Srivathsan Nadadhur

Jathi Ratnalu director KV Anudeep’s latest film, Funky, is set in a bubble—the Telugu film industry, a world the filmmaker has immediate access to. The premise itself—where an emerging director falls for the daughter of an eminent producer—is a fictional take on the love story of industry couple, director Nag Ashwin and producer Priyanka Dutt (who are often referenced in the film).

Police officer Hemant’s week off is cancelled due to two urgent cases: the disappearance of MLA Jagtap’s brother, Sarju, and a gold theft. A mutilated corpse is found, forcing a desperate search for the missing head. Suspects are arrested, beaten, and confess, but the mystery deepens. The trail shockingly leads to Hemant’s ally, whose confession reveals more layers to the crime.

After a crushing setback in a crucial match, Nikku’s team finds its reputation on the line. As a key player departs, the team descends into disarray, struggling to find its footing. They must overcome these internal conflicts and face a formidable rival in a final showdown. This decisive match will determine not only the tournament’s winner but also their future, both on and off the field.

The Trial, the Hindi adaptation of the popular show The Good Wife, didn’t particularly have a good start with its first season, although it garnered enough viewership for Jio Hotstar to renew it for another instalment. The show struggled to rise above a collection of stray events in a middle-aged woman’s life, desperately rushing through episodes in a bid to keep a viewer hooked.

Aasman Singh is an overnight sensation, having made a remarkable acting debut and working wonders. He gets into a salty banter with Karishma, the daughter of a star, Arjun Talvar, at a roundtable interview. Cashing in on the controversy, Aasman and Karishma are paired in a new film, and love is in the air. Yet, their romance struggles to take off, thanks to an ugly tiff, an underworld deal and a long-buried secret.

The series follows the story of an SI Raja and a gambler named Murali, and how they clash and unite for a common purpose later. Giving up his past, Murali seeks redemption by helping Raja solve a crime. After Raja’s aggressive actions in a few cases, his manipulative colleague Vaavar rises to prominence. Meanwhile, Raja tries to reestablish his position by making an offer to Murali to turn a cop.

Vetri, a debt-ridden entrepreneur, turns a gigolo after seeking financial help from a college senior, Karthikeyan. In his new role, he encounters Namrata, a lonely woman dealing with a miscarriage and a broken marriage. Meanwhile, Shraddha, a rebellious college student, keeps her romance with a classmate, Adi, a secret. As they meet at her home when her parents are away, the night takes a wild turn.

Film after film, horror enthusiasts continue to get a raw deal as storytellers lazily rehash old tropes for cheap thrills — a haunted house, mysterious deaths, a ghost with a flashback, a possessed woman, and a man who braves it all to end the menace. However, Kishkindhapuri is at least forthright about not being any different, embracing its masala mishmash exterior earnestly. Kishkindhapuri, while showcasing glimpses of a tragedy at a radio station in the 1980s, shifts to a contemporary timeline with the story of a much-in-love couple, Raghav (Bellamkonda Sreenivas) and Mythili (Anupama Parameswaran), who offer spooky experiences in haunted houses through their ghost walking tours. The tours, while deceptively curated, bank more on their participants’ fears.