The Bride
Science Fiction Horror Comedy English
A lonely Frankenstein travels to 1930s Chicago to ask groundbreaking scientist Dr. Euphronious to create a companion for him. The two revive a murdered young woman and The Bride is born. But what ensues is beyond what either of them imagined.
| Cast: | Jessie Buckley, Christian Bale, Jake Gyllenhaal, Annette Bening, Peter Sarsgaard, Penélope Cruz, Jeannie Berlin, John Magaro, Julianne Hough, Louis Cancelmi, Linda Emond |
|---|---|
| Director: | Maggie Gyllenhaal |
| Writer: | Maggie Gyllenhaal |
| Editor: | Dylan Tichenor |
| Camera: | Lawrence Sher |
Guild Reviews
Powerful and radical but narratively unruly
Maggie Gyllenhaal’s feminist reimagining of The Bride of Frankenstein is both powerful and radical, though its ambition veers towards narrative incoherence.
It’s the season of gothic romance and yet another Frankenstein’s Monster adaptation, but this one occupies a space closer to Joker: Folie à Deux. Like Joker and Harley Quinn, it centres on two damaged beings who find solace in each other as they take on the world with vengeance. While this film echoes the tempo of Joker, themes of deep-seated trauma, male loneliness, and the muzzling of the female voice within a patriarchal society lie at the heart of Maggie Gyllenhaal’s bold and provocative universe. Feminist, punk, gothic, and violent yet deeply empathetic, the Bride mirrors the Joker’s anarchic spirit but carries a sharper, more self-aware edge. While the Joaquin Phoenix-Lady Gaga film leaned into shared madness through its operatic psychology, the Bride surpasses it in imaginative scope and theatrical boldness, embracing a more expansive, Broadway-infused narrative style.
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