Mon, December 23 2024

Directed by Mozez Singh, the feature documentary charts the rise, fall, and comeback of the popular hip-hop artist and singer.

The new music documentary Yo Yo Honey Singh: Famous attempts to show the darker side of fame. It prods and probes, but eventually, it allows the artist to be. The Netflix documentary is engaging enough, showing how an ordinary young man from Punjab rises to become the Indian music industry’s most well-known artist and goes on to open doors for others as well. The real truth of the docu-film lies when it features the man himself and those closest to him to open up about what he went through during his self-imposed break.

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Sun, December 22 2024

A step above Netflix's recent films about SS Rajamouli and Nayanthara, the documentary makes a half-decent effort to dissect the myth and mystery of Honey Singh.

The standard for Indian documentaries about cultural icons is so low that Yo Yo Honey Singh: Famous, out now on Netflix, comes across as a refreshing change of pace. The streamer is itself guilty of lowering the bar with glorified PR exercises like Nayanthara: Beyond the Fairytale, Modern Masters: SS Rajamouli, and the worst of them all, The Romantics. They functioned more like corporate orientation films than the genuinely engaging journalistic profiles that they’re supposed to be. Not that the Honey Singh doc provides any real insight into his artistic process, barring the hilarious scene in which he is stumped by none other than Salman Khan. It does, however, do a decent enough job of giving audiences a peek inside his troubled mind. And for his fans, that will be enough. Many of them appear on camera, either commenting on his well-publicised fall from grace, or expressing their dismay at the lacklustre music that he has been releasing recently. In one scene, a woman tails him on a bike, and weeps openly as he stops to interact with her. A highly sensitive person himself, Honey recognises the emotions that she is experiencing, and begins serenading her with his biggest hit, “Blue Eyes.” Any cynical suspicion that you might have had about the woman being a plant disappears instantly. In another scene, a couple of flower sellers attempt to sell him a garland at the traffic signal. Honey quips that he needs a woman in his life to gift it to. They recognise him, and comment about his past troubles. “You’re looking smart now,” the young flower seller says to him. Honey is ecstatic.

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Sat, December 21 2024

At best, documentaries on celebrities tend to be an ode to their stardom; at worst, these end up as an exercise in image makeover for those who have fallen from grace. Rare is a documentary, especially of a living person, that dares to look truth in the eye and provides a balanced, insightful account. Is Sikhya entertainment’s Netflix film that endeavour? Maybe yes, maybe no, but while documenting the story of Punjabi singer Yo Yo Honey Singh, who has seen both dizzying heights of fame and the lows of infamy, director Mozez Singh does address the elephant in Honey’s life from the word go.

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Mon, December 23 2024

The Hindi series returns with its core cast of characters as they navigate new and chaotic challenges, along with a different city.

The ‘mismatched’ couple Dimple and Rishi is back for another season in the popular Netflix series. Mismatched Season 3 returns with a three-year time jump as viewers are plunged back into the long-distance couple’s lives, with updates on their friends and family. Against the background of the virtual versus real world, the show puts its characters through new sets of problems that often feel misplaced. Focusing on its large cast and some faces, the new season feels like an odd reset back to its first season.

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Tue, December 17 2024

Mon, December 16 2024

एक टेक्नॉलजी को जी-जान से चाहने वाली अंबाला की मिडल क्लास लड़की डिंपल आहूजा (प्राजक्ता कोली) और एक टूटकर प्यार करने वाला जयपुर के रजवाड़े घराने का सच्चा आशिक ऋषि सिंह शेखावत (रोहित सराफ), यानी एक बिल्कुल ही मिसमैच्ड जोड़ी और जब ये दोनों मिलते हैं, तो क्या होता है यही कहानी है वेब सीरीज ‘मिसमैच्ड’ की। लेखिका संध्या मेनन की किताब ह्वेन डिंपल मेट ऋषि पर आधारित इस सीरीज के दो सीजन पहले ही आ चुके हैं और युवा दर्शकों के बीच डिंपल और ऋषि यानी प्राजक्ता कोली और रोहित सराफ की जोड़ी पहले ही काफी पसंद की जा चुकी है। उनकी केमिस्ट्री तीसरे सीजन में भी सुहाती है, मगर कहानी के मामले में सीरीज बेहद कमजोर और सतही साबित होती है।

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Mon, December 23 2024

This animated spinoff story meant to bridge the Inside Out films is very meta and witty.

Inside Out 2 returned this year to theatres with great fanfare as the sequel took audiences back to Riley’s life as she begins high school. The new animated series, Dream Productions, is set slightly before the film and follows Riley as a pre-teen adjusting to the time in-between being a kid and a teenager. Instead of the core gang of emotions that we are used to, the miniseries focuses on bubbly dream director, Paula Persimmon, who finds herself being obsolete.

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Mon, December 23 2024

The final episodes of the political thriller conclude in an emotional blaze as the absorbing drama takes its story up a notch.

Returning after two years, the second season of the political drama Tanaav was split into two parts. The first six episodes premiered in early September, and the remaining six episodes of Vol. 2 wrap up the story that was introduced in part one. Manav Vij’s Kabir Farooqui and the Special Task Group (STG) race to contain Fareed aka Al Damishq (Gaurav Arora) before a crucial peace conference in the valley. While the first part felt like unfinished business, the second part comes to a thrilling end.

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Mon, December 23 2024

The animated feature about the Christmas spirit in a small English town suffers from too many subplots.

More than two decades ago, Love Actually became the quintessential British Christmas film. The rom-com featured connected stories of love, family, and, of course, Christmas. Writer-director Richard Curtis’s latest holiday offering is a family film, That Christmas, that follows the same template, but even with the mighty touch of Santa Claus, it can’t recreate that one-of-a-kind feeling. However, for a younger audience, the craziness of the narrative might be just passable.

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Mon, December 23 2024

Created by Christopher Ford & Jon Watts, this new space adventure reminds one of the family films of the 1980s and 1990s.

The newest Star Wars series is a good old-fashioned space adventure led by a bunch of pre-teen heroines and heroes. Skeleton Crew brings together four imaginative children who embark on a trip to the outer galaxies that they won’t forget. The series also features Jude Law as a mysterious space pirate, whose role is yet to be determined. With only two episodes airing so far, the sci-fi series Skeleton Crew looks to unite Star Wars fans, young and old, in a classic adventure saga.

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Sun, December 22 2024

I’m not sure what happened during the four years of making Mufasa, but I don’t see the point of putting so much work, passion, sweat, and life into something that’s already been done before.

While watching Mufasa: The Lion King, all I could think about was this: 4 precious years of Barry Jenkins’ career were spent in front of Disney green screens and sound stages to not even create something madly original? Don’t get me wrong, I’m not against effects-driven or photo-realistically animated movies; visionaries like Peter Jackson and James Cameron have redefined the relationship between technology and storytelling over the years. But Disney? Another Lion King film? My viewing experience was laced with the frustration of realising that yet another Hollywood studio franchise was doing wasteful Hollywood things.

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Sat, December 21 2024

Aryan and Abram add charm to the film

Mufasa is the prequel to the Disney’s iconic film The Lion King. However, the film takes a different route than a typical prequel, we also get to see a follow-up plotline for Simba, Nala and their kids along with what’s going on at Pride Rock aka Milele. The Hindi Dub remains as close to the original names and essence of the characters while also adding a bit of a twist. While Simba and his family remain the prideful ruling family of Pride’s land, Timon, Pumbaa and some supporting characters get a twist with the Hindi Dub adding more comedy to the screenplay.

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Fri, December 20 2024

If the 2019 reboot of The Lion King, that came out 25 years after the original, also called The Lion King, taught us anything, it is that one should never tamper with anything that has made a place for itself not only in the hearts of the audience but also in cinema history. Mufasa: The Lion King, though not a reboot or remake, can be added to that list. Serving as a prequel to the 2019 film, it takes us back in time to when Mufasa and Taka — as Scar was once known — were young cubs roaming the plains together.

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Sat, December 21 2024

In his element, filmmaker Haneef Adeni is something of a Picasso of pain, a visionary for violence. As psychotic as it may sound, he finds lyricism in the way action blocks are staged in 'Marco'

The blood begins to flow even before the first scene in Marco. For a film about a bastard son avenging the murder of his adopted brother, it’s appropriate for even the opening credits to show his family tree in the form of a (literal) bloodline, as blood flows from one generation to next. Haneef Adeni, after the unwatchable comedy Ramachandra Boss & Co, returns home to a world he is most familiar with, in Marco. All his obsessions return too, including the Biblical references, Christian symbolism, Malayali men dressed for black tie events in peak summer, and the cringiest of English dialogues that are too lethal even for TikTok.

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Sat, December 21 2024

'Axone' filmmaker Nicholas Kharkongor’s comedy-drama about a stay-at-home dad quickly runs out of ways to reiterate its message

Even as an Ayushmann Khurrana-coded small-town comedy that’s a decade too late, Jhansi Ka Rajkumar feels dated. The film stars Gulshan Devaiah as Rajkumar, a stay-at-home dad struggling to adjust to a move from Delhi to Jhansi — or, more accurately, struggling to function in a judgmental society. His wife, Devayani (Namita Dubey), is the breadwinner with a government job. You know the drill. Gender role reversal. Ridicule. Stigma. Pressure to conform. Marital conflict. Speech. Resolution. This is basically a middle-class Ki & Ka (2016), just not as gimmicky and self-satisfied. But it’s also not as self-contained as Barun Sobti’s track in Raat Jawaan Hai, a show where the guy’s “progressive househusband” tag silently gnaws away at him.

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Fri, December 20 2024

After years of practice, you kind of know what to expect in an Upendra movie. He swears by shock value and that worked till a certain age and time. Not any more.

Cinema as a medium commands and deserves respect, both from its audience and those who work in it, especially directors and actors. So, how does one review a film where the hero and director are the same person, and when both work in tandem to leave you with a confused set of images that lead nowhere. What if they rest on past glories, justified or not, and leave you with problematic imagery and dialogues that leave your head spinning, and make you so want to say, ‘Boss, idhu 2024. 1980s alla’.

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Fri, December 20 2024

Director Subba Mangadevi’s tale neither has the appeal of a masala potboiler nor the rootedness of a realistic film

In times of chest-thumping heroism when films are relentlessly packed with a series of highs, it is heartening that filmmaker Subbu Mangadevi has chosen to tell the story of a loser rather unapologetically. His Bachchala Malli is about a good-for-nothing youngster Malli (Allari Naresh) who treads a self-destructive path while never recovering from his setbacks. Malli is, by no means, your average male protagonist. He barely acknowledges his mother’s presence at the house, stitches gunny bags for a living, steals donation boxes from children for a drink at a local bar, engaging in petty fights with fellow customers. As he falls off his bike, lying unconscious on the road, not a soul cares for him, after which you are gradually introduced to his not-so-rosy past.

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Fri, December 20 2024

With an ensemble of wild performances and some amazingly well-choreographed action sequences, 'Rifle Club' takes us back to a time when all a film needed to do was be cool.

In Aashiq Abu’s Rifle Club, manliness is next to godliness. It’s set in a hyper-violent world with no room for peaceful resolutions or around-the-table diplomacy. An eye for an eye is the only diktat, and it’s the meanest, most frenetic Western you’re likely to see from one of our Southern-most states. It takes place in 1991 and this gives the film a pre-woke recklessness that’s rare in a film set in today’s time. Instead, the film’s allegiance to machismo is so on-the-nose that it doesn’t even try to hide the many phallic symbols that “rise” from subtext to text. In a chilling scene, when an outsider asks Itty (a killer Vani Vishwanath) if he can speak to the man of the house, she forces him to look down, pointing at her loaded pistol. This is not your average household in which women are valued based on their looks or their ability to cook. For members of the Rifle Club, what matters most is the ability to shoot, gender notwithstanding.

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Fri, December 20 2024

This Aashiq Abu film is like a Varathan on steroids, and it helps that the team didn't rely on someone with a superstar stature to be at the centre of things, and allows every actor to play a superstar character.

From the times of black-and-white, we have often seen a wife act coyly around her husband when sharing the news of their impending pregnancy. There is the bashful eyes, shy demeanour, and lines like the veiled “Now, I have to eat for two people” or the direct “There is a new entrant coming to the family” before breaking into a smile and a hug. In Aashiq Abu’s insanely entertaining Rifle Club, the sassy Sicily tells her husband Avaran, “Bring me the liver of the wild boar you are going to hunt. I heard it is good for pregnant women.” These are the kind of characters that inhabit the world created by Syam Pushkaran, Dileesh Karunakaran and Suhas. Characters who might seem like a weapon-wielding Addams Family to the rest of the world, but within their self-sufficient existence, this is the normal.

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Fri, December 20 2024

Though the striking visuals and some humourous exchanges between the wide array of characters work in Aashiq Abu’s film, the screenwriting appears severely lacking in some parts

Dead wild boars and gun-toting humans floating down a zip line from inside a forest to a bungalow, dinner conversations replete with tall tales of hunting and backhanded compliments, residents for whom the gun is the one, and probably only, thing that matters in their lives — this is the world in which Aashiq Abu’s Rifle Club is set. It is a closed world with strict honour codes, which doesn’t bar the characters from mercilessly lampooning the incompetence of someone else in the club. And, almost all of them belong to the same family.

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