Sukanya Verma

Just like the earlier two Bhool Bhulaiyaa movies, kickstarted by Priyadarshan in 2007, the third of the horror comedy series by Director Anees Bazmee revolves around a phony psychic caught in the family drama of a haunted haveli. Bhool Bhulaiyaa 3 opens like one of those The Mummy preludes unfolding a dark history from 200 years ago only to cut to the present, signalling at the wicked all the wrongdoing has unleashed, which Ruhaan aka Rooh Baba’s (Kartik Aaryan) goofball ghostbuster must put an end to by hook or crook.

Dressed in the exact same attire as her newly wedded sister at her reception, the lookalike twin poses right next to the bride and groom as if fulfilling Bollywood’s bawdy fantasy of saali aadhi gharwali in a tasteless, thunder-stealing move.

Vasan Bala creates worlds that may appear deceptively similar to the ones you and I inhabit but run entirely on their own terms and whimsy. It’s a part of the film-maker’s charm and cinephile influences, which made the likes of Mard Ko Dard Nahi Hota and Monica O My Darling such a treat. Jigra, probably his most big-ticket project so far, is also his most sombre.

Vicky Vidya Ka Woh Wala Video has the eagerness of a standup comic. It is the sort of movie that feels obliged to make a joke before a sentence, between a sentence and after a sentence. Problem is the humour is not just pedestrian, it’s also plain unfunny. It’s a joke, Manjot Singh in a cameo points out early on in Director Raaj Shaandilyaa’s first comedy outside the Dream Girl franchise, as though embarrassingly aware of how unamusing the whole shtick is.

Unsettling, isn’t it? Our most reliable source of information and communication can be programmed to keep tabs on our mind and movement across the multiple devices that have become indispensable crutches of modern living. But then the Internet has always been a seductive, if not secure, space where all its gifts come with its share of dangers.