Poster of the film Unknown Number: The High School Catfish

Unknown Number: The High School Catfish

Documentary English


Vulgar, taunting texts blow up the phones of a teen and her boyfriend. Who's sending them — and why? This twisty documentary reveals the shocking answer.

Cast:Lauryn Licari, Sophie Weber, Macy Johnston, Owen McKenny, Shawn Licari,
Director:Skye Borgman
Editor:Hans Ole Eicker
Camera:Bryan Gosline

Guild Reviews

Image of scene from the film Unknown Number: The High School Catfish

An outrageous true crime story gets peak Netflix treatment

FCG Member Reviewer Rohan Naahar
Rohan Naahar | The Indian Express, Secretary FCG
Sat, September 6 2025

Netflix's new true crime film narrates a story so bizarre that they could’ve made 15 different versions of it and have still had story left over.

Every so often, Netflix releases a true crime documentary so algorithmically rigorous, so obnoxiously constructed, and so casually exploitative that its success is almost a foregone conclusion. It would, in fact, be a miracle if the film didn’t break through the clutter. Unknown Number: The High School Catfish follows in the undignified tradition of films such as The Tinder Swindler and The Social Dilemma, narrating a story so bizarre that they could’ve made 15 different versions of it and still had material left over. The version presented to us, although undeniably engaging, is perhaps the least responsible way that the filmmakers could’ve approached this scandalous tale. The crime that it revisits wasn’t entirely victimless. And while Unknown Number understands the tragedy at its core — the final 15 minutes contain enough evidence to support this theory — the way it chooses to present its findings is rather odd. The film revolves around… nobody. While it could’ve chosen to approach it from the perspective of at least three different people, it decides to make the story itself the protagonist. Actively ignoring all the different human interest angles on the table is unusual for any documentarian — one could argue that it is their job to uncover human arcs by sifting through hours and hours of raw footage — but that is what director Skye Borgman does here.

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