Srivathsan Nadadhur
Srivathsan Nadadhur | Independent Film Critic
(Writing for Binged)
A Kota Factory-Style Easy Watch

Thu, August 28 2025

Niraj, Archie and Parth have cleared their CA Group 1 exams. Both Parth and Archie land articleships in different companies, juggling their time for exam preparation. Niraj bumps into his ex, Kavya, again, and the two give their relationship another chance. Tejas continues to support Archie through her highs and lows, while Vishal makes progress with his acting career. The performances generally fit the bill. Given the graph of the characters is limited in terms of complexity, there’s only so much that an actor can do to go beyond the established tropes. Ahsaas Channa is the pick of the lot among the cast; she’s barely tested but tries to bring some earnestness into her performance. Half CA is precisely Kota Factory for CA aspirants – a group of students from different parts of the country across age groups come together to pursue their dream, nearly give up, get distracted, but give it a good shot. Some make it, some don’t, there are heartbreaks, disappointments and time runs out. Through the journey, some victories are literal, others moral, but they gear them for life.

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Image of scene from the film Bring Her Back
FCG Rating for the film
Bring Her Back

Horror (English)

Following the death of their father, a brother and sister are introduced to their new sibling by their foster mother, only to learn that she has a terrifying secret.

Cast: Billy Barratt, Sally Hawkins, Mischa Heywood, Jonah Wren Phillips, Stephen Phillips, Sally-Anne Upton, Sora Wong, Kathryn Adams, Brian Godfrey, Brendan Bacon
Director: Danny Philippou, Michael Philippou
Writer: Danny Philippou, Bill Hinzman


FCG Member Reviewer Tatsam Mukherjee
Tatsam Mukherjee | The Wire
A Rare Horror Film That Humanises Its Monster

Mon, August 25 2025

One of the incidental pleasures of recent indie-horror films from around the world is how they’ve doubled down on the power of gaslighting. It’s chilling to see the psychological warfare unleashed on a person, enough to make them question their critical faculties and/or sanity. Why fear the monster under the bed, when family members and ‘well-meaning’ acquaintances can make up for it? The power of perception can be vital – which most people are discovering in the age of social media. Imbuing human paranoia into a folk horror-tale is one of the best decisions made by director-duo Danny and Michael Philippou in Bring Her Back – their sophomore film, after their clutter-breaking debut in Talk To Me (2023). Having started as YouTubers in Adelaide, the Philippou brothers soon showcased their knowledge about horror tropes. And they also know the points when most horror films take a leap of faith – and how ludicrous it looks. So the duo mine it for laughs. It’s another miracle of recent that instead of being rigid, indie-spirited horror films operate without any fear of flirting with their own formlessness.

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FCG Member Reviewer Sachin Chatte
Sachin Chatte | The Navhind Times Goa
Good grief

Mon, August 25 2025

Following the releases of Weapons and Together earlier this month, the series of top notch horror/thriller films persists. It is safe to say that Bring Her Back stands out as the most terrifying of them all, due to its staging and unfolding – complemented by an exceptional performance from the ever-dependable Sally Hawkins. You will find yourself reluctant to visit her home, even if she extends an invitation

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FCG Member Reviewer Sanyukta Thakare
Sanyukta Thakare | Mashable India
This Horror Pulls All The Right Stops But...

Sat, August 23 2025

It remains a drama with gore

2025 has seen a range of horror with sub-genres and plots that are far from the idea of a typical horror film from the 2000s. With drama, supernatural elements and psychological factors taking the forefront, a new kind of understanding for the genre has emerged. Bring Her Back is another such film; it focuses on body horror with gore and blood, which makes you look away. But the focus on these ends up overshadowing the real psychological horror of the film: a mother lost to grief, the broken foster system and the trauma all kids go through in the film.

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Image of scene from the film Nobody 2
Nobody 2

Action, Thriller (English)

Former assassin Hutch Mansell takes his family on a nostalgic vacation to a small-town theme park, only to be pulled back into violence when they clash with a corrupt operator, a crooked sheriff, and a ruthless crime boss.

Cast: Bob Odenkirk, Connie Nielsen, Sharon Stone, John Ortiz, Colin Hanks, RZA, Christopher Lloyd, Gage Munroe, Paisley Cadorath, Colin Salmon
Director: Timo Tjahjanto


FCG Member Reviewer Sachin Chatte
Sachin Chatte | The Navhind Times Goa
Rinsed and Repeated

Mon, August 25 2025

Similar to numerous Hollywood films, Nobody 2 was produced due to the success of Nobody (2021), which performed well at the box office. The concept was interesting – an unremarkable office worker is actually a skilled assassin and capable of taking on a horde of thugs and defeating them decisively. It was a light-hearted film filled with action.

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FCG Member Reviewer Sanyukta Thakare
Sanyukta Thakare | Mashable India
Bob Odenkirk's Action Sequel Stays In Its Lane And Is Still Fun

Sat, August 23 2025

Remains refreshing

Nobody 2 brings back the old man in an action film gimmick, but the makers stay true to the franchise’s tone, keeping it family-friendly and light. The action sequences are amusing and gory, similar to those in the first film, but they are witty enough not to feel repetitive. The novelty of watching a middle-aged man fighting does wear off, but the full-circle moment in the film makes up for it. Until the usual sequels, with just newer villains and bigger baddies, we do a refreshing take on making friends with call backs to the good moments in the original film.

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Image of scene from the film Indra
Indra

Thriller (Tamil)

INDRA is a serial killer investigation film about an ex-cop who lost his eyesight and sets out to find the killer terrorizing the town. What follows is a gripping chase full of twists and turns — but what if the hunter ends up becoming the hunted?

Cast: Vasanth Ravi, Mehreen Pirzada, Sunil Varma, Anikha Surendran, Kalyan Kumar
Director: Sabarish Nanda
Writer: Sabarish Nanda


FCG Member Reviewer Janani K
Janani K | India Today
Vasanth Ravi's thriller is too basic to be the thriller it promised

Sat, August 23 2025

Directed by Sabarish Nanda, 'Indra' is a crime thriller starring Vasanth Ravi, Mehreen Pirzada, and Sumesh Moor. The film is too basic to make a significant impact, which a crime thriller demands.indra

A police officer on suspension. A serial killer is on the loose. A murder that hits home. A personal tragedy that blinds the police. All these plot points could set the foundation of a gripping crime thriller, if done well. Director Sabarish Nanda’s ‘Indra’ has all of it, yet the film only reaches for the low-hanging fruit, so much so that the makers seem content with the bare minimum. Indra (Vasanth Ravi) struggles with alcoholism. His addiction and rage get him suspended, and he even leads to the loss of his eyesight. He and his wife Kayal (Mehreen Pirzada) are facing marital troubles. However, the loss of eyesight brings them closer as they wait for a transplant. During this time, Kayal is murdered at home while Indra sleeps in another room. The pattern of the killing points to a serial killer.

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Image of scene from the film Paradha
Paradha

Drama (Telugu)

A veiled village woman's life changes when city visitors challenge her traditions. As she questions customs and investigates a curse, rumors of Sati emerge, leading her to confront societal norms.

Cast: Anupama Parameswaran, Darshana Rajendran, Sangeetha Krish, Rag Mayur
Director: Praveen Kandregula
Writer: Prahaas Boppudi, Poojitha Sreekanti


FCG Member Reviewer Janani K
Janani K | India Today
An honest, non-preachy film that lays bare everyday patriarchy

Sat, August 23 2025

Director Praveen Kandregula's 'Paradha', starring Anupama Parameswaran, Darshana Rajendran and Sangeetha Krish, is a thoughtful film on patriarchy, women coming out of their shells and sisterhood.

Women-led films don’t always have to be about a woman being belittled by everyone around her, only to later rise as someone who rides bikes in the Himalayas. A women-led film can also be about learning and unlearning - discovering that the world beyond their cocoon presents opportunities. How to make use of this vast world of opportunities is up to each individual. But the important underlying message is that they have a choice. A choice that lets them spread their wings and fly, or simply feel the freedom of having options. That is what director Praveen Kandregula’s ‘Paradha’ is all about. Subbu (Anupama Parameswaran) belongs to the fictional village named Padathi, where women, who have hit puberty, have to wear a veil till they die. This superstitious belief is told to the villagers as the story and curse of the deity, Jwalamma. If the paradha (veil) is taken off, wilfully or unintentionally, the woman has to face death. Hold on! A ritual followed by death.

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FCG Member Reviewer Sangeetha Devi Dundoo
Sangeetha Devi Dundoo | The Hindu
Three sparkling women and a film that celebrates female friendships

Sat, August 23 2025

Anupama Parameswaran, Darshana Rajendran and Sangitha Krish shine in director Praveen Kandregula’s Telugu film that celebrates gender sensitivity in myriad hues

Paradha is a refreshing breather in a largely machismo-driven Telugu cinema. Imagine three women, hailing from different backgrounds, on a road trip to find a solution to a crisis that one of them is caught up in. Director Praveen Kandregula’s film starring Anupama Parameswaran, Darshana Rajendran and Sangitha Krish, brims with warmth, joy, laughter, and tears. The journey gives these women a much-needed getaway from their daily grind. As they soak in the vastness of the landscapes, they question their own understanding of the world and gender equations. Despite the heavy folklore that acts as a fulcrum to the narrative, considerable portions are handled with a lightness that makes it enjoyable.

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Image of scene from the film Tehran
FCG Rating for the film
Tehran

Action, Thriller (Hindi)

On 13th February 2012, a magnetic bomb exploded, destroying an Israeli embassy vehicle in Delhi. ACP Rajiv Kumar, leading the investigation, suspects more than what meets the eye. Amid political pressure and suspicions of an Iranian connection, he embarks on a perilous journey to uncover the truth, facing formidable adversaries.

Cast: John Abraham, Manushi Chhillar, Neeru Bajwa, Madhurima Tuli, Elnaaz Norouzi, Alyy Khan, Dinker Sharma, Hadi Khanjanpour
Director: Arun Gopalan
Writer: Ritesh Shah, Ashish Prakash Verma, Bindni Karia


FCG Member Reviewer Rohan Naahar
Rohan Naahar | The Indian Express
John Abraham’s geopolitical thriller isn’t smarter than a fifth grader, no matter how many newspapers it reads

Sat, August 23 2025

John Abraham has perfected the art of remaining apolitical, even when he's starring in geopolitical thrillers such as Tehran.

There is a scam in Punjab that Rajkumar Hirani would’ve heard about while researching Dunki. Shady travel agents are charging crores from desperate (and mostly uneducated) Indians with the promise of arranging safe passage to the American state of Georgia. The scam? These poor men are being sent to the country of Georgia instead. In most cases, they’ve sold off family land, quit their jobs, and exhausted their entire life savings; some of them even have wives and children with them. All to be sent to the land of khachapuri. To put it simply, there are a bunch of people from Bathinda knocking about in the Caucasus right now. Anyway, the folks who made the new John Abraham film Tehran are no smarter. The movie opens with a voiceover in which we are told about an operation carried out by Iran in 2012, where Israeli diplomats were targeted in Thailand, India, and Georgia. They meant the country. But the map that the movie shows instead is that of the US state.

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FCG Member Reviewer Akhil Arora
Akhil Arora | akhilarora.com
The Long Take: A Spotify Review

Fri, August 22 2025

Tehran—the new John Abraham political action thriller—literally cannot identify the country of Georgia on the map. The movie also goes out of its way to make its protagonist an apolitical man who somehow annoys the governments of three nations, including his own. We discuss the film’s muddled messaging, its bizarre third act, and the arrogance with which it thinks it can get away with claiming Scotland is Iran.

FCG Member Reviewer Ishita Sengupta
Ishita Sengupta | Independent Film Critic
(Writing for OTT Play)
Tehran Is An Impressive Espionage Thriller With Muddy Politics

Mon, August 18 2025

Arun Gopalan’s film keeps refusing to hang by the scaffolding, and although it doesn’t always land, it gives us plenty to hold on to.

TEHRAN is the latest John Abraham film, where the actor is out to avenge. For a while, it was the country (Parmanu, Satyameva Jayate); then it became more pointed (in both Vedaa and The Diplomat, he saves a girl). A less obvious, but more definite, shift has been his heroism, which has shapeshifted from a combative force to inner resilience. It has become less showy and more nuanced, more cerebral and less extraneous, much like the nationalism in his filmography. In that sense, Tehran is an able extension of this humanity that props up the ideas of protection without losing sight of the cost. In Delhi, 2012, an Israeli diplomat’s car was bombed. Similar blasts occurred in Georgia and Thailand. But the one which we see in the capital (designed in a sleek shot; Evgeniy Gubrenko and Andre Menezes are the cinematographers) results in an unwitting casualty. A young girl on the street, not much older than the daughter of ACP Rajeev Kumar (Abraham), suffers injury. This pulls him into the case even when he was hesitant initially.

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Image of scene from the film Saare Jahan Se Accha
FCG Rating for the film
Saare Jahan Se Accha

Drama (Hindi)

A resilient Indian spy must defeat his counterpart across the border in a battle of wits and tradecraft to sabotage a nuclear program.

Cast: Pratik Gandhi, Tillotama Shome, Sunny Hinduja, Suhail Nayyar, Kritika Kamra, Rajat Kapoor, Anup Soni

Writer: Shivam Shankar


FCG Member Reviewer Rohan Naahar
Rohan Naahar | The Indian Express
Netflix sabotages Suhail Nayyar’s performance, humiliates Tillotama Shome by editing her scenes out

Sat, August 23 2025

Netflix's new spy drama, Saare Jahan Se Accha, feels like it has been edited by Edward Scissorhands; it's tantamount to self-sabotage. Poor Tillotama Shome, Sunny Hinduja, and Suhail Nayyar are done particularly dirty.

The new Netflix series Saare Jahan Se Accha begins with Pratik Gandhi’s character being posted to the R&AW’s Islamabad station, and it ends with him foiling a major nuclear operation and blowing things up real good. All of this happens in six episodes of roughly 45 minutes each. In these six episodes, we are introduced to several characters — field agents, a journalist, the chief of the ISI; even Indira Gandhi drops by. Most of these characters, including the protagonist’s wife, is introduced with enough fanfare to suggest that they are going to be important to the plot. Some of them are, most aren’t. But you can never shake the feeling that Saare Jahan Se Accha was stripped to the bone after somebody interfered with either the scripts or the first assembly. Nearly everybody in the cast suffers, not to mention the show itself. But nobody is done quite so dirty as Tillotama Shome.

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FCG Member Reviewer Shubhra Gupta
Shubhra Gupta | The Indian Express
Sunny Hinduja and Suhail Nayyar steal the show, which peters off towards the end

Fri, August 15 2025

Netflix's new show, Saare Jahaan Se Acch,a is created by Gaurav Shukla, directed by Sumit Purohit, and stars Pratik Gandhi. But it's Sunny Hinduja and Suhail Nayyar who walk away with the best moments.

It’s not the fault of this series that it comes exactly a week after the one which had the same theme. Well, almost. Salaakar is about scotching Pakistan’s nuclear ambitions with the help of canny footwork by Indian spies : this week’s new show on Netflix, Saare Jahaan Se Accha, created by Gaurav Shukla and directed by Sumit Purohit, is exactly about the same thing. The intent may be the same but the treatment, thankfully, is vastly different: the beyond-terrible Salakaar, with Naveen Kasturia leading the charge, reminds you of a comic-book with none of the fun of the genre; this Pratik Gandhi starrer, on the other hand, takes things seriously, and that’s a good thing, more or less.

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FCG Member Reviewer Suchin Mehrotra
Suchin Mehrotra | The Hollywood Reporter
Despite the potential for a tense thriller with grand stakes, the series rarely brings tension and feels more like a uneven forgettable feature film

Thu, August 14 2025

Image of scene from the film Deja Vu
Deja Vu

Documentary (English)

Deja Vu (2025) is a documentary by Indian filmmaker Bedabrata Pain that draws parallels between the corporatization of the American farming industry in the 1980s and similar agricultural market reforms in India


Director: Bedabrata Pain


FCG Member Reviewer Tatsam Mukherjee
Tatsam Mukherjee | The Wire
Bedabrata Pain’s Urgent Warning on How Indian Farm Laws Could Wipe Out the Small Farmer

Sat, August 23 2025

By giving the example of similar laws in the US, the documentary shows how large corporations prey on the agricultural sector.

The Indian farmers’ protest on Delhi’s borders in late 2020, was arguably the longest citizen-led protest in post-Independence India. Lasting a little over a year, weathering a bone-chilling winter and an equally oppressive summer, the farmers were labelled many things by the TV media: folks misunderstanding the government’s intentions to empower them, anti-social elements, even Khalistani terrorists. The protest sites invited the curiosity of documentarians: Nishtha Jain’s Farming The Revolution, Gurvinder Singh’s Trolley Times and Varrun Sukhraj’s Too Much Democracy were some of the films that chronicling the 13-month farmers’ agitation, interviewing them, getting experts to weigh in on initialisms (like MSP), and trying to understand the points of disagreement around the farm laws, which were hastily passed in the Parliament.

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Image of scene from the film The Map That Leads to You
The Map That Leads to You

Romance, Drama (English)

Heather is a young woman traveling Europe with friends before starting her perfectly planned life. A chance meeting with Jack sparks an unexpected romance that leads to deep emotional discovery. As secrets and life choices test their bond, her path changes forever.

Cast: Madelyn Cline, K.J. Apa, Sofia Wylie, Madison Thompson, Orlando Norman, Josh Lucas, Karl-El Santos, Diego Ross, Giuseppe Schillaci, JR Esposito
Director: Lasse Hallström


FCG Member Reviewer Sanyukta Thakare
Sanyukta Thakare | Mashable India
KJ Apa And Madelyn Cline’s Film Doesn't Live Up To The Bookish Romance

Sat, August 23 2025

The book boyfriend isn't here

The Map That Leads To You is sort of a coming-of-age story for new adults with romance at the center of the plot. Based on a book of the same name by J.P. Monninger, it follows a young woman on an adventure across Europe with her best friends when she crosses paths with Jack, who stirs up her entire idea of an organised and planned life. Meanwhile, Jack, older than her, is off on his own adventure following his grandfather’s post-war journal across Europe.

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FCG Member Reviewer Sonal Pandya
Sonal Pandya | Times Now, Zoom
Madelyn Cline, KJ Apa Starrer Is My Oxford Year Take 2

Wed, August 20 2025

Directed by Lasse Hallström, the emotional film adaptation follows two strangers who fall in love during a European getaway.

The newest streaming romance, The Map That Leads to You, is based on JP Monninger’s novel and feels like deja vu arriving on the heels of Netflix’s The Oxford Year. It uses the same kind of tropes - American young woman, a European excursion and a summer fling with a stranger who becomes the important part of your life. The biggest difference between the two is the direction by Oscar nominee Lasse Hallström and the treatment of the feature, which feels a bit more lived in. The film’s narrative is much more optimistic and thankfully, this one has a more relatable female lead. Outer Banks star Madelyn Cline plays Heather, who, like Anna (Sofia Carson) from My Oxford Year, has a job waiting for her back in New York. Heather goes on a girls’ trip across Europe with her college besties Connie (Sofia Wylie) and Amy (Madison Thompson), when she meets a stranger named Jack (KJ Apa) from New Zealand on a train to Spain. It’s very DDLJ-esque. He becomes a part of their friends group and the usually rigid Heather finds herself following the oft-beaten path along with Jack. She finds herself opening more and more. But the summer must come to an end, and Jack is hiding a very big secret. Will their romance be able to stand the distance?

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