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Guild Reviews

Image of scene from the film Lord Curzon Ki Haveli
FCG Rating for the film
Lord Curzon Ki Haveli

Comedy, Thriller (Hindi)

Follows four Desis as they meet in an unplanned dinner. Rohit tells his guests upon arriving that there is a corpse in the trunk. The not-so-innocent joke will change their lives that very night.

Cast: Arjun Mathur, Paresh Pahuja, Zoha Rahman, Rasika Dugal, Tanmay Dhanania, Garrick Hagon
Director: Anshuman Jha
Writer: Bikas Ranjan Mishra


FCG Member Reviewer Arnab Banerjee
Arnab Banerjee | Indpendent Film Critic
(Writing for The Daily Eye)
Dinner is served, suspense is not

Sun, October 12 2025

A dinner party that promised tension, mystery, and satire turns into a clumsy masquerade of colonial hang-ups and self-importance.

There’s something innately delicious about a good mystery — the kind that tightens its grip with every scene, whispering secrets just out of earshot, inviting the viewer to lean in, connect dots, and squint into the cinematic shadows. Alas, Lord Curzon Ki Haveli is not that film. Instead, what unfolds is an overwrought chamber drama that aspires to Hitchcockian suspense but lands somewhere between amateur theatre and a particularly awkward dinner party.

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FCG Member Reviewer Shomini Sen
Shomini Sen | Wion
This mystery drama could have been a stage play

Sat, October 11 2025

Builds an interesting premise but is unable to hold the viewers' attention throughout the course of the film.

Lord Curzon Ki Haveli, directed by Anshuman Jha, may have been a great mystery thriller on paper. The film, with a very Hitchcock vibe, starts on a promising note, but soon enough, almost 15 minutes into the film, it loses steam. Yes, that early. I will be honest, I sat alone only for its actors. It features Anuj Mathur, Rasika Dugal, Paresh Pahuja and Zoha Rahman- all very watchable actors, all who have proved their mettle in projects before. But Lord Curzon Ki Haveli is unable to use these actors to their hilt thanks to a sketchy plot which is woke unnecessarily and a terribly written screenplay.

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FCG Member Reviewer Kshitij Rawat
Kshitij Rawat | Lifestyle Asia
Who was in the trunk all along?

Sat, October 11 2025

A darkly comic mystery where colonial guilt meets sexual tension, booze, and escalating paranoia.

If you’ve ever stared at old British buildings from the colonial era that are scattered throughout hill stations such as Shimla and Mussoorie, and thought, “I bet something deeply absurd and faintly colonial is going on in there,” then Lord Curzon Ki Haveli exists to confirm your suspicions. Within minutes of the movie, we are in the territory of posh dread and psychological warfare, except this time, the ghosts are postcolonial. A mystery movie laced with dark comedy, it throws four Indians into an English countryside dinner party and watches them unravel.

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Image of scene from the film The Smashing Machine
FCG Rating for the film
The Smashing Machine

History, Drama (English)

In the late 1990s, up-and-coming mixed martial artist Mark Kerr aspires to become the greatest fighter in the world. However, he must also battle his opiod dependence and a volatile relationship with his girlfriend Dawn.

Cast: Dwayne Johnson, Emily Blunt, Ryan Bader, Bas Rutten, Lyndsey Gavin, Zoe Kosovic, Oleksandr Usyk, Satoshi Ishii, James Moontasri, Yoko Hamamura
Director: Benny Safdie


FCG Member Reviewer Uday Bhatia
Uday Bhatia | Mint Lounge
Dwayne Johnson shines in otherwise dull film

Sat, October 11 2025

Benny Safdie's ‘The Smashing Machine’ doesn't hit typical sports film beats, but doesn't offer anything that's new either

Don’t buy that bowl, I muttered, as Dwayne Johnson cradled it in his huge hands. It’s a Japanese bowl and will obviously break at some point, and will then be repaired by someone who can’t quite pronounce ‘kintsugi’ but says it anyway, upon which Oscar voters will have their minds blown by the realization that you’re a broken man who needs putting together.

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FCG Member Reviewer Rahul Desai
Rahul Desai | The Hollywood Reporter India
(Writing for OTT Play)
Thriving Between A Rock & A Hard Place

Sat, October 11 2025

Dwayne “The Rock” Johnson finally plays the role he was born to play — that of a champion wrestler and near-invincible strongman — only to challenge his stardom with a painfully human(e) performance.

As an Indian critic pummelled into submission by the hagiographic reverence and sanitised beats of homegrown biopics over the years, a film like The Smashing Machine is always a bit of a culture shock. What do you mean the hero is not really a hero? What do you mean he’s willing to be emotionally naked, broken, vulnerable, ugly, difficult and unreasonable on screen? What do you mean he’s a victim of his own decisions and not wronged by the world? What do you mean he’s not an inspirational story with a message? Benny Safdie’s sports biopic has a mixed-martial-arts protagonist who’s a serial winner with a drug addiction problem, a mansplaining habit, a toxic relationship that weakens him, a punctured comeback arc, and, eventually, he’s barely even the protagonist. It has Dwayne “The Rock” Johnson finally playing the role he was born to play — that of a champion wrestler and near-invincible strongman — only to challenge his stardom with a painfully human(e) performance.

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FCG Member Reviewer Renuka Vyavahare
Renuka Vyavahare | The Times of India
Dwayne Johnson delivers transformative performance in this anti-sports movie

Sat, October 11 2025

The film’s greatest strength is its refusal to follow a traditional arc. The script resists dramatic exaggeration and leans into honesty.

The Smashing Machine subverts the typical sports film formula, delivering a raw, intimate portrayal of survival, addiction, and self-acceptance. Rather than glorifying the triumph of the human spirit, the film dares to explore the darker aftermath of defeat — the self-doubt, the self-loathing, and the slow, painful unraveling of a once-great champion. Benny Safdie’s docudrama, based on the true story of MMA fighter Mark Kerr, begins scattered and subdued. The first half drifts through Kerr’s daily life with an almost aimless, indie-film energy that feels too loose, even frustrating at times.

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Image of scene from the film Tron: Ares
Tron: Ares

Science Fiction, Adventure, Action (English)

A highly sophisticated Program called Ares is sent from the digital world into the real world on a dangerous mission, marking humankind's first encounter with A.I. beings.

Cast: Jared Leto, Greta Lee, Evan Peters, Gillian Anderson, Jodie Turner-Smith, Jeff Bridges, Hasan Minhaj, Arturo Castro, Cameron Monaghan, Sarah Desjardins
Director: Joachim Rønning


FCG Member Reviewer Sonal Pandya
Sonal Pandya | Times Now, Zoom
Jared Leto, Greta Lee's Entertaining Sci-Fi Sequel Delivers Rocking Score, Dazzling VFX

Sat, October 11 2025

The second sequel in the Tron franchise picks up with a new cast and story but some familiar themes.

Like most projects in Hollywood these days, the new film in the Tron franchise, Tron: Ares, asks if Artificial Intelligence (AI) can be used for good. Joachim Rønning’s feature brings forth some new characters wrestling with the idea of big tech harnessing AI for their own benefits. The franchise also returns back to the grid in both nostalgic and futuristic ways. The sequel sits on the fence, making its narrative appealing for fans and newcomers looking for an entertaining watch in theatres.

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FCG Member Reviewer Upma Singh
Upma Singh | Navbharat Times
भव्य विजुअल्स वाली बेजान कहानी

Sat, October 11 2025

AI के मानव जीवन में दखल के बाद के खतरों पर लगातार चर्चा जारी है। अब AI और इंसानों के उसी मुठभेड़ को पर्दे पर शानदार तरीके से लेकर आई है, साइंस फिक्शन फिल्म Tron: Ares, जो ‘ट्रॉन’ (1982) और ‘ट्रॉन लिगेसी’ (2010) के बाद इस सुपरहिट फ्रेंचाइजी की तीसरी कड़ी है। विजुअल अपील के मामले में यह यह बेहद शानदार फिल्‍म है, लेकिन कहानी के स्तर पर खोखली साबित होती है।

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Image of scene from the film Last Breath
Last Breath

Thriller, Drama (English)

Seasoned deep-sea divers battle the raging elements to rescue their crewmate trapped hundreds of feet below the ocean's surface.

Cast: Woody Harrelson, Simu Liu, Finn Cole, Cliff Curtis, Mark Bonnar, MyAnna Buring, Josef Altin, Bobby Rainsbury, Connor Reed, Nick Biadon
Director: Alex Parkinson
Writer: Mitchell LaFortune, Alex Parkinson, David Brooks


FCG Member Reviewer Priyanka Roy
Priyanka Roy | The Telegraph
A rare survival thriller that delivers without cranking up the melodrama

Sat, October 11 2025

A low-frills survival thriller with the drama ratcheted up to a level optimum enough to keep audiences on the edge of their seats is hard to come by. Last Breath gets quite a bit of that tricky formula right, even as it serves up an astounding story of resilience based on a true account. Directed by Alex Parkinson and released in select markets earlier this year, Last Breath is a feature film remake of the 2019 documentary that Parkinson co-directed with Richard da Costa. It follows the remarkable real-life story of a group of deep-sea divers who race against time to rescue a stranded teammate after an accident.

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Image of scene from the film Search: The Naina Murder Case
FCG Rating for the film
Search: The Naina Murder Case

Crime, Mystery (Hindi)

A veteran cop gets mired in a high-profile murder case when a girl is found dead in a politician's car. With multiple suspects, how will she unmask the killer?

Cast: Konkona Sen Sharma, Surya Sharma, Shiv Panditt, Dhruv Sehgal, Shraddha Das, Chaandsi, Sagar Deshmukh, Iravati Harshe


FCG Member Reviewer Nonika Singh
Nonika Singh | The Tribune
Murder case unsolved, join the search

Sat, October 11 2025

Director Rohan Sippy proves his mettle in transposing the original material to an Indian setting

It’s just another whodunit on the face of it, but packs pertinent points as it unfolds. The title itself is a giveaway. The very first scene shows flashes of a brutal killing. Here onwards, we come to the heart of the series: Konkona Sen Sharma. She is ACP (Crime Branch) Sanyukta Das, who is about to leave Mumbai to join her husband (a credible special appearance by Mukul Chadda) in Ahmedabad.

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FCG Member Reviewer Upma Singh
Upma Singh | Navbharat Times
कोंकणा का दिखा दम, पर कहानी में रोमांच कम

Sat, October 11 2025

‘क्रिमिनल जस्टिस’, ‘मिथ्या’, ‘दुरंगा’, क्‍या आप जानते हैं कि रोहन सिप्पी के डायरेक्‍शन में बनीं इन सभी वेब सीरीज में एक कॉमन बात क्या है? ये सब किसी न किसी चर्चित वेब सीरीज का अडैप्टेशन हैं। अब इसी सिलसिले को आगे बढ़ाते हुए वह अपनी नई क्राइम थ्रिलर सीरीज ‘सर्च: द नैना मर्डर केस’ लेकर आए हैं। यह साल 2007 में आए मशहूर डैनिश शो ‘द किलिंग’ का इंडियन रीमेक है। यह सीरीज एक लड़की नैना के रेप और मर्डर की गुत्थी सुलझाने पर आधारित है।

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FCG Member Reviewer Suchin Mehrotra
Suchin Mehrotra | The Hollywood Reporter
Cliffhanger ending that provides zero resolution to the central mystery

Sat, October 11 2025

Image of scene from the film Hallow Road
Hallow Road

Thriller, Mystery, Horror (English)

Two parents enter a race against time when they receive a distressing late-night phone call from their daughter after she caused a tragic car accident.

Cast: Rosamund Pike, Matthew Rhys, Megan McDonnell, Tadhg Murphy, Stephen Jones, Paul Tylak
Director: Babak Anvari
Writer: William Gillies


FCG Member Reviewer Priyanka Roy
Priyanka Roy | The Telegraph
Slick direction, strong performances and a twist no one saw coming

Thu, October 9 2025

Every parent’s worst nightmare comes scarily alive in Hallow Road, a smartly mounted and slickly directed thriller that is packed as much with chills as it is laden with metaphor. Hallow Road is directed by British-Iranian filmmaker Babak Anvari, who has earned his stripes in the horror genre with a few memorable titles, including the 2019 film Wounds, starring Armie Hammer, Dakota Johnson and Zazie Beetz. In his latest turn, he takes his craft a notch higher with a single vehicle-two people story that takes place within the course of a few hours one night.

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Image of scene from the film Kantara A Legend: Chapter 1
FCG Rating for the film
Kantara A Legend: Chapter 1

Action, Thriller (Kannada)

Exploring the origins of Kaadubettu Shiva during the Kadamba dynasty era, it delves into the untamed wilderness and forgotten lore surrounding his past.

Cast: Rishab Shetty, Rukmini Vasanth, Jayaram, Rakesh Poojari, Gulshan Devaiah, Pramod Shetty, Prakash Thuminad
Director: Rishab Shetty
Writer: Rishab Shetty, Anirudh Mahesh, Shanil Gowtham


FCG Member Reviewer Suhani Singh
Suhani Singh | India Today
Why Kantara was better than Kantara: Chapter 1

Tue, October 7 2025

The second instalment of Rishab Shetty's blockbuster franchise aspires to do too much more but fails to match the authenticity of his 2022 opus.

Filmmaker-actor Rishab Shetty had set himself a lofty task after the unprecedented blockbuster success of Kantara (2022), particularly in its Hindi-dubbed version. Much like Prashanth Neel (KGF, 2018-22) and Sukumar (Pushpa, 2021-24), Shetty, too, expanded the universe of his pan-India franchise. Only instead of going forward, he chose to go back in time to establish the origins.

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FCG Member Reviewer Deepak Dua
Deepak Dua | Independent Film Journalist & Critic
रहस्यमयी मधुबन में ले जाती ‘कांतारा-चैप्टर 1’

Tue, October 7 2025

तीन साल पहले कन्नड़ से हिन्दी में डब होकर आई थी ‘कांतारा’। एक लोक-कथा के मिश्रण में मूल निवासियों के जंगल पर अधिकार के संघर्ष, अमीर-गरीब और ऊंची-नीची जाति के भेदभाव और दैवीय न्याय को दिखाती वह फिल्म सीक्वेल की संभावना के साथ खत्म हुई थी। लेकिन जब इसके निर्देशक-अभिनेता ऋषभ शैट्टी ने ऐलान किया कि वह उसका सीक्वेल नहीं बल्कि प्रीक्वेल लाएंगे तो उत्सुकता और बढ़ गई थी। अब आई ‘कांतारा-चैप्टर 1’ उस बढ़ी हुई उत्सुकता को पूरी तरह से शांत करती है।

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FCG Member Reviewer Kshitij Rawat
Kshitij Rawat | Lifestyle Asia
What happens to Berme in the end?

Mon, October 6 2025

Kantara: Chapter 1 ends in a divine showdown. It offers nexpected twists to hints of larger battles ahead, the finale sets the stage for an even bigger story to unfold.

There are films that end with closure, films that end with questions. And then there’s Kantara: Chapter 1, which ends with a divine tiger, a scheming princess, a possessed king, and Rishab Shetty turning into a ball of fire before shapeshifting into a goddess’s wrath. Yes, subtlety packed its bags early in this movie. And chances are you walked out of the theatre blinking and muttering, “Wait, what just happened?”

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Image of scene from the film Sharp Corner
Sharp Corner

Thriller, Comedy (English)

A dedicated family man becomes obsessed with saving the lives of the car accident victims on the sharp corner in front of his house – an obsession that could cost him everything.

Cast: Ben Foster, Cobie Smulders, William Kosovic, Gavin Drea, Emily Jewer, Susan Leblanc-Crawford, Sebastien Labelle, Rudy Harris, Isabelle MacNeil, Eugene Sampang
Director: Jason Buxton
Writer: Jason Buxton


FCG Member Reviewer Priyanka Roy
Priyanka Roy | The Telegraph
An edgy psychological thriller that scores for refusing to explain itself

Tue, October 7 2025

Ben Foster knows a thing or two about playing men on the edge. In Sharp Corner, the actor takes a detour from the fast lane that he normally operates in for a deeply internalised portrayal of a husband and father whose seemingly perfect life unravels in a manner that calls for some taut, heart-pounding moments.

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Image of scene from the film Sunny Sanskari Ki Tulsi Kumari
FCG Rating for the film
Sunny Sanskari Ki Tulsi Kumari

Romance, Comedy (Hindi)

Two former lovers in Delhi try to rekindle old flames, leading to amusing mix-ups and deceptions. As chaos unfolds, a new unexpected romance blooms. Who will find their happy ending amid the confusion?

Cast: Varun Dhawan, Janhvi Kapoor, Sanya Malhotra, Rohit Saraf, Maniesh Paul, Akshay Oberoi, Nishigandha Wad, Neeraj Sood, Abhinav Sharma, Manini Chadha
Director: Shashank Khaitan
Writer: Shashank Khaitan


FCG Member Reviewer Stutee Ghosh
Stutee Ghosh | Fever FM
No Fun only Confusion

Tue, October 7 2025

On Fever FM
FCG Member Reviewer Arnab Banerjee
Arnab Banerjee | Indpendent Film Critic
(Writing for The Daily Eye)
Bollywood Comfort Food, Reheated with Extra Ghee (and a Side of Confusion)

Tue, October 7 2025

A formula-driven rom-com that leans on wedding chaos, familiar tropes, and half-hearted feminism-lite, Sunny Sanskari Ki Tulsi Kumari serves up Bollywood comfort food—warm, familiar, but undeniably stale.

Can two ex-lovers rekindle an old flame, amicably, no less? Even if it involves impersonations, preposterous plans, and enough emotional confusion to make Freud reconsider his career path? Of course they can—especially if they’re in a 135-minute Bollywood rom-com, a genre that continues to churn like a butter factory run by hopeless romantics. Now, while global cinema gallops into bold territories—where genre-bending narratives and offbeat themes are embraced with open arthouse arms—our beloved Hindi films remain steadfast in their commitment to unearthing every last angle of the same timeless theme: love.

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FCG Member Reviewer Saibal Chatterjee
Saibal Chatterjee | NDTV
Varun Dhawan-Janhvi Kapoor's Film Is More Froth Than Fizz

Mon, October 6 2025

Janhvi Kapoor skirts around the pitfalls and provides the film its more sprightly moments

Love makes the world go round in confoundingly concentric circles in Sunny Sanskari Ki Tulsi Kumari. Given full on flippant treatment, the caprices and convolutions of the Varun Dhawan-Janhvi Kapoor starrer have a free run of the field. The film revolves around four young people who are surrounded by families at variance with their choices. The quartet finds itself on a wild merry-go-round of break-ups, hook-ups and matrimonies.

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Image of scene from the film Chainsaw Man - The Movie: Reze Arc
Chainsaw Man - The Movie: Reze Arc

Animation, Action, Fantasy (Japanese)

In a brutal war between devils, hunters, and secret enemies, a mysterious girl named Reze has stepped into Denji's world, and he faces his deadliest battle yet, fueled by love in a world where survival knows no rules.

Cast: Kikunosuke Toya, Reina Ueda, Shiori Izawa, Tomori Kusunoki, Shogo Sakata, Fairouz Ai, Karin Takahashi, Natsuki Hanae, Yuuya Uchida, Maaya Uchida
Director: Tatsuya Yoshihara


FCG Member Reviewer Upma Singh
Upma Singh | Navbharat Times
ऐक्शन-एडवेंचर के साथ इमोशन का परफेक्ट तड़का

Sun, October 5 2025

हॉलीवुड और साउथ की फिल्मों के बाद अब एक नए किस्म का सिनेमा बॉलीवुड को टक्कर देने सिनेमाघरों में दस्तक दे चुका है। यह नया फॉर्मेट है, जापान की धरती से पूरी दुनिया के Gen Z दर्शकों को अपने मोहपाश में बांधने वाला एनिमे। हाल ही आई एनिमे फिल्म ‘डेमन स्लेयर: इन्फिनिटी कैसल’ के बॉक्स ऑफिस पर धमाल मचाने के बाद अब इस शुक्रवार, एक नई एनिमे फिल्म ‘चेनसॉ मैन- द मूवी: रेज़े आर्क’ थिएटर में पहुंच चुकी है।

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Image of scene from the film The Game You Never Play Alone
FCG Rating for the film
The Game You Never Play Alone

Crime, Mystery (Tamil)

A career-driven game developer fights back against misogynistic expectations after she becomes the target of brutal attacks online and in real life.

Cast: Shraddha Srinath, Santhosh Prathap, Viviya Santh, Syama Harini, Hema


FCG Member Reviewer Shilajit Mitra
Shilajit Mitra | The Hollywood Reporter India
Misogyny and Mayhem in Chennai

Sat, October 4 2025

Shraddha Srinath and Santosh Prathap anchor a pulpy thriller about gamers and scammers

Cliffhangers are the hot sauce of series storytelling. They’re meant to make us drool, lean forward, smack our lips in anticipation. They are old spice, essential for closing out seasons but also necessary as episode-to-episode hooks. They fulfil an ajinomoto-like role in the cooking of compelling shows, and even the most prestigious chefs will cop to their use. The American television critic Emily Nussbaum is dead-on when she writes, “…cliffhangers are fake-outs. They reveal that a story is artificial, then dare you to keep believing.”

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FCG Member Reviewer Aditya Shrikrishna
Aditya Shrikrishna | Independent Film Critic
Tries To Be Serious, But Ends As A Parody

Fri, October 3 2025

The Game wants to comment on the internet, cybercrime, privacy laws, misogyny and sexism, but really knows nothing about any of them. Shoddy filmmaking and performances only make it worse.

THE GAME: YOU NEVER PLAY ALONE is ominous not only in its title but also in its inaugural stature as Netflix India’s first Tamil original of the year. So far, Netflix has mostly dabbled in anthologies in Tamil; web series are a rarity. The world of web series is slow to take off in South India owing to factors like budget constraints, the scepticism about streaming within the film industries, and operational reasons from writing to production. It’s still at a nascent stage, even as OTT platforms introduce new series in several south Indian languages, and streaming itself is undergoing a churn in how it is viewed and operated. At this time comes The Game, a Tamil series starring Shraddha Srinath and Santhosh Prathap, written by Deepthi Govindarajan and directed by Rajesh M Selva. It takes long form’s trusted entry-level genre — thriller — and encapsulates it within a game developer’s world where digital objects become as much of a minefield as real life.

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FCG Member Reviewer Suchin Mehrotra
Suchin Mehrotra | The Hollywood Reporter
Derivative and underwhelming

Fri, October 3 2025

Image of scene from the film Steve
Steve

Drama, Comedy (English)

Over one intense day, the devoted head teacher of a last-chance reform school strives to keep his students in line while facing pressures of his own.

Cast: Cillian Murphy, Tracey Ullman, Jay Lycurgo, Little Simz, Douggie McMeekin, Youssef Kerkour, Roger Allam, Emily Watson, Archie Fisher, Araloyin Oshunremi
Director: Tim Mielants


FCG Member Reviewer Rahul Desai
Rahul Desai | The Hollywood Reporter India
(Writing for OTT Play)
Cillian Murphy’s Steve Does The Job

Sat, October 4 2025

It’s an all-time performance by Murphy, who somehow stages Steve as both victim and survivor in a setting that democratises the nature of suffering.

STEVE opens with a 48-year-old man (Cillian Murphy) on his way to work. He’s full of nervous energy. The way he’s psyching himself up, you’d think he’s going to war. It’s going to be a long and complicated day. He knows it, not because the film revolves around this day, but because it’s just another day. The moment Steve reaches work, the war begins. As the headteacher of a school of reform for troubled boys, he is pulled into the quotidian mayhem of his ‘job’. The students of Stanton Wood are already at it: Jamie and Riley are fighting like animals again, Tarone is provoking everyone, Shy is brooding and simmering after a heartbreaking phone call with his mother. It’s 1996, and the heavy-metal emotions of youth clash with the hard-rock resilience of adulthood. Steve tries to calm them down, assuage them, warn them, banter with them; he’s everywhere and nowhere.

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