Be Happy

धारा नाम की एक बच्ची ऊटी में अपने पापा और नाना के साथ रहती है। कमाल का डांस करती है सो ‘इंडियाज़ सुपरस्टार डांसर’ नामक शो में भाग लेने के लिए मुंबई जाना चाहती है। पापा मना करते हैं तो डांस-टीचर उन्हें समझाती है कि पेरेंट्स दो तरह के होते हैं-एक वो जिनके बच्चे उनके ड्रीम्स जीते हैं और दूसरे वो जो अपने बच्चों के ड्रीम्स जीते हैं। बात पापा को लग जाती है और ये लोग पहुंच जाते हैं मुंबई। लेकिन यहां कुछ ऐसा होता है कि सारे ड्रीम्स एक तरफ हो जाते हैं। तब पापा कहता है कि मैंने धारा को कभी गिरने नहीं दिया है, आज भी गिरने नहीं दूंगा। कहानी बढ़िया है। एक बच्ची, उसका ड्रीम, कभी आड़े आया पिता जो आज उसके साथ है। यह धुकधुकी कि अब उसका सपना सच होगा या नहीं…! लेकिन यह कहानी एक पैराग्राफ में ही बढ़िया लगती है क्योंकि फिल्म कहानी पर नहीं, उस पर फैलाई गई स्क्रिप्ट पर बनती है और इस फिल्म की स्क्रिप्ट न सिर्फ ढीली व कमज़ोर है बल्कि इसमें से वह भावनाओं और संवेदनाओं की खुशबू भी लापता है जो इस किस्म की फिल्मों की जान होती है। वह खुशबू, जो दर्शकों के नथुनों से भीतर जाकर उसके ज़ेहन में जगह बनाती है, उसे उद्वेलित करती है और अंत में भावुक करते हुए उसे भिगो जाती है। इस फिल्म में यह खुशबू बस कहने भर को है जो एक-आध दफा महसूस होती है और फिर हवा हो जाती है।

After playing the chronically ill father of a young girl in I Want to Talk, Abhishek Bachchan plays a different kind of dad in Be Happy. In this dance-drama, streaming on Amazon Prime, the actor plays a widower raising a daughter who has an unshakable passion and talent for dance. Helmed by choreographer-director Remo D’Souza, Be Happy, written by D’Souza, Kanishka Singh Deo, Chirag Garg and Tushar Hirandanani, is built on the foundations of a father-daughter relationship and dance.

Remo D’Souza’s latest dance film Be Happy revolves around the relationship between a straitlaced single father and his imaginative daughter. Together, through the medium of dance, they learn to live life to its fullest. While much of the Hindi film is focused on young Dhara wanting to achieve her dream of appearing on the dance reality show India’s Superstar Dancer, Be Happy is much stronger when it rests on the father-daughter bond. The dance portions of the film are unnecessarily stretched. Dhara (Inayat Varma) lives with her father Shiv Rastogi (Abhishek Bachchan) and grandfather Mr Nandar (Nasser) in Ooty. But her real dream is to join Maggie Teacher’s (Nora Fatehi) top dance academy in Mumbai and appear on India’s Superstar Dancer. The musical drama follows how she manages to fulfill her wishes against all odds. Along the way, Shiv also learns to be a little less rigid and protective as a single father after the death of his wife Rohin (Harleen Sethi).

Ooty-based schoolgirl Dhara (Inayat Verma) is happiest when dancing. Single parent Shiv (Abhishek Bachchan) loves her to bits, but is not mad about her wanting to go off to Mumbai to focus on her moves, even when well-known dancer-teacher (Nora Fatehi) dangles an inducement to attend her sought-after academy. Things start falling into place, and then one day, trouble strikes. Can sheer will and determination win the day? Can dreams really come true?

Schoolgirl Dhara (Inayat Verma) dreams of taking a bow under the spotlight, convinced that she’s born to dance. She is also chirpily precocious as dad Shiv Rastogi (Abhishek Bachchan) dons an apron, makes her breakfast, plaits her hair and mom’s only a wistful memory in a photograph. Choreographer-turned-director Remo D’Souza is on familiar terrain when he sets up a superstar dance competition. A dream platform for Dhara. Renowned dancer Maggie Madam (Nora Fatehi) spurs Dhara’s dream by trying to convince Shiv that Mumbai’s where they should be for Dhara to train for the competition. Set in Ooty, bankers Shiv and father-in-law Nadar (Nassar), a doting thatha (grandpa) to Dhara, banter with a few words of Tamizh thrown in.

Abhishek Bachchan is shaping into quite a father figure. From playing one to his real-life ‘Paa’ Amitabh Bachchan wherein the latter’s progeria condition ages him dramatically to the point of infirmity, an estranged dad of a precocious kid he reunites with under curious circumstances in Ludo, a divorced daddy surviving medical issues of the life-threatening kind while navigating a bumpy relationship with his daughter in I Want to Talk to a single dad of a smart-alecky princess harbouring dancer dreams in Be Happy, Abhishek has embarked on quite a few journeys where his parenting skills are put to test. Unlike the textbook Papas trickling with emotional wisdom and snuggly warmth, Abhishek’s silently supportive approach, playful sarcasm and sparingly expressed authority conveys a father figuring it out as he goes along.

If you watch Hindi cinema for a living (or a loving), chances are you will be cursed with the Red Flag Syndrome. What is this syndrome, you ask? (You didn’t ask, but I’m telling you anyway because clunky exposition is in my DNA). Being able to identify red flags in a film — or being able to see through a story within the first few scenes — used to be a superpower. But now it’s almost a crime, like X-ray vision for perverse superheroes: you’re accused of seeing the film naked. It took me all of 30 seconds to commit this crime with Be Happy.