Param Sundari

A pamphlet from the Kerala Tourism department will mention

• Elephants
• Kalaripayattu
• Boat races
• Coconut trees
• Lungis
• Banana leaf meals
• Mohini Attam

Why director Tushar Jalota needed co-writers Gaurav Mishra and Aarsh Vora to tell the story of billionaire baap ka beta Param Sachdev (Sidharth Malhotra) and Sundari (Janhvi Kapoor) is curious for it doesn’t go beyond the tourism pamphlets of the scenic state. Ah, yes, what the pamphlets miss and Jalota gets is that God’s own country is unwelcoming of guests, calls their shorts chaddis and insists on a lungi. It’s called fun, in Jalota language. In a shrinking world where barriers between the North and the South have come down, alongside tech talk like apps, AI and algorithms, Jalota flies the Punjabi munda to Kerala who gapes at its culture and its people like he’s in a different galaxy. Param has used a new app to find his soulmate and there she is doing the Mohini Attam in her home stay. Soon, Sundari must give him the mandatory dressing down on how Kerala is different from Tamil Nadu like he’s been living in a North Indian cave.

Punjabi ‘munda’ meets Malayali ‘penkutti’ in Param Sundari, and everything happens by the numbers. End of story. Wait, there’s 136 minutes of the film, which struggles to find both the rom and the com, from the beginning to the end, finding its feet only towards the last half an hour. By which time Param (Sidharth Malhotra) and Sundari (Janhvi Kapoor) have finished with their meet-cute in a small Kerala town homestay, gone into the long second act which perks up only when such supporting actors Manjot Singh (hero’s BFF) and Renji Panicker (the heroine’s brusque uncle) show up, finally fetching up at their DDLJ moment, where you can see the spark, fleetingly, between the good-looking leads.

Param Sundari is assemble-your-own-Kerala for dummies. Start with backwaters. Add elephants. Better still: elephants being sung the Malayalam lyrics from ‘Jiya Jale’. Toss in a Mohanlal song. Kalarippayattu. Mohiniyattam. Onam. Ayurveda. Unironic use of ‘god’s own country’. Nurses. Mundus. Red flags. Churches. Boat races. Tushar Jalota’s film hangs its Kerala fetish on the flimsiest of premises. Param (Sidharth Malhotra) is an amiable Delhi failson who keeps launching unsuccessful startups bankrolled by his wealthy father (Sanjay Kapoor). He’s intrigued by a new app called Find Your Soulmate, which matches your unique ‘frequency’ to the one person who’s meant for you. It’s the kind of faux-scientific woo-woo that would set anyone’s alarm bells ringing. Not Param, though, who’s thrilled to learn that his own soulmate is apparently in a small town in Kerala. After informing papa, he sets off to beta test.