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Poster of the film The Legend of Karna

The Legend of Karna

Animation Action & Adventure Drama Hindi


A warrior from the Mahabharata who is born to Kunti and the Sun God Surya but raised in a charioteer’s household. He possesses the gift of bow mastery that rivals the greatest warriors of his age, compelling him to enter a grand tournament usually reserved only for kings and princes, altering the course of an empire forever.

All Guild Reviews of The Legend of Karna

Image of scene from the film The Legend of Karna

SonyLiv animated series fights a losing battle

Fox in morning light

Rohan Naahar | Independent Film Critic writing for The Federal

Fri, July 31 2026

A retelling of the Mahabharata from the warrior Karna’s perspective, the series has been created by Sharad Devarajan and Jeevan J. Kang, but the characters are two-dimensional, and the philosophical rumination integral to the text is dispensed in sound bytes ready-made for reels.

The fundamental issue with adapting mythological epics in India is that there’s very little adaptation going on, avoiding straying too far from the source. But the issues with SonyLIV’s new animated series, The Legend of Karna, are twofold. Not only does the show struggle to find anything new to say about one of the greatest stories ever told, the Mahabharata, but it also can’t decide whom it is targeting. Too verbose for children and too simplistic for adults, The Legend of Karna ultimately finds itself in no man’s land, fighting a war that it was always going to lose. The irony. A retelling of the Mahabharata from the warrior Karna’s perspective, the series has been created by Sharad Devarajan and Jeevan J. Kang, with none other than Anup Soni, of “Saavdhan Rahein, Satark Rahein” fame, voicing the titular character. The Legend of Karna, to its great misfortune, finds itself sandwiched between Christopher Nolan’s The Odyssey and the upcoming two-part Ramayana starring Ranbir Kapoor. Needless to say, it cannot compete with either of those projects in terms of production values or scope. There was, however, an opportunity to present a more internal take, especially since the writers were under no burden to flesh out the scores of characters in the Mahabharata.

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