Gangers

Sundar C is a rather enigmatic filmmaker who understands the kind of nuanced conversations around cinema on social media, and still makes a film that would invariably be contentious in such a space. In fact, in a recent interview, Sundar C said that his films don’t have a lot of bloodshed, voyeuristic camera angles, double-meaning dialogues, and glamour for the sake of it. But then, Gangers is like an antithesis to his belief system as the film has bloodshed, voyeuristic camera angles, double-meaning dialogues, glamour for the sake of it, and… oodles of humour that salvages the film whenever it dips into unsavoury territories.

There’s an explanation for the weird title Gangers when a character wonders isn’t ‘Gangster’ the right term to use. Vadivelu as Singaram goes, “That’s an old term. This is for a change." Thus, the title ends up being the unique thing about Gangers, which is a reiteration of many such comedy dramas of Tamil. It isn’t unusual that Sundar C has stuck to a template yet again with Gangers. But the problem here is that the film has nothing else going for itself other than the template. Scenes cruise through checking all the usual boxes, following all the cliches with complete nonchalance, revealing a half-hearted effort in the writing and direction. The expectations, if any, about the collaboration of the hit duo Sundar C and Vadivelu after years, quickly turn into disappointments as the duo fails to recreate their past glory.

Two clips from recent promotional interviews went viral for the most ironic reasons. A Telugu producer asserted that there’s no nepotism in their film industry, and closer home, Sundar C, while promoting his movie Gangers, said his films never have double-meaning dialogues or suggestive sequences. Of course, netizens called it out and had a field day on social media. In fact, that is one of a few more concerns that plague Gangers, a rudimentary heist comedy almost rescued by the back-in-form legendary comedian Vadivelu. Veteran filmmaker Sundar C’s films are known for their simple plots, and Gangers is no different. The film is a mishmash of several ideas and templates we have gotten accustomed to — some from the director’s yesteryear hits. When a schoolgirl goes missing, her teacher, Sujitha (Catherine Tresa), takes it up and gets an undercover cop to serve as a teacher. Meanwhile, Saravanan (Sundar C) lands up in town as the new PET teacher for a school where Singaram (Vadivelu) holds the same position and has an eye for Sujitha. Is Saravanan the appointed cop? What’s the correlation between the teachers and the local gangsters masquerading as bigwigs? What are the films these plot points remind you of?…