Poster of the film Angry Young Men

Angry Young Men

Documentary Hindi


Angry Young Men is the story of Salim-Javed, legendary screenwriters of 1970s Hindi cinema. Together, they created the archetype of the Angry Young Man - a brooding anti-hero who captured the imagination of an entire nation with his rage, defiance, and quest for social justice. Like the character they created, Salim Khan and Javed Akhtar, two outsiders to the Hindi film industry, defied all odds, questioning the position of writers and demanding recognition as much as the reigning stars of that time. Their break-up made headlines for many years and Indian cinema never saw a cultural collaboration as powerful again. This is a personal and candid account of their lives, their writing and their legacy.

Cast:Javed Akhtar, Salim Khan, Amitabh Bachchan, Salman Khan, Aamir Khan, Farhan Akhtar, Zoya Akhtar, Hrithik Roshan, Shatrughan Sinha, Karan Johar, Shabana Azmi
Director:Namrata Rao
Editor:Geeta Singh

Guild Reviews

Image of scene from the film Angry Young Men

An entertaining home video that mollycoddles Salim-Javed duo

Fox in morning light

Suparna Sharma | Independent Film Critic

Mon, October 14 2024

Salim Khan, 88, and Javed Akhtar, 79, are the stars of this multi-starrer

Angry Young Men, a three-part series directed by Namrata Rao, is crafted like the many Bollywood blockbusters that its protagonists — Salim Khan and Javed Akhtar — wrote together. Starring their wives, children, colleagues, friends and fans, the series is devoted to not just telling the story of a very successful and almost epochal collaboration, but also to cast them as the best writers Indian cinema has ever had.

Continue reading …

Fox in morning light

Rohit Khilnani | Bollywood Hungama

Tue, August 20 2024

A Spotify Review

Fox in morning light

Akhil Arora | akhilarora.com

Mon, August 19 2024

Angry Young Men, the three-part documentary about writers Salim Khan and Javed Akhtar’s partnership, is a massive missed opportunity. We discuss the show’s cagey approach to its legendary subjects, the overwhelming feeling of self-satisfaction, and the unearned points it tries to score for highlighting the plight of writers in the film business. We also discuss the superficial filmmaking, the lack of insight provided by everybody involved, and more than anything else, express our shock at the creative decision not to put Salim-Javed in the same room together.

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