Shomini Sen

Aamir Khan is back with his trademark, quintessential feel-good movie. Over the years, the actor has carved out a niche in Indian cinema for making entertaining films that convey important social messages. In the past few years, as the actor tried to experiment in typical commercial fare, the set image dwindled. In 2025, he seems to be back in his comfort zone, playing a reluctant hero in Sitaare Zameen Par, where he typically takes a backseat and lets others shine. Of course, the superstar’s presence looms large on this one, but Sitaare Zameen Par works because of its messaging and the way it is delivered. Helmed by RS Prasanna, who had directed the delightful and effective Shubh Mangal Savdhan earlier, Sitaare Zameen Par is the classic underdog story. On many occasions, the film feels cliche and predictable, but it is the bunch of new actors, all neurodivergent, that uplifts this regular story.

Kamal Haasan and Mani Ratnam- two stalwarts coming together in a film is a cinematic event in itself. The highly anticipated film Thug Life, which marks the collaboration of the two legends after 37 years, is finally here. Expectations, thus, were high for this one from the time the film was announced. But Haasan, who also serves as a co-writer and co-producer of the film, delivers a middling performance in a formulaic film that is spruced with well-known actors, both from the south as well as the north. Ratnam, who is considered one of the best auteurs in the country, always has managed to make warm, emotional, and gritty dramas. Each of his movies has the distinct mark of the filmmaker, which is hard to emulate. Thug Life, however , seems to be more of a massy drama which doesn’t particularly have any distinct stamp of the filmmaker.

At a time when ‘Pan-India’ movies with larger-than-life action heroes in the lead are ruling the box office, debutant director Karan Tejpal’s film Stolen seems like an unusual thriller. It has two brothers helping a woman they have just met, find her missing baby, amid the sand dunes and by lanes of Rajasthan, as locals, cops, and thugs chase them and try to blame them for a crime they have not committed. The film, all of 90 minutes, is one of the slickest and edgy thrillers that Indian cinema has produced in recent years. There is not a single dull moment in this film, and an excellent screenplay backed by great performances by the three leads- makes Stolen a must-watch.

Bhool Chuk Maaf, featuring Rajkummar Rao and Wamiqa Gabbi, comes at a time when Bollywood has almost forgotten to make romantic comedies. In a world infested with spy-verses and Pan-India south actioners, Bhool Chuk Maaf reminds you of the years of Ayushmann-Rajkummar supremacy when these two actors featured in feel-good slice-of-life romantic comedies, delivering pertinent societal messages along the way. That era, somewhere between 2014 and 2018, is sorely missed now. Rajkummar Rao returns to the genre with Bhool Chuk Maaf, which has been in the news for its multiple shifts in release dates in the past month.

It has been nearly 3 decades since Tom Cruise suspended himself from the ceiling inside a CIA vault and stole classified data of the US government from a computer. That set the stage for death-defying stunts in subsequent films in the franchise. As Tom Cruise returns as Ethan Hunt in Mission: Impossible - The Final Reckoning, and hangs from a plane, fighting his opponent and nemesis Gabriel while defying gravity, one wonders if the tried and tested template of the MI series is finally wearing off. The 8th and presumably the final in the series, Mission: Impossible- The Final Reckoning, picks up from where Mission: Impossible - Dead Reckoning Part One ended. AI and its threat to world peace loom large and Ethan Hunt is beckoned by the US President to come and save the world. Entity - the villainous Artificial Intelligence, threatens to encrypt the data system of Nuclear-empowered countries across the world and detonate bombs across the world, which can start World War III and erase mankind. It is up to Ethan to find a solution and save the world in a matter of four days.

Netflix’s new web series The Royals- featuring Bhumi Pednekar and Ishaan Khatter- holds a lot of potential. In a crime thriller-infested OTT space, light-hearted romantic comedies are a win-win, particularly at a time when there is so much despair outside the screen otherwise. One would ideally want to sit back, grab a bucket of popcorn or a tub of ice cream, and binge-watch the slow-burning romance between Ishaan and Bhumi on the show. The Royals, after all, is a story of a reluctant prince and a go-getter self-made woman- they look good, they have smoldering chemistry, and the locations are fabulous- all serving as a perfect ingredient for a feel-good romance drama. Yet creator Rangita Pritish Nandy’s The Royals falters too much, making the premise of the whole show feel too superfluous and lame to be taken seriously.

I have to admit I’ve had the Marvel Superhero fatigue for a while now and have even avoided watching some of the studio’s recent offerings. There are too many now, and everything seems to be having an Avengers hangover. Just when I was about to write off Marvel Cinematic Universe, the studio has sprung a surprise with Thunderbolts- a film that is aware of the weight of fatigue that it carries but turns the Avengers sub plot on its head and delivers a refreshing take on the super hero world post the exit of the Marvel stalwarts. The film, directed by Jack Shreier and featuring Sebastian Stan, Florence Pugh and others, also tackles mental health in the most effective way possible in a story of reluctant, has-been superheroes.

The timing is unintentionally perfect. Emraan Hashmi starrer military biopic Ground Zero releases just days after the horrific Pahalgam terror attack in Kashmir. While the film is set in the early 2000s and talks of a BSF commandant, Narendra Nath Dhar Dubey, the film is set in Kashmir – a state that is being discussed widely at present. The situation from the early 2000s to the present day may vary, but the enemy – terrorism remains the same. But despite its relevance to the nation’s current mood, Ground Zero is a typical military biopic that Bollywood has churned out in dozens since time immemorial. Does the film leave a defining impact? Let’s find out.