Sukanya Verma

Vasan Bala creates worlds that may appear deceptively similar to the ones you and I inhabit but run entirely on their own terms and whimsy. It’s a part of the film-maker’s charm and cinephile influences, which made the likes of Mard Ko Dard Nahi Hota and Monica O My Darling such a treat. Jigra, probably his most big-ticket project so far, is also his most sombre.

Vicky Vidya Ka Woh Wala Video has the eagerness of a standup comic. It is the sort of movie that feels obliged to make a joke before a sentence, between a sentence and after a sentence. Problem is the humour is not just pedestrian, it’s also plain unfunny. It’s a joke, Manjot Singh in a cameo points out early on in Director Raaj Shaandilyaa’s first comedy outside the Dream Girl franchise, as though embarrassingly aware of how unamusing the whole shtick is.

Unsettling, isn’t it? Our most reliable source of information and communication can be programmed to keep tabs on our mind and movement across the multiple devices that have become indispensable crutches of modern living. But then the Internet has always been a seductive, if not secure, space where all its gifts come with its share of dangers.