
Homebound
Drama Hindi
Two childhood friends from a small North Indian village chase a police job that promises them the dignity they’ve long been denied. But as they inch closer to their dream, mounting desperation threatens the bond that holds them together.
Cast: | Ishaan Khatter, Vishal Jethwa, Janhvi Kapoor, |
---|---|
Director: | Neeraj Ghaywan |
Editor: | Nitin Baid |
Camera: | Pratik Shah |

Guild Reviews
The Hindi Cinema that I fell in love with


Hits home, Oscar or not, it’s a winner

For those of us who survived Covid-19, the epidemic is today only a bad memory. For millions who suffered indignities first-hand, the grave tragedy has been buried in numbers and figures. What those screaming headlines could not touch within our hearts, today reaches us as ‘Homebound’ leaps on to the big screen.


Neeraj Ghaywan’s Searing Portrait of Thwarted Youth in a Callous Nation

It’s been a while since a contemporary Hindi film reminded me of Salim-Javed without trying too hard. I wouldn’t be surprised if the duo weren’t even on director Neeraj Ghaywan’s mind, when he wrote the opening scene to his second feature, Homebound. Adapted from journalist Basharat Peer’s piece, ‘Taking Amrit Home’ (2020), which appeared in the New York Times at the height of the pandemic, Ghaywan’s film opens with a startling visual. A railway platform is brimming with a crowd of young adults, applicants for a police public service examination. It’s so overwhelming that it momentarily breaks the spirit of Chandan (Vishal Jethwa).

Do Chandan and Shoaib survive their long trek back home?

It has been ten years since Neeraj Ghaywan blessed us film buffs with Masaan. A decade later, here we are. And Ghaywan is back with another film. This, too, feels like a long time coming. Let’s explore the Homebound movie, its story, and its ending, which are explained here.

Ishaan Khatter and Vishal Jethwa are terrific in Neeraj Ghaywan’s tale of disparity

In Neeraj Ghaywan’s Homebound, Vishal Jethwa and Ishaan Khatter play Chandan and Shoaib, childhood buddies from the marginalized section of society, who are acutely aware of their social status and desperate to earn the respect and validation they rightfully deserve. Early in the film, we are told that Chandan hides his caste identity. Desperate to break generational discrimination, both Chandan and Shoaib apply for Police jobs, but instead of opting for the reservation quota, Chandan applies in the general category. When a perturbed Shoiab questions his move, Chandan admits that he is scared to reveal his caste lest he be thrown again into doing menial jobs. That moment sets the tone of Homebound. A film about two young men who try honest means to get jobs and earn the respect of society, but society constantly fails them, ridicules them, and never allows them to shine.


A touching, telling and timely zeitgeist of the tumultuous times we live in

Does cinema have the power to change? The jury is (perennially) out on that one. Homebound comes close, very close, to providing the answer. For me, the experience of watching this film felt like my heart had been wrenched out of my body, dessicated into a million pieces and put back again. I am still me, but the experience of Homebound makes me feel I am not the same.
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