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Guild Reviews

Image of scene from the film Tabaah
Tabaah

Drama (Punjabi)

A man seeks solace from developments in his romantic life, turning to alcohol for comfort.

Cast: Wamiqa Gabbi, Parmish Verma, Dheeraj Kumar, Kanwaljit Singh, Kavi Singh
Director: Parmish Verma
Writer: Gurjind Maan


FCG Member Reviewer Nonika Singh
Nonika Singh | The Tribune
A Poignant Love Story Sans Crutches of Melodrama

Mon, October 21 2024

Tabaah might not be the greatest love tragedy ever, but it pushes the creative envelope for Punjabi cinema rather successfully.

Unrequited love in the Devdas mould is often the go-to subject of Indian cinema, and now it seems in Punjabi movies too. When singer-actor Parmish Verma picks up the directorial baton and wears the producer’s hat as well for his latest film, Tabaah, you know what to expect. The title of the film literally translates to devastation, ruin or destruction, and the opening scenes establish our hero, Verma himself, in self-destruct mode. Like good-old Devdas, pining for his beloved, he is drinking himself to death. At the very start of the film, the poetic lines by novelist Kristin Hannah establish the tragic mood of the film. Taken from her novel The Nightingale (2015), it goes: “Some stories don’t have happy endings. Even love stories. Maybe especially love stories.” Clearly, it’s a love story gone sour. Why? Here, the writer, Gurjind Maan, deserves credit. He has not created any archetype villain in this love story. No family rivalry, no class divide and no parental interference either. Amber’s father (Kanwaljit Singh) is as supportive and caring as fathers are meant to be. So, why has it not ended happily ever after for our hero, Amber, and heroine, Raavi, played by the lovely Wamiqa Gabbi?

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Image of scene from the film The Real Superstar
The Real Superstar

Documentary (French)

Cast: Amitabh Bachchan
Director: Cédric Dupire


FCG Member Reviewer Uday Bhatia
Uday Bhatia | Mint Lounge
Lost in the Twilight Zone with Amitabh Bachchan

Sun, October 20 2024

Cédric Dupire’s ‘The Real Superstar’ spans the actor’s epochal career but is an atypical tribute

Aman in red suede pants and jacket walks down a deserted road at night. Another man in a sky blue jacket over a black shirt races across a bridge as gunfire explodes around him. Yet another, in a deep blue shirt knotted at the waist, staggers out of a warehouse and is immediately carried off by a delirious crowd chanting his name.

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Image of scene from the film The Wild Robot
The Wild Robot

Animation, Science Fiction, Family (English)

After a shipwreck, an intelligent robot called Roz is stranded on an uninhabited island. To survive the harsh environment, Roz bonds with the island's animals and cares for an orphaned baby goose.

Cast: Lupita Nyong'o, Pedro Pascal, Kit Connor, Bill Nighy, Stephanie Hsu
Director: Chris Sanders


FCG Member Reviewer Rahul Desai
Rahul Desai | The Hollywood Reporter India
A Heartfelt ‘Factory Reset’ Of Storytelling

Sun, October 20 2024

The Wild Robot takes you back to the early days of Finding Nemo and Wall-E, where the joy is rooted in the innocence of imagination rather than the responsibility of the movie-going experience.

THE WILD ROBOT is about an all-purpose robot that turns sentient in the wilderness. After washing up on a forest island, Rozzum “Rozz” 7134 learns to feel and discern once it mothers an orphaned goose and befriends a red fox. I’d say it becomes human, but in the context of where we are today, “it grows a heart” is more accurate.

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FCG Member Reviewer Sachin Chatte
Sachin Chatte | The Navhind Times Goa
Kya <em>bot</em> hain!

Sat, October 19 2024

The Wild Robot, inspired by Peter Brown’s 2016 novel of the same name, is a film that skillfully balances its emotional elements, resulting in a gratifying experience for both children and adults. While the notion of a robot experiencing emotions is not entirely original, it is the narrative and its execution that truly set this film apart. Achieving the right emotional resonance, whether from a human or a robot, is crucial, and Chris Sanders has struck gold with this film.

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FCG Member Reviewer Sonal Pandya
Sonal Pandya | Times Now, Zoom
Astoundingly Beautiful Animated Story Of Love, Friendship And Empathy

Wed, October 16 2024

Adapted from Peter Brown's best-selling children's book, the DreamWorks Animation film is a triumph on every level.

DreamWorks Animation turns 30 this year, and its latest presentation, The Wild Robot, is a great example of what the studio gets right. Adapted and directed by Chris Sanders, the animated feature follows the adventures of Rozzum 7134 (voice of Lupita Nyong’o), who discovers a whole new side to herself after she reluctantly adopts a gosling. The family film is filled with humour and meaning, and it teaches you what it means to be kind and love another in need.

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Image of scene from the film Bougainvillea
Bougainvillea

Mystery, Thriller (Malayalam)

A family entangled in a police investigation surrounding the mysterious disappearance of tourists in Kerala.

FCG Rating for the film

Cast: Jyothirmayi, Kunchacko Boban, Fahadh Faasil, Srindaa, Sharafudheen
Director: Amal Neerad
Writer: Amal Neerad


FCG Member Reviewer Sachin Chatte
Sachin Chatte | The Navhind Times Goa
The memory remains

Sat, October 19 2024

Amal Neerad’s Bougainvillea features an impressive cast, including Kunchacko Boban, Jyothirmay, and Fahadh Faasil; however, the film ultimately flatters to deceive. Faasil is relegated to a tertiary role, likely either to help out his friends or for a fat paycheck – probably the former. Pitched as a psychological thriller, the film becomes exasperating due to its screenplay and overall execution.

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FCG Member Reviewer Vishal Menon
Vishal Menon | The Hollywood Reporter India
A Gripping Mind Game With Stellar Acts

Fri, October 18 2024

The film potently uses the unreliable narrator trope to fully immerse the audience into a story about “gaslighting” and domestic abuse.

Amal Neerad and his co-writer Lajo Jose (whose story this film is based on) know how far to push the unreliable narrator trope. Not only is their protagonist Reethu (Jyothirmayi in her return) suffering from both retrograde and anterograde amnesia, but we’re seeing the film through her perspective for the most part. What makes this film even more complex is how quickly we get the feeling that we cannot rely on the people Reethu relies on to make sense of her chilling universe.

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FCG Member Reviewer Vishal Menon
Vishal Menon | The Hollywood Reporter India

Fri, October 18 2024

Image of scene from the film Sir
Sir

(Tamil)

The people of Mangollai village like Colochi Saami and Saamikannu opposed education for the poor while people like Annadurai and Sivangaanam fought against oppression.

Cast: Vimal, Saravanan
Director: Bose Venkat
Writer: Bose Venkat


FCG Member Reviewer Kirubhakar Purushothaman
Kirubhakar Purushothaman | News 18
Vemal’s Period Movie Belongs To The Era It Is Set In

Sat, October 19 2024

Directed by actor-director Bose Venkat, Sir is about a family’s relentless and devastating crusade for rural education. Like many such Tamil films, it has 'only' its heart at the right place.

Sir is one of those formulaic Tamil movies with a strong cause or message it wants to put across and doesn’t mind doing so at the cost of being a didactic and dated. The style, writing, brevity, and everything that makes up for a superior form take a backseat in Sir as Bose Venkat prefers coming across as an activist to a fine filmmaker. While Sir has a noble cause at its core, the execution makes it a yarnfest, and instead of getting the catharsis such social commentary aims to provide, the film invokes a sense of guilt for feeling so.

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Image of scene from the film The Apprentice
The Apprentice

History, Drama (English)

A young Donald Trump, eager to make his name as a hungry scion of a wealthy family in 1970s New York, comes under the spell of Roy Cohn, the cutthroat attorney who would help create the Donald Trump we know today. Cohn sees in Trump the perfect protégé—someone with raw ambition, a hunger for success, and a willingness to do whatever it takes to win.

Cast: Sebastian Stan, Jeremy Strong, Maria Bakalova, Martin Donovan, Catherine McNally
Director: Ali Abbasi


FCG Member Reviewer Shomini Sen
Shomini Sen | Wion
Jeremy Strong delivers stand out performance in Abbasi's film on Donald Trump

Sat, October 19 2024

The Apprentice shows Trump (played stupendously well by Sebastian Stan) in his usual megalomaniac, ruthless avatar – an image that Trump has over the years created – painstakingly, if I may add so – but also humanises him to a certain extent.

Former United States president and presidential candidate Donald Trump went on a rant recently on filmmaker Ali Abbasi’s latest film The Apprentice, which narrates the Republican’s initial years as a real estate giant in New York and his relationship with attorney Roy Cohn. Perhaps, Trump’s reaction stems from information that is fed to him because had he watched the film, he may have only objected to certain aspects of Abbasi’s provocative film and not ranted about it in its entirety.

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FCG Member Reviewer Sanyukta Thakare
Sanyukta Thakare | Mashable India
Sebastian Stan As Donald Trump Is Just The Tip Of The Iceberg

Thu, October 17 2024

Jeremy Strong steals the show

The Apprentice is one of the film that no one asked for but now that its here you can’t look away from it. The direction, cinematography, lighting, sets and most of all the performances all are worth praising but the film majorly avoids taking sides. For first half it makes you like Trump and for the other the pre-existing hate returns, so it doesn’t really add to his public narrative, the reason for its existence left questioning. But the film is worth the watch for its art.

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Image of scene from the film Paris Has Fallen
Paris Has Fallen

Action & Adventure, War & Politics (French)

A protection officer and an MI6 operative team up after a terrorist attack. They suspect a mole as they race to thwart a larger conspiracy threatening Paris.

Cast: Tewfik Jallab, Ritu Arya, Emmanuelle Bercot, Ana Ularu, Nathan Willcocks


FCG Member Reviewer Sonal Pandya
Sonal Pandya | Times Now, Zoom
Spinoff Series Of Absorbing Action Film Franchise Has Formidable Antagonist

Fri, October 18 2024

The small screen version of the Has Fallen franchise is off to an intriguing start with a daunting villain.

Paris Has Fallen is the first in the franchise that won’t feature Gerard Butler’s Secret Service agent Mike Banning. The actor will continue on with the character in the films; however, this spinoff series forges its own identity with new protagonists and a deadly plot in this European adventure. With only the first two episodes premiering so far, Paris Has Fallen has set up an interesting scenario in which the villain has had the upper hand; it remains to be seen how and when the ‘fall’ will come.

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Image of scene from the film Shrinking S02
Shrinking S02

Comedy (English)

Jimmy is struggling to grieve the loss of his wife while being a dad, friend, and therapist. He decides to try a new approach with everyone in his path: unfiltered, brutal honesty.

Cast: Harrison Ford, Jason Segel, Jessica Williams, Luke Tennie, Michael Urie


FCG Member Reviewer Sonal Pandya
Sonal Pandya | Times Now, Zoom
Jason Segel, Harrison Ford's Optimistic Comedy About Flawed Therapists Charms Again

Fri, October 18 2024

From the makers of Ted Lasso, the comedy series starring Jason Segel returns to find its characters grappling with life's issues head-on.

Created by Bill Lawrence, star Jason Segel and Brett Goldstein, Shrinking focuses on a grieving therapist who decides to change his approach with his patients. Becoming more proactive, he becomes more involved in the lives of those around, both to his detriment and betterment. The second season of Shrinking charms with its loveable, goofball characters and some unexpected new faces.

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Image of scene from the film Jigra
Jigra

Crime, Drama, Thriller (Hindi)

When Ankur is wrongfully imprisoned and sentenced to death in a foreign country, his steely sister Satya is driven by a lethal resolve to break him free.

FCG Rating for the film

Cast: Alia Bhatt, Vedang Raina, Manoj Pahwa, Vivek Gomber, Akashdeep Sabir
Director: Vasan Bala
Writer: Debashish Irengbam


FCG Member Reviewer Rohan Naahar
Rohan Naahar | The Indian Express
Vasan Bala weaponises Alia Bhatt in one of the best Hindi films of the year; Karan Johar better have his back

Wed, October 16 2024

One would hope that Dharma Productions doesn't push Vasan Bala into moving traffic after Jigra; starring Alia Bhatt, it's one of the best Hindi films of the year, a near-perfect marriage of Bala's irreverent sensibilities and Karan Johar's trademark drama.

Getting an audience to detest a movie villain isn’t difficult. People are cynical; all they want is someone to project their frustrations on. But getting the same viewers to genuinely empathise with the protagonist of your film isn’t as easy as it might seem. It requires them to lower their guards and shed their egos; to allow moments of vulnerability in the presence of absolute strangers. Most of all, it requires them to ignore the objectively lunatic act of developing a connection with a made-up person, as if they are real. But Vasan Bala has cracked the code in Jigra — a film that pulls off this almost impossibly difficult feat by getting you, the viewer, to participate in the grandest act of collective empathy crafted on a Bollywood screen this year.

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FCG Member Reviewer Kriti Tulsiani
Kriti Tulsiani | WION
Alia Bhatt is the real 'jigra' of Vasan Bala's film

Tue, October 15 2024

In Vasant Bala's film, Vedang Raina might be portraying the titular character, but it's Alia Bhatt, who is the heart and soul of the film.

Will the real ‘Jigra’ please stand up? In Vasant Bala’s film, Vedang Raina might be portraying the titular character, but it’s Alia Bhatt, who is the heart and soul of the film. Turns out she is a shield not just for her brother, but also for the movie, even as the revenge thriller rests too heavily on Bhatt.

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FCG Member Reviewer Priyanka Roy
Priyanka Roy | The Telegraph
Jigra is a rich cinematic experience powered by Alia Bhatt

Tue, October 15 2024

Agneepath plays on the aircraft entertainment system, that telling scene of a young Vijay Dinanath Chauhan burning down a petrol pump being a visual allegory of a similar incident perpetrated by the protagonist in Jigra a few moments ago. This is just one instance. Throughout the runtime of Jigra, Amitabh Bachchan pops up as idea and inspiration, set-up and syntax. When Satya (Alia Bhatt), caught in a situation which may end in violence, is gently warned: “Abhi Bachchan nahin bann na hain… sirf bachke nikalna hain”, she rolls up her sleeves and says matter-of-factly: “Ab toh Bachchan hi bann na hain”.

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Image of scene from the film Tekka
Tekka

Drama, Thriller (Bengali)

Tekka is the story of Iqlakh, a janitor who has lost his job and is out to get it back by holding a schoolgirl hostage in a building. ACP Maya comes in, a woman who is trying to conceive. Add to the mix a young journalist pair, Brishti and Tintin, and we have a sentimental thriller in an office building spanning 48 hours, full of melodrama.

Cast: Dev, Swastika Mukherjee, Rukmini Maitra, Aameya Bose, Tota Roy Chowdhury
Director: Srijit Mukherji


FCG Member Reviewer Shamayita Chakraborty
Shamayita Chakraborty | Deutsche Welle
Rukmini Maitra and Dev shine in this hostage drama

Wed, October 16 2024

The film’s story is pretty much what you have seen in the trailer. For those who are uninitiated, here is the plot in brief. Iqlakh (Dev) loses his job, randomly kidnaps a young girl Avantika (Aameya) from her school, and takes her hostage. He demands to get his job back. Maya (Rukmini Maitra) from Kolkata Police comes to negotiate. Even after his company’s maintenance manager (Anirban Bhattacharya) verbally promises to give his job back to him, he demands the owner of the firm Anubrata Adhikari (Paran Bandyopadhyay) to come personally. Meanwhile, in a turn of events, little Aratrika’s mother Ira (Swastika Mukherjee) hunts down Iqlakh’s house and takes hostage of his little boy.

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Image of scene from the film Viswam
Viswam

Action, Comedy (Telugu)

When terrorists target a young girl who witnessed an assassination, a heroic taxi driver comes to the rescue.

Cast: Gopichand, Kavya Thapar, Baby Iyal, Jisshu Sengupta, Sunil Varma
Director: Sreenu Vaitla
Writer: Bhanu Bogavarapu


FCG Member Reviewer Sangeetha Devi Dundoo
Sangeetha Devi Dundoo | The Hindu
Sreenu Vaitla and Gopichand’s film is marred by an outdated, meandering narrative

Tue, October 15 2024

Director Sreenu Vaitla’s Telugu film ‘Viswam’ is a tiresome mishmash of subplots and characters that feels dated by at least two decades

Viswam, directed by Sreenu Vaitla, is a reminder that not everything has changed for the better with mainstream Telugu cinema. In terms of narrative style, character arcs and the plot itself, this Gopichand and Kavya Thapar starrer feels redundant. The film teems with dozen of characters and a handful of sub plots — in the name of offering wholesome entertainment — with action episodes, romance, emotional drama and mindless comedy; it can get tiresome to sit through 155 minutes of an incoherence narrative, even if one does not look for logical reasoning.

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Image of scene from the film Maa Nanna Superhero
Maa Nanna Superhero

Drama (Telugu)

Johnny, a car mechanic, who grew up thinking of his adopted father Srinivas as a superhero, prepared to go to any length to save his father, unknowingly embarks on a journey with his biological father.

Cast: Sudheer Babu, Sai Chand, Sayaji Shinde, Annie, Aarna Vohra
Director: Abhilash Kankara
Writer: Shravan Madala


FCG Member Reviewer Sangeetha Devi Dundoo
Sangeetha Devi Dundoo | The Hindu
Sudheer Babu shoulders a patchy relationship drama

Tue, October 15 2024

Sudheer Babu and Saichand’s performances anchor ‘Maa Nanna Superhero’, an uneven relationship drama that scores in a few segments

A scene in director Abhilash Reddy Kankara’s Telugu film Maa Nanna Superhero (my dad is a superhero) shows the protagonist Johnny (Sudheer Babu) taking his house owner to task and abruptly pausing when the latter’s daughter comes into the picture. He does not want to make the man seem a lesser mortal to his child. The narrative attempts to ride on the universal emotion of children seeing their father as a superhero. Abhilash wonders how far a son would go to save his father, with whom he shares a tumultuous relationship. The plot becomes more complex as it involves a father Srinivas (Sayaji Shinde) and his adopted son Johnny, and later, the biological father also returns. This idea might seem intriguing at the script level, but the film seems uneven and is held together by a few endearing moments.

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