
The Roses
Comedy Drama English
Life seems easy for picture-perfect couple Ivy and Theo: successful careers, a loving marriage, great kids. But beneath the façade of their supposed ideal life, a storm is brewing – as Theo's career nosedives while Ivy's own ambitions take off, a tinderbox of fierce competition and hidden resentment ignites.
| Cast: | Benedict Cumberbatch, Olivia Colman, Andy Samberg, Kate McKinnon, Allison Janney, Ncuti Gatwa, Jamie Demetriou, Zoë Chao, Belinda Bromilow, Sunita Mani, |
|---|---|
| Director: | Jay Roach |
| Editor: | Jon Poll |
| Camera: | Florian Hoffmeister |

All Guild Reviews of The Roses

Benedict Cumberbatch and Olivia Colman spar memorably

Director Jay Roach, Cumberbatch and Colman successfully reimagine the dark marital comedy ‘The War of the Roses’
The Roses is director Jay Roach and screenwriter Tony McNamara’s reimagining of the 1989 film The War of the Roses, which starred Michael Douglas and Kathleen Turner in an untamed marital war. In the 2025 version, Benedict Cumberbatch and Olivia Colman take on the marital troubles of a modern couple in this black comedy that feels at once familiar and also entirely new. Ivy Rose (Colman) and Theo Rose (Cumberbatch), negotiate the challenges of professional and personal life as they move from unshakable love to complete hatred. The Roses’ love story starts just as impulsively as it ends—passionate, spontaneous, till death do them part. She’s a chef, he’s an architect. They move from the UK to California to explore and expand their creativity.

Wonderfully Thorny, Deceptively Poignant

The Roses is a caustic satire about a wealthy couple struggling to stay married. Unlike most couples content to survive, the Roses strive to live — they say what they feel and do what they say.
Based on Warren Adler’s novel The War of the Roses, Jay Roach’s The Roses is fundamentally different from Danny DeVito’s 1989 film adaptation starring Michael Douglas and Kathleen Turner. The caustic black comedy about a wealthy American couple going through a bitter divorce is reframed as a caustic satire about a wealthy British couple struggling to stay married. The razor-sharp humour is a coping mechanism for the characters, not so much a narrative genre. When they’re mean to each other, it’s amusing because of how creatively they weaponise words, but it’s also dark for how far they’re willing to go to wound each other. When they’re not mean, it’s tense because a barb or two — like a jumpscare in ghost stories — might just be around the corner. Watching them is like being trapped in a room with a dysfunctional couple and second-hand embarrassment.
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