Hello Bachhon

‘शिक्षा हर बच्चे का हक है। उसकी आर्थिक स्थिति उसके पढ़ने, कुछ बनने के सपने के आड़े नहीं आनी चाहिए।’ इस नेक सोच से एजुकेशन टेक्नॉलजी की दुनिया में क्रांति लाने वाले बच्चों के चहेते टीचर अलख पांडे और उनके सपने, संघर्ष और सफलता की कहानी है वेब सीरीज ‘हैलो बच्चों’। वैसे, अलख पांडे और उनके ऑनलाइन कोचिंग संस्थान के सफरनामे पर पहले भी एक सीरीज ‘फिजिक्स वाला’ बन चुकी है, लेकिन ‘हैलो बच्चों’ अलख पांडे के साथ-साथ उन बच्चों की कहानी भी दिखाती है, जिसकी जिंदगी इस एक टीचर ने बदल दी। कहानी फिजिक्स वाला की नींव रखने वाले अलख पांडे (विनीत कुमार सिंह) और उनके साथ प्रतीक माहेश्वरी (विक्रम कोचर) के संस्थान के विस्तार के लिए फंड जुटाने की जद्दोजहद से शुरू होती है। कम की तंगी के चलते इंस्टिट्यूट अपना नेटवर्क सिस्टम अपग्रेड न कर पाने से लेकर अच्छे टीचर्स को गंवाने की चुनौतियों से जूझ रहा होता है। इन्वेस्टर फंड देने को राजी भी हो जाते हैं, मगर ज्यादा मुनाफे के लिए कोर्स की फीस बढ़ाने की मांग करते हैं, जिस पर अलख कतई राजी नहीं होता, क्योंकि उसका तो उद्देश्य ही हर बच्चे को सस्ती शिक्षा उपलब्ध कराना है।

Alakh Pandey struggles to keep his small coaching centre alive while massive corporations try to buy him out. He faces constant betrayals, teacher resignations, and mounting debts. Meanwhile, his students battle poverty and academic failure, fighting a system stacked against them. Refusing to sell his soul, Alakh takes his mission online, sparking a high-stakes revolution to make education a right for the masses. There is no discrediting the value that Viineet Kumar Singh, Vikram Kochhar, and Girija Oak Godbole bring as performers, but this is definitely not a show that gives much value to their mettle. It simply takes their presence for granted, offering them toothless characters. Viineet’s awkwardness in his performance is quite palpable; he struggles to bring Alakh Pandey alive due to the flat writing. The supporting cast is formidable, though their stories lack any impact.

To be honest, I went into this show because of Vineet Kumar Singh, In and As Alakh Pandey, who is world-famous as Physics Wallah, the teacher whose one-point agenda was to teach, baaki sab baad mein. Directed by Pratish Mehta, and written by Abhishek Yadav, Vernaali, Sandeep Singh Rawat, Hello Bachchon puts its love for Physics front and centre. In these times, when the importance of scientific temperament itself is under such pressure, to have a series outline its beliefs so clearly is heartening.

Hello Bachhon (“Hello Children”) is the perfect example of how not to tell a real-life story. It’s also the perfect example of how not to tell a story. And how not to tell. And just how not to. Based on the life of Physics Wallah (PW) cofounder, YouTuber and EdTech star Alakh Pandey, the TVF-created series unfolds like a 5-episode-long corporate video that, at its best, becomes an unwitting Shark Tank parody. Why not just make a branded documentary with fictional recreations instead of a chatbot-coded dramatisation with zero curiosity and project-graded nuance? What is the point of using fiction when every line sounds like a motivational quote, every character sounds like a brown-washed hologram, every scene looks like a live-action brochure, every student storyline feels like a reality-show montage, every exchange has the depth of an Amar-Chitra-Katha-esque moral lesson, and every note looks designed to romanticise middle-Indian aspiration and the predatory education empire? I can safely say that the Hindi biographical drama has reached its nadir with Hello Bacchon, a series I could’ve watched on mute and been none the wiser. Sincerity has never felt so insincere.