Vignesh Madhu

Athiradi is a loud film in every sense of the word. The characters are loud. The music is loud. And with the story unfolding against the backdrop of a campus festival, the ambience is naturally loud too. There’s a restless, crazy energy to the film, driven majorly by editor Chaman Chakko, who steps on the gas every time the narrative threatens to slow down. His flashy, fancy cuts give the film the pace and rhythm of an extended Instagram reel. But that also means Athiradi trades emotional intensity and character depth for spectacle and set pieces, resulting in a shallow yet enjoyable youthful entertainer that still gives enough bang for the buck.

When newly recruited Sub-Inspector Vijay Radhakrishnan (Shane Nigam) takes charge at the Kuzhinilam police station, things look all bright and pleasant in the hills. Barring occasional scuffles among locals, the station has no major history of crime, making it an ideal posting for a newcomer to ease into the gritty world of law enforcement. However, it doesn’t take long before Vijay’s worst nightmares come true as a series of gruesome crimes are reported back-to-back in the locality. Three murders and a bank robbery, and Vijay’s efficiency is straightaway in question. He has a point to prove.