Rana Naidu S02

Rana Naidu is back for a second-go-round, and this season is as kinetic as the first, fists and bullets flying. It also dials down the crassness, which is a good thing. The close ties that keeps the Naidu parivaar together are still intact, though, and that gives this heavy-on-action saga the occasional emo touch, which we saw in the first season. This franchise, adapted from American crime drama ‘Ray Donovan’ for India by Karan Anshuman, is shaping up to deliver on what it promises: a family man trying to do his best to keep his embattled flock safe even as he goes full tilt at what he is paid to – fix things for powerful people.

बाहरवालों के लिए अमीरों के लफड़े फिक्स करने वाला नंबर वन फिक्सर, मगर परिवार के लिए जान छिड़कने वाला फैमिली मैन राणा नायडू एक बार फिर दर्शकों के बीच आ चुका है। ‘बाहुबली’ के भल्लालदेव यानी साउथ स्टार राणा दग्गुबाती की मुख्य भूमिका वाली सीरीज का पहला सीजन सेक्स सीन, गालियों और हिंसा की भरमार के लिए आलोचना झेलने के बावजूद स्टाइलिश एक्शन, थ्रिलर और फैमिली ड्रामा की वजह से पसंद किया गया था। लिहाजा मेकर्स अब उन्हीं मसालों के साथ ‘राणा नायडू’ का दूसरा सीजन लेकर आए हैं। सीरीज में इस बार भी जोरदार एक्शन, मारधाड़, हिंसा, बोल्ड सीन जैसे पुराने तड़कों के साथ सियासत, सिनेमा, क्रिकेट का कॉकटेल परोसा गया है। हालांकि, इन सारे मसालों के बावजूद मूल सामग्री यानी कहानी की मात्रा गड़बड़ाने के कारण सीरीज का स्वाद फीका रह गया है। अमेरिकी क्राइम थ्रिलर सीरीज ‘रे डोनोवन’ का देसी अवतार यानी अपना राणा नायडू (राणा दग्गुबाती), अब वह दूसरों की गंदगी साफ करने वाले फिक्सर के अपने पुराने धंधे को छोड़कर पूरी तरह फैमिली मैन बनने का फैसला करता है। हालांकि, वह ऐसा करने की सोच ही रहा होता है कि उसका अतीत रऊफ मिर्जा (अर्जुन रामपाल) का रूप धारण करके उसके सामने आ जाता है और उसके बेटे का किडनैप हो जाता है। जाहिर है राणा को वापस अपराध में उस दलदल में उतरना पड़ता है। इस चक्कर में उसकी मुठभेड़ होती है, काले धंधे करने वाले सफेदपोश रईस विराज ओबरॉय (रजत कपूर) से।

Rana faces a deadly mission to rescue his kidnapped son Ani, reluctantly teaming with his estranged father Naga. His conflict with underworld kingpin Rauf escalates, involving family tensions, a dangerous heist, and brutal attacks on his allies. As betrayal looms, Rana joins hands with a business honcho, Viraj Oberoi, to protect his family and confront Rauf’s forces, going on the offensive. Rana Daggubati is totally in his zone as the angsty, middle-aged fixer and family man. He’s solid as a flawed character willing to do whatever it takes to protect his people. With his action-hero vibe, natural ease in family scenes, and steady presence around shady power players, he once again delivers strong, impactful screen presence. Surveen Chawla, as his troubled partner, delivers well in a meatier role this time.

When things take a dark turn in Rana Naidu season two, Rana (Rana Daggubati) tries to reassure his daughter Nitya (Afrah Sayed) that everything will be fine. She retorts that nothing will ever be the same. This exchange encapsulates the story’s core, which follows the consequences of Rana’s actions as a fixer in Mumbai, tasked with managing the scandals of celebrities. Written by Karan Anshuman and Ryan Soares, with dialogues by Vaibhav Vishal, the series is directed by Suparn S Varma, Karan Anshuman and Abhay Chopra. It traces Rana’s attempts to protect his family while continuing his long-standing conflict with his father, Naga Naidu (Venkatesh Daggubati). Loosely adapted from the American series Ray Donovan, the first season drew criticism for making Venkatesh, a long-time favourite in Telugu family films, deliver frequent expletives for shock effect. The new season offers a more restrained portrayal. Venkatesh avoids most of the profanity, though others around him do not. Unlike the first season, which opened provocatively, this one begins with Venkatesh practising pranayama — the calm before the storm.

A whole lot of nothing happens in Season 2 of Rana Naidu, the Indian adaptation of Ray Donovan. The first season (2023) was populist and provocative for the heck of it, what with its look-maa-sex-gore-expletives rhythms. But at least it was a world-building phase, where fan service prevailed (the casting coup of a star uncle-nephew duo) and viewers could be introduced to the concept of a badass Hyderabadi “fixer” in Mumbai, his daddy issues, and the endless struggle to fix his own family. It was like watching a celebrity gossip column posing as an OTT-template action thriller. A slog, but a new one.

Rana Naidu is a series about family ties (and often, the lack of it). With the first season being semi-criticised for its overt violence and depiction of gratuitous sex, Season 2 of the Netflix show sees its makers go slightly easy on the former and mostly do away with the latter. The result is eight episodes that perhaps reach out to a wider demographic, but a series that has lost much of its bite. And we don’t mean just in terms of the (rather welcome) clampdown on cuss words. What Rana Naidu does carry forward from one season to the next is the absence of nuance. This is an example of writing, directing and acting which is pretty much on the nose. Subtlety has been a bad word in the world of Rana Naidu, and it continues to be so. Rana Naidu is an adaptation of the American TV show Ray Donovan. A strongly written and stylishly executed series that kept viewers more or less hooked, despite its shortcomings, Ray Donovan benefited greatly from superlative acts by Liev Schreiber and Jon Voight, playing a father and son who cruise through the world of crime with a prickly, unresolved dynamic hanging like the sword of Damocles over their heads.

The second season of Rana Naidu is more emotional and well-rounded than the first. After a couple of choppy early episodes, the Netflix show offers fuller character arcs that offset the sweeping brutality and heavy use of profanity. The Indian adaptation of the American series Ray Donovan stars Rana Daggubati as a fixer for celebrities, politicians and businessmen. Venkatesh Daggubati is Rana’s chaotic and untamed father Naga. Surveen Chawla plays Naina, who is in a strained marriage with Rana. Sushant Singh and Abhishek Banerjee play Rana’s brothers Tej and Jaffa, respectively. Created by Karan Anshuman for India, the eight-part season is helmed by Anshuman, Suparn S Varma and Abhay Chopra. The new instalment is elevated by the menacing antagonist Rauf, played by Arjun Rampal, who brings a compelling mix of villainy and impenetrability. Rauf is a formidable adversary to Rana, always a few steps ahead and unflinchingly violent.