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Guild Reviews

Image of scene from the film Wonder Man
Wonder Man

Comedy, Sci-Fi & Fantasy (English)

Simon and Trevor, two actors at opposite ends of their careers, chase life-changing roles.

Cast: Yahya Abdul-Mateen II, X Mayo, Zlatko Burić, Arian Moayed, Olivia Thirlby, Byron Bowers, Ben Kingsley, Hadi Ali


FCG Member Reviewer Sonal Pandya
Sonal Pandya | Times Now, Zoom
Marvel Series With Yahya Abdul-Mateen II Gets Intimate With Superhuman Struggles

Mon, January 26 2026

The newest Marvel series, co-created by Destin Daniel Cretton and Andrew Guest, has little action but contains all heart with its grounded superhuman story.

Marvel’s Wonder Man is a different kind of superhero series with fewer characters and an engaging story about an actor trying to break into Hollywood, while hiding a terrifying secret. The eight-episode series is co-created by Destin Daniel Cretton and Andrew Guest and features Yahya Abdul-Mateen II as Simon Williams, a struggling actor looking for the role that will change his life. Enter the perfect project with Wonder Man and an old familiar face with Iron Man 3’s Trevor Slattery (Ben Kingsley). The superhero series veers away from the usual Marvel tropes and instead creates a refreshingly honest and emotional story of two friends who connect over shared passions.

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Image of scene from the film Train Dreams
FCG Rating for the film Train Dreams: 73/100
Train Dreams

Drama (English)

A logger leads a life of quiet grace as he experiences love and loss during an era of monumental change in early 20th-century America.

Cast: Joel Edgerton, Felicity Jones, Nathaniel Arcand, Clifton Collins Jr., John Diehl, Paul Schneider, Kerry Condon, William H. Macy, Will Patton, Alfred Hsing
Director: Clint Bentley


FCG Member Reviewer Uday Bhatia
Uday Bhatia | Mint Lounge
A life-size American frontier film

Sun, January 25 2026

Clint Bentley’s Oscar-nominated ‘Train Dreams’, starring Joel Edgerton, is a thoughtful and mysterious era-spanning story

There’s a scene I often return to in Apur Sansar (1959), the third in Satyajit Ray’s Apu trilogy, that’s an eloquent defence of ordinariness. Apu (Soumitra Chatterjee) is being gently pulled up by a friend for his lack of ambition. He ventures that he’s writing a novel, and starts narrating the story: a boy grows up in the village, moves to the city, studies hard. “We feel he has in him seeds of greatness, but…” “He doesn’t succeed?” the friend guesses. “He doesn’t,” Apu replies. “But to him this isn’t a tragedy. He realises one must face reality. One must live!” Robert Grainier wouldn’t be able to articulate this, but he’d agree. He’s a young orphan at the start of Clint Bentley’s Train Dreams, in a tiny town in rural Idaho. “He quit attending school in his early teens, and the next two decades passed without much direction or purpose,” the voiceover says. He becomes a logger, and though he works a few other jobs, that’s the only real profession he has. He’s in his 80s when the film closes, and has lived most of his life in the same small town.

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FCG Member Reviewer Rahul Desai
Rahul Desai | The Hollywood Reporter India
(Writing for OTT Play)
The Ruins Of Remaining

Fri, December 5 2025

Train Dreams reclaims the importance of feeling like someone, not just anyone. Of knowing that no emotion is futile, no sadness is small, no memory is hollow, and no life is pointless.

In Train Dreams, life is but an accruement of endings. Based on Denis Johnson’s 2011 novella, Clint Bentley’s tender fever-dream of a film is rooted in the anonymity of time: an anti-Forrest Gump of sorts. It’s about the kind of man that history is wired to forget: a humble woodlogger and railroad construction worker, a normal husband and father, a survivor and soliloquy, a grafter and griever. A voice-over introduces Robert Grainier (Joel Edgerton) as an orphan in his childhood; it closes with him at 80, having lived and loved and lost and lived in the shadow of loss. He is a reluctant protagonist masquerading as just another person. It’s almost as if the story keeps leaving him behind in the hope that he will catch up.

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FCG Member Reviewer Tatsam Mukherjee
Tatsam Mukherjee | The Wire
Confronts Ecological Conservation, 20th-Century Capitalism Through a Faceless American Figure

Mon, December 1 2025

Adapted from a 2011 novella written by Denis Johnson, Bentley’s film chronicles the tenderness and awe in Robert’s seemingly ‘ordinary’ life, most of which isn’t immediately apparent to him.

It takes a special kind of film to be aware of its surroundings. It is one thing to fetishise nature and invite comparison to the sweeping scale of a Terrence Mallick film but Clint Bentley’s Train Dreams does something interesting with the vessel of a meandering Mallick film. It cuts and splices the essential bits of a man’s journey fuelled by cosmic wonder: the meaning of it all. And it does that using a specific means: a voiceover (by Will Patton).

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Image of scene from the film Cheekatilo
Cheekatilo

Thriller (Telugu)

When crime anchor Sandhya’s best friend is found dead under suspicious circumstances, she embarks on a dangerous investigation that collides with a dark past. As secrets unravel, Sandhya must face her trauma and rise as a fearless voice for the silenced.

Cast: Sobhita Dhulipala, Vishwadev Rachakonda, Chaitanya Visalakshmi, Isha Chawla, Jhansi, Aamani, Vadlamani Srinivas, Ravindra Vijay
Director: Sharan Koppisetty
Writer: Chandra Pemmaraju, Sharan Koppisetty


FCG Member Reviewer Janani K
Janani K | India Today
Sobhita's thriller bites into cliches despite valid lessons

Sun, January 25 2026

Directed by Sharan Koppisetty, Cheekatilo is a murder mystery headlined by Sobhita Dhulipala. With valid lessons on patriarchy, the film bites into cliches of an investigative thriller.

Murder mysteries and investigation dramas always rely on thrills, suspense and high-stakes drama. Most whodunnit thrillers have a male hero leading the investigation from the front. The Telugu film, Cheekatilo, has the feisty Sobhita Dhulipala leading a murder mystery, thereby standing out from a crowd of films of the same genre. Did Cheekatilo manage to crack the formula? Let’s find out!

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FCG Member Reviewer Sangeetha Devi Dundoo
Sangeetha Devi Dundoo | The Hindu
Sobhita Dhulipala anchors a crime drama that occasionally thrills

Fri, January 23 2026

Sharan Kopishetty’s Telugu film works more as a compelling social commentary than an edge-of-the-seat whodunnit

There are two strands to Cheekatilo (In the Darkness), the Prime Video original Telugu film directed by Sharan Kopishetty. On the surface, it is a crime drama that attempts to build an edge-of-the-seat whodunnit. At its core, however, it is a social commentary that urges silenced voices to speak, heal and find closure to long-buried wounds. In a film led by Sobhita Dhulipala, this second strand proves far more compelling.

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Image of scene from the film Baby Girl
Baby Girl

Drama, Thriller (Malayalam)

It was a special day in hospital attendant Sanal’s life: his wife, who had been working abroad for many years was finally coming home to be with him and their child, who she had missed dearly. Now their little family would be complete.

Cast: Nivin Pauly, Lijomol Jose, Sangeeth Prathap, Abhimanyu Thilakan, Azees Nedumangad, Aswath Lal, Aditi Ravi, Nisha Sarangh, Nandhu, Ranjini George
Director: Arun Raj Varma
Writer: Bobby, Sanjay


FCG Member Reviewer Janani K
Janani K | India Today
Nivin Pauly's film has promising core, but convenience takes over

Sun, January 25 2026

Baby Girl, directed by Arun Varma and starring Nivin Pauly, Lijomil Jose, Sangeeth Prathap, and Abhimanyu Shammi Thilakan, is an emotional thriller about the kidnapping of a three-day-old baby. The film struggles to balance drama and thriller elements, ultimately failing to do justice to either genre.

A few minutes into Nivin Pauly’s Baby Girl, we are taken into a hospital where the doctors have called Code Pink. Those who are familiar with medical dramas like Dr House or Grey’s Anatomy would be instantly hooked, as Code Pink means a baby is missing. In director Arun Varma’s Baby Girl, a three-day-old baby girl goes missing. Sanal Mathews (Nivin Pauly) is an attender who is in the thick of things here. At its core, Baby Girl shows immense promise to be an emotional thriller. But, Baby Girl takes a different route and struggles to find a balance between being a drama and a thriller.

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FCG Member Reviewer S. R. Praveen
S. R. Praveen | The Hindu
Nivin Pauly-Lijomol Jose starrer fails to work due to dated approach

Sat, January 24 2026

With the story of a newborn’s disappearance from a hospital losing momentum by the halfway mark, the rest of the film plods along with the aid of the emotional drama and a few convenient contrivance.

Fifteen years ago, Malayalam cinema was not in the pink of health when the screenwriting duo of Bobby-Sanjay came up with Traffic, which would give a new sense of direction for the industry. In 2026, when the same duo returns with Baby Girl, after a mix of memorable and forgettable films in the intervening years, they borrow some of the elements from their most successful film yet. But then, times have changed and the tastes of the audience too have evolved, and things that worked back in the day might not work now, which is what unfortunately happens with Baby Girl’

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Image of scene from the film Border 2
FCG Rating for the film Border 2: 51/100
Border 2

Action, Drama, War (Hindi)

During the events of the 1971 Indo-Pak war, a new generation of young Indian warriors were getting ready to defend the nation from an even bigger threat to the Indian motherland.

Cast: Sunny Deol, Varun Dhawan, Diljit Dosanjh, Ahan Shetty, Mona Singh, Sonam Bajwa, Anya Singh, Medha Rana, Paramvir Singh Cheema, Guneet Sandhu
Director: Anurag Singh


FCG Member Reviewer Keyur Seta
Keyur Seta | Bollywood Hungama
Heartfelt and sensible war saga

Sun, January 25 2026

Border 2, like its predecessor Border (1997), throws light on the Indian defense forces’ bravery during the 1971 India-Pakistan war. But unlike the 1997 film, this one focusses on different characters who took part in the war. Major Hoshiar Singh Dahiya (Varun Dhawan) of the Indian Army, Flight Officer Nirmal Jit Singh Sekhon (Diljit Dosanjh) of the Indian Air Force and Lieutenant Commander Mahendra S Rawat (Ahan Shetty) of the Indian Navy become thick friends during their training days at the National War Academy. They share a respectful relation with their trainer Lieutenant Colonel Fateh Singh Kaler (Sunny Deol).

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FCG Member Reviewer Tusshar Sasi
Tusshar Sasi | Filmy Sasi
Nostalgia props up a dishonest war drama

Sun, January 25 2026

Patriotism, in its truest form, is an unexplainable emotion. If you are patriotic, you know it is largely a one-sided relationship, almost like one’s belief in God. You either feel it, or you do not. I remember discussing Laal Singh Chaddha with someone, where the titular character saves a slain Pakistani soldier purely out of humanity. The idea that brotherhood should be placed above national pride was something my head understood, not my heart. As I sat down to watch Border 2, I wished it could evoke that unadulterated feeling, which is second only to our love for kith and kin.

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FCG Member Reviewer Sucharita Tyagi
Sucharita Tyagi | Independent Film Critic
Surprisingly uninterested in the how of this particular war

Sun, January 25 2026

Image of scene from the film Steal
Steal

Drama, Crime, Mystery (English)

A typical day at Lochmill Capital is upended when armed thieves burst in and force Zara and her best friend Luke to execute their demands. In the aftermath, conflicted detective Rhys races against time to find out who stole £4 billion pounds of people's pensions and why.

Cast: Sophie Turner, Archie Madekwe, Jacob Fortune-Lloyd, Andrew Howard, Jonathan Slinger, Ellie James, Sarah Belcher, Thomas Larkin, Tara Summers
Director: Hettie Macdonald
Writer: Sotiris Nikias, Poppy Cogan, Shyam Popat


FCG Member Reviewer Sonal Pandya
Sonal Pandya | Times Now, Zoom
Sophie Turner Anchors Taut, Edge-Of-The-Seat Heist Thriller

Sun, January 25 2026

The six-part series, led by Game of Thrones star Sophie Turner, engages viewers with the suspense of the heist mastermind till the end

Sophie Turner stars in the London heist thriller Steal, which escalates the drama with each episode. Creator and writer Sotiris Nikias takes viewers into the largest armed robbery in British history as a pension-fund investment company is looted right in their own offices. The twisty drama follows Turner’s Zara, who finds herself at the heart of the mystery and police investigation as she tries to save herself. With a small cast of characters that are hard to read, the Amazon Prime Video series Steal is a bingeable watch for the weekend.

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Image of scene from the film Primate
Primate

Horror, Thriller (English)

Lucy, a college student, along with her friends, spend their vacation at her family's home in Hawaii, which includes her pet chimpanzee, Ben. However, when Ben contracts rabies after being bitten by a rabid animal, the group must fight for their lives in order to avoid the now-violent chimp.

Cast: Johnny Sequoyah, Jessica Alexander, Troy Kotsur, Victoria Wyant, Gia Hunter, Benjamin Cheng, Charlie Mann, Tienne Simon, Miguel Hernando Torres Umba, Amina Abdi
Director: Johannes Roberts
Writer: Johannes Roberts, Ernest Riera


FCG Member Reviewer Anupama Chopra
Anupama Chopra | The Hollywood Reporter India
A deliciously simple premise

Sun, January 25 2026

Image of scene from the film The Pact
The Pact

Drama (Hindi)

Returning to sell his late father's home, a successful man uncovers the small, unseen ways his father showed love, forcing him to confront the emotional distance between fathers and sons.

Cast: Parambrata Chatterjee, Kalyanee Mulay, Jayraj Nair, Vedant Sinha, Ramesh Nair, Roshan Rajesh Chouhan, Renuka Shahane
Director: Lakshmi R. Iyer
Writer: Apurva Asrani


FCG Member Reviewer Deepak Dua
Deepak Dua | Independent Film Journalist & Critic
यादों का हसीन इकरारनामा ‘द पैक्ट’

Sat, January 24 2026

राघव पुणे पहुंचा है उस फ्लैट का सौदा करने जिसमें उसका बचपन बीता था। दीवार पर उसके माता-पिता की तस्वीरें टंगी हैं। यहां उसे वे पल याद आने लगते हैं जो उसने यहां बिताए थे। खासतौर से अपने पिता के साथ अपने रिश्ते और यादों को वह सहेजता है। वह उस पैक्ट यानी इकरारनामे को भी याद करता है जो उसके और उसके पिता के बीच हुआ था। क्या था वह इकरारनामा…? फीचर फिल्मों और वेब-सीरिज़ की भीड़भाड़ में अच्छी शॉर्ट-फिल्में अक्सर छुप जाती हैं। एक वजह तो यही रहती है कि ज़्यादातर शॉर्ट-फिल्में किसी कायदे के प्लेटफॉर्म पर रिलीज़ ही नहीं हो पातीं हैं। दूसरी वजह यह कि ज़्यादातर दर्शक भी इनके प्रति उदासीन रहते हैं जबकि सच यह है कि यदि अच्छे से बुनी-बनाई कहानी हो तो वह कुछ मिनटों में भी गहरी बात कह जाती है, जैसे यह फिल्म ‘द पैक्ट’ कह रही है।

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Image of scene from the film Chatha Pacha
FCG Rating for the film Chatha Pacha: 53/100
Chatha Pacha

Action, Drama (Malayalam)

In the heart of Fort Kochi, three brothers and their crew of unlikely misfits stumble into the wild world of WWE-style costumed wrestling. What begins as a scrappy hustle soon explodes into a riot of masks, egos, and full-blown madness, all set against the backdrop of a city that never plays by the rules. But can their brotherhood survive when the real fight begins outside the ropes?

Cast: Arjun Ashokan, Roshan Mathew, Vishak Nair, Ishan Shoukath, Carmen S Mathew, Khalid Al Ameri, Lakshmi Menon, Muthumani Somasundaran, Thezni Khan, Mammootty
Director: Adhvaith Nayar
Writer: Sanoop Thykoodam


FCG Member Reviewer S. R. Praveen
S. R. Praveen | The Hindu
Gets the dynamics of WWE right, but lacks a compelling narrative

Sat, January 24 2026

Debutant director Adhvaith Nayar’s ‘Chatha Pacha’, starring Arjun Ashokan and Roshan Mathew, nails the high-octane moves of WWE, but stumbles with a weak storyline

Every minute aspect about World Wrestling Entertainment (WWE) wrestlers, ranging from their signature moves to their individual body dimensions, is imprinted in the memories of a generation that grew up in the 1990s. Debutant filmmaker Adhvaith Nayar’s Chatha Pacha attempts to tap into this enduring nostalgia of the WWE trump card-playing generation. On the surface, it appears the makers got a lot of it right, from replicating the signature moves of Undertaker and Rey Mysterio to recreating the mood of the wrestling ring with a local touch. Some of the fights in the ring have an unmistakable rhythm to them, which is further elevated by a few standout performers. But, scratch a little, and there emerges the shaky foundation, which could fall with even a weak kick, let alone a chokeslam.

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FCG Member Reviewer Avinash Ramachandran
Avinash Ramachandran | The New Indian Express
Chatha Pacha is more vibes than a movie, and just about manages to get the 1-2-3 count

Sat, January 24 2026

FCG Member Reviewer Vishal Menon
Vishal Menon | The Hollywood Reporter India
The Boys Are OK In This Well-Made Nostalgic Action Comedy

Sat, January 24 2026

May not be a Stone Cold stunner, but works as a great tribute to a group of boys, who dared to try it at home... just like we all did

As an audience, perhaps we underestimate the power of nostalgia done right. In what was being marketed as India’s first WWE-style wrestling movie, the makers of Chatha Pacha could easily have begun their movie as a story about a group of twenty-somethings, who start their local wrestling league just as a business idea. But the writers of the film, which includes director Advaith Nayar, decide to begin the film with a flashback of three little boys, taking on each other in their life’s first wrestling ring… their parents’ double cot.

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Image of scene from the film Space Gen: Chandrayaan
FCG Rating for the film Space Gen: Chandrayaan: 30/100
Space Gen: Chandrayaan

Drama, Sci-Fi & Fantasy (Hindi)

Indian space engineers face mounting pressure to redeem themselves following the Chandrayaan 2 lunar mission's unexpected outcome.

Cast: Nakuul Mehta, Shriya Saran, Prakash Belawadi, Gopal Datt, Danish Sait, Ankit Motghare, Udhayabanu Mageswaran
Director: Anant Singh
Writer: Nitin Tiwari, Shubham Sharma, Arunabh Kumar


FCG Member Reviewer Rahul Desai
Rahul Desai | The Hollywood Reporter India
Failure to Launch

Sat, January 24 2026

The TVF series dramatising ISRO’s landmark lunar mission is steeped in a lack of curiosity, craft and wonder

When Chandrayaan-3 nailed the first-ever soft landing on the South Pole of the moon in 2023, all I could think of was the mad scramble of studios to secure the rights to ISRO’s remarkable feat. I could almost sense it happening in real time. It didn’t take long for the child-coded euphoria to make way for an adult-coded wariness — who’s going to pitch first? Who’s going to overcook the perfectly good story? Who’s going to make the unglamorous heroes speak to each other like human ChatGPT apps? It felt inevitable, given the tailor-made ingredients: science, space, patriotism, spaced-out patriotism, a budget less than Nolan’s Interstellar, New India, first-world villains, a moon that doesn’t resemble Swiss cheese. TVF wasn’t on my Creator bingo card, but their slate has often used popular appeal to conceal themes of social conservatism and compliance over the years. Ironically, the current ‘2016 viral trend’ would flash back to TVF as the first movers and harbingers of Indian web storytelling. But space is not their jam; the future is not their cup of (mainstream) tea.

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FCG Member Reviewer Suchin Mehrotra
Suchin Mehrotra | The Hollywood Reporter
Treats its audience like toddlers, with heavy-handed exposition, wafer-thin characters,

Sat, January 24 2026

FCG Member Reviewer Upma Singh
Upma Singh | Navbharat Times
रास्ता भटक गया ये चंद्रयान

Sat, January 24 2026

23 अगस्त 2023 वह ऐतिहासिक दिन है, जब भारतीय अंतरिक्ष अनुसंधान संगठन (ISRO) के वैज्ञानिकों ने चंद्रमा के दक्षिणी ध्रुव पर अपना विक्रम लैंडर उतारकर इतिहास रचा। वो पल जब हर भारतवासी की आंखें खुशी से चमक रही थी, सीना गर्व से चौड़ा हो गया था। भारत चंद्रमा के दक्षिणी ध्रुव पर पहुंचना वाला दुनिया का पहला देश बना। लेकिन इस सफलता से पहले इसरो के वैज्ञानिकों को जुलाई 2019 में चंद्रयान-2 की विफलता भी देखनी पड़ी थी। चंद्रयान 2 की असफलता से चंद्रयान 3 की सफलता के इसी सफर को दिखाती है, TVF की यह नई वेब सीरीज ‘स्पेस जेन: चंद्रयान’।

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Image of scene from the film Die My Love
Die My Love

Drama (English)

After inheriting a remote Montana house, Jackson moves there from New York with his partner Grace, and the couple soon welcome a child. As Jackson becomes increasingly absent and rural isolation sets in, Grace struggles with loneliness, creative frustration, and unresolved emotional wounds. What begins as an attempt at renewal gradually turns into an intense psychological descent, placing strain on their relationship and exposing the fragile balance between love, identity, and motherhood.

Cast: Jennifer Lawrence, Robert Pattinson, Sissy Spacek, LaKeith Stanfield, Nick Nolte, Gabrielle Rose, Clare Coulter, Sarah Lind, Luke Camilleri, Victor Zinck, Jr.
Director: Lynne Ramsay


FCG Member Reviewer Sucharita Tyagi
Sucharita Tyagi | Independent Film Critic
A film that hits too close to home

Sat, January 24 2026

Image of scene from the film The Great Shamsuddin Family
FCG Rating for the film The Great Shamsuddin Family: 69/100
The Great Shamsuddin Family

Comedy, Drama (Hindi)

Set over one day in Delhi, Bani, a writer, is racing against a career-defining 12-hour deadline. Mothers, aunts, cousins and former romantic interests descend on her apartment, each bringing their own emergencies and Bani has to navigate interfaith complexities, generational conflicts and family expectations as she faces a dilemma, which could change her life.

Cast: Kritika Kamra, Juhi Babbar, Shreya Dhanwanthary, Sheeba Chaddha, Farida Jalal, Dolly Ahluwalia, Natasha Rastogi, Purab Kohli, Nishank Verma, Joyeeta Dutta
Director: Anusha Rizvi
Writer: Anusha Rizvi


FCG Member Reviewer Shilajit Mitra
Shilajit Mitra | The Hollywood Reporter India
Home Truths and a Fun Ensemble

Sat, January 24 2026

Two generations of a Muslim family hold the peace—barely—in Anusha Rizvi's sweetly drawn directorial return.

Farida Jalal didn’t grey her hair overnight. She’s been acting in movies since the 1960s. Since DDLJ, she’s been a sweet, endearing presence in Hindi films, buffing up large ensembles with her nourishing warmth. At 75, she’s a grande dame in the tradition of Zohra Sehgal and Nafisa Ali. Yet like those greats, Jalal is very much her own actor—as Shyam Benegal’s Mammo proved. Her new film, The Great Shamsuddin Family, directed by Anusha Rizvi, is also an ensemble comedy, with Jalal billed behind everyone else. Yet it only sparks to life when the actor joins the fray.

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FCG Member Reviewer Suhani Singh
Suhani Singh | India Today
Why 'The Great Shamsuddin Family' is both a delightful and pertinent watch

Mon, December 22 2025

In between all the family banter and drama, writer-director Anusha Rizvi subtly weaves in the larger anxieties and insecurities of being a Muslim in today's India

Bani Ahmed (Kritika Kamra) wants to write. With just 12 hours to submit an application that may land her a job in the United States, she finds herself interrupted by the doorbell. Continuously. Each subsequent ring sees the arrival of a member of the Shamsuddin clan. There’s her easily gullible and recently divorced cousin Iram (Shreya Dhanwanthary); an over-intellectual ex (Purab Kohli) and his latest young girlfriend; another cousin in Humaira (Juhi Babbar Soni); inquisitive and opinionated aunts (Dolly Ahluwalia and Farida Jalal); another cousin and his bride-to-be. Simply said, Bani just cannot catch a break.

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FCG Member Reviewer Shubhra Gupta
Shubhra Gupta | The Indian Express
A family we will never see in mainstream Hindi cinema

Mon, December 15 2025

Watch it for the array of solid performances, helmed by the wonderful Farida Jalal and Sheeba Chaddha, with Anup Soni’s criminally brief appearance leaving a mark. It isn’t perfect, but it makes you smile and think.

Racing towards a 24-hour deadline to submit a presentation which will hopefully get her into a top US university, Bani Ahmad (Kritika Kamra) settles down to it, but she hasn’t taken into account her family, and friends: the door-bell rings with an unexpected visitor, and within a few minutes, the trickle into a flood, and it’s full-blown mayhem. Anusha Rizvi’s second directorial feature, 15 years after rural satire ‘Peepli Live’, circles back to the city, with one day in the life of a Delhi-based comfortably-off Muslim family. It’s the kind of family we almost never see in mainstream Hindi cinema, because usually a Muslim character is safely tacked on to the periphery, biding his or her time for when the script bothers to remember them, and even that kind of tokenism has been steadily erased over these past years.

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