Joker

You’d think that the world was a less paranoid place five years ago, when the collective trauma of the pandemic hadn’t clobbered us on the head with a comically large mallet. But remember when governments were put on high alert before the release of a comic book movie about a murderous clown? Prepared for the riots that the supposedly incendiary film might incite, teams of police were stationed outside certain screenings of Todd Phillips’ Joker — a movie that was viewed by alarmists as a sort of dog whistle for basement-dwelling incels.

There is a moment early in Todd Philips’ latest film Joker: Folie à Deux featuring the leads Joaquin Phoenix and Lady Gaga that summarises the film well. It is the first courtroom scene in the film and Phoenix’s Joker is desperately looking at the door waiting for Lee or Harley Quinn (Lady Gaga) to walk into the court. Joker or Arthur Flec is on trial for killing six people including a popular chat show host live on television. While the tension in the room is palpable, Arthur keeps looking at the door. Lee enters and the two lovers exchange a smile. As Lee settles in, Arthur looks at her and pretends to stifle a yawn- referring to how boring the legal proceedings and the room is. The moment accurately captures the mood of the film.

“Let’s give the people what they want,” Lady Gaga’s Harleen “Lee” Quinzel (aka Harley Quinn) declares at a key moment in Joker: Folie a Deux. That seems odd coming from a film that is committed to giving audiences quite the opposite.