Poster of the film The Old Guard 2

The Old Guard 2

Action Fantasy English


Andy and her team of immortal warriors fight with renewed purpose as they face a powerful new foe threatening their mission to protect humanity.

Cast:Charlize Theron, KiKi Layne, Matthias Schoenaerts, Marwan Kenzari, Luca Marinelli, Veronica Ngo, Chiwetel Ejiofor, Uma Thurman, Henry Golding, Kamil Nożyński, Slavko Sobin
Director:Victoria Mahoney
Editor:Matthew Schmidt
Camera:Barry Ackroyd

Guild Reviews

Image of scene from the film The Old Guard 2

Charlize Theron and Uma Thurman chew each other up in Netflix’s cheap-looking sequel

Fox in morning light

Rohan Naahar | Independent Film Critic

Fri, July 4 2025

Despite featuring a stellar cast headlined by Charlize Theron, Netflix's action-fantasy sequel feels incomplete; as if the crew shot only 70% of the script.

We had no idea how good we had it in July 2020. Little did we know, for instance, that the pandemic just… wouldn’t end. Petrol was cheaper, the air was cleaner, and we were getting used to life at home. Plus, you could still count on Netflix to occasionally produce an impressive film or two. Extraction remains one of the slickest action movies of the last five years; in fact, it basically cannibalised The Old Guard, an equally good Netflix original that debuted only a few weeks later. Starring Charlize Theron alongside an overqualified supporting cast, the movie screamed for a sequel, which was quickly approved. But did you know that The Old Guard 2 was shot three years ago? The movie had been sitting on the shelves for quite some time before being released this week, and it shows. In case you weren’t aware that The Old Guard 2 existed, don’t blame yourself; it’s not your fault. Netflix has been suspiciously quiet about it, perhaps because the finished movie resembles a work-in-progress — a film that hasn’t yet been streamlined on the edit table. It retains the hyperreal gloss of ungraded raw footage, while giving the strong impression that what we’ve been presented with is some kind of unfinished cut. Among the film’s many flaws — we’ll get to the rest momentarily — is Barry Ackroyd’s flat cinematography.

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