Maargan

Kolai, Raththam, Mazhai Pidikathavum Manidhanum, Hitler… after such a barrage of misses, a sense of prejudice is expected to set in when Vijay Antony comes up with another crime thriller. But a few minutes into the film, Maargan assures you that the streak will be broken. It exhibits good craftsmanship despite ticking all the boxes of genre films and treads carefully without breaching the territory of clichés. To top it all, it sets up an engrossing supernatural premise involving Siddhars and astral projections that effortlessly win you over. Tamil cinema tends to get overly didactic and self-congratulatory when it ventures into such themes of ancient knowledge. However, Leo John Paul’s success lies in the way he effortlessly sells you his ruse. The trick, after all, is not to convince you to believe but to entertain enough that you don’t mind. To give the context, Maargan is an investigation thriller where an archetypical resigned police officer, Dhruv (Vijay Antony), takes up a case that looks similar to the murder of his daughter. A Chennai girl, on her birthday, is murdered by an unknown killer using a chemical cocktail which, when injected, burns the body from the inside, turning it black. Dhruv takes over the case unofficially and arrests a suspect named Tamilarivu (Ajay Dishan), a brilliantly written role. As Tamil is subjected to police interrogation, it is realised that he is innocent but has supernatural abilities that would aid the investigation. With his astral projection abilities, he puts himself at risk of finding the killer, which also turns out to be an effective surprise.

Music director-turned-actor Vijay Antony has a knack for picking interesting stories. However, his choices in the last few years have been questionable. The actor now returns with ‘Maargan’, a crime thriller about a serial killer. Will ‘Maargan’ provide a much-needed respite to Vijay Antony from a string of underwhelming films? Let’s find out! Dhruv (Vijay Antony), ADGP in Mumbai, is grieving the loss of his daughter, who was murdered by a serial killer. He is notified of another similar murder in Chennai. One connection between both cases is that the killer seems to have injected a drug which blackens one’s body. Dhruv expresses interest in transferring to Chennai to investigate the murder. However, his superiors don’t let him as he is recovering from the loss of his daughter. His left side is blackened after he gets injected with the drug while trying to nab the killer.