





Guild Reviews by Film Page 18 of 111


Super Subbu
Comedy (Telugu)
An unlucky teacher is assigned to teach sex ed in a hostile village. Can he balance this secret while chasing his dreams and saving his relationship?
Cast:
Sundeep Kishan, Mithila Palkar, Murali Sharma, Maanasa Chaudhary
Director:
Mallik Ram

Fri, July 3 2026
Directed by Mallik Ram, Netflix’s first Telugu original series turns a familiar conversation on sex education into an engaging rural dramedy
The more we assume things have changed, the more they probably have not, at least not for everyone. While some urban homes and schools have moved beyond awkward ‘birds and bees’ conversations to adopt a more pragmatic approach to sex education, the subject remains taboo in many households. In a remote village, those conversations become even harder. Super Subbu, Netflix’s first Telugu original series, directed by Mallik Ram and starring Sundeep Kishan in the title role, builds an engaging drama around this premise. Some of the early scenes evoke school days when teachers would skip sex education lessons to avoid uncomfortable giggles in the classroom. They also reveal the unease many educators themselves feel around the subject.

Fri, July 3 2026
Director Mallik Ram's Super Subbu, Netflix's first Telugu original series, stars Sundeep Kishan as a sex education officer posted to a remote Telangana village. The seven-episode drama is funny, warm and says something real - until the second half starts asking questions it has no intention of answering.
There are very few mainstream Indian shows willing to build an entire story around sex education without reducing it to awkward jokes or moral sermons. Super Subbu, Netflix’s first Telugu original series, deserves credit for attempting exactly that. Directed by Mallik Ram, the seven-episode dramedy takes an inherently uncomfortable subject and wraps it in humour, family dynamics and small-town eccentricities. For a while, it works beautifully. But just when it seems ready to say something meaningful, the series retreats into safe territory, leaving several of its strongest ideas hanging.

Thu, July 2 2026
It is but a coincidence that Super Subbu has released a day before Pritam and Pedro. Besides the fact that the titles of the two series are based on the names of their protagonists, Super Subbu takes a leaf out of the Rajkumar Hirani (who makes his digital debut as producer with Pritam and Pedro) book of mirth-meets-message, camouflaging bitter truths and taboo life lessons with humour, managing to pack in some succinct social commentary along the way.

Rao Bahadur
Fantasy, Drama, Thriller (Telugu)
In 1970s India, an eccentric aristocrat—labeled a 'man of miracles'—miraculously survives a terminal illness. Plagued by guilt and fear, he retreats into his palatial mansion, creating an alternate world that deeply blurs reality and imagination.
Cast:
Satyadev Kancharana, Deepa Thomas, Anand, Vikas Muppala, Bala Parasar, Pranay Vakka, Master Kiran, Kunal Kaushik
Director:
Venkatesh Maha
Writer:
Venkatesh Maha

Fri, July 3 2026
Satya Dev delivers a career-best performance as director Venkatesh Maha experiments with magical realism and an edgy narrative that offers plenty to unpack
The final stretch of Rao Bahadur is an absolute riot. The carefully constructed drama gives way to a series of delightful twists that are both entertaining and thought-provoking. It is here that director Venkatesh Maha gently pulls the rug from under the audience, forcing them to view the entire film from a fresh perspective. Telugu cinema lovers may remember a similar narrative flourish in his debut indie film, Care of Kancharapalem. While that film offered a deeply realistic portrait of a neighbourhood grappling with questions of gender sensitivity and social hierarchy, Rao Bahadur ventures into fantasy, lacing its psychological drama with touches of magical realism.

Fri, July 3 2026
Director Maha's Rao Bahadur, starring Satyadev, Vikas Muppala and Deepa Thomas, is a psychological drama that talks about lineage, prejudice and skin colour obsession. The film, built on a theatrical setup, takes a while to warm up but leaves you with plenty of afterthoughts.
In 2018, director Venkatesh Maha waltzed into Telugu cinema with the path-breaking C/o Kancharapalem, one of the industry’s finest films of the decade. After Uma Maheswara Ugra Roopasya and an episode in Modern Love Hyderabad, the filmmaker is back with Rao Bahadur – a film that Mahesh Babu and Namrata Shirodkar saw enough potential in to present. It hit theatres on July 3.


Welcome to the Jungle
Action, Comedy, Adventure, Crime (Hindi)
A group of quirky characters gets stuck in a dangerous jungle during a chaotic mission. Filled with confusion, criminals, and hilarious situations, they must work together to survive and find their way out.
Cast:
Akshay Kumar, Suniel Shetty, Arshad Warsi, Jacqueline Fernandez, Disha Patani, Raveena Tandon, Jackie Shroff, Paresh Rawal, Lara Dutta, Farida Jalal
Director:
Ahmed Khan
Writer:
Farhad Samji

Fri, July 3 2026
Not all movies ought to be dignified with a review. Yet here we are…. reviewing Welcome to the Jungle. Everyone is in this film. And I do mean everyone. There isn’t a face you won’t recognize. From Akshay Kumar, Suniel Shetty, Raveena Tandon, Disha Patani and Jacqueline Fernandez to Paresh Rawal, Kiran Kumar, Farida Jalal, Zakir Hussain, Krushna Abhishek and Kiku Sharda it’s a literal stampede of familiar faces and proven talent. What should have been a comic goldmine becomes a traffic jam of characters, each written with roughly the same attention to detail usually reserved for out-of-focus background dancers. You could swap one actor with another and absolutely nothing would change.

Mon, June 29 2026
A promising satirical premise buried beneath bloated storytelling, shrill humour, uneven performances, and exhausting excess, resulting in a deeply disappointing cinematic experience.
Reality, on rare occasions, possesses an uncanny habit of imitating fiction—not deliberately, but with an irony so exquisite that it borders on poetic justice. One suspects that director Ahmed Khan had little inkling that his latest spectacle, Welcome to the Jungle, would ultimately become the most eloquent metaphor for its own creative bankruptcy. Conceived as a madcap satire on the film industry and the absurd economics of blockbuster filmmaking, the film instead collapses under the crushing weight of the very mediocrity it seeks to lampoon. The result is not a parody of commercial cinema but an inadvertent specimen of everything that has gone catastrophically wrong with it.

Sun, June 28 2026
The basic premise of Welcome To The Jungle instantly reminds you of Farah Khan’s Tees Maar Khan (2010), which also starred Akshay Kumar in the lead. The main difference is that he played the director in that movie. But the difference that matters the most is that WTTJ is better than the 2010 flick, although the latter had its moments here and there. It is anybody’s guess that one needs to keep logic and reasoning miles away while watching such movies. But this is worth only when we get non-stop entertainment in return. That is what happens with Welcome To The Jungle. The basic plot of a wealthy business wanting to make a flop film itself is funny and interesting. It is also something that used to happen during the olden days. The screenplay gives you no time to breathe. There are plenty of bizarre happenings, both during the film shoot and the second half when the terrorism angle takes over. But, again, the fast pace and the fact that the film is honest in what it is trying to do ensures that you don’t mind that much.

The Death of Robin Hood
Adventure, Drama, Thriller, Action (English)
Grappling with his past after a life of crime and murder, Robin Hood finds himself gravely injured after a battle he thought would be his last. In the hands of a mysterious woman, he is offered a chance at salvation.
Cast:
Hugh Jackman, Jodie Comer, Bill Skarsgård, Murray Bartlett, Noah Jupe, Jade Croot, Faith Delaney, Tabitha Smyth, Beau Thompson, Alfie Lawless
Director:
Michael Sarnoski
Writer:
Michael Sarnoski

Fri, July 3 2026
Michael Sarnoski film is neither a mood piece nor a swashbuckling thrill-ride. It is a character study of a deeply unpleasant man whose self-hatred borders on the repulsive.
The term “deconstruction” is often thrown around in the world of haute cuisine, which director Michael Sarnoski took a long whiff of in his phenomenal debut feature, Pig. It starred Nicolas Cage as a reclusive former chef who lives in a self-imposed exile in the woods, accompanied by a pet truffle pig and his many demons. Pig remains one of the finest directorial debuts of the last decade, and is a great lead-in to Sarnoski’s latest film, The Death of Robin Hood.

Elle
Comedy, Drama (English)
Before Elle Woods was a fish-out-of-water at Harvard, we meet her in 1995 in the tumultuous waters of high school where she encounters tricky friendships, forbidden romance, and questionable fashion choices. In this unexpected chapter of her adolescence, we learn about the experiences that shaped Elle into the iconic young woman we've come to know and love.
Cast:
Lexi Minetree, June Diane Raphael, Tom Everett Scott, Gabrielle Policano, Jacob Moskovitz, Chandler Kinney, Zac Looker, Amy Pietz

Thu, July 2 2026
Elle reimagines an icon, reinstates that pink is powerful and a personality but struggles to recapture her spark
Elle, the 2026 reboot of Legally Blonde set in 1995, feels more like a nostalgic fan tribute than a worthy prequel. It is sweet and easy to watch, unfolding like a familiar teen campus drama, but lacks the wit, cleverness, and unmistakable charm that made the original so memorable. Written off as a shallow Barbie in her new school, Elle must win people over with empathy and sincerity. Along the way, she finds herself torn between two romantic interests — campus jock Miles and activist Dustin - builds an unlikely friendship with Shannon, clashes with resident mean girl Kimberley, and gets entangled in a controversy involving the school principal.

Silo S03
Sci-Fi & Fantasy, Drama (English)
In a ruined and toxic future, thousands live in a giant silo deep underground. After its sheriff breaks a cardinal rule and residents die mysteriously, engineer Juliette starts to uncover shocking secrets and the truth about the silo.
Cast:
Rebecca Ferguson, Common, Harriet Walter, Chinaza Uche, Avi Nash, Rick Gomez, Tim Robbins

Wed, July 1 2026
Created by Graham Yost and based on Hugh Howey's novels, Silo returns for a triumphant third season, which digs deep into the show's past lore.
The key to the future lies in the past. That’s the message of the wildly thrilling third season that returns after a year and a half on Apple TV. Led by Rebecca Ferguson, the sci-fi series Silo has always been about rebellion. But this time, it delves into the question of why. Why are the residents of Silo 18 not allowed to go outside and who is controlling them? The answers to all of these begin in the past as the series based on Hugh Howey’s trilogy finally lifts the curtain on the founders. The more that Silo reveals, the more intriguing the origin story becomes, making the sci-fi series one of the most riveting series on the streaming service.

The Bear S05
Drama, Comedy (English)
Carmy, a young fine-dining chef, comes home to Chicago to run his family sandwich shop. As he fights to transform the shop and himself, he works alongside a rough-around-the-edges crew that ultimately reveal themselves as his chosen family.
Cast:
Jeremy Allen White, Ebon Moss-Bachrach, Ayo Edebiri, Lionel Boyce, Abby Elliott, Matty Matheson, Liza Colón-Zayas, Edwin Lee Gibson

Wed, July 1 2026
Having run out of money at the end of S04, seven out of the eight episodes in S05 are set in one day of Chicago’s biblical rains, as the crew tries to make it through one more restaurant service with limited resources.
Christopher Storer’s The Bear has built a singular fan-base, since it arrived in 2022. The kitchen of a sandwich shop in Chicago becomes a place of reckoning for its dozen primary characters, battling one form of existential dread or another. It’s been nice to witness the show’s stylistic swings crystallise over the years. For instance: the loud pandemonium of the largely one-take marvel, Review (S01E07), is contrasted with the precise ASMR of Honeydew (S02E04) – when Marcus goes to Copenhagen to train as a pastry chef. The vortex of a deeply dysfunctional family in Fishes (S02E06), is followed by the winsome redemption arc of Richie in Forks (S02E07). My favourite episode in the show, Tomorrow (S03E01), relaying Carmen’s culinary journey till the end of S02 in non-linear fashion, working like a recap episode, is among the 10 most aesthetically ambitious episodes I’ve seen in my life.

Mon, June 29 2026
Created by Christopher Storer, The Bear goes out on a high after a couple of bumpy middle seasons.
It’s a changing of the guard at The Bear in the fifth and final season of the FX series created by Christopher Storer. After four years and five incredible seasons, The Bear finally bids adieu and moves ahead in a way that only it can. Jeremy Allen White, Ebon Moss-Bachrach and Ayo Edebiri have gotten us so invested in these characters, along with its large ensemble cast, and the show does a great job of wrapping it all up in a satisfactory manner. Moreover, the Emmy-winning series stays away from the mistakes of the past seasons as it closes the lights out on the restaurant while staying true to its core premise.

Heartin
Comedy, Romance, Drama (Tamil)
Fate tosses a couple into an unexpected situation with an ex-girlfriend in the mix.
Cast:
Madonna Sebastian, Sananth, Emaya T, Whatsapp Mani, Debnita Kar, Pragathi Mahavadi, Uma Padmanabhan, Ajit Koshy, Mathew Varghese
Director:
Kishore kumar
Writer:
Kishore kumar

Mon, June 29 2026
Director Kishore Kumar's Heartin, starring Sananth, Madonna Sebastian and Emaya, is a romantic drama that explores modern relationships and second chances. The film took a formulaic approach and could have benefited from better performances from its women.
There was a time when romantic dramas offered a comforting escape, especially amid the flood of hypermasculine action thrillers dominating the screens. Over the years, however, the genre has evolved to reflect changing relationships and sensibilities. Director Kishore Kumar’s Heartin is one such attempt to tell a love story rooted in modern-day relationships. Shiva (Sananth) is the head chef and partner at a Jaipur restaurant owned by his close friend Mani (WhatsApp Mani) and Mani’s wife, Ankita. During a heritage walk, he crosses paths with Sadhana (Emaya). A series of charming meet-cutes blossoms into friendship, which eventually turns into love. Yet, even as their relationship deepens, Shiva remains emotionally guarded: he rarely smiles, carries a brooding aura, and initially hesitates when Sadhana confesses her feelings.


Con City
Comedy, Crime, Drama, Fantasy (Tamil)
Follows a struggling family whose lives change when a receipt printer starts generating money after a lightning strike, leading to public chaos when society discovers the money-making machine.
Cast:
Arjun Das, Anna Ben, Yogi Babu, Vadivukarasi, Thambi Ramaiah, Ramesh Thilak, Imman Annachi, Bharadwaj Rangan, Ponvannan, Madhan Kumar Dhakshinamoorthy
Director:
Harish Durairaj
Writer:
Harish Durairaj, Ubasakan, Sudhir Muthu, Harihara Tamilselvan, Gokul Sugumaran

Mon, June 29 2026
Director Harish Durairaj's Con City, starring Arjun Das, Anna Ben, Yogi Babu and Vadivukkarasi, is a film about a family that scams. While it's an interesting idea, the film gets pulled down by randomness.
Over the years, films centred on scams have found love among fans in Tamil cinema. From Sathuranga Vettai to Doctor to Lucky Baskhar to Kannum Kannum Kollaiyadithaal, several such films have remained favourites with fans. This week, Arjun Das, Anna Ben, Yogi Babu and Vadivukkarasi are exploring this genre with director Harish Durairaj’s Con City. Did they succeed? Let’s find out! Saravanan (Arjun Das) and his wife, Mithra (Anna Ben), run a humble mess in Mangalore. They are the parents of a young, physically challenged Jeeva (Akilan) and live with Mithra’s brother, Jackie (Yogi Babu), and Janaki (Vadivukkarasi). We are shown that Saravanan and Mithra are not on talking terms, but they continue to co-parent their kid. One day, Jeeva goes missing from school, and a look at the CCTV video reveals a dark secret that unravels everyone’s backstory and how they found each other.

Mon, June 29 2026
Harish Durairaj marshals a decent found-family comedy that is hobbled in the home stretch by a middling con job
The best parts of Con City are when it tries, quite successfully, to be a found family film. It has a gentle pace and takes its time to introduce us to its lead characters and the complex manner which they come to meet one another. If Saravanan (Arjun Das) and Mithra (Anna Ben) are pushed into a life of crime as a result of their respective predicaments, the mother-son duo of Janaki (Vadivukarasi) and Jackie (Yogi Babu) are who they are simply because they want to get rich and make a movie. There’s no overt moralism in them and the fact that they all know this about themselves, makes them a family we feel like rooting for. More than their need to stick together to remain free, we feel that it’s this lack of morality that has somehow kept them together.

House of the Dragon S03
Sci-Fi & Fantasy, Drama, Action & Adventure (English)
The Targaryen dynasty is at the absolute apex of its power, with more than 15 dragons under their yoke. Most empires crumble from such heights. In the case of the Targaryens, their slow fall begins when King Viserys breaks with a century of tradition by naming his daughter Rhaenyra heir to the Iron Throne. But when Viserys later fathers a son, the court is shocked when Rhaenyra retains her status as his heir, and seeds of division sow friction across the realm.
Cast:
Matt Smith, Emma D'Arcy, Olivia Cooke, Steve Toussaint, Rhys Ifans, Fabien Frankel, Ewan Mitchell, Tom Glynn-Carney, Sonoya Mizuno, Harry Collett

Mon, June 29 2026
The Game of Thrones spinoff series is back for its third season, which finally depicts the infamous Battle of the Gullet on the high seas.
It’s time once again to align yourself with Team Black or Team Green. The matter of the Iron Throne is still not settled, as the Targaryen clan is split on who the rightful heir is. Based on George RR Martin’s Fire & Ice book series, the HBO spinoff series House of the Dragon is set two centuries before Game of Thrones. In the third season, the hemming and hawing has stopped as the civil war arrives right at the doorstep for both Rhaenyra Targaryen (Emma D’Arcy) and Alicent Hightower (Olivia Cooke), who were once friends. As the third season opens, they’ve made an unlikely arrangement; it remains to be seen how it holds as a bloody sea battle erupts and the first body falls by the end of the first episode.


The Furious
Action, Crime (Mandarin)
After Wang Wei's daughter is kidnapped by a criminal network and he receives no help from the corrupt police, Wei sets out to find her himself. His only ally is Navin, a relentless journalist whose wife has mysteriously disappeared. Fueled by a furious vengeance, the unlikely duo ruthlessly battle the kidnappers in this explosive martial arts showdown.
Cast:
Xie Miao, Joe Taslim, Yang Enyou, Yayan Ruhian, JeeJa Yanin, Brian Le, Joey Iwanaga, Sahajak Boonthanakit, Manatsanun Panlertwongskul, Kittiphoom Wongpentak
Director:
Kenji Tanigaki

Sun, June 28 2026
Kenji Tanigaki, Kensuke Sonomura and a scintillating cast deliver wave after wave of relentless, innovative action
Navin and Wang Wei start off with an action film’s version of a meet-cute: a misunderstanding and a fight. They don’t yet know they have a common purpose, or that they’ve been battling the same crime boss’s thugs. As they face off, barely any words are exchanged—Wei is mute—but there’s a conversation unfolding nevertheless, between Xie Miao’s wushu and Joe Taslim’s judo. Since the former is founded on kicking and striking, and the latter on grappling and throwing, it’s an intensely strategic altercation. In judo, if you can grab hold of an opponent, you can throw them. Wei realises this, shrugs off his jacket and rolls up his shirtsleeves. Navin reacts to this by ruefully blowing on his fingers, a judoka automatism from an actor who once represented his country in the sport.

Fri, June 19 2026
The superbly choreographed action scenes are staged everywhere from the backside of a pickup truck to an ice factory to a wrestling venue to even under sliding desks at a police station.
Hell hath no fury like a father scorned in The Furious – certainly not fury as taut, economical and razor-sharp as this film. Presumably, hell also involves a lot more chit-chat. The Furious dispenses with dialogue too; why waste your breath when you will need every ounce for the next tackle? A much-celebrated action choreographer, director Kenji Tanigaki knows that all he needs is a skeletal story with an emotional tug (in this case, kidnapped children) to set his two action stars, Miao Xe as Wang, and Joe Taslim as Navin, on a mission. Once that machine starts, it barely takes a pause.


The Voice of Hind Rajab
Drama, History (Arabic)
January 29, 2024. Red Crescent volunteers receive an emergency call. A five-year old girl is trapped in a car under fire in Gaza, pleading for rescue. While trying to keep her on the line, they do everything they can to get an ambulance to her. Her name was Hind Rajab.
Cast:
Hind Rajab, Motaz Malhees, Saja Kilani, Amer Hlehel, Clara Khoury, Nesbat Serhan, Ramy Brahem
Director:
Kaouther Ben Hania
Writer:
Kaouther Ben Hania

Sat, June 27 2026
Few films are as devastating as Kaouther Ben Hania’s Oscar-nominated and highly acclaimed The Voice of Hind Rajab — and that is partly because few stories are as tragic and gut-wrenching as this one. The film was held up by India’s censor board before finally releasing here, despite containing no onscreen violence — zero, zilch.

Mon, June 22 2026
Based on an actual incident that took place in January 2024, The Voice of Hind Rajab bares open the atrocities that have ravaged Palestine due to the war. The docu-drama uses actual audio recordings of the five year old Hind Rajab, which makes the film all the more authentic and raw.
There is a certain uneasiness inside you after you finish watching the Voice of Hind Rajab. The voice of five-year-old Hind Rajab, or Hanood as she was called fondly, continues to echo in your ears hours after the film is over. Directed by Kaouther Ben Henia, the docu-feature blends reality and fiction to deliver a heartwrenching account of a 5-year-old Palestinian girl, Hind Rajab and her urgent pleas on calls to Red Crescent volunteers to rescue her after her family was ambushed by the Israeli forces in January 2024. The Voice Of Hind Rajab is a film that is a testament to the times we live in. And while the semi-fictional semi-real film makes you uncomfortable, angry, emotional and ultimately numb, it is an important watch.

Sat, June 20 2026
“The tank is next to me.” “They are shooting at me.” “Come get me. I’m all on my own.” Few films begin with lines this freighted with irrevocability. The Voice of Hind Rajab confronts us with the real voice of a five-year-old girl whose fate is already known, stripping cinema of suspense and replacing it with something far more devastating: certainty. If urgency in the narrative holds it together as a piece of cinema, it is inevitability that makes director Kaouther Ben Hania’s docudrama an impossibly heartbreaking affair. The film is set inside the Palestine Red Crescent Society’s call centre in Ramallah on January 29, 2024. As the war between Israel and Palestine rages on, employees operate in a heightened emotional state, trained to respond to civilian SOS calls amid constant crisis. Omar (Motaz Malhees), Rana (Saja Kilani), Mahdi (Amer Hlehel), and Nisrine (Clara Khoury), the fictional leads, along with the late Hind Rajab’s real voice on a phone call, have guts of steel, but their hearts ache too, as do those of the viewers.