Poster of the film Nishaanchi 2

Nishaanchi 2

Drama Crime Hindi


After another stint in jail, Tony finds that Rinku, his one true love and hope, has been taken by his brother Dabloo. This shocks him into reforming, but Ambika drags him back into crime, with Kamal on his trail. How Manjari gets to have the last laugh, with Tony, Ambika and Kamal at the forefront, forms the rest of the two-part gangster drama.

Cast:Monika Panwar, Aaishvary Thackeray, Vedika Pinto, Mohammed Zeeshan Ayyub, Kumud Mishra, Raghav Juyal
Director:Anurag Kashyap
Writer:Prasoon Mishra, Ranjan Chandel, Anurag Kashyap
Editor:Aarti Bajaj
Camera:Sylvester Fonseca

Guild Reviews

Image of scene from the film Nishaanchi 2

O Brother, Where Art Thou?

Fox in morning light

Shilajit Mitra | The Hollywood Reporter India

Thu, December 18 2025

Anurag Kashyap is at his most bewilderingly vague in the concluding chapter to the 'Nishaanchi' saga

Babloo Nishaanchi (Aaishvary Thackeray) is at the end of his rope. Recently released from prison, after a ten-year stint, he finds himself in freefall. A belated discovery about his twin brother and the woman he loved most sends him over the edge. Babloo fumes drunkenly by a pond. He screams into the void. Funnily, the void screams back — there’s a random man on the opposite embankment, mimicking and mocking our hero’s exertions. This scene has the Anurag Kashyap touch: impotent rage and self-pity undercut by absurdist humour.

Continue reading …

A Spotify Review

Fox in morning light

Rohan Naahar | Independent Film Critic

Fri, November 28 2025

A Spotify Review

Fox in morning light

Akhil Arora | akhilarora.com

Mon, November 24 2025

Nishaanchi: Part 2 features arguably the best climax that Anurag Kashyap has ever orchestrated. We discuss the two-part experience as a whole, Kashyap’s modern update to old-school Bollywood tropes, and the magnetism of Monika Panwar’s Manjari. We also discuss the film’s broader themes of revenge, the stylistic influences, and welcome Kashyap’s long-awaited return to form.

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