Tere Ishk Mein

Mukti’s stalker has just turned up at her engagement party and thrown Molotov cocktails. She responds by hugging and trying to reason with him. He blames her for everything, threatens to kill her, kill himself, suggests the two of them die by suicide. When he’s finally dragged off by the police, she breaks down in the arms of her fiancé, tells him their tortured history. What manner of comfort might Jassi offer his future wife? The first thing he says is, “Shouldn’t you apologize to him?"

The latest entrant in Bollywood’s twisted math of intense love = toxicity and male entitlement is Tere Ishk Mein. Which doesn’t come as a surprise considering that this is not new terrain for director Aanand L. Rai. The man is a repeat offender, having glorified stalking and toxic masculinity packaged as a tragic tale of unrequited love a dozen years ago in Raanjhanaa. That Tere Ishk Mein is said to be set in the same universe as Raanjhanaa is significant; that it is backed by a production house (T-Series) which has put monies on films like Animal and Sonu Ke Titu Ki Sweety is even more telling.

Things are very easy in Aanand L Rai’s world. A local goon who doesn’t know the full form of UPSC in one scene can clear the prelims in the next. A man who is in and out of jail for creating a ruckus on campus can become one of the bravest officers of the Indian Air Force. A raging alcoholic, who is popping anxiety pills by the hour, is a counsellor for the Defence forces (god save our soldiers from such counsellors) and given the task to counsel a problematic officer at the Indo-China border, while she is herself 9 months pregnant. Call it easy or indulgence, but Rai’s latest film Tere Ishk Mein- starring Dhanush and Kriti Sanon- has plenty of such obscure stuff decorating a very problematic story. The film celebrates toxicity like a festival, and glorifies pain and suffering in the name of love.

Director Aanand L Rai’s new film poses an old question: can love douse the flames that violence sparks? Its search for an answer takes it nowhere in particular. But inevitably for a film dedicated to “Mahadev and his Ganga”, Tere Ishk Mein makes a brief stopover in the holy city of Benaras, where a priest-philosopher (Mohammed Zeeshan Ayyub in a special appearance) holds forth on love, death and salvation.