Sonal Pandya

Two of Vince Gilligan’s creations likely sit on the list of the best all-time great TV shows of all time. After Breaking Bad and Better Call Saul, all eyes are on Gilligan’s next Pluribus starring Rhea Seehorn, and it does not disappoint. Set in a world where a virus has taken over humanity, one woman fights to save civilization from being taken over. Will she be successful? To find out more about this complacent new world, tune in weekly on Fridays to Pluribus.

After the British series The Stolen Girl, All Her Fault is the second series of the year revolving around a missing child attached to a fake playdate. Sarah Snook plays the mother whose child goes missing, and the Succession star ably headlines this strong drama about hidden secrets and family tragedies. Like The Stolen Girl, All Her Fault is also adapted from a novel, and creator-writer Megan Gallagher does well to hold audience interest episode to episode as the truth behind the kidnapper and their motives is revealed.

The eight-episode series, Down Cemetery Road, has a conspiracy plot that rivals another Apple TV show, Slow Horses. The similarities arise since both are adapted from author Mick Herron’s books. In this current series set in Oxford, a concerned neighbour finds herself being gaslit by those around her and stumbles upon a larger cover-up. Led by stalwart British talents Emma Thompson and Ruth Wilson, the twisty will keep you on the edge until its satisfying finale.

A year after the world fell in love with agnostic podcast host Joanne (Kristen Bell) and hot rabbi Noah (Adam Brody), the Netflix series Nobody Wants This is back to check in on the couple. Erin Foster’s series about an interfaith couple struck a chord with audiences. With its new season, it’s time to see whether Joanne and Noah can make it work despite their differences. While the rom-com gets candid for several characters, it also keeps circling around the same issue for the main couple.

After Santosh, The Apprentice is the second film releasing on Lionsgate Play that didn’t receive a theatrical release in India because of censor issues. Ali Abbasi’s Donald Trump biopic The Apprentice is almost overshadowed by another man, Jeremy Strong’s Roy Cohn. Set in the 1970s, the drama follows young Donny’s journey into becoming Donald Trump, ably played by Sebastian Stan, who subtly gives glimpses of the businessman and future president used to cutting corners to get ahead.

Based on Ruth Ware’s bestselling novel, The Woman in Cabin 10, follows a journalist, Laura Blacklock, seeking the truth in a suspicious murder. With only herself as a witness, Laura is fighting a losing battle. Starring Keira Knightley as the determined heroine, the film features some cookie-cutter characters who fail to raise interest. The central mystery at the heart of this thriller is too easy to guess as well.

Like most projects in Hollywood these days, the new film in the Tron franchise, Tron: Ares, asks if Artificial Intelligence (AI) can be used for good. Joachim Rønning’s feature brings forth some new characters wrestling with the idea of big tech harnessing AI for their own benefits. The franchise also returns back to the grid in both nostalgic and futuristic ways. The sequel sits on the fence, making its narrative appealing for fans and newcomers looking for an entertaining watch in theatres.

“Only a mother could love you,” scolds Ed Gein’s mother Augusta (Laurie Metcalf). Ryan Murphy’s Monster anthology returns for a third time on Netflix with the story of serial killer and grave robber Ed Gein, who the series would have you believe is the godfather to the rest of the murderers that followed. Charlie Hunnam plays the title role and really sinks into it. However, the screenplay by Ian Brennan is overly indulgent dragging the story over eight episodes and moving it from tangent to tangent.