Sat, April 12 2025

Featuring a committed Viola Davis at its centre, Prime Video's action-thriller is like something that the BeerBiceps crowd would watch for geopolitical insight.

Viola Davis is an EGOT. She’s one of only 20 people in history — fewer, when you consider persons of colour — to have won at least one Emmy, Grammy, Oscar, and Tony. She’s done August Wilson on the stage and screen; she went to Juilliard, like Jessica Chastain and Adam Driver. For her to star in a movie like G20 — think Air Force One, but worse — isn’t unlike Javed Akhtar waking up one morning, slipping into a crisp kurta, and deciding to script one of KRK’s rant videos. Released on Prime Video, G20 is a glorified bargain bin movie — the kind of movie for which Amazon should be paying you, and not the other way around. Davis plays POTUS Danielle Sutton, an Iraq War veteran who became famous after being photographed carrying a baby out of a bombed building. The movie doesn’t show us what happened next, but you could easily imagine Danielle being deified in the press, buying into her own myth, and deciding to run for president. America loves its celebrities, and electing Danielle into office is exactly what you’d expect from the folks who’ve voted Ronald Reagan and Donald Trump into power. We first meet Danielle as she’s disciplining her teenage daughter for giving the secret service the slip, and partying with her friends at a local bar.

Continue reading …

Thu, April 10 2025

Directed by Patricia Riggen, the political thriller allows its star, Viola Davis, to play the action hero, but its central story is flimsy.

In the new Amazon Prime Video action film, Viola Davis checked off two items in her career that most of her male contemporaries have probably done several times over theirs. G20 sees the Oscar winner as American President Danielle Sutton, who is heading an important international summit when it is hijacked by terrorists. The action thriller, directed by Patricia Riggen, doesn’t have anything new to offer. Although Davis gets the chance to save the day over and over again. Before heading to South Africa for the G20 summit, President Sutton has a mini crisis to deal with at home after her teenage daughter Serena (Marsai Martin) is caught at a party after she snuck out without her security detail. Soon, the Sutton family has bigger problems to contend with. The hotel where the G20 summit is held is taken over by terrorists who oppose the world leaders plans to end world hunger through cryptocurrency. Neither side’s plans are explained properly. Luckily, Sutton and a handful of leaders manage to escape, and soon it is a game of cat and mouse.

Continue reading …

Sat, April 12 2025

The Legend of Hanuman, which enters its sixth season this week, has consistently pushed the bar in retelling the Ramayana through animation on OTT across age groups, supplemented by its new-age visualisation, playful storytelling and impactful writing, exploring major events, the traits of each of its pivotal characters (apart from Hanuman too) with equal sincerity. The new season is about the fall of Ravan as much as the rise of Hanuman. Greed and ego get the better of Ravan. Emerging victorious over Ram is no longer his only priority, he wants the world for himself. While losing the support of Vibheeshan (and Mandodari partially), he misses being with his other brothers, sons (who’re no more) and hopes to meet them on the other side of the world.

Continue reading …

Sat, April 12 2025

Amateur, directed by James Hawes, is a contemporary adaptation of the novel of the same name, which was previously made into a film featuring John Savage and Christopher Plummer. This spy thriller, while not groundbreaking, delivers sufficient thrills. It could easily be likened to a Jason Bourne or Jack Reacher film, but instead, we follow Charlie, the titular Amateur. Unlike James Bond, who possesses a license to kill, Charlie holds a license as a cryptographer for the CIA. With an IQ exceeding 170, he adeptly gathers and synthesizes information from diverse sources, quickly proving his exceptional skills. It is also evident that he is deeply in love with his wife, Sarah (Rachel Brosnahan), and their affection is reciprocated. However, when Sarah embarks on a business rip to London, she never returns, having been taken hostage and subsequently killed.

Continue reading …

Fri, April 11 2025

Marking Dharma Productions’ foray into Punjabi cinema, Gippy Grewal-starrer Akaal’s grand ambitions are thwarted by an underwhelming storyline.

Akaal movie review: Known for their bravery and courage despite all odds, the awe-inspiring legends of Sikh warriors have reverberated through the annals of history. Inspired by historical events, Gippy Grewal’s Akaal (2025), starring Grewal, Nimrat Khaira, Gurpreet Ghuggi, and Nikitin Dheer, is the story of a Sikh warrior who protects his village in the face of gruesome attacks by the enemy. With Bollywood embracing a wave of high-octane dramas inspired by mythology and history, it was only a matter of time before Punjabi cinema followed suit. Sharan Art’s Mastaney (2023), starring Tarsem Jassar, captivated audiences with its portrayal of Sikh valour in the face of invading forces in the 18th century, unfolding historical events against a visually captivating backdrop. Written and directed by Grewal, Akaal sets its sights further, which is reflected in the grand scale and detailed execution of the film. Released in Hindi and Punjabi, it also marks the foray of Karan Johar’s Dharma Productions into Punjabi cinema.

Continue reading …

Thu, April 10 2025

Fri, April 11 2025

The film makes a choice not to dwell on the Israeli-Palestine conflict which looks myopic in the current context.

The 1972 Munich Olympics massacre famously featured in Steven Spielberg’s Munich (2005), where 11 Israeli athletes were taken hostage and later killed. The event became a springboard in the Eric Bana-starrer, to showcase Mossad’s efforts for retribution – through a series of assassinations. This was before actors, filmmakers called out Hollywood’s implicit Islamophobia – and the fatigue around the binary depictions of Muslims in mainstream Hollywood as dutiful or barbaric. Relatively speaking, Spielberg’s film was pretty nuanced for its time – even showcasing an argument between Bana and a Muslim character in an apartment, which they’re forced to share at one point. A lot has changed in the last two decades leading up to the release of Tim Fehlbaum’s September 5, especially with Hollywood’s apparent ambivalence around Israel’s ongoing bombing of Gaza, triggered by the October 7 attack carried out by Hamas. As much as Fehlbaum’s film would like to revel in being a single-room thriller and tackle the ethical dilemmas that the ABC team went through while observing the coverage of a tragedy, it’s simply not enough for the macro storytelling elements at play today.

Continue reading …

Fri, April 11 2025

This modest film’s most sparkling trait is its determination to bring selflessness and community back to mainstream cinema.

It is easy to forget the what we have lost because of Hindi cinema’s tilt towards the right. Initially a mouthpiece for secular values in a post-Partition India, the film industry soon became an emblem for the Ganga-Jamuni tehzeeb (culture). It was the place where a Muslim man would become a newly-independent India’s first superstar, where dialogues in Urdu, Khariboli and Hindi would invent a new concoction of Hindustani, which would trickle down into everyday parlance. It’s only in the movies where the three biggest stars of their time would get separated at birth into homes of different religions, only to reunite and take down the villain in the climax. Sure, some part of it was an echo of popular sentiment, and carried a whiff of opportunism. But the tragedy of our new-age Hindi cinema is how it’s eviscerated even performative niceness in favour of unbridled, authentic hate.

Continue reading …

Sat, March 15 2025

Fri, March 14 2025

Avinash Das’s tribute to the spirit of India makes a timely and touching statement

Sometimes, the timing of a film’s release makes it special. A few years back, Inn Galiyon Main would have been dubbed dated for repeating the obvious. Today, its theme is here and now. Mostly, social values inform a film, but sometimes, a social churn leads to a creative outpouring. At a time when festivals and cricket matches have become a stick to browbeat a community, Inn Galiyon Main celebrates Holi and Eid at a space where Hanuman and Rahman Gali coalesce in Lucknow. An ode to the syncretic culture that has almost been reduced to a slur in hate-filled narratives on social media, the film exposes the divisive politics fuelled by cheap data with a poetic parable.

Continue reading …

Fri, April 11 2025

Created by Jonathan Tropper, the dramedy features an aimless Jon Hamm who goes from finance man to thief.

Your Friends and Neighbors really wants you to feel bad about Jon Hamm’s Andrew Cooper, a suburban family man who loses it all and resorts to stealing from the wealthy neighbourhood. But the deeper trouble Coop lands himself in, the harder it becomes to worry about his easily avoidable problems. Hamm gives Coop some depth as he struggles after life post-divorce. However, creator Jonathan Tropper’s dark comedy tiptoes around certain issues while giving the protagonist opportunities to keep behaving badly. The Apple TV+ series deviates midway with a big twist that leadens the narrative even further. After 18 years of marriage, newly divorced Coop (Hamm) finds himself adrift from his wife, Mel (Amanda Peet), and teenagers in more ways than one. He resents his friend Nick (Mark Tallman), who is now dating Mel. To make matters worse, he is fired from his job as a hedge fund manager. Living in a wealthy community and taking care of his family, who have expensive taste, gets worrisome too. Coop also takes his sister Ali (Lena Hall), who is struggling with mental health issues. So what does Coop do? He begins to steal from his friends and neighbours to fund his lifestyle. Coop manages to stay under the radar for a bit and even picks up a partner. Until, however, the house of cards that he’s erected around himself begins to come down.

Continue reading …

Thu, April 10 2025

Bhaskar and Siddhu Jonnalagadda’s action-comedy portrays a rebel with a sense of humour who tries to save the nation, and falters miserably

In the Telugu film Jack, written and directed by Bhaskar of Bommarillu fame, there is a recurring reference to how the protagonist, Jack, aka Pablo Neruda (played by Siddhu Jonnalagadda), was rejected by 24 coaches in his childhood for being an overenthusiastic child who lacked the discipline to train in any sport or art form. Perhaps the number 24 is a nod to the 24 crafts of cinema — we will never know. The story follows this misfit, who, with an uncanny sense of humour, positions himself as a self-appointed agent operating parallel to RAW (Research and Analysis Wing), determined to foil a terror plot. If the premise sounds unconvincing, the narrative unfolds in a way that makes it even harder to buy into. The title Jack, a metaphor for ‘jack of all trades’, leans heavily on its lead actor’s charisma and comic timing to sell an erratic character. Siddhu shoulders the film, delivering one-liners with flair and embodying both the angst and ambition of his role. But it is in vain, as the script remains flawed.

Continue reading …

Thu, April 10 2025

Like Grey's Anatomy but worse, Netflix's new medical drama wants to be progressive, but finds itself resorting to regressive tropes with Ekta Kapoor-like discipline.

Contrary to what Hussain Dalal might have you believe, there is an art to writing bad television. A bad show owns its contrivances instead of making excuses for them; a bad show embraces its heightened drama without pretending that it wants to be taken seriously. It scoffs in the face of concepts such as internal logic and organic character development. It chooses twists over tact, and chaos over narrative control. But what makes a bad show good? It all boils down to an indescribable self-awareness. And while Netflix’s medical drama Pulse checks all the above boxes — it’s trash TV of the topmost order — it never fully commits to the cause. Pulse is bad in the traditional sense of the word, in that it’s utterly incoherent, laughably plotted, and contains such a shocking depiction of sexual harassment that you might momentarily be confused into thinking that Bollywood was somehow involved. Incidentally, Pulse happens to be star Willa Fitzgerald’s second anti-feminist project in a row, after the thriller film Strange Darling. Directed by JT Mollner, Strange Darling seemingly took offence at the indisputable fact that the serial killer genre is dominated by men. “Are you saying women can’t be serial killers?” the movie seemed to ask. “How dare you; now watch this.”

Continue reading …

Wed, April 9 2025

The White Lotus 3 crafts a haunting fable of modern morality, where the truest connection ends not in escape, but in sacrifice. In dying, they resist the façade of survival — and become unforgettable.

Over its three seasons, The White Lotus has become an American TV franchise that at once satirises the insularity of American affluence and the superiority complex of a social media generation that laps up the satire. Much of the show — its characters, reaction shots, music, monologues, conversations, scandals, twists, weekly episodes — is staged with a sense of the memes, hyper-aware humour and internet buzz it generates. The virality is an inextricable part of the design. It caters to — but also skewers — an average woke viewer’s desire to be seen as well as their disdain towards Western capitalism and anti-intellectualism. We are invited to laugh at rich and culturally oblivious vacationers dispensing the emptiest thought farts with the self-seriousness of 13-year-old cinephiles. Note, for instance, the gravity of the score almost mocks the levity of Sam Rockwell’s hysterically hollow monologue about his sexual awakening (if one can even call it that). But we are also lured into identifying with a couple of ‘outsiders’ — people who think they’re better than everyone else — in each of the seasons. In Season 1, it’s a Black teenager tagging along on a Hawaiian holiday with the wealthy white family of her best friend; it’s also a freelance culture writer who’s newly married into money. In Season 2, it’s a straight-laced lawyer who cringes at the superficiality of her husband’s friends; it’s also a frumpy young assistant of an eccentric heiress on a Sicilian holiday.

Continue reading …

Thu, April 3 2025

Not as notorious from the get-go as the previous seasons, but it is suspenseful, thrilling and an absolute wild ride, nonetheless

White Lotus is back with its signature theme – vacation gone awry. Unlikeable rich tourists and their penchant for seeking trouble head to a luxurious resort in Thailand and what unfolds is anything but relaxing. The 3rd instalment follows the series’ template in theme and storytelling. Nothing changes there as it stays true thematically to the previous seasons, but it puts the brakes on the pace a bit. Like its predecessors, this too begins with a mysterious crime and an air of suspicion looms in days that lead up to it. What also stays constant is the eccentricity, dark secrets and debauchery of the rich guests, whose biggest fear is poverty. There is also an amusing yet shocking sexcapade involving incest.

Continue reading …

Mon, March 31 2025

Lust and pleasure, pain and meditation, West and East… can all these inhabit the same space? Well, in Mike White’s third season of ‘The White Lotus’, they do. Those familiar with his award-winning franchise and template are well aware that ‘White Lotus’ is a chain of luxury resorts where the super rich vacay in their quest for the elusive happiness. In the third season, the setting is Thailand, perhaps the perfect place to train the camera on the beauteous and to ask some existential questions too. There are many strands in the story… a seemingly perfect family of five, three childhood friends reuniting, an ageing balding man with a young woman and yet another couple of a similar variant. What they are seeking in this mental wellness resort depends entirely on how you see them and how they see themselves. Rick Hatchett (Walton Goggins) is catching up with his unburied traumas of the past, young daughter Piper Ratliff (Sarah Catherine) of the seemingly perfect affluent Ratliff family is here to find purpose in Buddhism. Her sex-obsessed brother Saxon Ratliff (Patrick Schwarzenegger) is only looking for bodily fulfilment. Where this pursuit will take him is the most revelatory and shocking part of the series and is certainly meant to rattle.

Continue reading …

Wed, April 9 2025

layed by Junaid Khan, the male protagonist of Loveyapa seems to be bizarrely obsessed about the 'purity' of his girlfriend, played by Khushi Kapoor.

If Bollywood were any more exploitative than it already is, it would’ve got the struggling Dibakar Banerjee to direct Loveyapa as a gun-for-hire. But then, it wouldn’t have been the same garbage movie. Banerjee would’ve spotted the inherent toxicity of its protagonists — played by two-time offenders Khushi Kapoor and Junaid Khan — and attempted to unpack the patriarchal systems that made them this way. Had Banerjee directed this movie, Khan would’ve almost certainly become a mascot for toxic masculinity at just two films old. The only difference is that Maharaj, his debut film, had no idea that his character was a terrible person. Loveyapa, on the other hand, appears to at least recognise his ‘flaws’, but expects you to root for him regardless.

Continue reading …

Sat, February 15 2025

यह जेन ज़ी की फिल्म है। जेन ज़ी बोले तो 21वीं सदी के पहले दशक में जन्मी वह पीढ़ी जिसने पैदा होते ही मोबाइल देखा और इस यंत्र को इस कदर अपना लिया कि अपने दोस्तों, परिवार वालों से ज़्यादा यारी इससे कर ली। इस यंत्र में इन्होंने इतना कुछ भर लिया कि उसे अपनों से ही छुपाने की नौबत आ गई और यही कारण है कि इस जेनरेशन का शायद ही कोई शख्स होगा जिसके मोबाइल में ताला न लगा हो। यह फिल्म उसी ताले के पीछे छुपे राज़ सामने लाकर इस पीढ़ी के रिश्तों के खोखलेपन का दीदार कराती है। बानी और गौरव आपस में प्यार करते हैं। बानी के पिता इन दोनों के सामने शर्त रखते हैं कि तुम दोनों एक दिन के लिए अपने-अपने मोबाइल फोन एक-दूसरे को दे दो। इसके बाद इनके जो राज़ खुलने लगते हैं उससे इनके रिश्ते की दरारों के साथ-साथ इनकी और इनके आसपास के लोगों की ज़िंदगियों का खोखलापन भी दिखने लगता है।

Continue reading …

Sun, February 9 2025

Mon, April 7 2025

Early on in Harshad Nalawade’s Follower, we see its central character, Raghvendra “Raghu” Pawar (Raghu Prakash), commuting to work one morning. It’s an innocuous little routine—a man rides through town on his motorbike. The passing scenery is reminiscent of any tier-2 Indian city: dusty cricket grounds, petrol pumps, bus stops, a giant clock, a flyover under construction, a bridge. A closer look, however, reveals that the streets simmer with unresolved frictions and resolute fictions. Garlanded statues of fabled kings compete for attention with garlanded statues of fabled queens. Flags of clashing political parties and communities dot the statues and bus stops. A lone church shies away in the background. Raghu has the stoic manner of a combatant weaving through the debris of a decades-long dispute. We soon learn that this town, Belgaum, is a war zone of identity.

Continue reading …

Sun, March 30 2025

Harshad Nalawade's film tracks the senseless way social media trolls operate, fuelled by the misguided notion that unquestionable obedience is their greatest calling. Follower is about followers.

An angry mob vandalises a public space. The premise is ransacked, chairs are upturned, and threats are issued: “Every action has a reaction”. They are seething over a remark made by a comedian about their political leader, standing in that place. Soon, social media is crammed with more threats and conspiracy theories, each linking the said comedian to extremists and sources of his funding to illegal sponsorship; he is tipped to be the unofficial spokesperson of the rival party. As days pass, speculations get rife; one party worker comes to a news channel and says he regrets nothing. “There should be a limit to humour”. Harshad Nalawade’s Follower is about that person. This might be technically misleading, but it is spiritually accurate. Nalawade’s astute and timely film is about the faceless trolls that appear to self-multiply and clog every pore of social media. His debut film tracks the senseless way they operate, fuelled by the misguided notion that unquestionable obedience is their greatest calling. Follower is about followers.

Continue reading …

Fri, March 21 2025

When the line between his professional and personal life starts blurring, Raghu, a radicalised journalist, is faced with some inconvenient truths. But he chooses to be in denial and acts impulsively.

The Maharashtra-Karnataka border dispute is largely centered around the city of Belagavi, aka Belgaum. While the city is in Karnataka, for years, allegations of suppression of the large Marathi-speaking population there have been doing the rounds. This issue forms one of the cruxes of Harshad Nalawade’s debut feature Follower. However, the larger part of the film, which premiered at the International Film Festival of Rotterdam in 2023, revolves around a disillusioned and disgruntled youngster, who joins a small media company that works to further a local politician’s agenda via social media. Raghavendra Pawar (Raghu Basarimarad), a well-educated Marathi-speaking resident of Belagavi, quits his job at a college after he’s allegedly sidelined by the Kannada-speaking authorities and denied a promotion. While searching for another job, he takes over his father’s gift shop after his father dies in an accident. Unemployed and constantly looked down upon by people around him, Raghavendra blames the socio-political scenario for his plight, villainising all Kannada-speaking people, including his friend Sachin (Harshad Nalawade), a YouTuber. He is eventually influenced by the local politician’s ‘fight’ for the Marathi-speaking community in the area and takes up a job that he believes he’s doing for the service of his community, thanks to the polarising words of the politician he idolises. But influenced and unthought decisions often have a way of rebounding, which is exactly what happens with Raghavendra. What, how and why are questions that Follower aims to address.

Continue reading …