The Great Shamsuddin Family
Comedy, Drama (Hindi)
Set over one day in Delhi, Bani, a writer, is racing against a career-defining 12-hour deadline. Mothers, aunts, cousins and former romantic interests descend on her apartment, each bringing their own emergencies and Bani has to navigate interfaith complexities, generational (more…)
Avatar: Fire and Ash
Science Fiction, Adventure, Fantasy (English)
In the wake of the devastating war against the RDA and the loss of their eldest son, Jake Sully and Neytiri face a new threat on Pandora: the Ash People, a violent and power-hungry Na'vi tribe led by the ruthless (more…)
Dhurandhar
Action, Thriller (Hindi)
After the hijacking of IC-814 in 1999 and the Parliament attack in 2001, India’s Intelligence Bureau Chief, Ajay Sanyal devised an indomitable mission to intrude and rupture the terrorist network in Pakistan, by infiltrating the underworld mafia of Karachi. A (more…)
Single Papa
Comedy, Drama (Hindi)
When Gaurav finds a baby in the back of his car, he must defy his eccentric family, the adoption agency and societal norms to become a single papa. (more…)
Guild Reviews
Single Papa
Comedy, Drama (Hindi)
When Gaurav finds a baby in the back of his car, he must defy his eccentric family, the adoption agency and societal norms to become a single papa.
Cast:
Kunal Khemu, Neha Dhupia, Manoj Pahwa, Prajakta Koli, Ayesha Raza Mishra
Director:
Shashank Khaitan
Kunal Kemmu lights up a fun fatherhood comedy
Wed, December 24 2025
A man with a baby in his arms is strangely sexy. I’ve read that they get more swipes on dating apps, irrespective of whose baby it is. This aesthetic existed long before older and/or burlier men entered the “Daddy” tribe. The next best thing, I guess, is the visual of a man who cooks. These are territories our fathers and grandfathers rarely ventured into, and when men step into anything non-traditional, the attractiveness meter (sometimes) fires up.
Kunal Kemmu's Comedy is a Flimsy Revision of the Man-Child Template
Sat, December 13 2025
Given Hindi cinema’s long-standing relationship with hypermasculinity, it’s almost refreshing to come across a life comedy named Single Papa. Even the premise is a neat change — a single-parenthood story revolving around the kind of North Indian man-child character who would usually be the tortured hero of a romantic Bollywood film. The icing on this gluten-free cake is that Kunal Kemmu plays this man. For anyone who has followed Hindi film in the last few decades, it’s hard not to have a soft spot for former child star Kemmu — an underutilised, immensely likable and flexible performer who’s made a career out of not fitting into the conventional-star mold. I, for one, am always happy to see him on (or off) the screen. The vibes are just right, and there’s an authenticity about him that’s easy to enjoy.
सिंगल पापा के रूप में चमके कुणाल खेमू
Sat, December 13 2025
मां की ममता पर तो हमने बहुत कहानियां देखी हैं, मगर बाप की ‘बापता’ यानी बच्चे की परवरिश में पिता की अहमियत पर किस्से कम ही हैं। समाज के इसी स्टीरियोटाइप को तोड़ने की अच्छी कोशिश करती है वेब सीरीज सिंगल पापा। यह सीरीज एक सिंगल मर्द के बच्चा गोद लेने के संघर्षों, अकेले उसकी परवरिश की चुनौतियों की कभी गुदगुदाती, तो भावुक करती दास्तान है।
Avatar: Fire and Ash
Science Fiction, Adventure, Fantasy (English)
In the wake of the devastating war against the RDA and the loss of their eldest son, Jake Sully and Neytiri face a new threat on Pandora: the Ash People, a violent and power-hungry Na'vi tribe led by the ruthless Varang. Jake's family must fight for their survival and the future of Pandora in a conflict that pushes them to their emotional and physical limits.
Cast:
Sam Worthington, Zoe Saldaña, Sigourney Weaver, Stephen Lang, Oona Chaplin, Kate Winslet, Cliff Curtis, Joel David Moore, CCH Pounder, Edie Falco
Director:
James Cameron
A Spotify Review
Tue, December 23 2025
Avatar: Fire and Ash is the weakest instalment of James Cameron’s trilogy. We discuss the many ways in which the movie betrays the franchise’s core values, the illogical directions that Cameron sends Jake Sully in, and the loose ends that the film ends with. We also talk about the lack of humour and self-awareness, the poor dialogue, and the incomprehensible third act action sequences.
A Spotify Review
Mon, December 22 2025
Avatar: Fire and Ash is the weakest instalment of James Cameron’s trilogy. We discuss the many ways in which the movie betrays the franchise’s core values, the illogical directions that Cameron sends Jake Sully in, and the loose ends that the film ends with. We also talk about the lack of humour and self-awareness, the poor dialogue, and the incomprehensible third act action sequences.
Does the Unthinkable by Making James Cameron Look Ordinary
Sun, December 21 2025
Has James Cameron been trapped in the metaverse longer than we have? The 71-year-old director reportedly spent over a decade working on what eventually became Avatar (2009), and has been involved in making its sequels Avatar: The Way of the Water (2022), the latest Avatar: Fire and Ash released on Friday (December 19), and another film in the making – making it a cumulative 30 years spent on four films, set on the faraway planet of Pandora.
Dhurandhar
Action, Thriller (Hindi)
After the hijacking of IC-814 in 1999 and the Parliament attack in 2001, India’s Intelligence Bureau Chief, Ajay Sanyal devised an indomitable mission to intrude and rupture the terrorist network in Pakistan, by infiltrating the underworld mafia of Karachi. A 20-year-old boy from Punjab, held captive for a revenge crime, is identified by Sanyal to execute his elaborate plan.
Cast:
Ranveer Singh, Sanjay Dutt, Akshaye Khanna, R. Madhavan, Arjun Rampal, Sara Arjun, Rakesh Bedi, Naveen Kaushik, Manav Gohil, Danish Pandor
Director:
Aditya Dhar
A Spotify Review
Tue, December 23 2025
You cannot separate a film’s politics from its craft—you cannot separate your own politics from your opinion. To do so would be like judging a Dal Makhani on the basis of presentation but not taste. Dhurandhar is vile propaganda whose influence will spread beyond even its target audience of unemployed youth and WhatsApp uncles. We discuss how objectionable every scene involving R. Madhavan is, how abrupt the climax feels, and why director Aditya Dhar is so afraid of examining complexity. We also talk about the incendiary red screen scene and its possible implications, and wonder why they chose to make the protagonist a murderer for hire instead of a real patriot with real motivations to undertake such a high-stakes mission.
Craft, conviction, and troubling certainty
Sat, December 13 2025
The soul of Dhurandhar is rooted in quiet deception. Wait, I’m talking about Hamza Ali Mazari’s (Ranveer Singh) mission. He’s a spy operating across borders in this 214-minute film, and given this running time and the number of characters, motivations and political threads it handles, this film could very easily have collapsed into something rambling and frustrating. But it doesn’t, largely thanks to a smart structural decision: chapter segregation. The eight chapters keep the narrative in control, allowing the film to introduce competent characters like SP Aslam and Rehman Dakait as formidable, thinking opponents rather than fragile villains. The nuanced performances help too. Akshaye Khanna is potent, yes, but also so human in confusion and rage.
No Love Lost or Found In Ranveer Singh's Spy Thriller
Wed, December 10 2025
Since deception is the language of a spy thriller, let’s pretend that movies exist entirely in isolation — like an introvert on a Saturday night. Let’s pretend that Dhurandhar, Aditya Dhar’s directorial return after Uri (2019), has absolutely nothing to do with the world around us. (One could argue that it doesn’t, but that’s a mob attack for another day). Let’s also pretend that film criticism is about seeing a movie for what it is, regardless of its moral character or ideology. It’s only fair, given that we all admire great serial killers for being awesome at what they do, legendary dictators for being no-nonsense leaders, wars for being the epitome of courage and technology, and plane crashes for doing tragedy so well.
Four More Shots Please! S04
Drama, Comedy (Hindi)
Four unapologetically flawed women live, love, blunder and discover what really makes them tick through friendship and tequila in millennial Mumbai.
Cast:
Sayani Gupta, Kirti Kulhari, Maanvi Gagroo, Gurbani Judge, Rajeev Siddhartha, Dino Morea
Director:
Arunima Sharma
Writer:
Devika Bhagat
(Writing for The Federal)
A final toast, a rushed goodbye
Tue, December 23 2025
Four More Shots Please! returns for its fourth and final season the way it always has: mid-chaos, mid-confession, and mid-freakout. The opening image is telling. There is a wedding underway, and right at its centre is Siddhi Patel (Maanvi Gagroo), spiralling. She is high on brownies, overwhelmed by commitment, and quietly devastated by the absence of her father, whose death still sits like an unprocessed ache. It is a familiar emotional cocktail for this show: intimacy laced with panic, humour doing the work of survival. But after the vows are sealed, the four women make a pact: to confront the patterns they keep dragging from season to season. It is a neat way to begin a finale. It is also, unfortunately, emblematic of a season more interested in tying ribbons than in pulling threads tighter.
The Great Shamsuddin Family
Comedy, Drama (Hindi)
Set over one day in Delhi, Bani, a writer, is racing against a career-defining 12-hour deadline. Mothers, aunts, cousins and former romantic interests descend on her apartment, each bringing their own emergencies and Bani has to navigate interfaith complexities, generational conflicts and family expectations as she faces a dilemma, which could change her life.
Cast:
Kritika Kamra, Juhi Babbar, Shreya Dhanwanthary, Sheeba Chaddha, Farida Jalal, Dolly Ahluwalia, Natasha Rastogi, Purab Kohli, Nishank Verma, Joyeeta Dutta
Director:
Anusha Rizvi
Writer:
Anusha Rizvi
Why 'The Great Shamsuddin Family' is both a delightful and pertinent watch
Mon, December 22 2025
Bani Ahmed (Kritika Kamra) wants to write. With just 12 hours to submit an application that may land her a job in the United States, she finds herself interrupted by the doorbell. Continuously. Each subsequent ring sees the arrival of a member of the Shamsuddin clan. There’s her easily gullible and recently divorced cousin Iram (Shreya Dhanwanthary); an over-intellectual ex (Purab Kohli) and his latest young girlfriend; another cousin in Humaira (Juhi Babbar Soni); inquisitive and opinionated aunts (Dolly Ahluwalia and Farida Jalal); another cousin and his bride-to-be. Simply said, Bani just cannot catch a break.
A family we will never see in mainstream Hindi cinema
Mon, December 15 2025
Racing towards a 24-hour deadline to submit a presentation which will hopefully get her into a top US university, Bani Ahmad (Kritika Kamra) settles down to it, but she hasn’t taken into account her family, and friends: the door-bell rings with an unexpected visitor, and within a few minutes, the trickle into a flood, and it’s full-blown mayhem. Anusha Rizvi’s second directorial feature, 15 years after rural satire ‘Peepli Live’, circles back to the city, with one day in the life of a Delhi-based comfortably-off Muslim family. It’s the kind of family we almost never see in mainstream Hindi cinema, because usually a Muslim character is safely tacked on to the periphery, biding his or her time for when the script bothers to remember them, and even that kind of tokenism has been steadily erased over these past years.
A stereotype-free Muslim family dramedy
Sun, December 14 2025
In a highly polarised and radicalised social climate in 2025, I am often asked some truly bizarre questions. “You have Muslim friends? Are you left-wing?” Before I can even raise an eyebrow, I am usually met with unverified statistics: “I’m not against Muslims, bro. Eighty per cent of them are good; it’s the twenty per cent I have a problem with.” Sometimes I wonder how, at least in urban setups, we have normalised such conversations. When I watched Anusha Rizvi’s Jio Hotstar film The Great Shamsuddin Family, I was reminded of many eccentric families I know. And I wouldn’t even insert religion here, because this is simply a regular, loud, annoying, over-the-top, yet loving Indian family.
Daayam
Drama (Malayalam)
The unexpected demise of her mother turns teenager Kalyani’s life upside down. As the relatives disperse, she and her father are left alone, struggling to cope with the void in their midst. In the weeks that follow, it is not just the grief she has to deal with, but also some harsh realisations about the patriarchal and hypocritical society around her. As events unfold, Kalyani finds herself becoming more and more disillusioned with the progressive, considerate father she used to idolise. The film portrays the girl's journey of coming to terms with her loss and finding a way forward.
Cast:
Aathira Rajeev, Pradeep Kumar, K.R. Aromal, Ranjini George, Rini Udayakumar
Director:
Prasanth Vijay
Writer:
Indu Lakshmi
(Writing for The Common Man Speaks)
A teenager’s coming-of-age saga while navigating grief
Sun, December 21 2025
Daayam, which is a Malayalam film, takes place in a town in Kerala. Kalyani (Aathira Rajeev) is going through the most emotionally challenging period of her life after her mother passed away a few days back in the most unexpected manner. Her house is full of relatives as they need to complete a few rituals for the departed. There are murmurs about all not being well between her mother and father Raghu (Pradeep Geedha) in recent times. Kalyani mentally takes stock of these situations as she tries settling into a new life with her father.
Subtle And Mellow Study Of Bereavement
Fri, December 19 2025
In his sophomore venture, Daayam (Inheritance), Prasanth Vijay tiptoes gently and noiselessly into the inner world of a girl dealing with the premature death of her mother. The result is a subtle, mellow study of bereavement and its upshots. The independent Malayalam-language film makes a sharp departure from the conventions of the coming-of-age genre. It uses the muted and delicate narrative approach of the kind that marked the director’s critically acclaimed 2017 debut, The Summer of Miracles.
Prasanth Vijay’s ‘Daayam’ explores grief and coming to terms with it
Fri, December 19 2025
Grief does not always arrive as a torrent. Sometimes, it seeps in ever so slowly, evoked by things which used to be mundane till a few days ago. In Prasanth Vijay’s film Daayam (Inheritance), being screened in the Malayalam Cinema Today section of the 28th International Film Festival of Kerala (IFFK), an old voice note from her deceased mother about some daily chores brings 17-year old Kalyani (Aathira Rajeev) to tears.
Pharma
Drama, Family (Malayalam)
A young medical representative struggles against the pharma game, masters it and eventually fights against it.
Cast:
Nivin Pauly, Veena Nandakumar, Rajit Kapoor, Narain, Shruti Ramachandran, Binu Pappu, Muthumani Somasundaran, Aalekh Kapoor, Aswathy Manoharan, Sruthi Jayan
Director:
P. R. Arun
Writer:
P. R. Arun
Nivin Pauly cures his recent slump with this OTT thriller
Sun, December 21 2025
Nivin Pauly delivered the only and greatest comeback of the week. A character in the film calls him the Comeback King and by the end of the show, you realise why. Pharma, being his foray into the OTT space, brought back memories of the films that the actor nailed in the past. While the past few years have seen fewer films and fewer hits, it feels like a huge relief to see him having so much control over his craft in PR Arun’s Pharma. The eight-episode series, streaming on JioHotstar, is a delightful thriller, though with minor shortcomings.
Earnest Nivin Pauly In A Medico-Thriller That Requires Patience
Fri, December 19 2025
There’s something about PR Arun’s Pharma that takes you back to the whistleblower dramas of the 90s. Although it’s set in the dubious world of pharma and the corrupt practices there in the late 2000s, it recalls films like The Firm and The Street Lawyer, both based on John Grisham novels, in the way it takes an insider’s efforts to redeem himself for a major corporation to be taught a lesson. The arc of Pharma too is familiar and predictable but through its lead actor Nivin Pauly, one can sense the earnestness with which the series was written, especially when it handles a subject that requires patience to understand. By placing this subject within the realm of an experimental drug meant to be consumed by pregnant women, the importance of its message outshines the way it tries to say it.
Cast:
Madhuri Dixit
Director:
Nagesh Kukunoor
Writer:
Nagesh Kukunoor, Rohit G. Banawlikar
Madhuri Dixit show is disappointingly more off than on
Sat, December 20 2025
A serial killer is on the loose in Mumbai, targeting his victims with a coil of lurid green rope, arranging them in different poses in different locations. A grizzled cop (Priyanshu Chatterjee) with a long memory remembers a much older series of killings 25 years back in Pune, whose perpetrator has been in prison for that long. Are these copycat killings? But who would know about those murders, carefully buried in dusty case files? Cue Mrs Deshpande (Madhuri Dixit) who is whistled up by the senior policeman to help them crack this case, whose victims seem to have no connection to each other other than a striking similarity in the modus operandi of their murders. She’s been far away from Mumbai, in Hyderabad central jail, being a model prisoner, suspiciously good, in fact.
A Sanitised and Domesticated Serial Killer Drama
Fri, December 19 2025
Nagesh Kukunoor’s had quite the year: an uncanny performance in Paatal Lok 2, the maker of the meticulously dramatised The Hunt: The Rajiv Gandhi Assassination Case, and now the director of a series in which Madhuri Dixit plays a serial killer. It’s no small deal, particularly because Dixit’s role in and as Mrs. Deshpande feels like a spiritual sequel to her role in Anjaam. This six-episode series is based on a French thriller called La Mante, but Dixit’s homemaker is very much the future of that vengeful widow who slaughtered all the evil men that ruined her life. As a character, Mrs. Deshpande is less personal and, in keeping with the times, more patriotic. The stillness about her borders on inertia. Her vague modus operandi revolves around finishing off societal villains like paedophiles, rapists and corrupt politicians. (Add film critics to her list this month). An ethical vigilante of sorts, the show opens with the middle-aged woman being summoned from Hyderabad jail when a copycat killer seems to be on the loose. The style of murder is hers, so she is the only one who can help an absurdly trustful police team to solve the case. A young inspector named Tejas Phadke (an awkward Siddharth Chandekar) leads the investigation, and he’s very suspicious of Mrs. Deshpande — who has renamed herself as Zeenat — and her chequered history. He takes a while to warm up to her in the safehouse. She loves cooking for everyone, but he wonders what plan she’s cooking.
Mummy, Modaks & Murders
Fri, December 19 2025
A body is staged leisurely before the murderer vanishes. It’s déjà vu for Mumbai’s Commissioner of Police Arun Khatri (Priyanshu Chatterjee) who dials the central jail in Hyderabad. Mrs. Seema Deshpande (Madhuri Dixit), the serial killer he had imprisoned twenty-five years ago, is still behind bars. Who’s the copycat killer who has patterned himself/herself on Mrs. Deshpande’s modus operandi?
Alaav
Drama (Hindi)
Alaav, is the story of Bhaveen Gossain, a 63-year-old son, taking care of Savitri, his ailing 95-year-old mother in their home nestled in a quiet suburb of New Delhi, India. Bhaveen rarely steps out of his house as he is completely devoted to looking after his mother. From waking up in the morning until going to sleep, Bhaveen is the sole caregiver for his mother, Savitri.
Cast:
Bhaveen Gossain, Savitri Gossain, Anita Kanwar, Jiji Bhattacharji, Pakhi Jain
Director:
Prabhash Chandra
Writer:
Prabhash Chandra
Probes the Selfless Limbo of Caregiving with Empathy
Fri, December 19 2025
There came a scene in Prabhash Chandra’s Alaav (which as the English title Hearth & Home) when my jaw dropped on the floor. A 60-something Bhaveen is helping his 90-something mother, Savitri, relieve herself. It’s the part of a caregiving film, where most filmmakers prefer implying it by either starting the scene before or after the said deed. But in Alaav, the camera (thanks to the dependable ingenuity of cinematographer Vikas Urs) remains strategically placed, straddling a pencil-thin ethical line – where on one side they could be accused of being voyeuristic and exploitative; on the other end, it could be held for trying to lessen the blow of a hard-hitting reality. Remaining true to its static, observational style – the scene went on for longer than I was ready for, making me shift in my seat uncomfortably. It’s only then did I recognise what Chandra was trying to highlight – the selflessness of it all. We hear truisms like ‘being of service’ to something bigger than us, but nothing quite tests it like when we take care of a loved one in a hopeless situation, and when everything is only steadily regressing.
(Writing for The Daily Eye)
AGE, STILLNESS, CINEMA
Thu, December 4 2025
Life stands still and yet flows inexorably in Alaav – Hearth and Home, written and directed by Prabhash Chandra. The uncompromisingly austere film approximates the restrained tempo of existence when old age takes its toll on both the giver and recipient of geriatric care. With its meticulously composed frames and strikingly unhurried rhythm, Alaav delineates the weight of ageing and its repercussions on a 95-year-old woman and her sexagenarian son sheltered in a well-appointed Delhi home.
Bha Bha Ba
Adventure, Drama (Malayalam)
Cast:
Dileep, Vineeth Sreenivasan, Dhyan Sreenivasan, Mohanlal, Sandy, Saranya Ponvannan, Sidharth Bharathan, Balu Varghese, Redin Kingsley, Shameer Khan
Director:
Dhananjay Shankar
Writer:
Fahim Safar, Noorin Shereef
Dileep’s Mass Action Comeback Is Absolute Gibberish
Fri, December 19 2025
Ever since directors like Karthik Subbaraj and Lokesh Kanagaraj made it socially acceptable for a film to be termed a “fanboy sambhavam”, we as the audience were aware that this sub-genre would eventually spread to all languages, catering to almost every fanbase. Dhananjay Shankar’s Bha Bha Ba is among Malayalam cinema’s most desperate attempts at cashing in on this cow and the film tries to do this by milking the fanbases of two of its major stars—Dileep (obviously) and Mohanlal.
No logic, no madness in Dileep's vile attempt at meta film
Thu, December 18 2025
Bha Bha Ba, short for Bhayam, Bhakthi, Bahumanam (fear, devotion, respect), is billed as Dileep’s “great comeback” that he has been waiting for. From the trailer to the film’s promotional materials, the film is regarded as the actor’s biggest return to comedy, a genre that originally defined his career. With Mohanlal playing a cameo, will Bha Bha Ba help Dileep deliver the “comeback” that he’s hoping for? Keep reading to know what we feel.
Emily in Paris S05
Drama, Comedy (English)
New passions. New fashions. New Emily? A plucky American marketing whiz spreads her wings in life and love after landing her dream job in Paris.
Cast:
Lily Collins, Philippine Leroy-Beaulieu, Ashley Park, Lucas Bravo, Camille Razat, Samuel Arnold, Bruno Gouery
Lily Collins Is FINALLY Back, With Better Choices, Bolder Fashion
Thu, December 18 2025
The American fashionista Emily Cooper is back, and this time, she’s setting up base in Rome, Italy. Au revoir Paris? Not quite yet. The Netflix series Emily in Paris returns for a fifth season that once again puts our favourite bunch of Parisians through the ringer. There are hookups and breakups, goodbyes and hellos as the characters have some big life decisions to ponder. Created by Darren Star, the romantic comedy has settled in, only to reinvent itself yet again.
Fallout S02
Action & Adventure, Drama (English)
The story of haves and have-nots in a world in which there’s almost nothing left to have. 200 years after the apocalypse, the gentle denizens of luxury fallout shelters are forced to return to the irradiated hellscape their ancestors left behind — and are shocked to discover an incredibly complex, gleefully weird, and highly violent universe waiting for them.
Cast:
Ella Purnell, Aaron Moten, Moisés Arias, Walton Goggins, Frances Turner
Ella Purnell, Walton Goggins Starrer Expands Lore, Universe In Gory Return To Wasteland
Wed, December 17 2025
Fallout first premiered alongside The Last of Us in 2024 and established itself as a worthy addition to the world of video game adaptations. Now, as it returns for its second season, the Amazon Prime Video game doesn’t waste time in setting up the universe anymore. It dives right into the next phase as the main characters are once again separated, off on personal quests to seek answers. The one exception is Lucy (Ella Purnell) and The Ghoul (Walton Goggins), who reluctantly team up. Their dynamic is what drives this exciting new instalment that shifts into second gear, with vast, unexplored locations, new characters, and more.