Dacoit

This Telugu-Hindi thriller, meant to be a fast-paced romance between two good-looking people from opposite sides of the tracks, proves a few things: plots trying to be new shouldn’t feel familiar, it’s never a good idea to waste Prakash Raj, and that Anurag Kashyap needs to act a lot more, as he literally saves this film from sinking. It’s good to have Adivi Sesh back in action, building on his kinetic Kshanam-Goodachari persona. But his conflicted convict Hari, out for revenge against the love of his life (Mrunal Thakur), whom he holds responsible for his ruin, is overwrought. More underwhelming is Thakur as Saraswati, the upper-class, upper-caste woman whose idea of showing her lover a good time is to teach him how to drive on a straight road.

In cinema, or in the worlds that inspire it, some concepts are inherently dated. One such relic is dacoity. What do you picture when you hear of a film titled Dacoit? I go straight to the Chambal Valley, or maybe think of a Veerappan type, clad in camouflage, sporting a handlebar moustache, clutching hunting guns with a bullet rack slung diagonally across the torso. Given the dubious ways of Telugu cinema, I would at least expect one of those routine one-man battles against the system to protect mothers and sisters. Shaneil Deo’s film, however, delivers none of that. Instead, Dacoit tries to be everything else, none of which resembles a dacoit.

Dacoit: A Love Story keeps its biggest surprises under wraps, even as its team amped up pre-release promotions. Directed by Shaneil Deo and led by Adivi Sesh and Mrunal Thakur, the Telugu-Hindi bilingual is, at its heart, an emotional love story with an Indian ethos, told through a Western lens. The emphasis on “at its heart” is deliberate — embedded within is a distinctly old-school romance that nods to cinematic tropes of the past, hoping to resonate with a swipe-era audience. For that to land, the writing of both characters and subplots needs to hold. Sesh and Shaneil, who share screenplay credits, pack the film with layered, often complex characters. Threads of possible deceit and double-crossing keep the narrative engaging at key moments. While a few characters verge on being one-note, the complexity of the central figures ultimately works in the film’s favour.