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Guild Reviews

Image of scene from the film The Housemaid
The Housemaid

Mystery, Thriller (English)

Trying to escape her past, Millie Calloway accepts a job as a live-in housemaid for the wealthy Nina and Andrew Winchester. But what begins as a dream job quickly unravels into something far more dangerous—a sexy, seductive game of secrets, scandal, and power.

Cast: Sydney Sweeney, Amanda Seyfried, Brandon Sklenar, Elizabeth Perkins, Michele Morrone, Indiana Elle, Arabella Olivia Clark, Megan Ferguson, Ellen Tamaki, Amanda Joy Erickson
Director: Paul Feig


FCG Member Reviewer Sachin Chatte
Sachin Chatte | The Navhind Times Goa
One Batty After Another

Sat, January 3 2026

Imagine if you were forcibly confined in a room without food, and your captor is so cruel that he compels you to inflict twenty-one cuts on your stomach with shattered chinaware, merely for amusement. If you somehow manage to escape and imprison your captor in that room, what would your next step be? (a) Seek medical assistance (b) Flee from that house as fast as possible or (c) Relax in the living room and watch television. The character in The Housemaid opts for the absurd choice of C, while the menacing figure upstairs attempts to break free

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Image of scene from the film Sirai
Sirai

Drama, Romance (Tamil)

As he transfers a young convict from prison to court, a police officer learns about the chain of events that led to the young man's conviction for violence.

Cast: Vikram Prabhu, Lk akshay kumar, Anishma Anilkumar, Ananda Thambirajah, Vaishaali vijay, Rajapandi
Director: Suresh Rajakumari
Writer: Suresh Rajakumari


FCG Member Reviewer Vishal Menon
Vishal Menon | The Hollywood Reporter India
Well-Written Drama About a Cop Transforming from Hero to Human

Fri, January 2 2026

With many smart touches in the writing, Vikram Prabhu's 'Sirai' makes a living, breathing life form of what could easily have remained an intellectual exercise

As far-fetched as it may seem, one can make the case for Sirai to be added to a list of suggested reading material along with Rajinikanth’s Vettaiyan. They are both films about impossibly upright protagonists who invariably prefer to take law into their own hands, as long as it fits into their notions of having a moral conscience. They are both films that begin by making us sympathise with these heroes, who are as good as the heroes of a hundred other cop movies, only to then realise that even they could go terribly wrong. Their transformation from a trigger-happy hero to an empathetic human is the arc both films take. But if Vettaiyan was burdened by the weight of its mega star voltage, Sirai is more than happy to make the movie about other characters too, resulting in an unadulterated debate about encounter killings and the biases that make this act more complex.

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FCG Member Reviewer Janani K
Janani K | India Today
Vikram Prabhu film tackles minority struggle, bias with quiet strength

Fri, December 26 2025

Director Suresh Rajakumari's Sirai, starring Vikram Prabhu, LK Akshay Kumar and Anishma, is a crisp procedural drama. With restrained performances and exceptional social commentary on minority oppression, the film serves as a fitting conclusion to 2025.

Actor Vikram Prabhu’s choice of scripts has been impressive in the recent past. His upcoming venture, Sirai, marks his second collaboration with writer Tamizh (also an actor) after their critically acclaimed Taanakkaran. Sirai, like Taanakkaran, casts Vikram Prabhu’s protagonist as a police officer, but from the district armed reserve wing.

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Image of scene from the film Psych Siddhartha
Psych Siddhartha

Comedy, Romance (Telugu)

Siddharth's life is a string of misfortunes, losing love, money, and dignity, making him the unwitting star of a slum-based comedy of errors. Hope only reappears in the form of Shravya, a no-nonsense single mother. However, just as Siddharth begins to rebuild his life and pursue a chance at love, his past resurfaces to threaten everything.

Cast: Nandu Vijay Krishna, Yamini Bhaskar, Priyanka Srinivas, Sukesh Reddy, Sakshi Chaturvedi, Pradyumna Billuri, Bobby Ratakonda, Narsing Wadekar
Director: Varun Reddy
Writer: Varun Reddy


FCG Member Reviewer Sangeetha Devi Dundoo
Sangeetha Devi Dundoo | The Hindu
Shree Nandu and Yaamini Bhaskar impress in an edgy relationship drama

Fri, January 2 2026

Director Varun Reddy’s comic book style presentation of a relationship drama hits the right notes when it doesn’t try too hard to be quirky

There’s something disarming about a first-time filmmaker’s eagerness to break free of established norms of storytelling. Architect-turned-filmmaker Varun Reddy’s Telugu film Psych Siddhartha is a case in point. Varun, who has written and co-produced the film with actor Shree Nandu, presents a fairly simple relationship drama like a comic book for adults, wanting to speak the language of Gen Z. The film may not be perfect but ushers in a promising voice that’s eager to push the boundaries of storytelling.

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Image of scene from the film Krantijyoti Vidyalay Marathi Madhyam
Krantijyoti Vidyalay Marathi Madhyam

Comedy, Drama (Marathi)

Students and teachers from a Marathi school come together to save their school from demolition, as an international school is set to be built in its place. Personal challenges merge with institutional struggles as they seek preservation of Marathi-medium schools and their local culture, while also acknowledging the need for change.

Cast: Sachin Khedekar, Amey Wagh, Siddharth Chandekar, Prajakta Koli, Kshitee Jog, Harish Dudhade, Kadambari Kadam, Pushkaraj Chirputkar
Director: Hemant Dhome
Writer: Hemant Dhome


FCG Member Reviewer Keyur Seta
Keyur Seta | Bollywood Hungama
Tackles an important issue but in a convenient way

Fri, January 2 2026

The film revolves around a 99-year-old Marathi school in Alibaug called Krantijyoti Vidyalay Marathi Madhyam. The school is everything for its Principal Shirke sir (Sachin Khedekar). But currently, the school doesn’t have any future. The state government has ordered to raze the school as, according to them, its lease period is over and the structure of the building has become weak. The plan is also to make an English medium international school in its place. This has happened to thousands of Marathi schools in Maharashtra.

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Image of scene from the film LBW: Love Beyond Wicket
LBW: Love Beyond Wicket

Drama, Comedy (Tamil)

A washed-up PT teacher, a legendary coach and a generation of misfit students come together to save a legacy.

Cast: Vikranth, Niyathi Kadambi, Sindhu Shyam, Nikhil Nair, Akshathaa Ajit, Harish, Naveen, Karthi, Ayaz Khan
Director: Ganesh Karthikeyan
Writer: Aruna Rakhee


FCG Member Reviewer Rahul Desai
Rahul Desai | The Hollywood Reporter India

Fri, January 2 2026

The Unlikely Comforts of TV-Serial Storytelling

Growing up in the 1990s, I spent many summer evenings fiddling with a Panasonic remote and searching for a very specific brand of TV entertainment. My father had his old movies and news channels, my mother had her Hollywood soaps, but my obsession with sports led me to expect that elusive beast on the small screen: an Indian cricket-themed serial. There were plenty of army stories, family sitcoms, horror shows, mythological dramas, campus romcoms. But not enough cricket stories were being told in a decade where Sachin Tendulkar had elevated the game to mythical heights; it’s almost like filmmakers were afraid to mess with India’s newest religion. So I settled for Bodyline reruns instead. LBW: Love Beyond Wicket is probably the kind of serial my 11-year-old self was craving for — a slice-of-life, tacky, tropey, clumsy, but oddly sweet college-cricket television serial (not web series, mind you) with bite-sized episodes, Disney-coded stakes and a soap-opera aesthetic.

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Image of scene from the film Mindiyum Paranjum
Mindiyum Paranjum

Romance, Drama (Malayalam)

A man and woman navigate the highs and lows of a long-distance relationship.

Cast: Unni Mukundan, Aparna Balamurali, Jude Anthany Joseph, Maala Parvathi, Jaffer Idukki, Sanju Madhu, RJ Murugan, Sohan Seenulal, Vijitha Vijayakumar, Geethi Sangeetha
Director: Arun Bose
Writer: Mridul George, Arun Bose


FCG Member Reviewer Vishal Menon
Vishal Menon | The Hollywood Reporter India
Aparna Balamurali and Unni Mukundan's Long-Distance Relationship Drama is a Thing of Joy

Mon, December 29 2025

Aparna Balamurali and Unni Mukundan share a joyous chemistry in this intimate take on the long-distance relationship

Rain isn’t just a character in Mindiyum Paranjum as much as it is this film’s entire ensemble cast. It has moods and meanings, faults, and feelings, all of which keep drifting in based on how Leena (Aparna Balamurali) or Sanal (Unni Mukundan) perceive it. For Sanal, rain is a happy sight for tired eyes. He lives in Dubai where it rains once a year. In the song that plays in the background, Sanal associates the rain with the imagery of being able to see Leena again, his wife who lives in Kerala. During their conversations, Sanal asks Leena if it’s raining and if it’s cold; more than worry, these questions come with a bit of mischief, that of a husband who has forgotten what it felt like to touch his wife.

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Image of scene from the film Goodbye June
Goodbye June

Drama (English)

Four siblings' lives change drastically when their ailing mother takes a turn for the worse over the holiday season.

Cast: Helen Mirren, Kate Winslet, Toni Collette, Johnny Flynn, Andrea Riseborough, Timothy Spall, Stephen Merchant, Fisayo Akinade, Jeremy Swift, Raza Jaffrey
Director: Kate Winslet
Writer: Joe Anders


FCG Member Reviewer Priyanka Roy
Priyanka Roy | The Telegraph
Clunky but charming and held together by a top-notch cast

Sun, December 28 2025

While emotive and charming, viewers may wish for more depth beyond its festive weepie appeal.

Though it may not qualify as a typical feel-good, mushed-up Christmas watch, Goodbye June is a well performed and sincerely mounted family drama, which, however, springs no surprises. Sometimes clunky, but mostly charming and held together by a bunch of memorable performances, Goodbye June is the directorial debut of Kate Winslet, who works out of a script written by Joe Anders, her 22-year-old son with ex husband and filmmaker Sam Mendes. Winslet also stars as one of the principal characters.

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Image of scene from the film Anaconda
FCG Rating for the film Anaconda: 40/100
Anaconda

Adventure, Comedy, Horror (English)

A group of friends facing mid-life crises head to the rainforest with the intention of remaking their favorite movie from their youth, only to find themselves in a fight for their lives against natural disasters, giant snakes and violent criminals.

Cast: Paul Rudd, Jack Black, Daniela Melchior, Thandiwe Newton, Steve Zahn, Ione Skye, Selton Mello, Ben Lawson, Ice Cube, John Billingsley
Director: Tom Gormican


FCG Member Reviewer Sachin Chatte
Sachin Chatte | The Navhind Times Goa
Slithering again

Sun, December 28 2025

One might not expect that a film released in 1997, centered around a giant snake, would spawn four sequels and a Mandarin version that premiered earlier this year. Anaconda was a light-hearted and entertaining film that captivated audiences at the time. Some films and all snakes should be left alone – Anaconda is certainly one of them- the film and snake, both.

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FCG Member Reviewer Shubhra Gupta
Shubhra Gupta | The Indian Express
Paul Rudd, Jack Black film is all hiss, hardly any bite

Fri, December 26 2025

This new version of one of Hollywood's most popular creature features is so desperate to pitch in the laughs along with the scares that it renders everything dull and diluted.

Anaconda movie review: Help, the ssssnake is back. Not just any old wriggly creature, but the giant anaconda, which is out hunting humans again in the jungles of South America. Those who’ve seen the 1997 original, starring Jennifer Lopez-Owen Wilson-Jon Voight-Ice Cube and the reptile with a monstrous maw, will remember just how scary it was. The relentless chase– this is a snake which hunts in water, over land, and on tall tree-tops– was all kinds of scary with people falling off boats, thrashing in the jaws of the snake, turning the water bloody.

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Image of scene from the film Tu Meri Main Tera Main Tera Tu Meri
FCG Rating for the film Tu Meri Main Tera Main Tera Tu Meri: 38/100
Tu Meri Main Tera Main Tera Tu Meri

Romance, Comedy (Hindi)

When a carefree NRI wedding planner and a headstrong novelist collide during a wild summer in Croatia, sparks fly in ways neither expected. What begins as playful clashes soon transforms into something deeper – only to be tested when love, family, and tradition pull them in opposite directions.

Cast: Kartik Aaryan, Ananya Panday, Arjan Panwar, Neena Gupta, Jackie Shroff, Mahima Chaudhry, Tiku Talsania
Director: Sameer Vidwans
Writer: Karan Shrikant Sharma


FCG Member Reviewer Sachin Chatte
Sachin Chatte | The Navhind Times Goa
What's luv got to do with it?

Sun, December 28 2025

Directed by Sameer Vidwans, the film Tu Meri Main Tera Main Tera Tu Meri is proof that a film and it’s title can be overwhelmingly long. The title itself gives us adequate warning and feels like an endurance test, and the film faithfully lives up to it. By the midpoint, which feels like an eternity, one realizes that only half of the title has been addressed.

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FCG Member Reviewer Nonika Singh
Nonika Singh | The Tribune
Lovely locales is all there is to fall for

Sat, December 27 2025

The film picks up some momentum and verve, an emotional arc as well, but only by the fag end

For some time, Dharma Productions has been wearing its progressive heart and beliefs on its sleeve. That’s all very well, what more do you want from the proponents of ‘rich lives matter’? Like the typical gloss and shine signature of its cinema, it can’t quite bid adieu to its glitzy USP. Any wonder then that the storyline spends the first half in picturesque Croatia. The ‘to-die-for’ locales of the European nation on the coast of the Adriatic Sea is where love blossoms between our two lovebirds.

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FCG Member Reviewer Saibal Chatterjee
Saibal Chatterjee | NDTV
Flip, Frivolous, And Not As Much Fun

Fri, December 26 2025

The emotional core thatTu Meri Main Tera Main Tera Tu Meri finds in the second half pushes the narrative out of a monotonous loop

Flip, frivolous and not as much fun as it aspires to be: that about sums up the first half of Tu Meri Main Tera Main Tera Tu Meri. If you get through that phase of the film without switching off, the rom-com, post-intermission, stumbles with intent into family drama territory. The turnaround is as striking as it is surprising. The emotional core that Tu Meri Main Tera Main Tera Tu Meri finds in the second half pushes the narrative out of a monotonous loop and towards a radical new direction. But that is not to say that everything that the film attempts, lands.

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Image of scene from the film Sarvam Maya
Sarvam Maya

Mystery, Comedy (Malayalam)

A man who loses his belief in God meets the spirit of a young woman unable to remember what happened to her.

Cast: Nivin Pauly, Aju Varghese, Preity Mukhundhan, Riya Shibu, Althaf Salim, Madhu Warrier, Janardhanan, Anand Ekarshi, Arun Ajikumar, Raghunath Paleri
Director: Akhil Sathyan
Writer: Akhil Sathyan


FCG Member Reviewer Prathyush Parasuraman
Prathyush Parasuraman | The Hollywood Reporter India
Nivin Pauly Anchors A Clumsy But Heartfelt Horror-Comedy

Fri, December 26 2025

It is Nivin Pauly’s hulking presence and pointed, restrained performance that hold all the strands of genre together.

Prabhendu (Nivin Pauly) is an atheist. Belonging to a Namboothiri family of priests, he abandoned this life, along with the sacred thread and its material comforts, to become a dirt-poor musician. Directed by Akhil Sathyan, Sarvam Maya (Everything is an Illusion) puts a quandary to him—what if he sees a ghost? Will he, then, believe in god, believe that things which cannot be sensed can exist and apply pressure on our lives, regardless?

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FCG Member Reviewer Janani K
Janani K | India Today
Nivin Pauly's ghost story is irresistible, full of charm

Thu, December 25 2025

Director Akhil Sathyan's horror comedy, starring Nivin Pauly, Riya Shibu and Aju Varghese, feels like a warm embrace on a cold winter night. With fantasy elements, the film sheds light on faith, belief, grief and feeling the joy.

Sarvam Maya translates to “everything is an illusion,” and it is perhaps the perfect title for this Nivin Pauly-starrer that blends horror, comedy and fantasy. Releasing on Christmas, the film is an antidote to all the extra-violent, hyper-masculine films that rely on over-the-top theatrics. But, Sarvam Maya leaves you laughing out loud despite tackling sensitive topics like faith, belief and grief.

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Image of scene from the film Raat Akeli Hai: The Bansal Murders
FCG Rating for the film Raat Akeli Hai: The Bansal Murders: 61/100
Raat Akeli Hai: The Bansal Murders

Thriller, Mystery, Crime (Hindi)

When members of the Bansal family are found murdered, Inspector Jatil Yadav uncovers a trail of greed, betrayal and secrets tied to a deadly conspiracy.

Cast: Nawazuddin Siddiqui, Chitrangada Singh, Radhika Apte, Rajat Kapoor, Revathi, Deepti Naval, Sanjay Kapoor, Ila Arun, Akhilendra Mishra, Priyanka Setia
Director: Honey Trehan
Writer: Smita Singh


FCG Member Reviewer Rohan Naahar
Rohan Naahar | Independent Film Critic
A Spotify Review

Fri, December 26 2025

Is Raat Akeli Hai: The Bansal Murders more than just a way for director Honey Trehan to pay the rent, or is it actually worthwhile? We talk about the film’s differences from and similarities to the first one, and the sociopolitical commentary that Trehan and writer Smita Singh are able to sneak into it. We also discuss how the movie didn’t face any trouble despite naming and shaming the Uttar Pradesh administration. Along the way, we touch upon Radhika Apte’s pointless presence, and wonder if the movie would’ve benefited from some more character development for the suspects.

FCG Member Reviewer Anuj Kumar
Anuj Kumar | The Hindu
A layered exploration of crime and entitlement

Fri, December 26 2025

Anchored by a phlegmatic Nawazuddin Siddiqui, director Honey Trehan crafts a mystery that intertwines crime and social commentary. Though uneven in pacing, the film deftly examines the intersection of entitlement and morality in society

As we wait for Honey Trehan’s Punjab 95, which is still under Censor scrutiny, the filmmaker transports us to the heart of Uttar Pradesh’s Lucknow-Kanpur axis, spinning a sharp crime thriller with a throbbing conscience. The spiritual sequel builds on the original’s noir aesthetic, using its atmospheric whodunit structure to examine how power dynamics and moral corruption shape justice and revenge in an unequal society. By asking what happens when victims and perpetrators trade places, Honey brings emotional depth to the unraveling of the mystery. Through vivid symbols — bulldozers and shallow graves — he critiques how power conceals exploitation and shields the corrupt.

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FCG Member Reviewer Akhil Arora
Akhil Arora | akhilarora.com
A Spotify Review

Wed, December 24 2025

Is Raat Akeli Hai: The Bansal Murders more than just a way for director Honey Trehan to pay the rent, or is it actually worthwhile? We talk about the film’s differences from and similarities to the first one, and the sociopolitical commentary that Trehan and writer Smita Singh are able to sneak into it. We also discuss how the movie didn’t face any trouble despite naming and shaming the Uttar Pradesh administration. Along the way, we touch upon Radhika Apte’s pointless presence, and wonder if the movie would’ve benefited from some more character development for the suspects.

Image of scene from the film Scenes From a Situationship
Scenes From a Situationship

Romance, Drama (Hindi)

A contemporary couple drift through a situationship where intimacy comes easily but commitment is endlessly postponed, revealing how modern love survives on closeness while quietly eroding under unspoken expectations.

Cast: Vaishnav Vyas, Shreya Sandilya
Director: Vaibhav Munjal
Writer: Vaishnav Vyas, Vaibhav Munjal


FCG Member Reviewer Rahul Desai
Rahul Desai | The Hollywood Reporter India
A Minor-Key Blast From The Past

Fri, December 26 2025

Vaibhav Munjal’s indie about a crisis-fuelled couple is a throwback to the early years of YouTube film-making.

He’s a pop-culture geek, a trivia nerd, an aspiring (and annoying) YouTuber, and a relationship seeker. She’s a go-with-the-flow-er, a commitment-phobe, a covert romantic, and a situationship enthusiast. Their chatty first date ends in his smokey bedroom. He thinks they’re dating, she thinks they’re not; he needs certainty, she needs ambiguity. “I want more than just animal sex” competes against “Why do you care for labels?”. Most of Vaibhav Munjal’s 90-minute indie is composed of vignettes of this clash: he pines and whines, she grinds and minds. In between the escalating resentments, they find happy pockets. Their intermittent moments of intimacy unfold as if they’re fuelling themselves to survive the fights. Breakup hugs and bitter accusations fly thick and fast. Apparently Udit (Vaishnav Vyas) and Tanisha (Shreya Sandilya) are soulmates, but the whims of modern love are stopping them.

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