Pushpa 2

It opens on a Japanese port with a clever twist to the famous song ‘Mera joota hai Japani’, giving a miss to the second line that talks of the country, now an aggressor. But the aggression in the film is a given. What follows is a high-on-adrenaline action sequence almost like a climactic scene. So, where can Pushpa go from such a strong build-up? Well, back to where it began, right to Pushpa’s childhood and the indignities he suffered due to his illegitimate bearings.

Pushpa: The Rise (2021). Writer-director Sukumar had thrown a revenge-seeking SP Bhanwar Singh Shekhawat (Fahadh Faasil) on the trail of Pushpa Raj (Allu Arjun) even as the cheeky red sandalwood smuggler was happily taking his wedding vows with the love of his life, Srivalli (Rashmika Mandanna). Five baits have kept the audience agog for the last three years. What will happen to the sizzling chemistry of Pushpa and Srivalli? How will the face-off between strong opponents Pushpa and Bhanwar play out? Will the item number in the sequel match or surpass the saucy raunchiness of Samantha-Allu’s ‘Oo antava’? Will the dances and songs have risque-naughty moves once again?

Q. Why can’t Miley Cyrus afford to buy Pushpa?
A. ‘Pushpa flower(s) nahin, fire hain.’

This PJ masquerading as a riddle — something which I made up while writing this review — is perhaps as low IQ as it can get. Much like the Pushpa franchise, which thrives on being low IQ, but does one thing pretty much consistently: it serves up, in Silk-speak, what it promises — entertainment, entertainment and more entertainment. Pushpa 2: The Rule, arriving three years after Pushpa: The Rise that became a bona fide pan-India blockbuster and laid the foundation for a big-budget franchise, packs a punch in almost all departments, even going up a notch or two from the first film.

Sukumar, the writer-director of the Pushpa franchise, is something of a genius when it comes to staging setups and their rewarding payoffs. At certain points in Pushpa 2, you sense how he’s working towards a series of payoffs, some that were set-up in the earlier portions of the first film, which is set 20 years before the events of the sequel. At other points, the payoffs are immediate, giving these scenes an elegant beginning, middle and an end that is so good, they can be developed into standalone short films capable of amassing millions of views.