Gandhi Talks
Comedy (Hindi)
A silent black comedy, about the monetary needs of a character & how it impacts the others. A young, unemployed graduate Mahadev’s struggle to land a job through any means possible and crosses paths with a businessman and petty thief. (more…)
Mardaani 3
Action, Crime, Thriller (Hindi)
Officer Shivani Shivaji Roy returns to hunt down those behind the disappearance of young girls, risking everything to bring them back alive. (more…)
Guild Reviews
Sthal
Drama (Marathi)
It chronicles the experiences of a young woman yearning to determine her own future in a world where patriarchal traditions deprive women of agency and arranged marriage is presented as the only option for self-betterment.
Cast:
Nandini Chikte, Taranath Khiratkar, Sangita Sonekar, Suyog Dhawas, Sandip Somalkar, Sandip Parkhi, Swati Ulmale, Gauri Badki, Mansi Pawar, Sachin Tonge
Director:
Jayant Digambar Somalkar
Writer:
Jayant Digambar Somalkar
Mon, February 9 2026
Sthal, the Marathi-language feature from debutante director Jayant Digambar Somalkar, is one of the best films of 2025. It’s a deftly written, confidently shot, and expertly performed psychological drama about the commodification of women. We discuss the anger at the film’s core, its bleak view of Indian society, and the catharsis it provides with an instant-classic climax.
Sat, February 7 2026
Sthal, the Marathi-language feature from debutante director Jayant Digambar Somalkar, is one of the best films of 2025. It’s a deftly written, confidently shot, and expertly performed psychological drama about the commodification of women. We discuss the anger at the film’s core, its bleak view of Indian society, and the catharsis it provides with an instant-classic climax.
Sun, March 9 2025
Euphoria
Drama (Telugu)
A young woman and her family seek justice after she is raped by a group of young men who come from powerful and influential backgrounds.
Cast:
Sara Arjun, Gautham Vasudev Menon, Naveena Reddy, Ravi Prakash, Rajsekhar Aningi, Nassar, Aadarsh Balakrishna, Bhumika Chawla, Keshav Deepak, Nara Rohith
Director:
Gunasekhar
Writer:
Gunasekhar
Mon, February 9 2026
Euphoria is a difficult watch that demands viewer discretion; its ‘A’ certification is justified. Eschewing the mindless violence common in mainstream cinema, writer-director Gunasekhar delivers a sharp fictional drama rooted in a harrowing true story that shook Hyderabad. The film uses its narrative to pose urgent questions through three interconnected lenses: a survivor reclaiming her life, a mother desperate to reform her son, and the perpetrator’s uneasy and long path toward redemption.
With Love
Romance, Comedy (Tamil)
Sathya reluctantly agrees to a blind date arranged by his sister and meets Monisha. They discover they attended the same school years ago. Bonding over shared memories and old crushes, they reconnect with their past and grow closer.
Cast:
Abishan Jeevinth, Anaswara Rajan, Harish Kumar, Kavya Anil, Sacchin Nachiappan, Saravanan, Theni Murugan, RJ Ananthi, Sudharshan Gandhy, Sachana Namidass
Director:
Madhan
Writer:
Madhan
Sun, February 8 2026
IN Madhan’s directorial debut, With Love, Monisha (Anaswara Rajan) and Sathya (Abishan Jeevinth) meet on the arranged marriage circuit. Sathya is a designer, and Monisha is an influencer with over a million Instagram followers. If there is anything particularly modern about this film, it is that Monisha asks about his “boring” design job. While her job is indeed one with the times — monetising social media — design apparently is already boring. It is a harmless word, but, wonder what choicest descriptors she would have used for the more common arranged marriage qualifications in the Tamil family circuit: engineering. Not pretty, one imagines. Having said that, we don’t get films that skirt the arranged marriage route often in Tamil cinema, at least in recent times. While the practice would have been a more common fixture on screen four decades ago or so (think 1986’s Mouna Ragam), the more famous contemporary (using the word loosely) examples include Dum Dum Dum (2001), Parthiban Kanavu (2003) and a few more. All those films begin with conflict, either the couple actively hating each other or the idea itself abhorrent to one of them (usually the hero, the man).
Scarlet
Animation, Action, Drama, Science Fiction (Japanese)
After failing to avenge her father's murder, Princess Scarlet, wakes up in the "Land of the Dead." In this world filled with madness, if she does not achieve her revenge against her nemesis and reach the "No End Place," she will become "Void" and cease to exist. Can Scarlet find a way to live at the end of her endless journey?
Cast:
Mana Ashida, Masaki Okada, Yutaka Matsushige, Kotaro Yoshida, Koji Yakusho, Masachika Ichimura, Yuki Saito, Shota Sometani, Munetaka Aoki, Kazuhiro Yamaji
Director:
Mamoru Hosoda
Sat, February 7 2026
Mirai director Mamoru Hosada’s newest offering is a genderbeat version of Hamlet. In Scarlet, a pink-haired princess travels through the Otherworld to avenge the death of her father at the hands of her own uncle, the king who has usurped his throne. Battling trials and obstacles, Scarlet has help from an unlikely ally and travels to enter the Infinite Land. Mashing up a new mythology created for his film with the classic tragedy by William Shakespeare, Scarlet is action-filled and visually stunning. However, the Japanese anime feature falters in its message of self-discovery versus revenge.
Mayilaa
Drama (Tamil)
Mayilaa embarks on a journey as a travelling salesperson in Southern India to fulfil her expensive obligations. The only problem: she doesn’t know how to sell. A sharp yet heartwarming tale of a mother-daughter duo finding their feet on the road.
Cast:
Melodi Dorcas, Shudarkodi V, Sathya Maruthani, Geetha Kailasam, Auto Chandran, Janaki Suresh
Director:
Semmalar Annam
Mon, February 2 2026
If you possess above average knowledge of contemporary Tamil cinema, Semmalar Annam might be familiar. Maybe you cannot place the name, but you will recall the face, a face unfortunately stereotyped by Tamil filmmakers. She is an actor with such ferocious presence that if you give her half a decent role, she will single-handedly lift a film. Films like Leena Manimekalai’s Maadathy and Jaikumar Sedhuraman’s Sennai are a testament to this talent, but my favourite Semmalar performance came in a short film, Arikarasudhan’s Ullangai Nellikkani, an adaptation of Gabriel Garcia Marquez’s The Woman Who Came at Six o’clock. She has also directed short films, and now her debut directorial feature, Mayilaa, premieres at the International Film Festival Rotterdam this week in the Bright Future section. The 97-minute feature, produced by Newton Cinema and presented by Pa. Ranjith, is quite indicative of the promises in this section full of debutantes.
Mardaani 3
Action, Crime, Thriller (Hindi)
Officer Shivani Shivaji Roy returns to hunt down those behind the disappearance of young girls, risking everything to bring them back alive.
Cast:
Rani Mukerji, Mallika Prasad, Janki Bodiwala, Jisshu Sengupta, Mikhail Yawalkar, Jaipreet Singh, Sachin Negi, Jimpa Sangpo Bhutia, Prajesh Kashyap, Indraneel Bhattacharya
Director:
Abhiraj Minawala
Mon, February 2 2026
The inherent dilemma of a successful franchise lies in its creative confinement. Once a central premise has been firmly established, subsequent chapters often circle familiar terrain, offering variations rather than reinvention. Mardaani 3 is no exception. Shivani Shivaji Roy returns once more—unyielding, razor-sharp, and morally incandescent—to dispense justice, this time in pursuit of girls who vanish without a trace.
Mon, February 2 2026
Abhiraj Minawala’s Mardaani 3 begins where the franchise is most comfortable: with a crisis that demands urgency. Two girls are kidnapped from a farmhouse in Bulandshahar. One is the daughter of an Indian diplomat. The other belongs to the domestic worker employed by the family. The distinction is not subtle, and neither is the film’s point. What initially appears to be a mistake quickly escalates into a national-level crisis, exposing the familiar fault lines of power and urgency. Shivani Shivaji Roy (Rani Mukerji), now with the National Investigation Agency in Delhi, is called in to handle the case. She takes charge instantly.
Sat, January 31 2026
Are female cops different from male cops? At least in the way they are shown in commercial films and series? An example of this can be found halfway through Mardaani 3. Top cop Shivani Shivaji Roy (Rani Mukerji) is tense in a hospital lobby after her husband was attacked by the antagonist Amma (Mallika Prasad). What should she ideally do as both a woman and an officer? When Shivani receives a tip about the villains, the scene pauses for a microsecond, the camera glances at the emergency room, and then she gets up and walks out. She does so because Shivani is the hero of the franchise, not the heroine. Minutes later, she is seated in the same fashion but outside a morgue. It’s not her husband but somebody else that’s the victim this time, and Shivani has tears in her eyes – something that a Chulbul Pandey (Dabangg) never would.
Om Shanti Shanti Shantihi
Comedy (Telugu)
Prashanthi gives up her dreams for love, only to fall into abusive relationships first with her lecturer and later with her husband, Omkar, who pretends to support her but turns violent and manipulative. After enduring trauma, betrayal, and a heartbreaking miscarriage, she secretly strengthens herself, escapes his control, and rebuilds her life by starting a successful business. When Omkar's abuse becomes public and reaches court, she refuses divorce, not out of love, but to ensure no other woman suffers the same fate
Cast:
Eesha Rebba, Tharun Bhascker, Brahmaji, Sivannarayana Naripeddi, Bindu Chandramouli, Goparaju Vijay
Director:
Sajeev AR
Writer:
Vipin Das
Sun, February 1 2026
The 2022 Malayalam film Jaya Jaya Jaya Hey was not subtle in its take on patriarchy, opting instead for an intentionally over-the-top reversal of power. In adapting the film into Telugu and relocating it to the Godavari region, director A.R. Sajeev stays largely faithful to the original. Om Shanti Shanti Shantihi is a partly fun, partly simmering emotional drama, shouldered by compelling performances from Eesha Rebba and Tharun Bhascker. While it does not always strike the right note, the film effectively captures the many ways patriarchy continues to stifle women, and how both men and women often enable it.
Mayasabha
Fantasy, Thriller (Hindi)
The monsoons have washed Mumbai. RAVARANA has just come out on parole. He is nothing but a security guard in Mumbai. He, along with his sister Zeenat, lives a life in Chawl. Every day is a struggle and existence is hand to mouth. Both are in their late 30s and life seems to be an exercise in defeat.One day they meet a bizarre boy, Vasu.
Cast:
Javed Jaffrey, Veena Jamkar, Deepak Damle, Mohammad Samad
Director:
Rahi Anil Barve
Writer:
Rahi Anil Barve
Sat, January 31 2026
लोककथा पर आधारित ‘तुम्बाड’ जैसी शानदार पीरियड हॉरर फिल्म के निर्देशक अनिल राही बर्वे करीब 8 साल के लंबे इंतजार बाद लौटे हैं। उनकी इस दूसरी फिल्म का नाम ‘मयसभा: द हॉल ऑफ इल्यूजन’ है। शुक्रवार, 30 जनवरी 2026 को सिनेमाघरों में रिलीज हुई यह फिल्म कुछ मायनों में ‘तुम्बाड’ की यादें भी ताजा करती है, क्योंकि इसकी दुनिया भी सोना और इंसानी लालच के इर्द-गिर्द ही बुनी गई है। हालांकि, बावजूद इसके यह तुम्बाड वाला असर नहीं छोड़ पाती।
Fri, January 30 2026
In Tumbbad director Rahi Anil Barve’s second film, stories are told in a cinema hall. Quite literally. A few characters reminisce, rage, narrate, perform and lie in a decrepit Mumbai movie theater named Mayasabha; they may be projecting, but the blank screen is witness to the telling and untelling of their stories. The place looks halfway abandoned between suffocating reality and misty mythology: like a penniless single-screen auditorium that gave up on its own allegorical significance (as Mahabharata’s Hall of Illusions). It is also “home” to a once-famous and now-unhinged film producer, Parmeshwar Kumar (Jaaved Jaaferi). He lives in the past but scoffs at history.
Fri, January 30 2026
Bridgerton S04 Part 1
Drama (English)
Wealth, lust, and betrayal set in the backdrop of Regency era England, seen through the eyes of the powerful Bridgerton family.
Cast:
Ruth Gemmell, Luke Thompson, Yerin Ha, Luke Newton, Claudia Jessie, Florence Hunt, Will Tilston, Adjoa Andoh, Julie Andrews, Golda Rosheuvel
Sat, January 31 2026
Bridgerton Season 4 turns its attention to the fourth sibling and second son, Benedict (Luke Thompson), who has put off the marriage mart for too long. He finds a mysterious Lady in Silver at his mother’s masquerade ball, but she vanishes without leaving her name or address. Based on the romance novels by Julia Quinn, each sibling’s love story follows a different trope. Season 4 is about love at first sight and follows an emotional Cinderella story where the couple has to overcome a few obstacles towards their happily ever after. While the narrative does get a bit overstuffed at times, the central couple sells this season with their magical chemistry.
Shrinking S03
Drama, Comedy (English)
Jimmy is struggling to grieve the loss of his wife while being a dad, friend, and therapist. He decides to try a new approach with everyone in his path: unfiltered, brutal honesty. Will it make things better—or unleash uproarious chaos?
Cast:
Jason Segel, Harrison Ford, Jessica Williams, Luke Tennie, Michael Urie, Lukita Maxwell, Christa Miller, Ted McGinley
Sat, January 31 2026
The therapists at Cognitive Behavioral Therapy Center and their loud and wacky friends are back for a new season of Shrinking. The Apple TV comedy series, created by star Jason Segel and Ted Lasso’s Bill Lawrence and Brett Goldstein, started out about a man coming to terms with his grief after his wife’s death. It has since evolved into a series about found family and friendship when dealing with life issues such as death, illness, and relationships. This season, the makers have amped all these storylines and set up a way for the show to say goodbye and leave fans happy with where we leave them.
Daldal
Drama, Mystery (Hindi)
Haunted by the guilt of her past and dealing with the demons of her present, a newly-appointed DCP, Rita Ferreira, must embark on an investigation of a series of murders that puts her on a collision course with a cold-blooded serial killer.
Cast:
Bhumi Pednekar, Samara Tijori, Aditya Rawal, Geeta Agrawal Sharma, Chinmay Mandlekar, Ananth Narayan Mahadevan, Sandeep Kulkarni, Rahul Bhat, Jaya Bhattacharya
Director:
Amrit Raj Gupta
Writer:
Priya Saggi, Sreekanth Agneeaswaran, Rohan D'Souza
Sat, January 31 2026
In ‘Bhakshak’, Bhumi Pednekar’s Vaishali Singh busted the wrongdoings in a shelter home. In ‘Daldal’, her character is face to face with a victim-turned-assassin from the same place. Before you accuse us of letting the cat out of the bag, let it be said that the seven-episode crime thriller is not exactly a whodunit. Early on, by Episode 2, we know who the killer is. So, it’s the why and how which is more significant. Suresh Triveni, who gave us the delightful ‘Tumhari Sullu’ and ‘Jalsa’, is the creator of the series.
Fri, January 30 2026
A tale of damaged people caught in a psychological swamp, Daldal is a thriller that is more keen on uncovering the motivations behind the crime than on who committed it. The plot follows DCP Rita Ferreira (Bhumi Pednekar) investigating a series of gruesome murders while confronting her guilt-ridden past and a patriarchal system that projects committed female police officers as mere showpieces.
Fri, January 30 2026
Gandhi Talks
Comedy (Hindi)
A silent black comedy, about the monetary needs of a character & how it impacts the others. A young, unemployed graduate Mahadev’s struggle to land a job through any means possible and crosses paths with a businessman and petty thief. A subject wherein silence speaks much louder than words. Although a work of fiction by the writer, all the characters in the film are sketched out to seem very real and relatable ensuring an enriching journey as well a laugh riot as the cat and mouse guffaws amongst them unfold. Gandhi Talks aims at telling a story by switching off the device of dialogue, which is not only scary but also interesting and challenging.
Cast:
Vijay Sethupathi, Arvind Swamy, Aditi Rao Hydari, Divay Dhamija, Siddharth Jadhav
Director:
Kishor Pandurang 'Belekar'
Writer:
Kishor Pandurang 'Belekar'
Fri, January 30 2026
In many ways, Gandhi Talks feels like a spiritual remake of Kamal Haasan’s Pushpaka Vimana (1987), also released in Tamil as Pesum Padam — a silent film about a struggling, unemployed man who takes a shortcut to wealth and high life before returning to honesty and struggle.
Fri, January 30 2026
I went into this film for a couple of reasons. One to see how inventive this silent film was, and the other because I can happily watch Vijay Sethupathi reading a directory. Here’s how it unfolds. Sethupathi plays a Poor Man Living With Usha Nadkarni’s Always Coughing Mother In A Chawl. He is in love with Aditi Rao Hydari’s Beautiful Damsel, who lives Ghar Ke Saamne. Arvind Swamy is a Rich Man Living In A Mansion.
Fri, January 30 2026
A tragicomedy steeped in survival and inner turmoil, this silent film follows Mahadev (Vijay Sethupathi), a Mumbai chawl dweller striving for a better life for himself and his ailing mother in a cluttered metropolis that, despite its chaos, has a big heart. Elsewhere in the city, celebrated builder Boseman (Arvind Swamy) finds himself grappling with personal and professional setbacks that push him to the brink. Both men are victims of corruption and circumstance. When their paths cross, they are unaware that pain neither absolves privilege nor spares poverty.