Mask

Mask opens with a heist done by a masked gang, and a quirky voiceover by director Nelson. He introduces the players in a rather whimsical way. We have a gang of robbers. We have the philanthropist Bhoomi (Andrea Jeremiah), who needs to find the robbers. We have politician Manivannan (Pawan Krishna), who also needs to find the robbers. And then… we have Velu (Kavin), who… You guessed it right… has to find the robbers. And what do the robbers have to do? Exist in plain sight and wait for the various players to find their way to them. But Mask doesn’t build up to a crescendo as most of the films in this genre do. Instead, it is happier giving brief bursts of energy that might not stay for long, but it is entertaining while it lasts.

Vikarnan Ashok’s Mask begins in chaos. Not of the good cinematic kind. It’s not a film with a handful of characters overwhelmed by their own endgames. It’s not the cinema where chaos is orchestrated to give the audience a high, one where so many things happen so fast that we hold our breath in unison, only for that single moment to strike when we let loose. Mask inadvertently orchestrates chaos. It has a narration voiced by director Nelson Dilipkumar. It has overlapping dialogues, layer over layer, along with this narration. It also has GV Prakash’s incongruent score. We witness a loot, Money Heist style but with MR Radha masks and then Nelson introduces us to a host of characters, chiefly Velu (Kavin), who has caused two deaths thanks to his paramour Rathi (Ruhani Sharma), and Bhoomi (Andrea Jermiah), a philanthropist who saves children from human trafficking but she might also be into the flesh trade and probably moonlights as a power broker. Confused much? Mask is one such hurriedly put-together meal of different cuisines with no flavour profile.