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Poster of the film 120 Bahadur

120 Bahadur

Action War Hindi


Valiant Indian soldiers fight against Chinese troops during the 1962 Sino-Indian War, preventing a potential occupation of Ladakh region in the Battle of Rezang La.

Cast:Farhan Akhtar, Raashii Khanna, Sparsh Walia, Ankit Siwach, Vivan Bhatena, Dhanveer Singh, Brijesh Karanwal, Sahib Verma, Eijaz Khan, Ajinkya Deo, Marcus Mok
Director:Razneesh Ghai
Editor:Rameshwar S. Bhagat
Camera:Tetsuo Nagata
FCG Score for the film 120 Bahadur

All Guild Reviews of 120 Bahadur

Image of scene from the film 120 Bahadur

Farhan Akhtar film brims with action and emotion

Fox in morning light

Shubhra Gupta | The Indian Express

Fri, November 21 2025

Farhan Akhtar plays Major Shaitan Singh Bhati with brio, and the film brings a lump to the throat, and a tear to the eye.

It was 120 against 3000, and on that fateful November day in 1962, the one hundred and twenty Indian soldiers led by Major Shaitan Singh Bhati kept the much larger Chinese contingent at bay, giving up their lives to save the crucial Chushul valley in Ladakh. It came to be known as the Battle of Rezang La, and in the continuous onslaught of the Chinese army, only six soldiers of the Charlie Company, 13 Kumaon Regiment, almost all of them Ahirs, survived. Farhan Akhtar plays Bhati with brio, leading his men into a ‘jung’ from where there was no coming back, and the result is a war film which brims with the action-and-emotion necessary for a Bollywood drama, but refuses to go under because of it.

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Image of scene from the film 120 Bahadur

Has flourish and visual but not vibe or feel

Fox in morning light

Priyanka Roy | The Telegraph

Fri, November 21 2025

In Hindi cinema, foreshadowing has somehow become a go-to formula for a war film. In 120 Bahadur, the latest in Bollywood’s canon of real-to-reel combat cinema, the signs are all there very early on — a promise to return made to a beloved, a son imagining the happy times he will get to spend with his parents again, a father writing a letter to his young son from a zone of strife, with special emphasis on words like ‘saahas’ (courage) and ‘balidaan’ (sacrifice). When our leading man — Farhan Akhtar’s braveheart Shaitan Singh Bhati — is asked to cut short his leave and called back to duty ahead of the festive season, he tells his wife: “Agle saal Diwali aise manayenge ki iss saal ki kasar poori ho jaaye”. It is such a predictable route to take that one knows he will never make it back.

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Image of scene from the film 120 Bahadur

Farhan Akhtar shines in this compelling recreation of the battle of Rezang La

Fox in morning light

Anuj Kumar | The Hindu

Fri, November 21 2025

Technical prowess and emotional heft come together in Razneesh Ghai’s stylish tribute to the steely defiance and courage of our soldiers

Much like our political leadership, Bollywood largely remains silent on our battles and skirmishes with our northern neighbour. This week is a glorious exception, as director Razneesh Razy Ghai brings a tale of valour from the Chinese front as he makes us relive the battle of Rezang La, where 120 Indian bravehearts from the plains thwarted the dragon’s designs on Chushul Airfield to occupy the entire Ladakh during the Sino-Indian war on November 21, 1962.

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Image of scene from the film 120 Bahadur

A heroic last stand that needed more firepower

Fox in morning light

Renuka Vyavahare | The Times of India

Fri, November 21 2025

Set during the 1962 India–China war, 120 Bahadur recounts the extraordinary courage of 120 Indian soldiers led by Major Shaitan Singh Bhati (Farhan Akhtar), who defended the Chushul airbase against an overwhelming Chinese force in the Battle of Rezang La.

Director Razneesh “Razy” Ghai revisits a painful yet remarkable chapter of Indian military history that has rarely been explored on screen. Barring Chetan Anand’s Haqeeqat (1964), with its unforgettable anthem “Kar Chale Hum Fida”, Bollywood has curiously stayed away from this story. These unsung heroes deserved a film dedicated solely to them — and Ghai, to his credit, remains committed to that intent.

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