Made in Korea
Romance Drama Tamil
A woman from a small town in Tamil Nadu moves to South Korea — a place she always dreamed of — but struggles to find her footing in a foreign land.
| Cast: | Priyanka Arul Mohan, Park Hye-jin, Rishikanth, Thirunavukkarasu, |
|---|---|
| Director: | Ra. Karthik |
| Writer: | Ra. Karthik |
| Editor: | Anthony |
| Camera: | Prasanna S. Kumar |
All Guild Reviews of "Made in Korea"
A Spotify Review
Netflix’s new Indian original movie, Made in Korea, is a lazy excuse of a film made by an inept group of people with no idea what they’re doing. The very existence of such slop is a slap in the face of talented filmmakers who struggle for decades trying to do honest work. This is an insult not only to them, but also to audiences who pay hard-earned money to Netflix every month. Here is proof that the unemployment crisis isn’t restricted to men. We discuss the film’s clueless protagonist, her pointless motivations, and the aimless narrative that she is confined to. We also raise questions about the plausibility of such a premise, and the movie’s cartoonish attempts to “honour” Korean culture.
A Seoul-Less Drama Made for Algorithms
Cultural appropriation seldom feels as inappropriate as it does in this Priyanka Mohan-starrer
Made In Korea is quite the clever title for the film it turned out to be. The most obvious reading is that the film was made in Korea, but it indicates the coming-of-age story of a lady named Shenba (Priyanka Mohan), giving us the sense that the real Shenba was made in Korea after she migrates there. And then there is the pun. After Shenba makes her way to Seoul, she finds work in a mansion as a ‘maid’, looking after the old lady who lives there. But there ends anything one can remotely term clever about this film.
Priyanka Mohan's Film Is Underwhelming Cross-Cultural Tale About Friendship, Identity
Writer-director Ra. Karthik’s South Korean adventure starring Priyanka Mohan has a promising start but fizzles out towards the finale.
The Tamil film Made in Korea reveals that there is a tangible connection between Tamil Nadu and South Korea. In 48 AD, Princess Sembavalam, aka Queen Heo Hwang-ok, from Tamil Nadu, went to start her new life in South Korea after marrying King Suro of the Gaya Kingdom. The protagonist of the South film, Shenba, becomes fascinated with the country after dressing up as the young queen at school one day. The feature, written and directed by Ra. Karthik follows a different kind of adventure as Shenba struggles to survive in the land of her dreams. Priyanka Mohan plays the young woman in the mediocre coming-of-age story.
Wants to Be Seoul-Ful, but Falls Short
The Priyanka Mohan-starrer on Netflix is a little like aegyo: cutesy enough about the "what", but never quite getting to the heart of the "why" and "how"
HALLYU is all encompassing — so universal that there isn’t a generation for which it is alien, and not many cultural exports can boast of that. Across millennials, Gen Z, and every Greek alphabet in between, the Korean Wave cuts across age groups and class with equal ease, taking the form of films, K-Dramas, and K-Pop — be it BTS to Blackpink and beyond. It is therefore not surprising that the Korean influence itself becomes a key element in storytelling, for it is such a big part of the lives of anyone who has consumed the internet and media in the last decade. It also lends naturally to Tamil, which shares curious similarities with Korean — enough to have sparked both linguistic scholarship and colourful folklore about their shared origins.
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