Sumo

The first time you meet Yoshinori Tashiro in Shiva’s latest film, Sumo, he is wearing a mawashi, the outfit worn by Sumo wrestlers. Apparently, he washed up the shores of Chennai, and has the mental makeup of a 1.5-year-old child. And somehow, that means, the wrestler’s only focus is to satiate his tremendous appetite. He finds an immediate connection with Shiva (Shiva) because… well, you need a reason for the movie to move on, and they didn’t find anything else to do. Willing suspension of disbelief, anyone? After this point, we are asked to willingly suspend our disbelief on multiple occasions, and we would have done exactly that if the film didn’t abruptly shift tones in every second scene to thrust a sense of reality in the world of absurdity.