Sonal Pandya

How many murders can you have in a building? Turns out one every season, and we hope the corpses continue to fall because the fifth season of Hulu’s Only Murders in the Building is warm, funny, and oddly delightful. Several new characters are added this season, but it doesn’t take away from the core protagonists as they investigate the murder of one of their own. Steve Martin, Martin Short, and Selena Gomez are once again the highlight, while Meryl Streep is the best addition to the stellar show. Season 5 of the series looks at a New York institution, the doormen of the Big Apple who keep the buildings running. Viewers knew from last season that the Arconia’s beloved doorman, Lester (Teddy Coluca), was found dead in the courtyard fountain. Charles (Steve Martin), Oliver (Martin Short), and Mabel (Selena Gomez) decide to investigate the mysterious circumstances, which takes them down memory lane into the history of the Arconia itself with interactions with mobsters and billionaires that provide more clues.

The second season of Wednesday was split into two by Netflix, and the remaining four episodes have too much action and narrative packed in. Created by Alfred Gough and Miles Millar, with Tim Burton as executive producer and director, Wednesday has a lot going for it, but the story in the latter half of Season 2 is underwhelming despite each twist it throws at you. The makers are determined to involve every single character in its overstuffed plotline, leaving a very exhausted viewer at the end. The fallout from episode four leaves two dangerous fugitives from Willow Hill psychiatric hospital, the Hyde Tyler Galpin (Hunter Doohan) and Slurp (Owen Painter), the zombie that Wednesday’s (Jenna Ortega) brother Pugsley (Isaac Cordonez) befriends. Both Addams siblings set out to find them, and it leaves everyone converging towards a wild battle. At Nevermore, Enid (Emma Sinclair) discovers some distressing information about herself, while Principal Dort (Steve Buscemi) is insistent on having a grand gala for the school with possible donor Hester Frump (Joanna Lumley), Wednesday’s grandmother.

Presented by Apple and A24, Spike Lee’s newest, Highest 2 Lowest, is a heart-pounding thriller set in the Big Apple. Like the title, Lee goes from a high-rise penthouse to a downtown apartment as a music mogul tries to figure out who threatened and stole from him. The American filmmaker reimagines legendary Japanese auteur Akira Kurosawa’s High and Low (1963) and sets it in his hometown, New York, while tackling the perils of fame and questioning what it means to be a good man. The result is an exhilarating performance from longtime collaborator Denzel Washington in a film that keeps the viewer on their toes. Washington plays David King, a music mogul who is said to have the “best ears in the business.” On the verge of buying back his stake in his label, Stackin’ Hits Records, King receives a ransom call for $17.5 million saying his son has been kidnapped. King moves into action, getting the police involved. Later, it is discovered that it’s not Trey (Aubrey Joseph) but his friend Kyle who has been taken instead. Suddenly, King doesn’t want to pay the ransom. But when he tries to do the right thing, everything goes upside down.

Better Man is a strange but effective musical biopic on singer Robbie Williams, formerly of Take That. Viewers see him lay bare several key moments from life - the good, the bad and the ugly. However, until the credits roll, we never see his face. That’s because the role of Robbie is taken over by a CGI chimpanzee (performed by Jonno Davies). Robbie narrates his story and the Michael Gracey film shows how fame can be both the best and worst thing to happen to you. As far as biopics go, this feature makes an impact from the very first scene. The biopic charts Robbie’s incredible rise from a nobody living in Stoke-on-Trent to becoming the UK’s best-selling solo artist ever. It’s a steep rise that comes with its own perils as the teenage Robert becomes Robbie and begins to lose himself to his starry career. Seeking the approval of his absent dad, he manages to become one of the greats while overcoming several addictions from drugs, booze and dizzying heights of fame. This is a happy story, as we know he does emerge out of the dark side, but the movie never shies away from the bleakness.

Since its release in 2021, so many makers have tried to replicate the moody and twisty narrative of Mare of Easttown, which starred Kate Winslet. Creator Brad Ingelsby’s latest show, Task, borrows many elements from his own award-winning series, and the result is a taut thriller that leaves you guessing until the last episode. The seven-part series gives viewers two protagonists to empathise with; they are headed on a crash course from which there is no return. Mark Ruffalo plays FBI agent Tom Brandis, who heads a task force to look into a string of violent robberies that target drug and gang houses. As he and his team dive deeper and deeper into the case, they uncover betrayals and moles that have wider repercussions. Meanwhile, main suspect Robbie Prendergast (Tom Pelphrey) is bottling up intense emotions that could land him and his family in deep trouble. Will both men make it out to the other side alive?

After Harry Potter, filmmaker Chris Columbus spearheads another popular franchise. The Netflix film, The Thursday Murder Club, is the first of five books about four retired senior citizens who solve murders. Richard Osman’s mysteries are bestsellers worldwide and this first film casts Oscar winners and popular British stars in the main roles. The result is a cheeky and delightful romp across the countryside as the retirees try to save their retirement home and figure out who is willing to kill for the land it’s built on.

The newest streaming romance, The Map That Leads to You, is based on JP Monninger’s novel and feels like deja vu arriving on the heels of Netflix’s The Oxford Year. It uses the same kind of tropes - American young woman, a European excursion and a summer fling with a stranger who becomes the important part of your life. The biggest difference between the two is the direction by Oscar nominee Lasse Hallström and the treatment of the feature, which feels a bit more lived in. The film’s narrative is much more optimistic and thankfully, this one has a more relatable female lead. Outer Banks star Madelyn Cline plays Heather, who, like Anna (Sofia Carson) from My Oxford Year, has a job waiting for her back in New York. Heather goes on a girls’ trip across Europe with her college besties Connie (Sofia Wylie) and Amy (Madison Thompson), when she meets a stranger named Jack (KJ Apa) from New Zealand on a train to Spain. It’s very DDLJ-esque. He becomes a part of their friends group and the usually rigid Heather finds herself following the oft-beaten path along with Jack. She finds herself opening more and more. But the summer must come to an end, and Jack is hiding a very big secret. Will their romance be able to stand the distance?

The Crown and Fantastic Four: First Steps actress Vanessa Kirby delivers yet another terrific performance that is the cornerstone of this uneven thriller. Her character is pushed to several lengths as she moves mountains to protect her family. Based on Willy Vlautin’s 2021 novel The Night Always Comes, the Netflix film is set in moody Portland, Oregon, where the forecast is already grim. However, despite the strong performances by its excellent cast, director Benjamin Caron and screenwriter Sarah Conradt aren’t able to elevate the narrative to be believable. The crime thriller takes place over a ragged 24 hours in which it is established that Lynette (Kirby) is deeply in debt. She needs a down payment of $25,000 to sign a loan with her mother, Doreen (Jennifer Jason Leigh), to save their family home and her older brother, Kenny (Zack Gottsagen), who has Down’s syndrome. If the house is in his name, he won’t be sent away to a special facility. But of course, nothing goes her way. Her mother buys a new car instead and a desperate Lynette runs around Portland, calling in every favour she knows and meeting unsavory characters to gather the money.