Sat, September 20 2025

The absence of a coherent, believable screenplay and the compulsion to deliver one shocking twist after another drains ‘Mirage’ of any impact

Sometimes, the final moments in a movie suddenly brings its title to mind, making us marvel at the ingenuity of naming it that way. Jeethu Joseph’s Mirage attempts something similar, only that one is left wondering how the titular warning was not fully understood. The final act of the movie is filled with mirages, one scene after another, each of which misleads us into thinking that this is the big reveal, only for the screenwriter to throw another ‘twist’ in the tale at us. After encountering several such mirages, one huffs and puffs to reach the real climax of the film, vowing never to trust any character in a film. In the larger scheme of things, screenwriters Jeethu and Srinivasan Abrol are also seeking a mirage — that of the perfect thriller climax which no one would guess. Red herrings, convoluted stories and obscure incidents tenuously connected to the narrative are thrown at us with this sole aim. That also proves to be the film’s undoing.

Continue reading …

Sat, September 20 2025

Asif Ali stars in a Jeethu Joseph film that’s surprisingly devoid of thrills.

It must have been some sort of a cruel in-joke to name the company Ashwin Kumar (Asif Ali) runs ‘Pure Facts’. It’s an online media company based out of Coimbatore, and we listen to Ashwin talk repeatedly about how he doesn’t believe in sensationalism or emotions, believing in a brand of objective journalism that provides pure facts to its viewers. You assume that he’s the stereotypical idealist but there’s always a dissonance between what he says and how he behaves. A few scenes later, after he’s tried to convince us of his ethical ways, he nonchalantly reveals how his modest operation makes money. Without making it sound like blackmail, he says he investigates the inner workings of big corporates and agrees to not reveal them on his platform for a “fee”.

Continue reading …

Sat, September 20 2025

Fri, September 19 2025

Despite a powerful premise and timely themes, the film is over-scored and underwritten. Moments never have room to breathe, resulting in a highlight reel that struggles to leave a lasting impact.

In Athiyan Athirai’s sophomore film, Thandakaaranyam, the eponymous forests become a MacGuffin that is forever out of reach of the protagonists. It’s a story that’s ostensibly about the fault lines and simmering tensions between the state, comprising a nexus of the police, paramilitary forces that collude with politicians and conglomerates, and the tribal population that is given the unqualified title of Naxalites. The forests remain in the margins in Athirai’s film (his Irandam Ulagaporin Kadaisi Gundu remains one of the best debuts in Tamil cinema of the last decade); they are not landscapes for conspiracy, separatist forces or ambushes — it comes across as a conscious decision. The forest is more life and livelihood, one that is as one with the self as skin. But the forest security offices and the training camps, the locations where injustices truly roost, are the places of interest.

Continue reading …

Fri, September 19 2025

Vetri, a debt-ridden entrepreneur, turns a gigolo after seeking financial help from a college senior, Karthikeyan. In his new role, he encounters Namrata, a lonely woman dealing with a miscarriage and a broken marriage. Meanwhile, Shraddha, a rebellious college student, keeps her romance with a classmate, Adi, a secret. As they meet at her home when her parents are away, the night takes a wild turn.

Continue reading …

Fri, September 19 2025

Directed by Rachel Lee Goldenberg, the biopic on Bumble founder Whitney Wolfe Herd sticks to the surface of what it wants to tell.

Swiped recounts the history of the dating app explosion of the 2010s, which was led by Tinder and followed by Bumble. Whitney Wolfe Herd was at the center of both, and the Hulu film explores her journey from someone who started out wanting to make a difference with charitable work to the woman who ended up changing the face of dating. The biopic benefits from having the likeable Lily James star in this average retelling of the rise of startup culture, which only dips into the more controversial points. Swiped follows Whitney (James) as she goes from a 24-year-old marketing director to the CEO of Bumble/Badoo at 31. The film shows the early days of Tinder and how it evolved into the biggest dating app on the scene. Whitney had a big hand in its success, but it is her word against the founders, who block her out of the company. She picks up the pieces to start her own app, Bumble, which puts the safety of women above all.

Continue reading …

Fri, September 19 2025

Fri, September 19 2025

Created by Jay Carson, the network drama once again addresses topical subjects, but once again the show suffers from having too many characters to focus on.

The Morning Show was launched in 2019 as a vehicle for stars Jennifer Aniston and Reese Witherspoon. The show also reflected on the changing landscape of TV journalism with topical issues like the MeToo movement, the COVID-19 pandemic, and even the January 6th riots at the Capitol. This season, the Apple TV+ returns with a focus on the 2024 Olympics in Paris while also tackling AI (artificial intelligence). Already crowded with pending storylines, The Morning Show adds fuel to the fire by introducing several new conflicts for its burdened characters. Alex Levy (Aniston) and Bradley Jackson (Witherspoon) have survived the events of the last season of The Morning Show. The new season returns two years after the events of the last, with Alex as a top executive at the new UBN network and Bradley seemingly retired as a journalist. So what reunites the two again? The TV anchors face it all this time around with deepfakes, conspiracy theories, and corporate cover-ups that keep threatening them and those around them. The stakes are even higher, as this time the two women battle a hidden enemy.

Continue reading …

Fri, September 19 2025

Created by Will Smith, the British espionage drama has plenty of juice in its tank to power several seasons.

It may not get enough awards love or attention, but Slow Horses is quietly plodding on as one of the most dependable and exhilarating spy series on streaming. With Season 5 about to premiere, the sixth and seventh seasons are already in the works at Apple TV+. The fifth season brings yet another puzzle to Gary Oldman’s spymaster, Jackson Lamb, who proves to the MI5 heads why he’s the best they’ve got. With strong performances by Jack Lowden, Kristin Scott Thomas, and Saskia Reeves, the newest season is another thrilling ride. The rejected MI5 agents of Slough House get yet another opportunity to save the day and one-up the headquarters at Regent’s Park. This time, a terror plot links back to one of their own, as tech guy Roddy Ho (Christopher Chung) has been honey-trapped. The British intelligence organisation gets a taste of their own medicine as potential terror incidents take place all over London, rattling those in power. It’s up to Lamb and his underutilised and underarmed team of ‘rejected’ spies to step in with their wits to avoid a larger catastrophe.

Continue reading …

Fri, September 19 2025

In India, the concept of godmen — spiritual leaders elevated to the status of demigod — has spawned a series of narratives. Fiction (Aashram ) and non-fiction (My Daughter Joined a Cult, Cult of Fear: Asaram Bapu, etc) alike have responded to the peculiarity of the culture. Bikas Ranjan Mishra’s new film, Bayaan, a loosely wound police procedural that premiered at the Toronto International Film Festival, is a frustrating reiteration of the template. To be fair, Bayaan is largely effective and well-made with slight exceptions. The plot is rooted in Rajasthan, where a godman, ‘Maharaj’ (Chandrachur Singh), runs an ashram full of young girls. When one of them tips off about his sexual abuse, a Delhi-based police officer, Roohi (Huma Qureshi), is assigned to the case. She might be a novice, but she knows the way. Her father (Sachin Khedekar) has been in the profession for a long time and is celebrated by peers. Mishra’s film outlines the way in which an anonymous tip opens a can of worms for the godman, only for Roohi to realise that she, a privileged urban woman, inhabits a world as compliant as that of the rural women.

Continue reading …

Mon, September 15 2025

Fri, September 19 2025

In films, the presence of three is inherently fodder. The arrangement can be disruptive, but it is mainly used by makers to arrive at familiar resolutions. In her wonderfully assured directorial debut, Poetic License, Maude Apatow flips the script. She takes three people, resists settling for sweeping endings and shakes things up for fun. It is a lovely detour that is consistently rewarding. Ari (Cooper Hoffman) and Sam (Andrew Barth Feldman) have been friends for a while. As students, their lives have been mostly spent on campus. Things, however, are about to change. The erudite Sam has his eyes set on a finance job, while Ari, the rich young boy prone to wearing LED face masks at leisure, is still trying to figure things out. A poetry class together becomes their latest way of hanging out. But when Liz (Leslie Mann) sits with them in class, their attention to each other wavers a little. There is only one problem: Liz is a married woman with a daughter. Her professor-husband’s new job at the university brings her to a quiet town from Chicago, as she sits with them in a poetry class to audit.

Continue reading …

Thu, September 18 2025

There’s a point in Tango Malhar where it stops feeling like a promotional piece for the Argentinian dance form it’s named after. That moment arrives when siblings Malhar (Nitesh Kamble) and Rani (Kriti Vishwanathan) are secretly filmed while passionately practicing tango in a secluded building. In Saya Date’s film, this scandalous act carries the potential to ignite controversy, challenging the sanctity of familial bonds. Where will the story go from here? That question becomes the film’s most compelling suspense. Tango Malhar opens with Malhar, a 20-something autorickshaw driver, grooving to Indian hip-hop on his earphones. He lives with his widowed mother and school-going younger sister in a cramped city home. Early in the film, we see Rani’s love for dance and her brother’s latent rhythm. A man of few words, Malhar is still searching for purpose when tango unexpectedly enters his life.

Continue reading …

Wed, September 17 2025

Dashavatar scores high in getting you transported to the small Konkan village where it’s based. The scenic place is shot well by cinematographer Devendra Golatkar. The village’s folk theatre culture is portrayed in a realistic manner. It also acts as a tribute to the unsung theatre artistes from various corners of India. The bittersweet relation between Babuli and Madhav also brings a smile, although the song between them could have been done away with. Dashavatar brings a shocking incident at the interval point. From here on, you expect the film to rise further. But, instead, it starts suffering from the second half syndrome. The incidents where various avatars of Lord Vishnu are brought in not only make the narrative predictable but also lack logic as it’s difficult to believe what one character keeps doing. Plus, the screenplay starts becoming messier as the film nears the climax with quite a few questionable incidents. The climax gives an important social message but it suits more in the medium of theatre than cinema.

Continue reading …

Sat, September 13 2025

In the Konkan region of Maharashtra, Dashavatar presentations continue to be a huge draw. The traditional theatre form is centred around the ten incarnations of Lord Vishnu, and its performers command immense respect and popularity. Subodh Khanolkar’s Dashavatar is the story of one such performer – Babuli Mestri (Dilip Prabhavalkar). Having performed in the traditional theatre all his life, Babuli is almost synonymous to Dashavatar in his village, so much that his entry in the presentation is all that people look forward to. Age is fast catching up with Babuli, but he refuses to hang his boots despite repeated pleas from his doctor and even his son Madhav (Siddharth Menon). Babuli promises to retire only when Madhav gets a job and starts earning. When that happens, the veteran performer stays true to his word and announces his last performance during a Mahashivratri celebration. On the other hand, Madhav also decides to ask for his girlfriend Vandana’s (Priyadarshini Indalkar) hand in marriage on the auspicious day. But tragedy strikes, derailing everyone’s plans and putting in motion a series of entirely unexpected events.

Continue reading …

Wed, September 17 2025

Deliciously sinister and delectably unhinged, Fresh is a commentary on the perils of modern dating, with a refreshingly original take on the splatter genre. This 2022 film, available for streaming on JioHotstar, marks the debut of Mimi Cave (who has since gone on to direct this year’s middling Nicole Kidman thriller Holland), and manages to winningly (at least for the most part) be a dark comedy, a feminist tale and a horror fest at the same time. Fresh begins in a way that most films on modern-day urban loneliness do. Noa (Daisy Edgar-Jones) is striking, sharp and smart, but doesn’t seem to have much luck in the dating department. With almost no family to call her own, it is her closest pal Mollie (Jojo T. Gibbs) that Noa leans on emotionally. A few days after a particularly bad first date, Noa bumps into a charming stranger (Steve, played by Sebastian Stan) in a supermarket aisle. Numbers are exchanged, a few fun dates follow and before we know it, Noa is hopelessly charmed by the disarming Steve, who claims to be a doctor specialising in ‘reconstructive surgery’. More on that later.

Continue reading …