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Guild Reviews

Image of scene from the film Victoria
FCG Rating for the film Victoria: 74/100
Victoria

Drama (Malayalam)

Victoria, a young beautician in a suburban beauty parlour, decides to elope with her Hindu boyfriend after a fierce clash with her conservative Catholic parents. Amidst the turmoil, a neighbour asks her to temporarily house an offering rooster destined for a festival at St. George church inside the parlour. Juggling the rooster's antics, unexpected clients, and her boyfriend's uncertainty, Victoria grapples with conflicting emotions leading to a day of intense personal and spiritual revelations.

Cast: Meenakshi Jayan, Sreeshma Chandran, Jolly Chirayath, Darsana Vikas, Steeja Mary, Jeena Rajeev
Director: Sivaranjini
Writer: Sivaranjini


FCG Member Reviewer Vishal Menon
Vishal Menon | The Hollywood Reporter India
Meenakshi Jayan's Rock-Solid Performance Anchors This Moving Sisterhood Drama

Mon, December 1 2025

Written and directed by Sivaranjini, 'Victoria' is a moving drama, peppered with humour.

In Sivaranjani’s Victoria, the most striking moment has more to do with a sound, rather than visuals. It feels like just another day at Victoria’s (Meenakshi Jayan) beauty salon when we hear this, as she waxes the arms of a customer. Until then, we see Victoria maintaining a happy face through it all, as she tries to manage the crowd at the salon with the worries of having to elope with her non-committal boyfriend. But each time Victoria tugs at a waxing strip in her hurry to remove them, the sound we hear is that of slaps falling on Victoria, along with the voice of a man shouting. Until that moment, we see bruises on her face, but the film doesn’t quite explain their origin. And with the sound of each waxing strip getting pulled, we listen in on the taunts being hurled at Victoria for her decision to marry outside of her religion. For women like her, the salon is therapy.

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FCG Member Reviewer Janani K
Janani K | India Today
Sensitive, realistic tale of a woman bound by patriarchal men

Sun, November 30 2025

Directed by Sivaranjini, Victoria starring Meenakshi Jayan, is a beautiful documentation of a day in the life of being Victoria. The film, mostly centred on women, showcases the everyday aspects and struggles of being one.

Watching director Sivaranjini’s Victoria, there’s a sense of familiarity in the everydayness unfolding on screen. Meenakshi Jayan powers through a tale of silent resilience while dealing with a busy day at work and personal struggles. And Victoria just did a wonderful job of showcasing an all-woman cast, with the men mostly appearing through video calls or through audio.

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FCG Member Reviewer Aditya Shrikrishna
Aditya Shrikrishna | Independent Film Critic
(Writing for The Polis Project)
Feminichi Fathima and Victoria Interrogate the Interiority of Women’s Lives and Celebrate Seemingly Small Victories

Thu, March 20 2025

Two Malayalam films that world premiered at the 29th International Film Festival of Kerala in December 2024 share DNA despite employing different milieu and techniques. Fasil Muhammed’s Feminichi Fathima (also screened at the 14th Indian Film Festival of Bhubaneswar) is about the eponymous Muslim housewife in Ponnani in Malappuram and possesses a day-in-the-life narrative. Sivaranjini’s Victoria designs a single day as a series of single takes in the life of Victoria, a beautician at a parlor in Angamaly who is juggling a characteristically busy day at the office and a tenuous period in her personal life. The two films have little in common in terms of setting and visual grammar, but they share philosophies and wrestle with the politics of survival and existence. They focus on women’s labor, the physical strain on their bodies, and the casually developing solidarity with the women around them.

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Image of scene from the film Tere Ishk Mein
FCG Rating for the film Tere Ishk Mein: 37/100
Tere Ishk Mein

Romance, Drama, Action (Hindi)

A psychology student attempts to rehabilitate a volatile young man, before evolving into a doomed romance.

Cast: Dhanush, Kriti Sanon, Priyanshu Painyuli, Prakash Raj, Sushil Dahiya
Director: Aanand L. Rai
Writer: Himanshu Sharma, Neeraj Yadav


FCG Member Reviewer Anupama Chopra
Anupama Chopra | The Hollywood Reporter India
Inanity disguised as profundity

Sat, November 29 2025

FCG Member Reviewer Anuj Kumar
Anuj Kumar | The Hindu
Aanand L. Rai’s romantic tragedy is messy and magical in equal measure

Sat, November 29 2025

Dhanush rages and Kriti Sanon recoils in Aanand L. Rai’s love story of epic proportions, which eventually begins to test your patience

Bollywood is in love all over again. After Mohit Suri’s Saiyaara, Aanand L Rai, another master of the poetic portrayal of passion and pain, returns with a gripping interrogation of love’s destructive underbelly, set in a social context. Connected to Raanjhanaa(2013) by an umbilical cord, Tere Ishk Mein talks of the magic of love that is lost in modern life’s logic, which entices us to trade emotions. In Rai’s universe, love is both poison and panacea, and once again, he has taken up a risky subject — the transformative power of romance.

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FCG Member Reviewer Deepak Dua
Deepak Dua | Independent Film Journalist & Critic
रांझणा बनने चला ‘तेरे इश्क में’

Sat, November 29 2025

लड़की हाथ छुड़ा कर मुड़ी तो उसकी चूड़ी का कांच टूट कर लड़के को ज़ख्म दे गया। ऐसा ज़ख्म कि उसने शहर को फूंकना चाहा। लड़की किसी और से शादी करने चली तो वह उसे श्रॉप दे आया कि शंकर करे तुझे बेटा हो, तुझे भी पता चले कि इश्क में जो मर जाते हैं वो भी किसी के बेटे होते हैं। कहानी की यह झलक बताती है कि यह फिल्म हमें इश्क-मोहब्बत के उन दर्द भरे रास्तों पर ले जाने आई है जिसे देख कर आशिकों के दिल तड़पते हैं और जिन्होंने कभी प्यार न किया हो वे सुकून महसूस करते हैं। फिल्मकार आनंद एल. राय की ‘रांझणा’ भी तो ऐसी ही फिल्म थी जिसमें मुरारी ने कुंदन से कहा था-मर जाओ पंडित। पंडित उस फिल्म में इश्क करते हुए मरा तो इस फिल्म में भी वही रूप धर कर आ गया। वैसे भी सभी दिलजले, बर्बाद आशिकों की सूरत एक जैसी ही हो जाती है।

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Image of scene from the film Kaisi Ye Paheli
Kaisi Ye Paheli

Mystery, Thriller (Hindi)

In a sleepy hill town in northeast India, a lonely mother tries to reconnect with her estranged policeman son by channeling her inner detective to help him solve a murder.

Cast: Sukant Goel, Sadhana Singh, Rajit Kapoor, Chittaranjan Giri, Rahul Nawach Mukhia, Nishu Dikshit, Rinchen Sherpa, Bindhiya Dhamala, Rajendra Maskey, Ujjaini Deb
Director: Ananyabrata Chakravorty
Writer: Ananyabrata Chakravorty


FCG Member Reviewer Shubhra Gupta
Shubhra Gupta | The Indian Express
Sukant Goel, Sadhana Singh film comes off as amateurish

Sat, November 29 2025

There are a couple of interesting elements in here, chief of them being the strained mother-son relationship, which spirals after the death of the father.

Truth be told, the only reason why I was interested in Kaisi Yeh Paheli is because I wanted to see what Sukant Goel was up to this time, as I had enjoyed his turn in the sadly-truncated Netflix series Kaala Pani. In Kaisi Yeh Paheli, he plays a son who dislikes his mother intensely, sustaining the emotion even when he is tasked with cracking the case of a young woman’s murder.

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FCG Member Reviewer Rahul Desai
Rahul Desai | The Hollywood Reporter India
Technical Glitches Mar A Good One-Liner

Sat, November 29 2025

Ananyabrata Chakravorty’s small-town whodunnit has the ideas, but fails to contain its excitement

Conceptually, Kaisi Ye Paheli goes for broke. The 95-minute independent film, written and directed by Ananyabrata Chakravorty, wears the cloak of yet another small-town whodunnit. There’s a death in misty Kalimpong; sullen cop Uttam (Sukant Goel) and his boss, Tamang (Chittaranjan Giri), are flummoxed by the details: a religious girl poisoned by a holy sweet? The theatrical Bondo (Rajit Kapur, always) is summoned from Kolkata by the powers that be; the senior sleuth has a direct line to “Didi,” and behaves like he’s an amalgamation of Byomkesh Bakshi and Feluda in his head. Meanwhile, Uttam’s home situation is complicated — he resents his widowed mother (Sadhana Singh) for various reasons, not least because she constantly recalls their past life and late husband. The mother-son bond is strained, she aches for his attention, so it’s amusing when Tamang and team unofficially recruit her to be part of the investigation because of her passion for Bengali detective novels. Uttam’s colleagues confide in her like sons in their downtime; it’s a quirky touch without the energy of a quirky touch.

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Image of scene from the film Nishaanchi 2
Nishaanchi 2

Drama, Crime (Hindi)

After another stint in jail, Tony finds that Rinku, his one true love and hope, has been taken by his brother Dabloo. This shocks him into reforming, but Ambika drags him back into crime, with Kamal on his trail. How Manjari gets to have the last laugh, with Tony, Ambika and Kamal at the forefront, forms the rest of the two-part gangster drama.

Cast: Monika Panwar, Aaishvary Thackeray, Vedika Pinto, Mohammed Zeeshan Ayyub, Kumud Mishra, Raghav Juyal, Gaurav Singh, Saharsh Kumar Shukla, Prateek Pachori, Girish Sharma
Director: Anurag Kashyap
Writer: Prasoon Mishra, Ranjan Chandel, Anurag Kashyap


FCG Member Reviewer Rohan Naahar
Rohan Naahar | The Indian Express
A Spotify Review

Fri, November 28 2025

FCG Member Reviewer Akhil Arora
Akhil Arora | akhilarora.com
A Spotify Review

Mon, November 24 2025

Nishaanchi: Part 2 features arguably the best climax that Anurag Kashyap has ever orchestrated. We discuss the two-part experience as a whole, Kashyap’s modern update to old-school Bollywood tropes, and the magnetism of Monika Panwar’s Manjari. We also discuss the film’s broader themes of revenge, the stylistic influences, and welcome Kashyap’s long-awaited return to form.

Image of scene from the film Zootopia 2
Zootopia 2

Animation, Family, Comedy, Adventure, Mystery (English)

After cracking the biggest case in Zootopia's history, rookie cops Judy Hopps and Nick Wilde find themselves on the twisting trail of a great mystery when Gary De’Snake arrives and turns the animal metropolis upside down. To crack the case, Judy and Nick must go undercover to unexpected new parts of town, where their growing partnership is tested like never before.

Cast: Ginnifer Goodwin, Jason Bateman, Ke Huy Quan, Fortune Feimster, Andy Samberg, David Strathairn, Idris Elba, Shakira, Patrick Warburton, Quinta Brunson
Director: Jared Bush, Byron Howard
Writer: Jared Bush


FCG Member Reviewer Rahul Desai
Rahul Desai | The Hollywood Reporter India
(Writing for OTT Play)
The Snaky Path To Greatness

Fri, November 28 2025

Blends animal puns, political fables and sly humour to attempt the near-impossible — giving snakes the redemption arc history denied them.

Of all the Disney movies over the years with PG-13 racial metaphors and diversity parables, Zootopia 2 faces the most uphill battle there ever was. For it takes on the task of doing the near-impossible: the destigmatisation of Snakes. The fear and distrust of this reptile is so historically and genetically entrenched in human systems that the real-world subtext is almost secondary. In Zootopia 2, the unlikely police pairing of hyper-rabbit Judy Hopps and red fox Nick Wilde try their darndest to unscramble snake propaganda — a pit viper named Gary De’Snake emerges in the mainland, and everyone is terrorised. Except Judy, who trusts that the snake is the good guy whose ‘people’ have been maligned by the ruling family of lynxes. Gary wants to prove that the land was theirs to begin with (duh), and the patent was stolen by the sly lynxes. History students, unite.

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Image of scene from the film Stranger Things S05
Stranger Things S05

Sci-Fi & Fantasy, Mystery, Action & Adventure (English)

When a young boy vanishes, a small town uncovers a mystery involving secret experiments, terrifying supernatural forces, and one strange little girl.

Cast: Millie Bobby Brown, Winona Ryder, David Harbour, Finn Wolfhard, Gaten Matarazzo, Caleb McLaughlin, Noah Schnapp, Sadie Sink, Natalia Dyer, Charlie Heaton


FCG Member Reviewer Sonal Pandya
Sonal Pandya | Times Now, Zoom
Finn Wolfhard, Millie Bobby Brown Starrer Has Slow Start Yet Ups Emotion And Action

Thu, November 27 2025

Co-created by Matt and Ross Duffer, the global hit series returns to Hawkins, Indiana, and the Upside Down for one final epic battle.

After three and a half years, Stranger Things is back, promising a return to the Upside Down and a conflict with Vecna, the big bad who has been controlling the alternate dimension underneath the fictional town of Hawkins, Indiana. Co-created by the Duffer Brothers, Stranger Things is an ode to the 1980s, with terrific references to its music, movies, and pop culture moments. But at its heart, the Netflix story is about friendship and the lengths they will go to save one another. With the first batch of episodes dropping on November 27, it’s time to check back in with the Hawkins gang.

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FCG Member Reviewer Priyanka Roy
Priyanka Roy | The Telegraph
Though far from perfect, jaw-dropping action meets heartfelt emotion in Vol 1 of Stranger Things 5

Thu, November 27 2025

Stranger Things is engaging TV. It is affecting TV. It is emotive TV. And nine years, four seasons and 34 episodes later, we know that Stranger Things is no longer simply TV. What more can be said about this Netflix phenomenon that first came into our lives in the summer of 2016, bringing in a potent mix of science-fiction, horror and mystery packaged in a coming-of-age drama that evoked unbridled ’80s nostalgia, that hasn’t been said before? As the seasons have rolled, the adventures of a rag-tag team of teens taking on forces mythical and supernatural have only grown bigger in scope, scale and storytelling. It has spurred a booming universe of merchandising, live experiences, a Broadway show, a fandom that has made it a pop culture landmark, resurrected interest in things as diverse as Dungeons & Dragons and Eggos, brought Kate Bush back to the top of the charts and rocket-launched the careers of the majority of its young actors. The launch of every season of Stranger Things has been an event, eliciting the kind of tingling-in-the-neck sensation — we know that could be a stretch, but hey, this is Stranger Things — that Will experiences every time he feels Vecna (or as we know by now, is Vecna).

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Image of scene from the film Andhra King Taluka
Andhra King Taluka

Action, Drama, Romance (Telugu)

A fun filled slice of life entertainer

Cast: Ram Pothineni, Upendra, Bhagyashri Borse, Rao Ramesh, Murali Sharma, Satya, Rahul Ramakrishna, VTV Ganesh
Director: Mahesh Babu P.
Writer: Mahesh Babu P.


FCG Member Reviewer Sangeetha Devi Dundoo
Sangeetha Devi Dundoo | The Hindu
Ram Pothineni and Upendra lead this feel-good tribute to cinema

Thu, November 27 2025

Ram Pothineni, Upendra and Bhagyashri Borse impress in this coming-of-age look at how cinema shapes devotion and dream

Some bonds defy rational explanation, like the devotion an ardent fan feels for a film star. What drives someone to go to extraordinary lengths for an actor who may never know they exist? Andhra King Taluka, written and directed by Mahesh Babu P, frames itself as a “biopic of a fan” to explore precisely this question. Through the fictional journey of Sagar (Ram Pothineni), an admirer of superstar Surya Kumar (Upendra), fondly called the “Andhra King”, the film examines how fandom shapes identity and ambition.

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Image of scene from the film 120 Bahadur
FCG Rating for the film 120 Bahadur: 58/100
120 Bahadur

Action, War (Hindi)

Valiant Indian soldiers fight against Chinese troops during the 1962 Sino-Indian War, preventing a potential occupation of Ladakh region in the Battle of Rezang La.

Cast: Farhan Akhtar, Raashii Khanna, Sparsh Walia, Ankit Siwach, Vivan Bhatena, Dhanveer Singh, Brijesh Karanwal, Sahib Verma, Eijaz Khan, Ajinkya Deo
Director: Razneesh Ghai


FCG Member Reviewer Arnab Banerjee
Arnab Banerjee | Indpendent Film Critic
(Writing for The Daily Eye)
A BAttle Remembered Forever

Mon, November 24 2025

120 Bahadur is a powerful war drama that revisits the Battle of Rezang La with emotional authenticity, stellar performances, and immersive visuals.

In the last decade, Hindi cinema has witnessed a surge of patriotic historical dramas, each striving to present tales of courage rooted in pivotal moments of India’s past. Within this landscape, 120 Bahadur, directed by Razneesh “Razy” Ghai, sets its sights on one of the most stirring chapters of the 1962 Sino-Indian conflict. Farhan Akhtar steps into the challenging role of Major Shaitan Singh, the charismatic commander whose steadfast leadership during the Battle of Rezang La has long been revered but insufficiently explored on film. The result is a work that marries emotional solemnity with the visceral spectacle of war, aiming to honour a legacy that remains vital to national memory.

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FCG Member Reviewer Deepak Dua
Deepak Dua | Independent Film Journalist & Critic
मिट्टी पर मिटने वालों की अमिट कहानी

Fri, November 21 2025

1962 का समय। हिन्दी-चीनी भाई-भाई के नारे को ठोकर मारते हुए चीन ने भारत की पीठ में खंजर भोंका था। उसी युद्ध में 18 नवंबर, 1962 को लद्दाख के रेज़ांग ला में एक ऐसी अनोखी लड़ाई लड़ी गई थी जिसमें 120 वीर सिपाहियों की चार्ली कंपनी ने मेजर शैतान सिंह की अगुआई में तीन हज़ार चीनी सैनिकों से भिड़ते हुए उन्हें पीछे हटने पर मजबूर कर दिया था। उस लड़ाई में मात्र 6 सैनिक जीवित बचे थे और मेजर शैतान सिंह समेत बाकी वीरों ने मौत को गले लगाया था। बाद में मेजर शैतान सिंह को मरणोपरांत परमवीर चक्र और उनके सिपाहियों में से आठ को वीर चक्र, एक को अति विशिष्ट सेवा मैडल, चार को सेना पदक व अन्य सम्मान दिए गए। अगर उस दिन ये लोग वहां डट कर नहीं रहते तो चीन भारत में काफी अंदर तक कब्ज़ा कर चुका होता। उन्हीं वीर अहीर सिपाहियों और राजपूत मेजर शैतान सिंह भाटी के अदम्य साहस को सलाम करती है निर्माता फरहान अख्तर की यह फिल्म ‘120 बहादुर’। फरहान अख्तर इसके लिए प्रशंसा के हकदार हैं।

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FCG Member Reviewer Uday Bhatia
Uday Bhatia | Mint Lounge
Indo-China war film has a surprisingly soft edge

Fri, November 21 2025

Razneesh Ghai's ‘120 Bahadur’, starring Farhan Akhtar, is a square but emotional retelling of the Battle of Rezang La

Partly by choice, partly through circumstance, 120 Bahadur is out of sync with the times. Razneesh Ghai’s film, about a famous battle in the Sino-Indian war of 1962, chooses to be stirring, even square. Most Hindi war films adopt a very different tone now. Some viewers might be reminded of the wholesomeness of Lakshya, directed by Farhan Akhtar, 120 Bahadur’s lead actor. That film was made 21 years ago but it may as well be 40 considering how little it has in common with hard, cynical, triumphant films like Uri and Shershaah and Fighter.

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Image of scene from the film Vilaayath Budha
Vilaayath Budha

Action, Drama, Crime (Malayalam)

In the secluded hills of Marayur, a region steeped in the scent and lore of sandalwood, Vilayath Buddha unfolds as a potent character drama anchored in pride, memory, and resistance.

Cast: Prithviraj Sukumaran, Shammi Thilakan, Priyamvada Krishna, Anu Mohan, Teejay, Suraj Venjaramoodu, Druvan, Rajashree, Pramod Veliyanad, Santhosh Damodharan
Director: Jayan Nambiar
Writer: G.R. Indugopan, Rajesh Pinnadan


FCG Member Reviewer Vishal Menon
Vishal Menon | The Hollywood Reporter India
One Too Many Subplots In Prithviraj’s Shaky Mess

Mon, November 24 2025

With too many narrative tracks overstaying their welcome, 'Vilaayath Budha' never quite manages to achieve the lived-in feeling of the world Indugopan created with his two previous films

For a film named after the most fragrant sub-species of sandalwood, there’s a lot of talk about the stench people are forced to live with in Jayan Nambiar’s Vilayath Buddha. The most obvious of these stories belong to Bhaskaran (Shammi Thilakan), the out-of-work politician who cannot reverse his reputation, after he gets caught visiting the neighbourhood sex worker. Then there’s the stench Chaithanya (Priyamvada) wants to get rid off of her for being termed this sex worker’s daughter. She has no identity outside of her mother’s occupation and she fears she too will be seen as one. Then of course is the story of Double Mohanan (Prithviraj), the sandalwood smuggler, who will forever remain a thief to everyone in the hill station of Marayur.

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Image of scene from the film The Family Man 3
FCG Rating for the film The Family Man 3: 60/100
The Family Man 3

Drama, Action & Adventure (Hindi)

The story of a middle-class man who works for a special cell of the National Investigation Agency. While he tries to protect the nation from terrorists, he also has to protect his family from the impact of his secretive, high-pressure, and low paying job.

Cast: Manoj Bajpayee, Priyamani, Vedant Sinha, Ashlesha Thakur, Darshan Kumaar, Jaideep Ahlawat, Nimrat Kaur


FCG Member Reviewer Tatsam Mukherjee
Tatsam Mukherjee | The Wire
The Audacious Mischief of the Earlier Parts is Missing

Sun, November 23 2025

Raj & DK's show looks factory-made now.

In episode four of the third season of The Family Man – Srikant Tiwari (Manoj Bajpayee) gets nostalgic. He asks JK (Sharib Hashmi) if he remembers Kareem – a dissident Kashmiri student who was killed in the first season because of Srikant’s misplaced suspicion. I might be reading too much into it, but it almost felt like creators Raj Nidimoru, Krishna D.K. and Suman Kumar were getting wistful about a time during the first season when there was endless possibility.

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FCG Member Reviewer Nonika Singh
Nonika Singh | The Tribune
Same ‘Family Man’ elan

Sat, November 22 2025

But between predictable and surprising, massy and classy, the series retains its mojo

Gifted actor Jaideep Ahlawat is not the only common factor between the second season of ‘Paatal Lok’ and the third outing of ‘The Family Man’. At first glance, the plot too seems achingly similar. The storyline is set in the beauteous Northeast — Nagaland, to be precise. A peace accord with the rebels is in order and a grandfather-grandson conflict forms a solid leitmotif. Despite these familiarities, creators Raj & DK are on top of their game once again.

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FCG Member Reviewer Shubhra Gupta
Shubhra Gupta | The Indian Express
Manoj Bajpayee-Jaideep Ahlawat show is frantic yet obvious

Fri, November 21 2025

Manoj Bajpayee is still the beating heart of the show, as is Sharib Hashmi as his trusty second-in-command; Priyamani continues to be as watchable too.

The Family Man Season 3 starts from where Season 2 had left off, with top TASC agent Srikant (Manoj Bajpayee) finding himself embroiled in a snowballing crisis in Nagaland. The stakes are higher than ever. Serial bombs have claimed lives. A major casualty can be the high-profile ‘Project Sahakar’, which we are told is on the verge of being signed by ‘all rebel leaders’ in the North East: it is an initiative close to pro-active PM Basu’s (Seema Biswas) heart, meant to address long-standing grievances, and hold out promise of lasting peace and prosperity.

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Image of scene from the film Theeyavar Kulai Nadunga
Theeyavar Kulai Nadunga

Crime, Thriller (Tamil)

An Investigative Police officer teams up with an autism school teacher to solve the mystery of a cruel murder happened in a school for autistic children.

Cast: Arjun Sarja, Aishwarya Rajesh, Ramkumar Ganesan, Abhirami Venkatachalam, Prankster Rahul, Guruappa Krishna Reddy, Praveen Raja
Director: Dinesh Lakshmanan


FCG Member Reviewer Avinash Ramachandran
Avinash Ramachandran | The New Indian Express
Questionable choices drown out the superficially good intentions

Sun, November 23 2025

The film ends up being a half-baked vigilante film that had the semblance of a good idea, and the makers decided to run with it, hoping that intent would save the day

Theeyavar Kulai Nadunga opens with the gruesome murder of writer Jebanesan (Logu NPKS) on a lonely road, in the middle of the night, by someone wearing a black suit, black shades, and a black helmet. Is it a serial killer? Why was the writer in tears when talking to his daughter? Why was he killed so brutally? Even as these questions crop up, we are introduced to Inspector Magudapathy (Arjun), a no-nonsense cop, who casually reads the book, “Hidden Evidence”. The film wastes no time in plonking Magudapathy right in the middle of this murder, and he is assigned the case since it happened in his jurisdiction. So far, so good, and I hoped this feeling would stay longer… Alas!

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Image of scene from the film Mask
Mask

Comedy, Crime, Thriller, Drama (Tamil)

Cast: Kavin Raj, Andrea Jeremiah, Ruhani Sharma, Vetrimaaran, Kalloori Vinoth, Nelson Dilipkumar
Director: Vikranan Ashok
Writer: Vikranan Ashok


FCG Member Reviewer Avinash Ramachandran
Avinash Ramachandran | The New Indian Express
Ungainly detours hide a delectable dark comedy

Sun, November 23 2025

The film guises a story of right, wrong, and everything in between, under the garb of a money heist that is too much style, and unfortunately, not enough substance

Mask opens with a heist done by a masked gang, and a quirky voiceover by director Nelson. He introduces the players in a rather whimsical way. We have a gang of robbers. We have the philanthropist Bhoomi (Andrea Jeremiah), who needs to find the robbers. We have politician Manivannan (Pawan Krishna), who also needs to find the robbers. And then… we have Velu (Kavin), who… You guessed it right… has to find the robbers. And what do the robbers have to do? Exist in plain sight and wait for the various players to find their way to them. But Mask doesn’t build up to a crescendo as most of the films in this genre do. Instead, it is happier giving brief bursts of energy that might not stay for long, but it is entertaining while it lasts.

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FCG Member Reviewer Aditya Shrikrishna
Aditya Shrikrishna | Independent Film Critic
(Writing for OTT Play)
One Of The Worst Tamil Films Of 2025

Sat, November 22 2025

With incoherent filmmaking where neither the edit pattern nor the dialogues cohere, Vikarnan Ashok's Mask feels forced, clumsy and tasteless.

Vikarnan Ashok’s Mask begins in chaos. Not of the good cinematic kind. It’s not a film with a handful of characters overwhelmed by their own endgames. It’s not the cinema where chaos is orchestrated to give the audience a high, one where so many things happen so fast that we hold our breath in unison, only for that single moment to strike when we let loose. Mask inadvertently orchestrates chaos. It has a narration voiced by director Nelson Dilipkumar. It has overlapping dialogues, layer over layer, along with this narration. It also has GV Prakash’s incongruent score. We witness a loot, Money Heist style but with MR Radha masks and then Nelson introduces us to a host of characters, chiefly Velu (Kavin), who has caused two deaths thanks to his paramour Rathi (Ruhani Sharma), and Bhoomi (Andrea Jermiah), a philanthropist who saves children from human trafficking but she might also be into the flesh trade and probably moonlights as a power broker. Confused much? Mask is one such hurriedly put-together meal of different cuisines with no flavour profile.

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