The Storyteller

Director Ananth Narayan Mahadevan, in partnership with writer Kireet Khurana, has extended Satyajit Ray’s short story Golpo Boliye Tarini Khuro into The Storyteller, a 116-minute drama available on Disney+ Hotstar. Tarini Bandopadhyay (Paresh Rawal) is a recently retired writer, whose longest assignment lasted 13 weeks. He’s a widower who is content with his Calcutta life and takes meticulous care of his Ambassador car. Conversations with his fellow comrades, over fish fry and fish curry, are rarely without mention of Capitalism and its ills and almost always end with ‘Tarini tales’. Tarini is a wonderful storyteller. Even after his wife gifted him a pen to encourage him, Tarini never recorded his imaginative and original stories.

Tarini Bandyopadhyay, a widowed elderly Bengali man with a son, has long stints at many publishing houses, but never takes it upon himself to be an author, despite being a gifted communicator and storyteller. After his retirement, he’s hired by an Ahmedabad-based businessman Ratan Garodia, suffering from chronic insomnia, to tell stories in the hope of finding sleep.

A Satyajit Ray short story becomes the basis of ‘The Storyteller’, an unhurried unspooling of an unlikely relationship between two men, separated by geographies, backgrounds, and, most crucially, intent. The result is a film which takes its time to lay out its wares, demanding your patience, which does get a trifle stretched, but overall rewards you for it. Tarini Bandhopadhyaya (Paresh Rawal) is a 60-something Bengali gent who loves fish and hates capitalism with equal passion. Ratan Garodia (Adil Hussain) is a Gujarati businessman who has everything except the comfort of sleep.

सिनेमा के लिए लिखी गई हर कहानी बड़े पर्दे के लिए नहीं होती। होती, तो लंबे अर्से से बन कर रखी यह फिल्म काफी पहले रिलीज़ हो गई होती। एक सच और भी है कि सिनेमा के लिए लिखी गई हर कहानी पर ‘सिनेमा’ बन ही जाए, यह भी ज़रूरी नहीं। इसी कहानी को ही देखिए। कोलकाता में रह रहा तारिणी बंदोपाध्याय अखबार में विज्ञापन देख कर अहमदाबाद जा पहुंचता है जहां उसे एक ऐसे अमीर कारोबारी रतन गरोडिया को कहानियां सुना कर सुलाने का काम मिलता है जिसे नींद न आने की बीमारी है। कहानियां सुनने-सुनाने के दौरान इन दोनों की बातें इस फिल्म को एक अलग दिशा देती हैं। फिल्मकार सत्यजित रे ने बतौर लेखक जो लोकप्रिय किरदार रचे उनमें एक पात्र तारिणी खुरो का भी था। इस किरदार को केंद्र में रच कर लिखी गईं उनकी ढेरों कहानियों में से आखिरी कहानी ‘गोल्पो बोलिए तारिणी खुरो’ यानी ‘कहानियां सुनाने वाला तारिणी अंकल’ थी। उसी लघु कथा को आधार बना कर तीन लेखकों ने इस फिल्म की पटकथा तैयार की है जिसमें इंसानी जीवन और दुनियावी पेचीदगियों के बारे में बातें हैं। लेकिन इस फिल्म के साथ दिक्कत यही है कि इसमें बातें ही बातें हैं। हालांकि ये बातें बुरी नहीं हैं और इन्हें ध्यान से सुना जाए तो ये कुछ बताती-सिखाती ही हैं।

To pick one from the ultimate storyteller’s repertoire requires a special talent. Writer- director Ananth Narayan Mahadevan has done just that–he has unerringly chosen a subject that blends two cultures (Bengali, Gujarati), poking fun at neither but having fun all the same. It’s not just about retired storyteller Tarini Bandopadhyay (Paresh Rawal) feeling the fish and bargaining before buying it in Calcutta or the strict vegetarian dhokla-thepla that he says is “delectable” to his wealthy host Ratan Garodia (Adil Hussain) in Ahmedabad while muttering, “disgusting” over the phone to fellow Bengalis. There’s a good-natured swipe at capitalism and socialism too. To this, add unpreached undercurrents like the need to evaluate your self-worth with confidence along with some intrigue on where this is going, and you get Satyajit Ray’s short story Golpo Boliye Tarini Khuro.