
Maareesan
Thriller Tamil
In an unusual situation, Velayudham sets out on a journey with Dhaya from Nagercoil to Tiruvannamalai-a journey that will alter both their lives in ways they never imagined.
| Cast: | Vadivelu, Fahadh Faasil, Kovai Sarala, Sithara, Renuka, Vivek Prasanna, P.L. Thenappan, Saravana Subbiah, |
|---|---|
| Director: | Sudheesh Shankar |
| Writer: | Krishna Moorthy |
| Editor: | Sreejith Sarang |
| Camera: | Kalaiselvan Sivaji |

All Guild Reviews of Maareesan

Fahadh Faasil’s film fools you into forgiving terrible crimes with its farfetched plot twist

Starring Fahadh Faasil and Vadivelu, the Tamil-language film Maareesan gaslights you into giving a thumbs-up to a mass murdering maniac.
At what point do you start feeling bad about the idea of wanting someone dead? While watching the new Tamil-language film Maareesan, you crave nothing more than the satisfaction of seeing a middle-aged man murder child molesters. The movie aims to appease a primal desire buried deep within us, and it does so with patience and skill. But the catharsis is temporary. After a while, you’re going to have to live with yourself, a person who wouldn’t mind a few murders here and there as long as the ones being murdered are terrible people. But, the service that Maareesan is accidentally providing has a greater purpose. In its efforts to manipulate our inherent goodness — who wouldn’t want to watch bad people be punished? — it is exposing our blood lust.
The Long Take: A Spotify Review

In the Tamil-language film Maareesan, the plot twist comes not at the end, but midway through. We talk about the sudden change in tone, and how the film handles it. We also discuss Fahadh Faasil’s comedic performance, and wonder why the film is presented through the perspective of his character. But mainly, we talk about the film’s shady morality, which seems to champion extrajudicial killings if the cause is perceived as noble enough.

Vadivelu, Fahadh Faasil steal the show in this slow-burn suspense flick

The film, directed by Sudheesh Sankar, moves at a leisurely pace in the first half before shifting gears in the second
If you said his comical expressions and reactions, you’d be mostly right. From Friends to Vetrikodi Kattu, Vadivelu’s body language and facial expressions when delivering funny lines have filled awkward silences in many drawing rooms as they play out on television. This continues to date on Tamil comedy channels. In Maareesan, his latest feature, written by V. Krishna Moorthy and directed by Sudheesh Sankar, Vadivelu sheds all those strengths. Here, he’s Velayudham, an Alzheimer’s patient who has largely forgotten his past. In his introduction sequence, he is chained and calling out to someone whom he thinks is his son.

Fahadh-Vadivelu's road trip takes wrong turn post-interval

Director Sudheesh Sankar's 'Maareesan', starring Vadivelu and Fahadh Faasil, is a comedy thriller. While the film wows you with a brilliant first half, it takes a formulaic turn in the second half.
‘Maareesan’ brings together Tamil comedy legend Vadivelu and brilliant performer Fahadh Faasil for the second time after ‘Maamannan’. While the two have their individual strengths, they are terrific performers. Give them any role, their eyes are enough to pull them off. Director Sudheesh Sankar’s ‘Maareesan’ is a comedy thriller, a genre that could either be effective or a total misfire. Dayalan (Fahadh Faasil) is a thief who is just out of the infamous Palayamkottai prison. In his words, certain houses talk to him and call him, so he could rob them. Soon after his return, he finds Velayudham Pillai’s (Vadivelu) house calling him. He breaks into the house to steal, but only to find Velayudham chained to his bed.
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