Udita Jhunjhunwala

The year is 1997. The setting is Rishikesh. It’s a time just before mobile phones, when DVDs were still predominant. Writer-director Raaj Shaandilyaa’s film opens with a shoddily executed computer graphic of a train hurtling towards a forlorn man on the tracks. This is the eponymous Vicky, played by Rajkummar Rao. It’s much like Rao’s year which has been speeding along strongly, but will eventually have to come to a halt. Unfortunately, the Rao train has been derailed by this most unintelligible 152-minute-long romantic comedy that is built around a slim plot line.

Sector 36, based on the gruesome murders of Nithari village in Noida, which were uncovered in 2007, follows a serial killer who lives in plain sight. In Aditya Nimbalkar’s crime drama, Prem (Vikrant Massey) is the house-help of Balbir Bassi (Akash Khurana), an affluent businessman from Karnal. Bassi rarely visits his palatial bungalow in Delhi’s Sector 36, but when he does, his actions are also creepy. Prem, taking advantage of his unsupervised existence, far from his own family that lives in a village, abducts children from the neighbouring migrant settlement, mercilessly killing them to satisfy his deviant appetite.