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Poster of the film Wild Wild Punjab

Wild Wild Punjab

Comedy Adventure Hindi


Four friends road-trip across Punjab to help one of them get over an ex-girlfriend, but are quickly caught in a fiasco like no other.

Cast:Varun Sharma, Sunny Singh, Jassie Gill, Manjot Singh, Ishita Raj Sharma, Patralekhaa, Gopal Datt, Rajesh Sharma, Anjum Batra, Samuel John, Asheema Vardaan
Director:Simarpreet Singh
Writer:Harman Wadala, Sandeep Jain
Editor:Chetan M. Solanki
Camera:Nigam Bomzan

All Guild Reviews of Wild Wild Punjab

Image of scene from the film Wild Wild Punjab

Deeply unfunny

Fox in morning light

Akhil Arora | akhilarora.com

Wed, July 10 2024

Inspired by The Hangover, the new Indian Netflix movie fails its title and attempted genre.

Early into Wild Wild Punjab—the new Indian Netflix original movie—a line of dialogue lays bare the film’s inspiration: The Hangover trilogy. It’s not implied, mind you. One of the film’s four lead characters namechecks the high-grossing franchise as a comedic reference. Except Wild Wild Punjab doesn’t stop at acknowledging its existence. It liberally borrows several subplots from The Hangover, including stealing a police vehicle, being chased by gangsters, and drunkenly marrying a random woman. But Wild Wild Punjab—directed by feature debutant Simarpreet Singh and written by Harman Wadala and Sandeep Jain—displays zero understanding of good comedic filmmaking.

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Image of scene from the film Wild Wild Punjab

Puerile buddy comedy is not wild enough

Fox in morning light

Shilajit Mitra | The Hollywood Reporter India

Thu, July 4 2024

The Netflix film starring Varun Sharma, Sunny Singh and others is a blur of ham-fisted hi-jinks and inane humour

It was evident, even before Varun Sharma clambered onto the roof of a car, unfastened his fly and shot out a tall projectile of piss, that Wild Wild Punjab was not a serious film. But is it even that wild? The aforementioned scene is probably the looniest thing that happens — a nod, perhaps, to Fukrey 3, which had an entire pee-based plotline dedicated to Sharma. The rest of Simarpreet Singh’s film is oddly strained and docile, a blur of ham-fisted hi-jinks and inane one-liners. “Respect, dude,” someone tells Sharma’s character, a compliment I cannot extend to the film.

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