Brown

After Mentalhood in 2020, Karisma Kapoor returns to the OTT space with the seven-episode series Brown. As the titular Rita Brown, Kapoor steps firmly outside her comfort zone with this crime drama. Director Abhinay Deo, best known for bringing a slick visual style and muscular energy to thrillers and action films, makes an intriguing foray into neo-noir territory. Adapted from Abheek Barua’s novel City of Death, the show is set in Kolkata and uses the city’s unique character to tell a story that is part murder mystery, part police procedural and part examination of fractured relationships and unresolved trauma. Told through a mix of Hindi, Bengali and English, the series follows Rita Brown (Kapoor), a once-respected homicide detective whose life has unravelled since solving a notorious double murder years earlier. Now battling alcoholism and carrying the burden of a troubled past, she is pulled back into active duty and tasked with solving the murder of Ahana Jaiswal, the daughter of a wealthy and influential family. Assigned to work alongside her is Inspector Arjun Sinha (Surya Sharma), a sincere and committed officer carrying wounds of his own. Together, Rita and Arjun are drawn into an investigation that uncovers layers of deception, secrets and uncomfortable truths.

Somewhere in the past five years, the Indian crime thriller stopped being a story and became a mood. We know the grammar by now. A cop with a dead spouse and a drinking problem. A city shot like it owes the cinematographer money. A murder that matters less than the grief piled on top of it. So much of streaming has settled into this groove that you can predict a whole show from its first frame of rain on a windshield. Brown, the seven-episode ZEE5 series directed by Abhinay Deo (Delhi Belly), speaks this grammar fluently. The trouble is that it doesn’t seem to know any other language. It belongs to a very particular wave, too. Call it the Mare of Easttown (2021 American crime drama series) effect. Ever since Kate Winslet trudged through a grey Pennsylvania town, Hindi storytellers have been busy assembling their own tired women with badges. Kareena Kapoor Khan did it in The Buckingham Murders. Raveena Tandon did it in Aranyak. Now Karisma Kapoor does it in Brown.

If I had an Indian Rupee for every neo-noir crime drama that features a haunted-and-disgraced cop with a drinking problem, buried trauma, a grieving subordinate and a gloomy colour palette, I’d be wealthy enough to not care about the weak conversion rate when I buy currency for a foreign trip. The eponymous protagonist of Brown is so brooding that she’d give Dracula a pale-faced complex. Rita Brown (Karisma Kapoor) rolls her own cigarettes for good measure; every puff she takes is punctuated with loud crackles of burning and inhalation so that we hear the emptiness of her soul. She misses her dead husband (Shaan) and dead unborn child.

Stop me if you’ve heard this one. A pill-popping, alcohol-swigging, chain-smoking detective is forced back on duty to catch a killer terrorising a decrepit, dingy city. Before the bodies pile up, she must track down and stop the devil whilst confronting her own demons, wading through the ghosts of her past and navigating a moody murder mystery. The air is thick with despair and grief. The (female) victim was found mutilated. The list of suspects is long, ranging from shifty family members to shifty exes to shifty stalkers. Everyone’s fractured, broken, carrying a truckload of trauma.

Seven episodes of Brown later, I couldn’t help but make my way to a place I never visit: ChatGPT. I keyed in a series of prompts which looked exactly like this: Serial killer + Murder mystery + Kolkata + Anglo-Indian community + Alcoholic and troubled cop + Food + Rabindrasangeet + Noir feel + Shadowy spaces + Kolkata landmarks + Sepia frames. In less than five seconds, I was staring at a plot uncannily similar to what I had just watched. It had even suggested a title for the story: “Sepia Nights”. ‘Sepia’ is, of course, described as “a deep reddish-brown colour”. ‘Brown’ is the operative word here. Before you rap my knuckles for venturing even close to AI, Brown has already beaten me to it. The series, now streaming on ZEE5, is nothing more than an algorithmic amalgamation of everything that Kolkata is. More importantly, it shows more of what Kolkata isn’t. Granted that Brown is a serial-killer thriller and not a geography lesson. But for a story that relies so much on atmospherics, it is a shame that director Abhinay Deo, along with his team of writers (Suri Gopalan, Diggi Sissodia, Sunayana Kumari and Mayukh Ghosh) choose to present the city through such a stereotypical, trite lens.