Peddi

Baahubali, KGF and Salaar’s success has set a trend: films increasingly become hype instruments for their heroes. The template is now painfully familiar: a stranger arrives in town, bewildered by the hero’s omnipresent worship. He then meets another archetype: the hypeman, clearly of the land, dispenses worldly wisdom like a street philosopher. The stranger, suitably elitist and condescending, serves as the audience surrogate. The hype rural man becomes the narrator. In Peddi, Boman Irani gets the thankless honour of the uber-cool stranger, dragged through a dense forest by the hypeman just to hear the legend of Peddi (Ram Charan).

Pudathama enti malli? (Will we be born again?), Ram Charan’s character Peddi asks at several points in his new Telugu film directed by Buchi Babu Sana. More statement than question, the line underscores the protagonist’s belief that life comes only once, and his determination to stop at nothing to achieve his goal. Buchi Babu frames Peddi’s fight for his own identity and that of his village like a sports biopic, powered by Ram Charan’s performance, A.R. Rahman’s music and R. Rathnavelu’s evocative visuals. The 189-minute film travels back to the 1990s. When a member of the Indian Olympics Association, played by Boman Irani, witnesses an extraordinary spectacle in and around Vizianagaram, Andhra Pradesh, he is drawn into Peddi’s story. At its core, the film is centred on the struggles of sugarcane field labourers in the region. Yet, its storytelling borrows liberally from sports dramas across languages, evoking everything from Sarpatta Parambarai to Chandu Champion and Bhaag Milkha Bhaag.