Operation Safed Sagar
Drama (Hindi)
A squadron of Indian Air Force pilots push beyond their limits to attempt a daring and dangerous mission. (more…)
Spider-Man: Brand New Day
Science Fiction, Action, Adventure (English)
Fighting crime full-time as Spider-Man in a world that doesn't remember him—and the pressure of seeing his old friends move on without him—sparks a change in Peter Parker he may not have the power to control. But that transformation might (more…)
Guild Reviews by Film
Reacher S04
Action & Adventure, Drama, Crime (English)
Jack Reacher, a veteran military police investigator, has just recently entered civilian life. Reacher is a drifter, carrying no phone and the barest of essentials as he travels the country and explores the nation he once served.
Cast:
Alan Ritchson, Agnez Mo, Sydelle Noel, Anggun, Christopher Rodriguez Marquette, Kevin Corrigan
Wed, August 12 2026
The most watched series on Prime returns with a humdinger of a season and its invincible hero who is always the last man standing.
Reacher fans, rejoice. I’m delighted to report that Season 4 of the one and only Jack No Middle Name Reacher, which has him up against a formidable pair of enemies, is a humdinger. Based on ‘Gone Tomorrow’, Lee Child’s 13th novel featuring Reacher, it begins in a Philadelphia subway in which a woman kills herself. It catapults our hero, busy minding his business till someone makes it their business, into a breakneck adventure involving an assortment of characters, including bent cops, incompetent CIA agents, evasive US presidential candidates, and sundry others, all looking desperately for a missing pen-drive. What’s so important on that drive that it needs to be found at all costs? How is it connected to congressman John Samson (Marc Blucas) and his fiercely protective wife (Kathleen Robertson)? What is it that two women from Indonesia, the attractive Lila Hoth (Agnez Mo) and her mother, Amisha (Anggun) are searching for? Why are people being killed in the most ghastly manner, with dismembered corpses strewn all over the place?
Maaran
Drama, Thriller (Gujarati)
In a patriarchal society, two strangers - Birwa, a trafficking survivor, and Tara, who faces the same fate - are drawn into the path of a ruthless predator. Maaran exposes the devastating impact of gender-based violence and oppression.
Cast:
Yash Soni, Deeksha Joshi, Shruhad Goswami, Tarjani Bhadla, Abhinay Banker, Parmeshwar Sirsikar, Vaishakh Rathodd, Kukul Tarmaster, Prachi Thaker, Dhairya Thakkar
Director:
Abhishek Jain
Writer:
Divya Thakore
Wed, August 12 2026
Maaran, which is a Gujarati film, is based on the illegal business of flesh trade. The story takes place in a fictitious village called Vaadi. Supplying girls is the main business for Ratan (Yash Soni) but he keeps it in the shadows. For the world, he works as a security guard in a posh tower in the city outside the village. Ratan lives with Birwa (Deeksha Joshi), who he had abducted five years ago. The girl’s younger sister Purva (Tarjani Bhadla) has been searching relentlessly for her. Ratan and Birwa’s life goes through some change when the former’s friend and acquaintance Babu (Shruhad Goswami) abducts Urmi (Prachi Thaker), who turns out to be a tough girl. Meanwhile, Ratan eyes Tara (Druma Mehta), who stays in the tower he works at, as his next target.
Mon, August 3 2026
Abhishek Jain’s National-award winning Gujarati thriller is a potent and well-performed examination of patriarchy and its psychological scars
One would imagine gender-based violence is the ‘safest’ way to be critical these days. It’s the most acceptable method to scrutinise a country without offending the world and its father(s). But some of the most potent takes on Indian patriarchy come from the voices shaping contemporary Gujarati cinema. It’s not as simple as “the region is full of repressed masculinity and casual sexism”. Given how tricky it is to be politically expressive in the state, there’s an overt sense that the patriarchy in these stories is not isolated from the society that breeds it. The genre itself is political. The characters and craft work harder to catch our eye because they stem from a culture where misogyny and moral policing are normalised as rhetoric by leaders and campaigns.
DC
Romance, Action, Drama (Tamil)
Rebel Devadas joins forces with Chandra in a dangerous world where passion and peril collide. Their turbulent alliance demands bloodshed and tests loyalties as survival becomes the ultimate stake in their fight.
Cast:
Lokesh Kanagaraj, Wamiqa Gabbi, Sanjana Krishnamoorthy, Sharath Ravi, Kobisan Chandrakumar, Avinash Raghudevan, Kasthoori Raja, Jawahar Sakthi
Director:
Arun Matheswaran
Mon, August 10 2026
Sun, August 9 2026
‘DC’, starring Lokesh Kanagaraj and Wamiqa Gabbi, is part gangster melodrama, part pulpy grindhouse noir
Tamil cinema’s current epidemic is directors auditioning themselves as leads, and Lokesh Kanagaraj is its latest carrier. In Arun Matheswaran’s DC, Kanagaraj is Devadas, a wronged hero discarded by society. He beats, shoots, maims and kills, but doesn’t like to be called a rowdy or a gangster. There are no backstories in DC; Das and his gang are a strange mix of delinquents with revolutionary blood running inside them. They have a leader, Arasu (Thalaivasal Vijay), whose aims and ideologies are equally nebulous, but in the first few scenes in the film the gang accosts a police vehicle to steal a weapons consignment. An inadvertent act by a cop leads to the gang exacting revenge by savagely murdering him, which in turn launches a more stringent manhunt. The police officer giving orders to the team entrusted with this task signs off with two words: be brutal.
Sat, August 8 2026
G. D. N.
Drama (Tamil)
Based on the life of G.D. Naidu, the 'Edison of India', dramatising his groundbreaking innovations, his industrial contributions, and conflicts with authorities—including struggles where his work and international dealings faced severe scrutiny and opposition.
Cast:
R. Madhavan, Priyamani, Sathyaraj, Jayaram, Dushara Vijayan, Abdool Lee, Thambi Ramaiah, Vinay Rai, Ramesh Thilak, Karunakaran
Director:
Krishnakumar Ramakumar
Writer:
Krishnakumar Ramakumar, R. Madhavan
Sat, August 8 2026
Madhavan delivers a compelling performance as inventor GD Naidu in an ambitious biopic that does not fully realise its emotional potential
Men and machines. It’s a love story that defies logic. The soulful 2024 Tamil film Meiyazhagan explored the relationship between the protagonist and his cycle, and what the vehicle really meant to him. “In a way, this cycle coming into our lives changed it completely,” a teary-eyed Karthi tells Arvind Swamy in the film.G.D.N kickstarts proceedings with this fascinating emotion. A young Gopalaswamy Doraiswamy Naidu (GDN) follows an Englishman around for two years — not because he wanted to be friends, but because he was besotted with the motorcycle that he was riding. A few minutes into the film, a star-stuck Dorai asks the Englishman (who he ironically also calls ‘Dorai’ which means ‘master’) if he can sell him the motorcycle.
Sat, August 8 2026
By turning a colourful life lived on the ire of multiple governments into a flat, tiresome portrait, this biopic thrusts Gopalswamy Doraiswamy Naidu into a second oblivion.
When storytellers say they have made a film to inspire people — red flag! Abort! For the kind of people who make movies to inspire others are, perhaps, those least capable of evoking inspiration — or worse, they feel like they are catering to a baseline stupidity. People aren’t inspired by formulas, or at least people with half a mind aren’t. At best, it can make them simper in theater halls, whacked over their heads with a background score that can even turn a dead man into a pound of goose flesh. But when you return to the thick materiality of your life, you forget that goosefleshing. To truly inspire people, you have to recognise that nothing moves mountains like honesty, like humanity. The best biopics — a genre we are facing a glut in, including Madhavan’s limp Rocketry: The Nambi Effect (2022) — know that ideas can never do the heavy lifting of a life well lived. At best, it can serve as a placeholder.
Sat, August 8 2026
Madhavan delivers a compelling performance as inventor GD Naidu in an ambitious biopic that does not fully realise its emotional potential
Men and machines. It’s a love story that defies logic. The soulful 2024 Tamil film Meiyazhagan explored the relationship between the protagonist and his cycle, and what the vehicle really meant to him. “In a way, this cycle coming into our lives changed it completely,” a teary-eyed Karthi tells Arvind Swamy in the film. G.D.N kickstarts proceedings with this fascinating emotion. A young Gopalaswamy Doraiswamy Naidu (GDN) follows an Englishman around for two years — not because he wanted to be friends, but because he was besotted with the motorcycle that he was riding. A few minutes into the film, a star-stuck Dorai asks the Englishman (who he ironically also calls ‘Dorai’ which means ‘master’) if he can sell him the motorcycle.
Pluto
Science Fiction, Comedy (Malayalam)
Follows the unexpected arrival of an extraterrestrial visitor in a quiet Kerala village, which turns everyday life completely upside down.
Cast:
Neeraj Madhav, Althaf Salim, Aju Varghese, Arsha Baiju, Nimna Fathoomi, Subin S B, Nihal Nizam, Vineeth Thattil David, Dinesh Prabhakar, Thushara Pillai
Director:
Adithyan Chadrashekar
Writer:
Niyas Muhammed
Sat, August 8 2026
Sci-fi films are not something that happens often in the Malayalam film industry, which has relatively smaller budgets, with the subgenre of sci-fi comedies appearing even less frequently. Even the rarity of the genre does not really work to the advantage of Pluto.
Just like Vicky (Neeraj Madhav), the protagonist of the sci-fi comedy Pluto, who befriends an alien, the movie also does not know what exactly to do with the alien character. This has to do with the nature of the alien. In an attempt to break alien stereotypes, Pluto does not have superpowers, except for two skills which are only sparingly used. So, there are only so many exciting things left for the alien to do. Probably due to tight budgets, the alien also lacks elaborate design elements. Just a spandex suit with a human face (Althaf Salim) does the job. By extension, this would mean that the alien would do familiar Althaf Salim things. One interesting touch that screenwriter Niyas Muhammed and filmmaker Adithyan Chandrasekhar bring to the table is the similarity between Vicky and Pluto, the alien. Both are considered losers in life. Hence, Pluto cannot be of particular use to Vicky, who is down and out after failing with one ill-advised business idea after another.
Korean Kanakaraju
Horror, Action, Comedy (Telugu)
Follows a Rayalaseema youth named Kanakaraju whose life upends when a vessel from Korea brings a spirit that possesses him, transforming him into Korean Kanakaraju.
Cast:
Varun Tej, Ritika Nayak, Sunil Varma, Satya, VTV Ganesh, Mahesh Achanta, Daksha Nagarkar, Bheemala Revanth Pavan Sai Subhash
Director:
Merlapaka Gandhi
Writer:
Merlapaka Gandhi, Sheik Dawood G.
Sat, August 8 2026
Director Merlapaka Gandhi’s ‘Korean Kanakaraju’ offers a few laughs, but the Telugu horror-comedy struggles with an uneven screenplay
Telugu cinema has repeatedly turned to the horror-comedy genre to deliver crowd-pleasers. Often, a handful of genuinely funny stretches have been enough to carry narratives that are otherwise uneven. As long as the laughs land, audiences have been willing to overlook the rest. Director Merlapaka Gandhi returns to this familiar template, this time throwing K-dramas and K-pop into the mix in the hope of lending the genre a fresh twist. The premise of Korean Kanakaraju is intriguing. The ashes of a Korean man somehow end up in an unassuming bar in Andhra Pradesh’s Anantapur district. Through a bizarre turn of events, Kanakaraju (Varun Tej) accidentally mixes alcohol with the ashes, drinks it and becomes possessed.
Operation Safed Sagar
Drama (Hindi)
A squadron of Indian Air Force pilots push beyond their limits to attempt a daring and dangerous mission.
Cast:
Dia Mirza, Jimmy Shergill, Siddharth, Abhay Verma, Mihir Ahuja, Taaruk Raina, Arnav Bhasin, Prajakta Koli, Adil Hussain, Vinay Pathak
Director:
Oni Sen
Sat, August 8 2026
‘Operation Safed Sagar’ occasionally drags and doesn't shun its propaganda duties. But it's a rare war narrative that keeps a cool head and focuses on strategy, processes and individual skill
Two months into the Kargil War, Pakistani prime minister Nawaz Sharif determines to see with his eyes what his heart already suspects: that they’re losing the battle. At Skardu base, he’s received by Maj Gen Javed Hassan, who invites him to the officer’s mess for a briefing. Sharif fixes with a stare and says, “The truth of democracy is revealed at the polling booth, and the reality of war in the hospital.” The condition of the wounded and general despondency in the hospital tent tells him all he needs to know, prompting a rare act of rebellion and a covert trip to Washington.
Sat, August 8 2026
War dramas can be tricky. They can either become overly jingoistic or simply tell the story with honesty. Operation Safed Sagar belongs firmly in the second category. The six-part Netflix series takes us back to the late 1990s, when India and Pakistan had just held peace talks, but tensions between the two nuclear neighbours were simmering beneath the surface. The makers cleverly use archival footage to establish the political atmosphere of the time and remind us how quickly hope turned into conflict. The series is slick and stylish, yet never loses its rawness or authenticity. It stays focused on one story, the crucial role played by the Indian Air Force’s Golden Arrows Squadron during the Kargil War. Thankfully, it doesn’t get distracted by unnecessary subplots or melodrama.
Fri, August 7 2026
Inspired by the Indian Air Force’s operation in Kargil during the 1999 war with Pakistan, the series has been directed by Oni Sen and boasts of a star cast that includes Jimmy Sheirgill, Siddharth, Dia Mirza and Prajakta Koli, among others.
Like so many visual effects-heavy productions from India, Netflix’s Operation Safed Sagar — inspired by the Indian Air Force’s operation in Kargil during the 1999 India-Pakistan war — sacrifices human drama in favour of flashy computer-generated sequences. These action scenes are obviously challenging for under-pressure VFX artists working on tight deadlines, but they’re also extremely difficult to perform for actors whose faces are concealed behind masks. As visual effects have advanced in recent years, there has been an increase in the production of aerial warfare movies in India. But instead of using these newly available tools to enhance the storytelling, these movies appear to have relied on embellishments to conceal the shortcomings in scripts.
The Last House
Horror, Science Fiction, Thriller (English)
A family suddenly sealed inside their home must work together to survive against dwindling resources and the ominous threat keeping them trapped.
Cast:
Greta Lee, Wagner Moura, Riley Chung, Noah Alexander Sosnowski, Emma Ho, Gabriel Barbosa, Arden Cho, Audrey Anderson, Sid Edwards, Eveline Reynolds-Boison
Director:
Louis Leterrier
Writer:
Matthew Robinson
Fri, August 7 2026
Contrary to its stated purpose of instilling hope, the film, directed by Louis Leterrier and starring Greta Lee and Wagner Moura in lead roles, reveals itself as quite a distressing harbinger of the future.
What if the Covid-19 lockdown never ended? What if the world’s entire population was forever imprisoned in their homes, with family members as their cellmates? What would happen after three weeks, three months, or three years? Netflix’s new original movie, The Last House, doesn’t take this admittedly intriguing premise to its potential. What if the Covid-19 lockdown never ended? What if the world’s entire population was forever imprisoned in their homes, with family members as their cellmates? What would happen after three weeks, three months, or three years? Netflix’s new original movie, The Last House, doesn’t take this admittedly intriguing premise to its potential.
Vadhandhi S02
Mystery, Crime, Drama (Tamil)
Vivek, a diligent cop, takes charge of the investigation of the murder of a beautiful young girl, Velonie. The rumours about her that spring up post her death threatens to irrevocably damage Velonie's image, Vivek must wade through a web of half-truths and confusing leads to solve the case.
Cast:
M. Sasikumar, Anagha, Aparna Das, Vivek Prasanna, Revathy Sharma, Arjun Nandhakumar
Director:
Andrew Louis
Writer:
Andrew Louis
Fri, August 7 2026
Director Andrew Louis' Vadhandhi Season 2, starring Sasikumar, Yashwanth, Vivek Prasanna, Anagha, Aparna Das and Revathi Sharma, begins as an engrossing investigative thriller but loses momentum in the middle before redeeming itself with a satisfying climax.
What starts as the foundation work for an eight-lane highway soon turns into a politically sensitive investigation when a human skeleton is unearthed at the construction site. A punishment posting brings police sub-inspector Moosa Raaza (Sasikumar) to Madurai, where he is entrusted with solving the high-profile case. As Raaza begins piecing together the mystery, the investigation leads him to Mani (Yashwanth), whose past gradually reveals the truth behind the decades-old crime. Although Vadhandhi Season 2 carries forward the franchise name, it tells a completely independent story. Unlike the first season starring SJ Suryah, this one does not require any prior knowledge, making it an easy watch for everyone.
Fri, August 7 2026
The show has a dry texture as it moves from evidence to evidence, building a case. You want to slip into the world even as it is kept at an arm’s length with its showy camerawork and literal dialogue.
In the second season of Vadhandhi, M Sasikumar, yet again, takes up the mantle of the “nice guy”—stiff kindness and earnest intention buoying his character through narrative pretzels. Here, he plays Moosa Raaza, a Muslim Investigating Officer (IO) in Madurai—a punishment posting. He cooks, he is kind, he is deeply religious. A namazi who gets to his knees at each of the five bends of the day—in a court, at the police station—his faith is expressed through actions that dot the show’s landscape. He vowed not to shave his beard after coming back from Hajj, in the hopes of his wife conceiving. This rankles his superiors, who think the beard goes against their decorum. He fights them in the court and wins. His wife gets pregnant and is nursing the unborn child elsewhere. These fights and systemic traumas soon recede into the background as the central plot kicks in. Being a Muslim character does not serve any narrative provocation. Instead, two skeletons found when a mound is dug up to build a highway usher in Moosa’s character arc as he is brought in to investigate. He has the full support of his superior SP Rathika (Anagha Maruthora), who not only trusts his intuitions, but takes responsibility every time it backfires.
Ted Lasso S04
Drama, Comedy (English)
Ted Lasso, an American football coach, moves to England when he's hired to manage a soccer team—despite having no experience. With cynical players and a doubtful town, will he get them to see the Ted Lasso Way?
Cast:
Jason Sudeikis, Hannah Waddingham, Jeremy Swift, Brett Goldstein, Brendan Hunt, Juno Temple, Tanya Reynolds
Wed, August 5 2026
The Emmy Award-winning comedy already said farewell in 2023; now it reverses the previous season as coach Lasso returns to England for a new team.
Apple TV’s biggest comedy, Ted Lasso, was supposed to end its run on a high after a pesky third season in 2023. Originally developed from a sketch comedy starring Jason Sudeikis about an American with no clue about football, the character Ted Lasso became a beloved TV icon. The first season of Ted Lasso was perfect in almost every way, and the latter seasons expanded on the show by trying to add depth to its characters. In doing so, it undid much of what made the show great in the first place. Now, three years after Ted goes back to Kansas City, his former boss Rebecca Walton (Hannah Waddingham) brings him back to AFC Richmond, but for another team.
Unmadham
Thriller (Malayalam)
A police constable reopens a long-forgotten case and experiences an unsettling world.
Cast:
Kunchacko Boban, Lijomol Jose, Raina Radhakrishnan, Gokulan, Vigneshwar Suresh, Siddique, Kottayam Nazeer, Arun, Unni Lalu, Sudheesh
Director:
Kiran Das
Writer:
Shahi Kabir
Mon, August 3 2026
Fri, July 31 2026
Despite an impressive performance from Kunchacko Boban, ‘Unmadham’, directed by Kiran Das and written by Shahi Kabir, is a convenient police procedural with few genre highs
One can sense self-indulgence in the air when a police officer-turned-successful screenwriter writes a film about a policeman struggling to enter the film industry as a scriptwriter, incorporating the uncommon tales that he encountered in service. Shahi Kabir, one of the early players in this peculiar phenomenon of police officers-turned-screenwriters that has swept Malayalam cinema, does not serve a straight-up procedural this time around in Unmadham.
Spider-Man: Brand New Day
Science Fiction, Action, Adventure (English)
Fighting crime full-time as Spider-Man in a world that doesn't remember him—and the pressure of seeing his old friends move on without him—sparks a change in Peter Parker he may not have the power to control. But that transformation might also be the only thing that can stop a shocking new threat to the city and those he loves - a powerful villain no one can even see.
Cast:
Tom Holland, Zendaya, Sadie Sink, Jacob Batalon, Jon Bernthal, Tramell Tillman, Michael Mando, Mark Ruffalo, Liza Colón-Zayas, Marvin Jones III
Director:
Destin Daniel Cretton
Writer:
Erik Sommers, Chris McKenna
Mon, August 3 2026
Sat, August 1 2026
Sat, August 1 2026
It may be a brand-new day in Spider-Man’s life, but he is still doing more or less what he has always done—swinging off buildings, fighting crime, nursing a broken heart and grappling with an identity crisis. The last two may be relatively new, but the core remains unchanged. Marvel Studios entrusted Destin Daniel Cretton, the director of the remarkable indie Short Term 12 (2013), with bringing a more human touch to the web-slinger, and that is perhaps the film’s only real novelty.