Poster of the film Bhagwat Chapter One: Raakshas

Bhagwat Chapter One: Raakshas

Thriller Hindi


A seemingly simple case of a missing girl, Poonam, puts Inspector Vishwas Bhagwat on a chase to find the culprit behind a sinister trail of disappearing girls. What happens next?

Cast:Arshad Warsi, Jitendra Kumar, Ayesha Kaduskar, Tara Alisha Berry,
Director:Akshay Shere
Editor:Hemal Kothari
Camera:Amogh Deshpande
FCG Score for the film Bhagwat Chapter One: Raakshas

Guild Reviews

Image of scene from the film Bhagwat Chapter One: Raakshas

An Effective Police Procedural

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Ishita Sengupta | Independent Film Critic writing for OTT Play

Fri, October 24 2025

Bhagwat might come across as a reiteration of familiar tropes in the digital space, but the film, within its finite runtime, treats them with care and proves to be no less effective than the rest.

Police Procedurals in Hindi films tend to follow a pattern. The gritty undersides of the crime are portrayed in alliance with the heroic arc of the law keeper. The more horrific the crime, the more elevated is the heroism of the officer. On paper, Bhagwat Chapter One: Raakshas is primed to be another reiteration. A troubled police officer is faced with an elusive killer as one case knots to another. Yet, Akshay Shere’s feature film sidesteps histrionics to unfold as a sobering depiction of society in tandem with the potency of law.

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Image of scene from the film Bhagwat Chapter One: Raakshas

Arshad Warsi Anchors An Overfamiliar but Potent Crime Thriller

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Rahul Desai | The Hollywood Reporter India

Sat, October 18 2025

Akshay Shere’s police procedural stays busy and sociopolitically alive to the India we live in today.

Bhagwat Chapter One: Raakshas starts like any Indian crime drama that wants the best of both worlds. The story is “inspired by true events,” but just about fictional and legally coy enough to stage itself as a franchise about a police officer who solves one case per film/season. It’s the Delhi Crime template. The ‘Chapter One’ in the title is a clue. As is the self-reverential opening slate: “To keep the truth alive, you must tell its story”. And a corny closing slate about courage that ends with an exclamation mark (!). In between these two quotes, however, Bhagwat defies its familiar status to stay humble, metrical and consistently watchable. Akshay Shere’s two-hour film has more in common with another well-crafted Hindi series. It shares its real-world source material with Dahaad (2023), the 8-episode thriller about a cop who gets drawn into a case of multiple missing girls and a potential serial killer. Like the show, the film does well to excavate the social fabric of a place that often serves as a portal between predator and prey.

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Image of scene from the film Bhagwat Chapter One: Raakshas

Crime film needs more craft and spark

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Uday Bhatia | Mint Lounge

Sat, October 18 2025

Arshad Warsi and Jitendra Kumar star in this thriller that doesn't do anything new or interesting with a story we've already seen

OTT lighting. Killer of scenes. Destroyer of aesthetic. The flat, boring, unengaged style that says, we know this looks terrible but no one expects better anymore.

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Image of scene from the film Bhagwat Chapter One: Raakshas

Everything works, and then doesn’t

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Nonika Singh | The Tribune

Sat, October 18 2025

This tale of a serial killer is not exactly riding on the thrills or tropes of whodunit

Two excellent actors, thriller genre, a real story and an authentic setting… ‘Bhagwat Chapter One: Raakshas’ seems to possess very many ingredients that make for a gripping fare. Indeed, the film starts off well: a girl has gone missing. Arshad Warsi, as Inspector Vishwas Bhagwat, has serious anger management issues and gets a punishment posting in the same town. He has a backstory, which is just hinted at to begin with, but explains both his anger and passion to go after criminals like a man possessed. His investigation into this particular case not only leads him to many more missing girls, but also dead end after dead end, until a breakthrough presents itself.

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Image of scene from the film Bhagwat Chapter One: Raakshas

Arshad Warsi, Jitendra Kumar break free from their image, but the film flatlines

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Shubhra Gupta | The Indian Express

Sat, October 18 2025

Almost all the moments from Vijay Varma's Dahaad show up in Arshad Warsi and Jitendra Kumar's film, making you wonder if it's a straight-up rip-off, or someone genuinely had no idea of the plot points of the show.

Exactly twenty years back, Arshad Warsi had played an upright cop in one of his finest films, ‘Sehar’. We had seen him in mostly comic roles up until then, and this ramrod straight policeman was a welcome departure, posting notice that he could do serious as well as jokey, turning him one of those performers whose presence invariably betters the movies they are in.

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Image of scene from the film Bhagwat Chapter One: Raakshas

What really happened to the missing girls?

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Kshitij Rawat | Lifestyle Asia

Fri, October 17 2025

Bhagwat Chapter 1: Raakshas dives into the dark underbelly of small-town India. ACP Bhagwat (Arshad Warsi) hunts a charming killer (Jitendra Kumar) inspired by the real-life Cyanide Mohan case. It begins as a routine missing-persons inquiry. But it spirals into something more chilling. The season 1 has set the stage for more twisted “chapters” to come.

Some tales require more than telling. They require you to feel them. Bhagwat Chapter 1: Raakshas begins with that very invitation. And from the very first frame, the film establishes the tone of a tale that is as disturbing as it is real. Let’s dive into Bhagwat Chapter 1: Raakshas ending, which is explained here, as well as its release date, cast, a brief review, and more. Before you proceed, make sure you have seen the movie, as this piece contains deep spoilers for the show. So watch the movie first, and then come back. Here’s your spoiler alert!

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Image of scene from the film Bhagwat Chapter One: Raakshas

दहाड़ नहीं पाता यह ‘भागवत’

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Deepak Dua | Independent Film Journalist & Critic

Fri, October 17 2025

उत्तर प्रदेश के गुस्सैल ए.सी.पी. विश्वास भागवत को क्राइम ब्रांच से हटा कर रॉबर्ट्सगंज भेजा गया है। शहर में एक लड़की के गायब होने से बवाल मचा हुआ है। भागवत का वादा है कि वह 15 दिन में उसे तलाश लेगा। अपनी तफ्तीश में उसे पता चलता है कि सिर्फ वह लड़की ही नहीं बल्कि कुल 19 लड़कियां लापता हैं। पुलिस शक में एक युवक को उठाती है लेकिन उसके खिलाफ कोई पुख्ता सबूत नहीं है। भागवत को यकीन है कि यही राक्षस है लेकिन वह शातिर कुछ और ही पैंतरे आजमा रहा है। अचानक कुछ ऐसा होता है कि…! ज़ी-5 पर आई इस फिल्म ‘भागवत चैप्टर 1-राक्षस’ की कहानी में दम है। कहानी के आवरण को भी दिलचस्प ढंग से तैयार किया गया है जिससे उत्सुकता बनी रहती है। एक लड़की के लापता होने के बाद लगातार नए-नए नामों का जुड़ते चले जाना रहस्य को बढ़ाता है। उधर इस कथा के समानांतर एक युवक-युवती की परवान चढ़ती प्रेम-कहानी इस रहस्य में नया एंगल जोड़ती चलती है। लेकिन यह कहानी उतनी दिलचस्प, कसी हुई और पैनी बन नहीं पाई है जितनी होनी चाहिए थी या हो सकती थी।

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