Chhaava

Ajay Devgn’s voice introduces the pride of the Marathas, Chhatrapati Shivaji Maharaj and the Deccan where he held sway. Also meet Aurangzeb and the Moghuls. They are parallels in Indian history. The biggest compliment a veer can receive is when he dies and a sworn enemy asks God to keep open the doors to “jannat” for a “sher” is on his way. When Shivaji’s death is announced, amidst a chorus of sycophantic utterings by courtiers, Aurangzeb (Akshaye Khanna), with sunken cheeks and poring over crochet work, wonders aloud, “Shiva jaisa dushman ab milega kahan?” Aurang then goes on to do what he does best – celebrate the death of his enemy. Writer-director Laxman Utekar’s cinematography origins show up in the “amazeballs” visuals. The earth trembles, hooves thunder in close-ups. The Maratha chest swells with pride as Chhatrapati Shivaji’s son Shambhu Raje (Vicky Kaushal) arrives, tanned and majestic astride his horse, sword flying, his roar surround sound.

Based on Shivaji Sawant’s Marathi novel, Chhaava (lion’s cub) aims to acknowledge the bravery of Shambhu Raje (Sambhaji Maharaj played by Vicky Kaushal), that most history books haven’t been able to. There’s more to him than being Shivaji’s son who was betrayed by his own men, captured and brutally executed by Aurangzeb (played by Akshaye Khanna). The film sheds light on why he was widely revered by his people and feared by rivals in the nine years that he held the Maratha throne. Still reeling from the loss of his father, Sambhaji and Sersenapati Hambirrao Mohite (essayed by Ashutosh Rana) invaded Mughal stronghold Burhanpur right under their nose. For the nine years that followed, Sambhaji trampled on Mughals’ expansion plans making him a thorn in their side. Sambhaji’s bravery overcame the betrayal he faced by his own people until he was ambushed and captured in Sangameshwar. Even his brutal execution couldn’t kill his warrior spirit and fight for Swaraj.