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Image of scene from the film Ikka
FCG Rating for the film Ikka: 48/100
Ikka

Drama, Thriller (Hindi)

With a loved one's life at stake, a celebrated lawyer must defend a man he suspects is guilty — battling his conscience every step of the way.

Cast: Sunny Deol, Akshaye Khanna, Tillotama Shome, Dia Mirza, Sanjeeda Sheikh, Jyoti Mukherji, Shishir Sharma, Akansha Ranjan Kapoor, Vijay Vikram Singh, Daria Bedi
Director: Siddharth P. Malhotra
Writer: Suparn Verma


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Stutee Ghosh | Independent Film Critic writing for The Statesman

The case belongs to Sunny Deol but the film belongs to its women

Sat, July 18 2026

It’s a truth universally acknowledged that a star’s person eventually subsumes every character that they play on screen. With Sunny Deol, it’s never about whether he is good or bad in a film. It’s about Sunny Deol playing Sunny Deol in a Sunny Deol film! The necessary accoutrements are all in place. The slow-motion entry, the clenche d f ist , the admonishing finger, the fiery stare, the high-octane roar and of course, the “dhai kilo ka haath”. Together, they provide the intended comfort of familiarity. As for Akshaye Khanna, the Dhurandhar hangover continues to loom large. The hair is still there, though not quite as glorious as before, but recognisably similar. The tilted neck, the inverted smile and the studied mannerisms are even more pronounced. Bookended by these two larger-than-life performances is a story struggling to breathe and say something of its own. A young girl is brutally assaulted under mysterious circumstances. As she battles for her life in the hospital, the action shifts to the courtroom. Enter Arjun Mehra (Deol), a lawyer whose reputation precedes him.

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Priyanka Roy | The Telegraph

Sunny and Akshaye: Are they giving us the ultimate nostalgic guilty pleasure in Ikka?

Sun, July 12 2026

A lot is at stake in Ikka, and we are aren’t just talking about the receding hairlines of its main men. Almost three decades after they came together on screen for Border, Sunny Deol and Akshaye Khanna feature in this commercial Bollywood-style courtroom thriller that cranks up melodrama to the max, but is nostalgically old-school enough to make for some guilty-pleasure viewing. Unlike Border, where they batted for the same team, Sunny and Akshaye are at loggerheads in this Siddharth P. Malhotra-directorial, though they do join forces — unwillingly for the former — for a large part of this film that throws in enough twisty plot points but isn’t particularly smart or sleek.

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Keyur Seta | Bollywood Hungama writing for The Common Man Speaks

Sunny Deol and Akshaye Khanna starrer is a one-time watch courtroom drama

Sat, July 11 2026

kka revolves around the celebrated Public Prosecutor Arjun Mehra (Sunny Deol). He is known for fighting for the truth and that too by adhering to ethics. He stays in Mumbai with his wife Avantika (Dia Mirza) and daughter Samaira (Daria Bedi). One day, Shouryamann Gaur (Akshaye Khanna), son of a wealthy industrialist and politician Harshvardhan Gaur (Shishir Sharma), gets accused of attempting to murder Soma Mittal (Akansha Ranjan), a young girl he met at a night club. Arjun is offered to fight Shouryamann’s case as a Defense Lawyer this time. He plainly refuses because of the past equation between both of them. However, circumstances force Arjun to fight Shouryaman’s case.

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Image of scene from the film Little House on the Prairie
Little House on the Prairie

Drama, Western, Family (English)

The close-knit Ingalls family builds a new life on the Western frontier, where the joys of nature and the struggle for survival are deeply intertwined.

Cast: Luke Bracey, Crosby Fitzgerald, Alice Halsey, Skywalker Hughes, Kowen Cadorath


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Sonal Pandya | Times Now

Netflix Reboot Of Classic Family Survival Drama Has Promising Start

Thu, July 16 2026

Rebecca Sonnenshine's take on Laura Ingalls Wilder's book series starts off as faithful and hopeful.

The 1970s series of the same name was an American classic and this Netflix retelling introduces the story by Laura Ingalls Wilder through her semi-autobiographical books. The Ingalls family heads out to the American prairie and finds steady challenges in their decision to relocate. Showrunner Rebecca Sonnenshine establishes the mood for the family drama that hints of both adventure and conflict. With young stars Alice Halsey and Skywalker Hughes, the new Little House series is both nostalgic and optimistic for a time gone by that was once filled with promise.

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Image of scene from the film Lucky
Lucky

Drama, Crime (English)

When a multi-million-dollar heist goes sideways, con artist Lucky is forced to go on the run. Pursued by both the FBI and a ruthless crime boss, Lucky must fight for her life—and a way out.

Cast: Anya Taylor-Joy, Annette Bening, Timothy Olyphant, Aunjanue Ellis-Taylor, Clifton Collins Jr., Drew Starkey, William Fichtner, Mo McRae


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Sonal Pandya | Times Now

Anya Taylor Joy’s Action Drama Holds Attention With Thrills And Twists

Thu, July 16 2026

The gritty limited series features Anya Taylor-Joy on the run and fighting for her life

Lucky’s leading lady, Anya Taylor-Joy, has the word ‘resilience’ written all over. Which is why she was perfectly cast for the projects Furiosa: A Mad Max Story and The Queen’s Gambit. Now, Taylor-Joy leads Apple TV’s Lucky both as star and executive producer in a wild and thrilling chase in which she is the emotional heart. Playing the vulnerable but wily con artist, the actress is the best part of the series adaptation of Marissa Stapley’s novel. The limited series by Jonathan Tropper and Cassie Pappas makes sure that viewers are kept on the edge of their set as Lucky reaches the end of her nine lives. With a cast of veteran actors, Lucky manages to captivate.

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Image of scene from the film Dhamaal 4
FCG Rating for the film Dhamaal 4: 31/100
Dhamaal 4

Comedy (Hindi)

The Dhamaal boys are back for another treasure hunt, facing hilarious challenges in their quest for the Treasure of Life.

Cast: Ajay Devgn, Arshad Warsi, Riteish Deshmukh, Javed Jaffrey, Sanjay Mishra, Ravi Kishan, Upendra Limaye, Anjali Anand, Sanjeeda Sheikh, Esha Gupta
Director: Indra Kumar


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Deepak Dua | Independent Film Journalist & Critic writing for Cineyatra.com

‘धमाल 4’ में मिलेगा कॉमेडी का खज़ाना…?

Sat, July 11 2026

2007 में आई पहली वाली ‘धमाल’ में गोआ के एक पार्क में ‘डब्ल्यू’ आकार में खड़े पेड़ों के नीचे खज़ाना दबा था। इस बार एक वीरान टापू में ‘एम’ आकार में खड़ी पहाड़ियों के नीचे खज़ाना है। खज़ाना भी किसका, सौ साल पहले एक डाकू शैतान सिंह का जो वह अंग्रेज़ों से लूटा करता था। अब इस खज़ाने को खोजने निकली हैं तीन टीमें-गुड्डू और जॉनी, आदि और मानव व आदि की पत्नी, लल्लन और उसकी पत्नी। साथ ही इनके पीछे पड़े हैं डाकू अधूरा और उसके साथी। इस सफर में हैं ढेरों मुसीबतें, उनसे बचने की कसरतें और इन सब की लल्लुआना हरकतें। ज़ाहिर है मकसद आपको हंसाना है, ठहाके लगवाना है। ‘धमाल’ सीरिज़ की फिल्में दर्शकों को किसी वीडियोगेम या कार्टून कॉमिक्स के भीतर ले जाती रही हैं। एक ऐसा संसार जहां फिज़िक्स-कैमिस्ट्री के नियमों की धज्जियां उड़ा कर उनसे हास्य उपजाया जाता है। किसी ने घर की घंटी बजाई और उससे आने वाले करंट ने बंदे का तंदूरी मुर्गा बना दिया या किसी के बम में चाकू घुसने के बावजूद खून न निकलना जैसे ये सीन हमें डोनाल्ड डक, मिकी माउस या टॉम एंड जैरी की दुनिया में ले जाते हैं। उनमें जो होता है वह कहीं से भी तार्किक नहीं लगता, लेकिन उसे देख कर आप हंसते हैं, ठहाके लगाते हैं, आपको मज़ा आता है और आपका दिल-दिमाग हल्का होता है। यह फिल्म भी आपको वही मज़ा देती है। बस, बच्चे बन जाइएगा इसे देखते हुए।

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Sachin Chatte | The Navhind Times Goa

No Laughing Matter

Sat, July 11 2026

The Dhamaal franchise is now almost twenty years old — which is quite an achievement for a series built on a storyline thinner than a Bollywood hero’s patience before the interval. The makers managed to squeeze out two films in the early years (2007 and 2011), but when fresh ideas became as rare as logic in a slapstick comedy, the obvious solution was simple: recycle the old ones.

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Shilajit Mitra | The Hollywood Reporter India

Ajay Devgn Captains A Silly Shipwreck

Sat, July 11 2026

Indra Kumar's motheaten franchise entry crashes out in the opening minutes, then keeps on crashing

You’re scrolling through BookMyShow on a breezy Friday afternoon. It’s been a stressful week, and the rains have let up, so you decide to unwind with a brainrot Bollywood comedy. But which one? Should you go watch Welcome to the Jungle, still running in theatres, or Dhamaal 4, the latest in the long-running treasure hunt franchise? These things are subjective, but let me present a quick comparison. Welcome to the Jungle is directed by Ahmed Khan. Dhamaal 4 is directed—in the kindest sense of the term—by Indra Kumar. Welcome to the Jungle is a spoof about the making of movies. Dhamaal 4 shows why some movies should never be made at all. Welcome to the Jungle has satirical ambitions. Dhamaal 4 has hysterical collisions. Welcome to the Jungle is a loose rehash of Tropic Thunder. Dhamaal 4 is a hard retread of the first, second and third Dhamaal.

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Image of scene from the film Idhayam Murali
FCG Rating for the film Idhayam Murali: 58/100
Idhayam Murali

Romance, Comedy, Drama (Tamil)

A young man navigates the complexities of unrequited love, finding that even as years pass and life takes unexpected turns, certain emotions remain deeply embedded in his heart.

Cast: Atharvaa Murali, Fahadh Faasil, Preity Mukhundhan, Kayadu Lohar, Natarajan Subramaniam, S. Thaman, Niharika NM, Malavika Mohanan, Rakshan, Dravid Selvam
Director: Aakash Baskaran


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Aditya Shrikrishna | Independent Film Critic writing for Mint

Nostalgia only carries this romantic drama so far

Sat, July 11 2026

Aakash Baskaran's film, starring Atharvaa, is indulgent of its wayward protagonist, and expects the viewer to be so as well

Raja (Murali), from Kathir’s debut film, Idhayam (1991), may have become iconic over the years, partly due to the grating niceness and tragic innocence of the character (and mostly due to Ilaiyaraaja’s music). But in a contemporary world in which we reevaluate gender, misogyny and the obsessive nature of love, the idea of unrequited romance makes the conversation feel like the colloquial phrase we use to describe it—one-sided. Rathna Kumar’s superior Meyaadha Maan (2017), refracts the idea through a class lens, where the disparity in economic positions chokes the character out of expressing his true love. This year’s Hollywood phenomenon Obsession reimagines extremities of a nice-guy-dream realized to the point of stifling one life for the other’s wishful fantasy.

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Kirubhakar Purushothaman | The Federal

Silly, self-aware, and surprisingly fun

Fri, July 10 2026

The Atharvaa, Kayadu Lohar, Preity Mukhundhan-starrer is frivolous and proud of it; a Gautham Menon-flavoured romance that trades depth for charm and heart

There are several hilarious chunks in Idhayam Murali, but the funniest one is unintentional. In the second half, Sam (Preity Mukundan) tells Idhaya (Atharvaa), in the same breezy tone you’d use to describe wrapping up a work call, “Ippa thaan oru mission mudichom. So konjam naalaiku rest” (We just finished off one mission. We will rest for a while). By this point, it is well established that Sam is a NASA astronaut, which is exactly why the line lands as comedy rather than drama. It’s a very specific kind of silliness, one Tamil cinema has flirted with before. The film doesn’t hide that it’s chasing a Gautham Menon-ish vibe, and this scene recalls a bit from Neethaane En Ponvasantham: a throwaway line establishing that Varun’s (Jiiva) family has grown rich and posh, simply by mentioning that his retired parents are now off travelling the world. Both moments reach for a big, specific, hard-to-verify detail and use it as shorthand for status or drama, without doing any of the narrative work to earn it.

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Janani K | India Today

Atharvaa's love story fails to confess its own feelings

Fri, July 10 2026

Atharvaa headlines Idhayam Murali as a man who cannot confess his love. The film lands its biggest laughs through cameos and comedy but struggles to deepen its relationships.

Tamil cinema fans from the ’90s have grown up hearing Idhayam Murali in their everyday life. For those who don’t know the context, late actor Murali acted in a film titled Idhayam, where his love remains one-sided as he never confesses his feelings. Little did anyone know it would become a pop culture term. Decades later, Murali’s son Atharvaa is headlining Idhayam Murali, playing a character who just cannot bring himself to confess his love.

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Image of scene from the film Alpha
FCG Rating for the film Alpha: 39/100
Alpha

Action, Thriller (Hindi)

Two fierce female agents tackle dangerous missions in a thrilling world of espionage, as they navigate perilous situations, execute daring stunts, and face unexpected turns in this action-packed adventure.

Cast: Alia Bhatt, Sharvari, Bobby Deol, Anil Kapoor, Dibyendu Bhattacharya, Dia Mirza, Hrithik Roshan
Director: Shiv Rawail


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Stutee Ghosh | Independent Film Critic writing for The Statesman

Outdated Spy Tropes Persist

Sat, July 11 2026

When the teaser for YRF ’s Alpha first dropped, the public response was overwhelmingly underwhelming. Audiences widely questioned the casting choice of Alia Bhatt and noted that Bobby Deol’s Haryanvi accent felt jarringly out of place.

Bhatt and Deol are undeniably talented actors, but here they find themselves entirely miscast. The character of Sita demands a raw, imposing physicality that cannot simply be compensated for by Alia’s natural charisma. Sita is written as an engineered attack machine bred strictly for combat, a “lab rat” raised entirely devoid of family, affection, or any semblance of normalcy. It is a compelling premise that the film fails to meaningfully develop. For a character who has never experienced filial bonds, friendships, or basic social interaction outside of her doctor and handler, her resulting persona makes little sense.

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Anmol Jamwal | Tried & Refused Productions

It's pack up time

Mon, July 6 2026

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Uday Bhatia | Mint Lounge

Alia Bhatt-starrer shows Spyverse needs urgent repairs

Mon, July 6 2026

Shiv Rawail's ‘Alpha’ is sorely missing fresh ideas and is unable to credibly showcase Alia Bhatt as an action star.

The YRF Spyverse is now running on vibes, star cameos and whatever ridiculously catchy new jingle with placeholder English lyrics Sanchit and Ankit Balhara have cooked up. After the glorious high of Pathaan (2023), there’s only been disappointment: first the unnecessary Tiger 3 (2023), then the embarrassing misfire of War 2 (2025). Shiv Rawail’s Alpha isn’t as dire as the previous two entries, but nevertheless shows a franchise badly in need of fresh ideas and, more importantly, a sense of purpose.

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Image of scene from the film Lenin
Lenin

Action, Drama, Romance (Telugu)

Young, urban-raised Vladimir Lenin's peaceful romance with Bharti inadvertently sparks a violent, large-scale village conflict.

Cast: Akhil Akkineni, Bhagyashri Borse, Sivaji Sontineni, Easwari Rao, Brahmaji, Sunil Varma, N.T. Rama Rao Jr.
Director: Murali Kishor Abburu
Writer: Murali Kishor Abburu


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Sangeetha Devi Dundoo | The Hindu

An epic love story? Not quite

Sat, July 11 2026

Akhil Akkineni and Bhagyashri Borse impress in an ambitious tale of love, betrayal and revenge that is undone by too many twists

Lenin, the Telugu film written and directed by Murali Kishor Abburu, opens with the assertion that no war is more violent than love — a nod to stories from Greek and Indian mythology. Marking Akhil Akkineni’s return to the screen after three years, the film aims to tell an epic love story. At its core, it is a tale of friendship, love, deceit and revenge, layered with references to the Mahabharata and Ramayana. It unfolds against the backdrop of Bharatham Mitta, a cultural festival celebrating Draupadi in a fictional village in Andhra Pradesh’s Chittoor district. The rustic world is rendered with attention to detail, and the screenplay attempts to spring surprises at several turns. But the film falters at its core: the love story never quite makes the audience root wholeheartedly for its characters. The story had immense potential to build on love and pathos, which it does not fully achieve.

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Image of scene from the film Moana
FCG Rating for the film Moana: 53/100
Moana

Family, Fantasy, Comedy, Adventure (English)

Moana answers the Ocean's call and, for the first time, voyages beyond the reef of her island of Motunui with the infamous demigod Maui on an unforgettable journey to restore prosperity to her people.

Cast: Catherine Lagaʻaia, Dwayne Johnson, John Tui, Frankie Adams, Rena Owen, Jemaine Clement, Amaya Masoli, Emma Puahi-Shapazian, Tealoha Hokulani Carrera
Director: Thomas Kail


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Arnab Banerjee | Indpendent Film Critic writing for The Daily Eye

Rather than embark on new adventure, film sticks to familiar waters

Sat, July 11 2026

Directed by Thomas Kail and starring Dwayne Johnson, Rena Owen, John Tui, Frankie Adams, Jemaine Clement and Catherine Laga'aia, Moana is handsomely mounted, competently acted and perfectly watchable. Its greatest flaw is its overwhelming redundancy. It offers audiences little that they have not already experienced.

Every successful franchise eventually reaches the point where artistic inspiration begins to resemble a financial reflex — another sequel, another remake, another reassuring reminder to studio executives that nostalgia remains a dependable currency. Unless a fresh perspective reshapes the narrative or the story boldly charts unfamiliar waters, these revisits often feel less like cinematic adventures and more like corporate accounting exercises with a generous visual-effects budget. Disney’s Moana (2026), the live-action adaptation of its beloved 2016 animated classic and the third instalment in the franchise, sails directly into this familiar predicament. Directed by Thomas Kail in his feature-film debut from a screenplay by Jared Bush and Dana Ledoux Miller, the film reunites Dwayne Johnson with his larger-than-life role as the swaggering demigod Maui while introducing Catherine Laga’aia as the spirited Moana. Produced by Johnson alongside Hiram Garcia, Dany Garcia, Beau Flynn and Lin-Manuel Miranda, the production possesses all the ingredients of a prestige Disney spectacle. Yet, despite its glittering credentials, it struggles to justify its own existence. Competently assembled though it is, the film rarely inspires wonder, and its visual splendour, while undeniably polished, seldom evokes genuine amazement. It is less a voyage of discovery than an expensive exercise in déjà vu.

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Sucharita Tyagi | Independent Film Critic

2026 American musical fantasy adventure comedy film and a live-action adaptation of Disney's 2016 film of the same name

Fri, July 10 2026

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Tusshar Sasi | Filmy Sasi

A lavish remake in safe, familiar waters

Fri, July 10 2026

How do you know you’re special? Sometimes, destiny first speaks through the pulse within. One such prodigy is Moana from Motunui. The future chief of her beautiful island, she knew from day one that she was born to do big things. The spirited teen girl was the chosen one to restore the heart of the goddess of nature, Te Fiti, and save her island from perishing. It’s a story we’ve seen before in 2016, and I’ll happily watch the young Polynesian girl’s journey to greatness another time every decade. That said, the question remains: will the little warrior’s courage and sweet-natured plot be enough to pull it through?

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Image of scene from the film The Invite
FCG Rating for the film The Invite: 68/100
The Invite

Drama, Comedy (English)

Joe and Angela's marriage is on thin ice. When they invite their enigmatic upstairs neighbors for a dinner party, the night spirals into unexpected places. Have they reignited the spark or lit the match that burns it all down?

Cast: Seth Rogen, Olivia Wilde, Penélope Cruz, Edward Norton
Director: Olivia Wilde


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Sucharita Tyagi | Independent Film Critic

A sexy ping-pong match between these 4 messed up, attractive adults, who may or may not all have had sex with each other

Fri, July 10 2026

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Rohan Naahar | Independent Film Critic writing for The Federal

Olivia Wilde’s 3rd feature reaffirms her talent as filmmaker

Fri, July 10 2026

Starring Wilde, Seth Rogen, Penelope Cruz and Edward Norton, The Invite is an astute dissection of long-term relationships.

After succumbing to the sophomore slump a few years ago with the dreadfully dull psychological thriller Don’t Worry Darling (2022), Olivia Wilde has reaffirmed herself as a phenomenally talented filmmaker with her third feature, The Invite. It is as astute a dissection of long-term relationships as this year’s The Drama was of the honeymoon phase. Wilde stars as an anxious woman named Angela, who secretly invites her new neighbours for a casual get-together in a naked attempt to impress them. However, she neglects to run this by her husband Joe, a failed musician-turned-teacher played by Seth Rogen. He isn’t into it one bit. Joe has an axe to grind against the neighbours, because their love-making has kept him awake for weeks. He doesn’t know whether to be angry or jealous, but he most certainly isn’t going to be rolling out the red carpet for them. Played by Penélope Cruz and Edward Norton, the neighbours are the perfect foils to utterly bored Angela and Joe. Even before the chic couple from next door arrives, the two are at each other’s throats about everything from back posture to charcuterie boards.

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Shalini Langer | Indian Express

Penelope Cruz steals the show in Olivia Wilde’s relationship drama

Fri, July 10 2026

Pina could easily be insufferable, particularly in the ease with which she dispenses advice, from perimenopause to desire. However, Penélope Cruz injects warmth and charm to make Pina a guest you want to host – and impress.

Perhaps nothing spoils a meal faster than bad company. Scratch that. It takes bad company trying to put on a happy face to make it really stink. And, Angela (Olivia Wilde) is trying hard, really hard. Why she is, is evident to us by and by as layers are peeled off the resentment and bitterness that have built up between her and husband Joe (Seth Rogen). The guests for whom Angela plans a spread, from an elaborate charcuterie board to a from-the-recipe-book soufflé, are their upstairs neighbours. Pina is Spanish and “beautiful” and “cool” and “has presence” (an effortlessly posh, and aware of it, Penélope Cruz). Angela clearly is taken in by her and, if not that, with the clearly loud sex-filled relationship she has with boyfriend Hawk (Edward Norton).

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Image of scene from the film Moana 2
Moana 2

Animation, Adventure, Family, Comedy (English)

After receiving an unexpected call from her wayfinding ancestors, Moana journeys alongside Maui and a new crew to the far seas of Oceania and into dangerous, long-lost waters for an adventure unlike anything she's ever faced.

Cast: Auliʻi Cravalho, Dwayne Johnson, Hualālai Chung, Rose Matafeo, David Fane, Awhimai Fraser, Khaleesi Lambert-Tsuda, Temuera Morrison, Nicole Scherzinger, Rachel House
Director: David G. Derrick Jr., Jason Hand, Dana Ledoux Miller


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Shalini Langer | Indian Express

Dwayne Johnson returns, but Disney’s cynical remake fails to go far

Fri, July 10 2026

Moana is more a self-conscious teen than a carefree spirit. Laga'aia, making her debut, also struggles to hit the right note of chutzpah that marked her animated version. Her eager-to-please smile is the biggest detractor.

In the long list of prequels, sequels, three-quels etc etc, Disney’s contribution has been live action remakes of its popular animation films. Moana, which is still very much alive and rolling out in surfeit animated forms, is the latest. This is as sadly cynical as it gets because Moana stood out for being a departure from the usual Disney heroines – she was dusky, pudgy, a little stout, with no romance on the vast horizon that she conquers. Played by Catherine Laga’aia in the live action version, Moana is more a self-conscious teen than a carefree spirit. Laga’aia, making her debut, also struggles to hit the right note of chutzpah that marked Moana’s animated version. Her eager-to-please smile is the biggest detractor, for one.

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Gopinath Rajendran | The Hindu

Brilliant visuals manage to keep this uninspiring sequel afloat

Sat, November 30 2024

Auliʻi Cravalho and Dwayne Johnson’s latest outing, ‘Moana 2’, with its underwhelming story and lack of emotional punch, puts itself several nautical miles behind its much-celebrated predecessor

Moana is back for another adventure! Whether that’s even necessary is a different question considering the first film, which came out eight years ago, was one of Walt Disney Animation films’ best outings of all time and a well-rounded product on its own. Our titular hero became a wayfinder, turned buddies with the demigod Maui by retrieving his fishhook and in due course, took her fellow Motunui people back into the sea as voyagers like how their ancestors once were. Moana 2 puts our heroes back in the open ocean on a new adventure that makes us wonder what’s the sea creature equivalent of a cash cow.

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Image of scene from the film I, Nobody
I, Nobody

Crime, Thriller, Drama (Malayalam)

Rajeevan, an ordinary government employee, witnesses something he was never meant to see and is thrust into the centre of a serious crime. Branded a troublemaker and hunted by the system, he must protect his family while fighting to survive against forces far beyond his control.

Cast: Prithviraj Sukumaran, Parvathy Thiruvothu, Hakkim Shajahan, Ashokan, Vijayaraghavan, Madhupal, Shankar Ramakrishnan, Nakshathra C M, Nishanth Sagar, Nandhu
Director: Nissam Basheer
Writer: Sameer Abdul


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S. R. Praveen | The Hindu

An unconventional thriller that fumbles in the final act

Fri, July 10 2026

Technically, the film is on par with some of the best works from Malayalam cinema in recent years, with slick, thoughtful framing and editing

How far would a fallen man go for redemption? If one were to ask Rajeevan (Prithviraj Sukumaran), the protagonist of Nissam Basheer’s, I, Nobody, he would probably say: from one extreme, reckless act to another. Consequently, the film also takes one on a rollercoaster series of events, which are intriguing and unconventional up to a point until they turn chaotic misfires. For that matter, almost every other character in I, Nobody appears to believe that their redemption arc lies in jumping into an even bigger problem than the one which they are already entangled in, almost as if they gained some pleasure from further tightening the noose around their neck. These are the kind of men who would bring an earth mover to pick a dry leaf which had fallen on their front yard. But then, we need people like that to create uncommon cinematic situations, which are aplenty in I, Nobody.

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Janani K | India Today

Prithviraj, a nobody, has a plan but the film doesn't

Thu, July 9 2026

Director Nisam Basheer's I, Nobody, starring Prithviraj Sukumaran, Parvathy Thiruvothu and Vijayaraghavan, is a heist thriller that doubles up as a social commentary. While the premise and its treatment warrant your attention, the story is dragged well beyond its potential.

The world always teaches you that you are a nobody in the larger scheme of things. Prithviraj Sukumaran and Parvathy’s I, Nobody explores a similar theme, but goes one step ahead to ask a much-needed question: What does a nobody have to do to get justice? In one of the film’s crucial scenes, a police official explains to Prithviraj’s Rajeevan the concept of the food chain – but with a twist. The grasshopper, at the bottom of the pyramid, should not just eat grass. It should eat the frog that preys on it. That’s how cut-throat the world is.

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Image of scene from the film Baby Do Die Do
FCG Rating for the film Baby Do Die Do: 57/100
Baby Do Die Do

Mystery, Thriller, Crime (Hindi)

Follows a deaf and mute serial killer in Mumbai who can only hear her dead sister's voice as she commits murders for mysterious reasons.

Cast: Huma Qureshi, Rachit Singh, Sikandar Kher, Seema Pahwa, Chunky Panday, Saqib Saleem, Vidya Malvade, Himanshu Malik, Marudhar Shekhawat, Arun Kushwah
Director: Nachiket Samant


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Tatsam Mukherjee | The Wire

This Mildly-Ambitious Woman Assassin Film Never Leaves the Slow Track

Thu, July 9 2026

Huma Qureshi, however, has gone out on a limb and brought this film to life.

The title for Nachiket Samant’s film is at first perplexing. But then, once I saw what they were trying to do, I smirked. An English transliteration of the protagonist’s name, Baby Karmarkar — how amused one might be by the pun might dictate how much they end up enjoying Samant’s film – because it’s full of dour, made-in-Mumbai humour. Baby (Huma Qureshi, also producer with brother/actor Saqib Saleem) is a deaf/mute female assassin, whose umbrella doubles up as a sneaky pistol. Exploiting Mumbai’s crowded spaces, Baby slips in, kills her target, and slips out. Thanks to the blinders that Mumbai residents have put on, it takes a while for most people to realise there’s a corpse next to them. It’s a smooth, nifty way to get the job done. In the film’s first scene, the makers introduce Baby’s modus operandi inside a Mumbai local.

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Udita Jhunjhunwala | Mint

Assassin film has a wonderfully textured Mumbai

Sat, July 4 2026

‘Baby Do Die Do’, starring Huma Qureshi, throws together noir, graphic novel aesthetics, Mumbai life, romance, real estate politics and revenge drama

There’s a genuinely interesting film hidden inside Baby Do Die Do. It just takes far too long to reveal itself, and even then, it refuses to answer the questions that matter. The film opens with a fractured family: a deceased father, an emotionally volatile mother, twin girls, one of whom is deaf and mute. A late-night adventure results in tragedy leaving Baby alone and vengeful. Right away the questions start building—how did the girls suddenly pick up a puppy in an abandoned hotel? It’s the first of many questions the film, co-written by director Nachiket Samant with Jasmeet K Reen and Parveez Shaikh, never answers.

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Sucharita Tyagi | Independent Film Critic

Scattered large ideas struggle to unite as a satisfying whole in this film.

Fri, July 3 2026